RTF 386C: Race, Class, Gender and U.S. Television Cross-Listed with AMS 391 and WGS 393 Fall 2020 - Online
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Politeness Strategies Between Ellen Degeneres and Barrack Obama in the Ellen Talk Show a Thesis By
POLITENESS STRATEGIES BETWEEN ELLEN DEGENERES AND BARRACK OBAMA IN THE ELLEN TALK SHOW A THESIS BY: MUHAMMAD ALI SAKTI NASUTION NIM: 167052015 ENGLISH POSGRDUATE STUDY PROGRAM FACULTY CULTURAL SCIENCES UNIVERSITY OF SUMATRA UTARA MEDAN 2019 UNIVERSITAS SUMATERA UTARA 1 POLITENESS STRATEGIES BETWEEN ELLEN DEGENERES AND BARRACK OBAMA IN THE ELLEN TALK SHOW A THESIS Submitted to English Department Posgraduate Program, Faculty of Cultural Sciences, University of Sumatera Utara in Partial Fulfilment of Requirement for the Degree of Master of Art(M.A.) in English BY: MUHAMMAD ALI SAKTI NASUTION NIM: 167052015 ENGLISH POSGRDUATE STUDY PROGRAM FACULTY CULTURAL SCIENCES UNIVERSITY OF SUMATRA UTARA MEDAN 2019 UNIVERSITAS SUMATERA UTARA 2 UNIVERSITAS SUMATERA UTARA 3 UNIVERSITAS SUMATERA UTARA 4 UNIVERSITAS SUMATERA UTARA 5 ABSTRACT This research entitles politenes Strategies Betweeb Ellen Degeneres and Barrack Obama in Ellen Talk Show, This research is about pragmatic politeness from the interview between Ellen DeGeneres and President of the United States, Barrack Obama on Ellen DeGeneres, episode 12 February 2016. The main data source of the research is a script of interview between presenter Ellen Degeneres and Barrack Obama. This is qualitative research that uses politeness strategies Brown and Levinson‟s Politenes Strategy (1978), supported by J.L. Austin speech act theory ( 1962 ). By applying theories, the authors found that Ellen and Obama were observed politenes strategies. This research is done to find kinds of Politenes Strategies used by Ellen Degeneres as the host of Ellen Degeneres Show and Barrack Obama when communicate which implied to save the speaker‟s and interlocutor face from face Threatening Act caused by their speech. -
15 of the Most Iconic Fads from the Fifties
15 of the most iconic fads from the fifties: Car hops were THE way to get your hamburger and milkshake Hula hoops DA haircuts—yup, it stands for duck’s ass—the hair was slicked back along the sides of the head Poodle skirts are one of the most iconic fashion fads of the fifties. Invented by fashion designer Juli Lynne Charlot. Sock hops were informal dances usually held in high school gymnasiums, featuring the new Devil’s music—rock ‘n roll Saddle shoes, These casual Oxford shoes have a saddle-shaped decorative panel in the middle. Coonskin caps a major craze among young boys - a tribute to boyhood heroes of the era like Davy Crockett and Daniel Boone. Telephone booth stuffing ; college students crammed themselves into a phone booth. Drive-in movies capitalized on a fortuitous merging of the booming car culture Letterman jackets and letter sweaters: high school/college girls wanted to show off they were dating a jock. Conical bras Marilyn Monroe, Jayne Mansfield, and Jane Russell were largely responsible for igniting the fad. Cateye glasses:the accessory of choice for many young women. Jell-O molds people took a serious interest in encapsulating various foods in gelatin. Fuzzy dice During WWII, fighter pilots hung them in their cockpits for good luck. Sideburns: a classic element of the greaser look, along with DA haircuts, bomber jackets, and fitted T-shirts with sleeves rolled up, Weeks Reached #1 Artist Single @ #1 7-Jan-50 Gene Autry "Rudolph, The Red-nosed Reindeer" 1 14-Jan-50 The Andrews Sisters "I Can Dream, Can't I" 4 11-Feb-50 -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2010 Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions Stephanie Savage Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, and the Marketing Commons Savage, Stephanie, "Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions" (2010). Pell Scholars and Senior Theses. 54. https://digitalcommons.salve.edu/pell_theses/54 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Savage 1 “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint ─it’s delicious!” While this may sound like your typical television commercial, you can thank Jerry Seinfeld and his butter fingers for what is actually one of the most renowned lines in television history. As part of a 1993 episode of Seinfeld , subsequently known as “The Junior Mint,” these infamous words have certainly gained a bit more attention than the show’s writers had originally bargained for. In fact, those of you who were annoyed by last year’s focus on a McDonald’s McFlurry on NBC’s 30 Rock may want to take up your beef with Seinfeld’s producers for supposedly showing marketers the way to the future ("Brand Practice: Product Integration Is as Old as Hollywood Itself"). -
