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AS Saint-Etienne
AS Saint-Etienne - Werder Bremen MATCH PRESS KIT Geoffroy-Guichard, Saint-Etienne Wednesday 18 March 2009 - 20.30CET (20.30 local time) Matchday 9 - Round of 16, second leg Contents 1 - Match background 6 - Competition facts 2 - Squad list 7 - Team facts 3 - Match officials 8 - Competition information 4 - Domestic information 9 - Legend 5 - Match-by-match lineups This press kit includes information relating to this UEFA Cup match. For more detailed factual information, and in-depth competition statistics, please refer to the matchweek press kit, which can be downloaded at: http://www.uefa.com/uefa/mediaservices/presskits/index.html Match background Despite dealing AS Saint-Etienne their first UEFA competition defeat since November 1982 in the first leg at the Weserstadion, Werder Bremen know that their UEFA Cup Round of 16 tie is far from over. • Having knocked out AC Milan in the previous round, Bremen made a bright start against St-Etienne, with Naldo putting them into a 20th-minute lead, but they failed to increase their advantage after that and head to France with the outcome still in the balance. • St-Etienne had been unbeaten in their 12 previous European games since losing 4-0 at FC Bohemians Praha in the second leg of their 1982/83 UEFA Cup second-round tie on 3 November 1982. That run comprised seven wins and five draws. • Les Verts' nine-game unbeaten home run in Europe stretches back to the quarter-finals of the 1980/81 UEFA Cup, when a team featuring UEFA President Michel Platini lost 4-1 to Ipswich Town FC at the Stade Geoffroy-Guichard. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
Editors 4 (FINALIZED).Pdf
ACF Fall 2018 Edited by Nathan Weiser, Adam Silverman, Rahul Keyal, Olivia Lamberti, Young Fenimore Lee, Ashwin Ramaswami, Nitin Rao, and Neil Vinjamuri Editors 4 Tossups 1. During this battle, Ameinias failed to capture an enemy commander who held a ten-thousand drachma bounty for the insolence of being a woman. At this battle, the victorious leader had his slave Sicinnus feign defection in order to lure the enemy into position. The losing commander built a throne on Mount Aigaleo to observe this battle, which was fought after a stalemate at Artemisium. Queen Artemisia of Halicarnassus escaped this battle by ramming her ship into friendly forces. For 10 points, name this 480 B.C. defeat of Xerxes’ Persian navy by an allied Greek fleet under the command of Themistocles. ANSWER: Battle of Salamis 2. In a play by this author, the sudden withering of some roses represents the demise of the title spinster, who waits over twenty years for her fiance to return. This author wrote a play in which a mother is reminded of her husband’s death by her son’s request for a knife; in that play, Death takes the form of an old beggar woman while the Moon is represented by a young woodcutter. Near the end of that work by this playwright, Leonardo Felix and the Groom kill each other. This author’s best known play features an all-female cast, and concerns a matriarch who institutes a lengthy mourning period for her second husband. For 10 points, name this Spanish playwright of Blood Wedding and The House of Bernarda Alba. -
America's Closet Door: an Investigation of Television and Its Effects on Perceptions of Homosexuality
University of Tennessee at Chattanooga UTC Scholar Student Research, Creative Works, and Honors Theses Publications 12-2014 America's closet door: an investigation of television and its effects on perceptions of homosexuality Sara Moroni University of Tennessee at Chattanooga, [email protected] Follow this and additional works at: https://scholar.utc.edu/honors-theses Part of the English Language and Literature Commons Recommended Citation Moroni, Sara, "America's closet door: an investigation of television and its effects on perceptions of homosexuality" (2014). Honors Theses. This Theses is brought to you for free and open access by the Student Research, Creative Works, and Publications at UTC Scholar. It has been accepted for inclusion in Honors Theses by an authorized administrator of UTC Scholar. For more information, please contact [email protected]. America’s Closet Door An Investigation of Television and Its Effects on Perceptions of Homosexuality Sara Moroni Departmental Thesis The University of Tennessee at Chattanooga English Project Director: Rebecca Jones, PhD. 31 October 2014 Christopher Stuart, PhD. Heather Palmer, PhD. Joanie