TV Club Newsletter; April 4-10, 1953
COVERING THE TV BEAT: GOVERNMENT RESTRICTIONS ON COLOR TV ARE BEING LIFTED. How- ever, this doesn't bring color on your screen any closer. Color TV will arrive after extensive four-month field tests of the system recently developed through the pooled research of major set manufacturers; after the FCC studies and ap- proves the new method ; and after the many more months it will take to organize factory production of sets and to in- stall color telecasting equipment. TED MACK AND THE ORIGINAL AMATEUR HOUR RETURN to your TV screen April 25 to be seen each Saturday from 8:30 - 9 p.m. It will replace the second half of THE ALL-STAR REVUE, which goes off. WHAM-TV and WBEN-TV have indicated that they will carry the show. THREE DIMENSIONAL TV is old stuff to the Atomic Energy Commission. Since 1950, a 3D TV system, developed in coop- eration with DuMont, has been in daily use at the AEC's Argonne National Laboratories near Chicago. It allows technicians to watch atomic doings closely without danger from radiation. TV WRESTLERS ARE PACKING THEM IN AT PHILADELPHIA'S MOVIE houses where they are billed as added stage attractions with simulated TV bouts. SET-MAKERS PREDICT that by the end of the year 24-inch sets will constitute 25% of production. FOREIGN INTRIGUE is being released for European TV distri- bution with one version in French and the other with Ger- man subtitles. "I LOVE LUCY", WILL PRESENT "RICKY JR.", the most celebrat- ed TV baby, in its forthcoming series now being filmed in Hollywood. -
Editors 4 (FINALIZED).Pdf
ACF Fall 2018 Edited by Nathan Weiser, Adam Silverman, Rahul Keyal, Olivia Lamberti, Young Fenimore Lee, Ashwin Ramaswami, Nitin Rao, and Neil Vinjamuri Editors 4 Tossups 1. During this battle, Ameinias failed to capture an enemy commander who held a ten-thousand drachma bounty for the insolence of being a woman. At this battle, the victorious leader had his slave Sicinnus feign defection in order to lure the enemy into position. The losing commander built a throne on Mount Aigaleo to observe this battle, which was fought after a stalemate at Artemisium. Queen Artemisia of Halicarnassus escaped this battle by ramming her ship into friendly forces. For 10 points, name this 480 B.C. defeat of Xerxes’ Persian navy by an allied Greek fleet under the command of Themistocles. ANSWER: Battle of Salamis 2. In a play by this author, the sudden withering of some roses represents the demise of the title spinster, who waits over twenty years for her fiance to return. This author wrote a play in which a mother is reminded of her husband’s death by her son’s request for a knife; in that play, Death takes the form of an old beggar woman while the Moon is represented by a young woodcutter. Near the end of that work by this playwright, Leonardo Felix and the Groom kill each other. This author’s best known play features an all-female cast, and concerns a matriarch who institutes a lengthy mourning period for her second husband. For 10 points, name this Spanish playwright of Blood Wedding and The House of Bernarda Alba. -
America's Closet Door: an Investigation of Television and Its Effects on Perceptions of Homosexuality
University of Tennessee at Chattanooga UTC Scholar Student Research, Creative Works, and Honors Theses Publications 12-2014 America's closet door: an investigation of television and its effects on perceptions of homosexuality Sara Moroni University of Tennessee at Chattanooga, [email protected] Follow this and additional works at: https://scholar.utc.edu/honors-theses Part of the English Language and Literature Commons Recommended Citation Moroni, Sara, "America's closet door: an investigation of television and its effects on perceptions of homosexuality" (2014). Honors Theses. This Theses is brought to you for free and open access by the Student Research, Creative Works, and Publications at UTC Scholar. It has been accepted for inclusion in Honors Theses by an authorized administrator of UTC Scholar. For more information, please contact [email protected]. America’s Closet Door An Investigation of Television and Its Effects on Perceptions of Homosexuality Sara Moroni Departmental Thesis The University of Tennessee at Chattanooga English Project Director: Rebecca Jones, PhD. 31 October 2014 Christopher Stuart, PhD. Heather Palmer, PhD. Joanie Sompayrac, J.D., M. Acc. Signatures: ______________________________________________ Project Director ______________________________________________ Department Examiner ____________________________________________ Department Examiner ____________________________________________ Liaison, Departmental Honors Committee ____________________________________________ Chair, Departmental Honors Committee 2 Preface The 2013 “American Time Use Survey” conducted by the Bureau of Labor Statistics calculated that, “watching TV was the leisure activity that occupied the most time…, accounting for more than half of leisure time” for Americans 15 years old and over. Of the 647 actors that are series regulars on the five television broadcast networks (ABC, CBS, The CW, Fox, and NBC) 2.9% were LGBT (Lesbian, Gay, Bisexual, Transgender) in the 2011-2012 season (GLAAD). -