Sompayrac, J.D., M. Acc. Signatures: ______________________________________________ Project Director ______________________________________________ Department Examiner ____________________________________________ Department Examiner ____________________________________________ Liaison, Departmental Honors Committee ____________________________________________ Chair, Departmental Honors Committee 2 Preface The 2013 “American Time Use Survey” conducted by the Bureau of Labor Statistics calculated that, “watching TV was the leisure activity that occupied the most time…, accounting for more than half of leisure time” for Americans 15 years old and over. Of the 647 actors that are series regulars on the five television broadcast networks (ABC, CBS, The CW, Fox, and NBC) 2.9% were LGBT (Lesbian, Gay, Bisexual, Transgender) in the 2011-2012 season (GLAAD). -
When the Stars Come Out: Jodie Foster's Queer Families and The
((( When the Stars Come Out: Jodie Foster’s Queer Families and the Celebrity Private Sphere Claire Bond Potter Am I your passion your promise your end? I say I am, yes I am Your passion your promise your end, yes I am —Melissa Etheridge1 When Jodie Foster came out at the 2013 Golden Globes, her revelation (such as it was) was greeted with empathy, cynicism, and confusion. What was she saying? Did she actually come out if she didn’t say the word “lesbian?” This should prompt the question—What does it mean for a celebrity to come out in the 21st century? Most of them don’t, even as the larger culture has become dramatically more knowledgeable about and supportive of gay, lesbian, bisexual, transgender, and queer (GLBTQ) people. Does a celebrity coming out still matter? Following the 1997 “Puppy Episode” in which her daughter Ellen announced she was a lesbian, GLBTQ activist Betty DeGeneres told fans that: “Coming out is a gift.” But what kind of a gift? And to whom was it given? Like Ellen, some celebrities have come out not just to relieve anxiety about the dissonance between their private and public lives, but also because they have come to believe that they should use their influence on behalf of social justice. The GLBTQ movement Copyright © 2014 Michigan State University. Claire Bond Potter, “When the Stars Come Out: Jodie Foster’s Queer Families and the Celebrity Private Sphere,” QED: A Journal in GLBTQ Worldmaking 1.1 (2014): 166–172. ISSN 2327-1574. All rights reserved. 166 This work originally appeared in QED: A Journal in GLBTQ Worldmaking, 1.1, Spring 2014, published by Michigan State University Press. -
ACRONYMX-Round2 HSNCT.Pdf
ACRONYM X - Round 2 1. In a 1978 comic book, this athlete fights against and later joins forces with Superman to defeat an alien invasion. Trevor Berbick was the last man to compete against this athlete, who won a Supreme Court case in 1971 concerning his refusal to be drafted. This man, who lit the (*) cauldron at the 1996 Summer Olympics, rejected what he called his "slave name" after converting to Islam. George Foreman was defeated at the "Rumble in the Jungle" by, for 10 points, what heavyweight boxer formerly known as Cassius Clay? ANSWER: Muhammad Ali [accept Cassius Clay before the end] <Nelson> 2. In this series, Scott Clarke attempts to demonstrate an implausible theory by stabbing a paper plate. The band Survive produced music for this series, which also repeatedly makes use of The Clash's song "Should I (*) Stay Or Should I Go." A character on this series, whose real name, may be Jane Ives, is played by Millie Bobbie Brown and steals Eggos from a supermarket some time before following a monster into the Upside Down. Will Byers disappears at the beginning of, for 10 points, what supernatural-oriented Netflix series? ANSWER: Stranger Things <Nelson> 3. This man's directing credits include a 2007 film about a historically black college's debate team titled The Great Debaters. In a 2014 film, this actor portrayed a low-lying hardware store employee who is forced to use his experience as a former black ops killing machine. This star of the Antoine Fuqua [FOO-kwuh] film (*) The Equalizer won an Oscar for another of Fuqua's films, in which he plays Alonzo Harris, a man initiating a fellow police officer. -
Changing Perception of LGBT People Through Performances – Theater and Television in America and in Japan
Changing Perception of LGBT People Through Performances – Theater and Television in America and in Japan Atsushi Fujita+ (Japan) Abstract This paper examines how LGBT representations in popular media have changed people’s perception and is eventually changing society. American TV programs and theater have played significant roles in terms of advancement of LGBT issues. I look at three TV shows that made LGBT people visible in American society, and three revival theatrical productions on Broadway that urge us to look back at the history and keep fighting for equality. Compared to the U.S., Japan has a long way to go in terms of LGBT issues. However, social and political changes are happening especially in recent years. I analyze three recent TV shows shedding positive light on LGBT characters and argue that the change in Japan has been happening in a similar way which demonstrates how important these cultural representations are for the change. Keywords: LGBT, LGBT Characters on American TV, LGBT Characters in American Theater, LGBT Characters on Japanese TV + Atsushi Fujita, Associate Professor, Aichi Gakuin University, Japan. email: [email protected]. Changing Perception of LGBT People… | 55 Introduction America’s dynamism in politics and social change is like a pendulum especially as it relates to the LGBT (Lesbian, Gay, Bisexual, and Transgender) advancement in U.S. history. Just to look at it briefly, at least superficially, the lives of gay people improved as a result of gay liberation in the late 1960s and 1970s. During the AIDS crisis in the 1980s and the 1990s, there was a lot of discrimination and prejudice against people literally struggling for life. -
Explicit Affects: Confession, Identity, and Desire Across Digital Platforms Brandon Arroyo a Thesis in the Mel Hoppenheim Schoo
Explicit Affects: Confession, Identity, and Desire Across Digital Platforms Brandon Arroyo A Thesis In The Mel Hoppenheim School of Cinema Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Film and Moving Image Studies) at Concordia University Montreal, Quebec, Canada September 2018 © Brandon Arroyo, 2018 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Brandon Arroyo Entitled: Explicit Affects: Confession, Identity, and Desire Across Digital Platforms and submitted in partial fulfillment of the requirements for the degree of Doctor Of Philosophy (Film and Moving Image Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Mia Consalvo External Examiner Dr. Susanna Paasonen External to Program Dr. Monika Gagnon Examiner Dr. Marc Steinberg Examiner Dr. Erin Manning Thesis Supervisor Dr. Thomas Waugh Approved by Dr. Masha Salazkina, Graduate Program Director November 13, 2018 Dr. Rebecca Taylor Duclos, Dean Faculty of Fine Arts iii ABSTRACT Explicit Affects: Confession, Identity, and, Desire Across Digital Platforms Brandon Arroyo, Ph.D. Concordia University, 2018 This study accounts for what happens when a gay male identity politics centered around Western state power comes in contact with a pornographic aesthetic queerly subverting the markers composing this type of identity formation. While pornography has long affirmed -
Epistemology of the Console Author(S): Lynne Joyrich Source: Critical Inquiry, Vol
Epistemology of the Console Author(s): Lynne Joyrich Source: Critical Inquiry, Vol. 27, No. 3 (Spring, 2001), pp. 439-467 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/1344216 Accessed: 23/04/2010 20:31 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=ucpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Critical Inquiry. http://www.jstor.org Epistemology of the Console Lynne Joyrich Outbursts?Exploding Closetsand EpistemologicalCrises The 1994 Halloween episode of Roseanneexhibits the Connor family and their friends playing a series of Halloween tricks on one another, each attempting to outdo the others. -
45Th Annual Daytime Emmy Award Nominations Were Revealed Today on the Emmy Award-Winning Show, the Talk, on CBS
P A G E 1 6 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS FOR THE 45th ANNUAL DAYTIME EMMY® AWARDS Mario Lopez & Sheryl Underwood to Host Daytime Emmy Awards to be held on Sunday, April 29 Daytime Creative Arts Emmy® Awards Gala on Friday, April 27 Both Events to Take Place at the Pasadena Civic Auditorium in Southern California New York – March 21, 2018 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 45th Annual Daytime Emmy® Awards. The ceremony will be held at the Pasadena Civic Auditorium on Sunday, April 29, 2018 hosted by Mario Lopez, host and star of the Emmy award-winning syndicated entertainment news show, Extra, and Sheryl Underwood, one of the hosts of the Emmy award-winning, CBS Daytime program, The