The History of NBC New York Television Studios, 1935-1956"
`1 | P a g e "The History of NBC New York Television Studios, 1935-1956" Volume 1 of 2 By Bobby Ellerbee And Eyes Of A Generation.com Preface and Acknowledgement This is the first known chronological listing that details the conversions of NBC’s Radio City studios at 30 Rockefeller Plaza in New York City. Also included in this exclusive presentation by and for Eyes Of A Generation, are the outside performance theaters and their conversion dates to NBC Television theaters. This compilation gives us the clearest and most concise guide yet to the production and technical operations of television’s early days and the network that pioneered so much of the new medium. As you will see, many shows were done as “remotes” in NBC radio studios with in-house mobile camera units, and predate the official conversion date which signifies the studio now has its own control room and stage lighting. Eyes Of A Generation, would like to offer a huge thanks to the many past and present NBC people that helped, but most especially to Frank Merklein (NBC 1947-1961) Joel Spector (NBC 1965-2001), Dennis Degan (NBC 2003 to present), historian David Schwartz (GSN) and Gady Reinhold (CBS 1966 to present), for their first hand knowledge, photos and help. This presentation is presented as a public service by the world’s ultimate destination for television history…The Eyes Of A Generation. –Bobby Ellerbee http://www.eyesofageneration.com/ https://www.facebook.com/pages/Eyes-Of-A-Generationcom/189359747768249 `2 | P a g e "The History of NBC New York Television Studios, 1935-1956" Volume 1 of 2 Contents Please Note: Converted should be understood as the debut date of the facility as an exclusive TV studio, now equipped with its own control room. -
When the Stars Come Out: Jodie Foster's Queer Families and The
((( When the Stars Come Out: Jodie Foster’s Queer Families and the Celebrity Private Sphere Claire Bond Potter Am I your passion your promise your end? I say I am, yes I am Your passion your promise your end, yes I am —Melissa Etheridge1 When Jodie Foster came out at the 2013 Golden Globes, her revelation (such as it was) was greeted with empathy, cynicism, and confusion. What was she saying? Did she actually come out if she didn’t say the word “lesbian?” This should prompt the question—What does it mean for a celebrity to come out in the 21st century? Most of them don’t, even as the larger culture has become dramatically more knowledgeable about and supportive of gay, lesbian, bisexual, transgender, and queer (GLBTQ) people. Does a celebrity coming out still matter? Following the 1997 “Puppy Episode” in which her daughter Ellen announced she was a lesbian, GLBTQ activist Betty DeGeneres told fans that: “Coming out is a gift.” But what kind of a gift? And to whom was it given? Like Ellen, some celebrities have come out not just to relieve anxiety about the dissonance between their private and public lives, but also because they have come to believe that they should use their influence on behalf of social justice. The GLBTQ movement Copyright © 2014 Michigan State University. Claire Bond Potter, “When the Stars Come Out: Jodie Foster’s Queer Families and the Celebrity Private Sphere,” QED: A Journal in GLBTQ Worldmaking 1.1 (2014): 166–172. ISSN 2327-1574. All rights reserved. 166 This work originally appeared in QED: A Journal in GLBTQ Worldmaking, 1.1, Spring 2014, published by Michigan State University Press. -
It's Not About the Sex Ization and Queerness in Ellen and the Ellen Degeneres Show
It's Not About the Sex ization and Queerness in Ellen and The Ellen Degeneres Show MARUSYA BOClURKlW Cette auteure examine les analogies raciales et les juxtaposi- star, whose latest television incarnation is as host ofNBC tions employkes dans la reprhsentation de Eden Degeneres daytime talk show, The EhnDegeneres Show. I will discuss comme uedette de tklkuision lesbienne. Ily eut au dkbut une the ways in which, throughout the history of lesbian sortie du placard hyper rkaliste du personnage Ellen Morgan representation, excessively racialized images mark narra- b La tklkuision en 1977 et comme conclusion elle analyse les tive junctures where normalcy has been put into question. gestes qui sont la marque de Degeneres, quand elle anime son Further, the projection of sexuality onto racialized figures kmission * The Ellen Defeneres- Show a. L huteure uoit h is a way forwhiteness to represent, yet also dissociate itself, trauers l'bistoire de la reprksentation des lesbiennes, des from its (abnormal?)desires. Indeed, as the opening quote images trks racistes quand h normalitk est inuoquhe. to this paper implies, aleitmotifof Degeneres' and Heche's (her then new love interest) media interviews during- the 0prah: Okay, soyou saw Ellen across a crowdedroom... coming-out period was a bizarre denial of the sexual nature oftheir relationship. Historically,white femininity Anne Heche: Ifell in love with aperson. has frequently been represented as that which transcends the sexual "fallibility" of the body itself (Dyer). Richard Oprah: And felt, what, some kind of sexual attrac- Dyer writes that white women's "very whiteness, their tion, you felt sexually attracted to her. -
A Yiddish Guide to Jack Carter
A YIDDISH GUIDE TO JACK CARTER by Marjorie Gottlieb Wolfe Syosset, New York Comic, Jack Carter, passed away. His manic storytelling made him a comedy star in television’s infancy and helped sustain a show business career through eight decades. A spokesman, Jeff Sanderson, said the cause was respiratory failure. Although he fell short of the top tier of entertainers, he had countless appearances on talk shows and on comedy series. “nomen” (name) Jack Carter’s original surname was Chakrin. “tate-mame” (parents) Carter’s parents, Jewish immigrants from Russia, owned a candy store. He was born in Brighton Beach, Brooklyn. “zukhn” (to search) “People spend their lives searching for their one true love, their other half. I found mine in college, dancing in a fraternity house driveway. Lucky for me, she found me right back.” (quote) “khasene” (marriage) Carter was married three times: To Joan Mann, to Paula Stewart (the ex-wife of Burt Bacharach), and to Roxanne Stone. The latter were married in 1971, divorced in 1977, and remarried in 1992. He leaves behind his wife, Roxanne, two sons, Michael and Chase, and grand- children, Jake and Ava. “milkhome” (war) Carter was drafted during W. W. II, when he toured with the cast of Irving Berlin’s show, “This is the Army.” “zikh” (himself) Carter starred with Elvis Presley in the 1964 film, “Viva Las Vegas.” He played himself; The Horizontal Lieutenant, The Extraordinary Seaman,” and “The Funny Farm.” California Carter lived in California since 1970. He says, “The produce stores are like Cartier’s. The tomatoes are real gems.” “tummler” (noisemaker) A list of Borscht-Belt tummlers who made it to the big time includes Danny Kaye, Jan Pierce, Jan Murray, Tony Curtis, Jerry Lewis, Red Buttons, Phil Silvers, Moss Hart, Jack Albertson, Joey Adams, Phil Foster, and JACK CARTER. -
ACRONYMX-Round2 HSNCT.Pdf
ACRONYM X - Round 2 1. In a 1978 comic book, this athlete fights against and later joins forces with Superman to defeat an alien invasion. Trevor Berbick was the last man to compete against this athlete, who won a Supreme Court case in 1971 concerning his refusal to be drafted. This man, who lit the (*) cauldron at the 1996 Summer Olympics, rejected what he called his "slave name" after converting to Islam. George Foreman was defeated at the "Rumble in the Jungle" by, for 10 points, what heavyweight boxer formerly known as Cassius Clay? ANSWER: Muhammad Ali [accept Cassius Clay before the end] <Nelson> 2. In this series, Scott Clarke attempts to demonstrate an implausible theory by stabbing a paper plate. The band Survive produced music for this series, which also repeatedly makes use of The Clash's song "Should I (*) Stay Or Should I Go." A character on this series, whose real name, may be Jane Ives, is played by Millie Bobbie Brown and steals Eggos from a supermarket some time before following a monster into the Upside Down. Will Byers disappears at the beginning of, for 10 points, what supernatural-oriented Netflix series? ANSWER: Stranger Things <Nelson> 3. This man's directing credits include a 2007 film about a historically black college's debate team titled The Great Debaters. In a 2014 film, this actor portrayed a low-lying hardware store employee who is forced to use his experience as a former black ops killing machine. This star of the Antoine Fuqua [FOO-kwuh] film (*) The Equalizer won an Oscar for another of Fuqua's films, in which he plays Alonzo Harris, a man initiating a fellow police officer.