Talk. The Daytime Creative Arts Emmy Awards will also be held at the Pasadena Civic Auditorium on Friday, April 27, 2018. The 45th Annual Daytime Emmy Award Nominations were revealed today on the Emmy Award-winning show, The Talk, on CBS. “The National Academy of Television Arts & Sciences is excited to be presenting the 45th Annual Daytime Emmy Awards, in the historic Pasadena Civic Auditorium,” said Chuck Dages, Chairman, NATAS. “With an outstanding roster of nominees and two wonderful hosts in Mario Lopez and Sheryl Underwood, we are looking forward to a great event honoring the best that Daytime television delivers everyday to its devoted audience.” “The record-breaking number of entries and the incredible level of talent and craft reflected in this year’s nominees gives us all ample reasons to celebrate,” said David Michaels, SVP, and Executive Producer, Daytime Emmy Awards. -
2016/17 UEFA Champions League Technical Report
CONTENTS 6 8 18 24 ANALYSIS, THE WAY THE FINAL THE WINNING REFLECTION TO WALES COACH AND DEBATE 26 28 36 42 RESULTS TECHNICAL GOAL STANDARD GOALS OF TOPICS THE SEASON 44 48 51 52 TALKING POINTS SQUAD OF STATISTICS: STATISTICS: THE SEASON POWERS OF ATTEMPTS RECOVERY ON GOAL 54 56 58 60 STATISTICS: STATISTICS: STATISTICS: STATISTICS: ROUTE TO GOAL GOING THE PASSING POSSESSION DISTANCE 62 63 64 98 STATISTICS: STATISTICS: TEAM PROFILES ROLL OF CROSSES CORNERS HONOUR 3 INTRODUCTION ANALYSIS, REFLECTION The UEFA Technical Oberservers Group in Cardiff (from left to right): AND DEBATE Thomas Schaaf, Peter Rudbæk, Ginés Meléndez, Ryan Giggs, Sir Alex Ferguson, Ioan Lupescu, Fabio Capello, Roy Hodgson, Mixu Paatelainen UEFA’s Technical Observers This Technical Report sets out to provide a of the competition, culminating with the points that, it is hoped, might contribute permanent record of the 125 matches played final in Cardiff. UEFA’s technical director useful material to the continued professional Group met in Cardiff in the group stage and the knockout rounds Ioan Lupescu captained a team of observers development of more than 200,000 coaches to discuss the main of the 2016/17 UEFA Champions League comprising Ryan Giggs (Wales), Ginés Meléndez who currently hold a UEFA licence. By trends and talking points season and to present factual and statistical (Spain), Mixu Paatelainen (Finland), Peter highlighting tendencies and trends at the peak information in a reader-friendly format. The Rudbæk (Denmark), Willi Ruttensteiner of professional club football, the aim is to from the 2016/17 UEFA report, given the evident limitation of not being (Austria), Thomas Schaaf (Germany) and provide a meaningful tool to coaches who are Champions League season able to enter into great detail about individual Gareth Southgate (England). -
Glued to the Set: TV-Shows, Norms and Culture Spring 2017 Copenhagen 3 Credits Major Disciplines: Communication
1 Final Syllabus Glued to the Set: TV-Shows, Norms and Culture Spring 2017 Copenhagen 3 Credits Major Disciplines: Communication. Film Studies. Media Studies. Faculty Member: Anne Jespersen, [email protected] Program Director: Iben de Neergaard, Vestergade 10 A23, [email protected] Assistant Program Director: Nya Oxfeldt Jensen, Vestergade 10 A23, [email protected] Program Assistant: Jenny Han, Vestergade 10 A23, [email protected] Thursdays, 13.15-16.10, Room N7 – A23 Glued to the Set: TV Shows, Norms, and Culture | DIS 2 Final Syllabus Course Description: TV shows and sitcoms like Modern Family, Mad Men, Breaking Bad, The Killing, House of Cards, The Office, I love Lucy; and characters like Cosby, Homer Simpson, and Will and Grace both reflect and shape our societies’ gender roles, race relations, class divisions, sexual norms, and values. This course critically analyzes the history and importance of various TV genres and shows in the U.S., England, and Scandinavia and view them as mirrors of society and culture. The course offers an introduction to television history in the USA and Europe. It presents the rise of television in its various organizational forms (e.g. BBC in 1936 and NBC in 1939), and looks at concrete television genres and programs, while analyzing them as sociological mirrors or portraits of the time in which they were made. Each class will concentrate on one period, theme or aspect of television history and/or analysis and will often include a related viewing of a concrete program. The approach will be analytical, aesthetical, and historical. Instructor: Anne Jespersen. Cand.mag.