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Strategic Performances of Race in African American and Chicana/O Literatures
Border Crossings: Passing and Other[ed] Strategic Performances of Race in African American and Chicana/o Literatures Melanie A. Hernandez A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Sonnet Retman, Chair Michelle Habell-Pallán Habiba Ibrahim Program Authorized to Offer Degree: English Hernandez 2 ©Copyright 2013 Melanie A. Hernandez Hernandez 3 University of Washington Abstract Border Crossings: Passing and Other(ed) Strategic Performances of Race in African American and Chicana/o Literatures Melanie A. Hernandez Chair of the Supervisory Committee: Sonnet Retman, Associate Professor Department of American Ethnic Studies This project begins with an analysis of racial passing narratives, and considers the ways that the genre provides a useful deconstructive tool to better understand essence-based productions of race and racial authenticity within Chicana/o assimilation narratives. Through their critical exploration of the performative aspects of race, passing novels expose the fissures within these essentialist logics and in so doing they lodge their protest against the conditions under which passing could occur. I explore the ways that writers and artists have strategically used genre, knowing that readers will approach the text with a set of expectations, only to complicate the narrative while still operating within its formal conventions. This project maps strategic manipulations of genre as the primary tool to produce racial identities or exploit preexisting notions of race and gender with the aim to Hernandez 4 resist marginalization. I focus on the political discursive practices within both genres that judge passing and assimilation at the level of the individual. -
An Exploration of Los Vendidos
FOUR ENCOUNTERS: AN EXPLORATION OF LOS VENDIDOS by JESSICA JASZEWSKI A THESIS Presented to the Departments of Theatre Arts and Linguistics and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts MAY 2021 An Abstract of the Thesis of Jessica Jaszewski for the degree of Bachelor of Arts in the Department of Theatre Arts and Linguistics to be taken JUNE 2021 Title: Four Encounters: An Exploration of Los Vendidos Approved: Tricia Rodley, Ph.D. Primary Thesis Advisor This thesis explores how I have encountered Luis Valdez’s 1967 play Los Vendidos as a researcher and allied theatre-maker. I have explored Los Vendidos, how it came to be, how it fits within Chicanx and Latinx theatre, and how I can engage with this work and potentially with other pieces of Latinx theatre. This case study of Luis Valdez’s Los Vendidos initially bore the ultimate goal of producing a framework that describes the best practices for producing this piece, but I ended up building a framework that features tenets of allied theatrical scholarship instead of production as the best form for my current engagement and support. The framework foregrounds respect: for the playwright’s message, for actors and their cultural identity, and to encourage more Latinx language and culture on American stages. Focused allyship is a way in which I can use research to expand my awareness of culture and create a space of inclusion in theatre, especially when encountering plays that utilize negative racial stereotypes as a device to subvert racist ideologies. -
The Chicano Theatre Movement and Actor Training in the United States
FROM LA CARPA TO THE CLASSROOM: THE CHICANO THEATRE MOVEMENT AND ACTOR TRAINING IN THE UNITED STATES Dennis Sloan A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2020 Committee: Jonathan Chambers, Advisor Tim Brackenbury Graduate Faculty Representative Angela K. Ahlgren Cynthia Baron © 2020 Dennis Sloan All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor The historical narrative of actor training has thus far been limited to the history of Eurocentric actor training. Put another way, it has been predominantly white. While the history of actor training has been understudied in general, the history of training for actors of color has been almost non-existent. Yet scholars including Alison Hodge and Mark Evans have made direct links between actor training and both the evolution of theatre and the development of personal, artistic, and socio-political worldviews. Since the recorded history of actor training focuses almost exclusively on white practitioners, however, this history privileges the experiences and perspectives of white practitioners over those of color. Rooted in the argument that a history of actor training based so exclusively on whiteness is incomplete and inaccurate, this dissertation explores the history of actor training for Latinx actors, especially those who participated in and came out of the Chicanx Theatre Movement of the 1960s and 1970s, and who went on to engage in other training programs afterwards. Relying primarily on original archival research, I document multifaceted attempts to train Latinx actors in the United States in the mid- to late twentieth century. -
El Teatro Campesino Archives, 1964-1988
El Teatro Campesino Archives CEMA 5 1964-1988 University of California, Santa Barbara Davidson Library Department of Special Collections California Ethnic and Multicultural Archives 1 Summary Information Collection: El Teatro Campesino Archives Collection Number: CEMA 5 Size Collection: 284.5 linear feet (142 boxes, 118 videotapes, 46 albums, and 114 posters). Acquisition Information: Donated by El Teatro Campesino, 1986. Access restrictions: none Use Restriction: Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication has not been given to the Department of Special Collections as the owner of the physical items. Permission of the copyright holder, must be obtained. Processing Information: Salvador Guerena, Rosemarie Leon and California Ethnic and Multicultural Archives staff Location: Del Norte. (Series 4, boxes 1-2 and series 5, boxes 1-13, and series 9, box 1 are stored in the Southern Region Library Facility) Provenance: Donated by El Teatro Campesino, 1986 Restrictions: Donor permission required to access Publication Rights: Copyright resides with donor Comments: Major funding from the Ford Foundation. Guide was produced with support from the University of California Institute for Mexico and the United States (UC MEXUS). Project Archivist: Salvador Güereña Principal Processors: Rosemarie Leon, Andres Gutierrez Processors: Enedina Galarza, Romelia Salinas, Joseph Velasco Guide Prepared by: Meg Morris Date: processing completed May 15, 1988 2 Organizational History The Teat ro Cam pesino Archi ves represents over t wenty years of th is th eater co mpany's activ ities, th e co untry’s newsest i nfluential Lat ino t heater gr oup a nd o ne which h as made m ajor con tributions to Ch icano cu lture i n th e United States and to the development and expansion of the boundaries of theater everywhere. -
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PLAGIATPLAGIAT MERUPAKANMERUPAKAN TINDAKANTINDAKAN TIDAKTIDAK TERPUJITERPUJI THE REPRESENTATION OF MEXICAN-AMERICANS’ LIFE STAGES THROUGH THE MODELS IN LUIS VALDEZ’S LOS VENDIDOS AN UNDERGRADUATE THESIS Presented as Partial Fulfilment of the requirements for the Degree of Sarjana Sastra in English Letters By ADI PRASATYA CHRISTIANTO Student number: 07 4214 007 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2011 PLAGIATPLAGIAT MERUPAKANMERUPAKAN TINDAKANTINDAKAN TIDAKTIDAK TERPUJITERPUJI THE REPRESENTATION OF MEXICAN-AMERICANS’ LIFE STAGES THROUGH THE MODELS IN LUIS VALDEZ’S LOS VENDIDOS AN UNDERGRADUATE THESIS Presented as Partial Fulfilment of the requirements for the Degree of Sarjana Sastra in English Letters By ADI PRASATYA CHRISTIANTO Student number: 07 4214 007 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2011 i PLAGIATPLAGIAT MERUPAKANMERUPAKAN TINDAKANTINDAKAN TIDAKTIDAK TERPUJITERPUJI A Sarjana Sastra Undergraduate Thesis THE REPRESENTATION OF MEXICAN-AMERICANS’ LIFE STAGES THROUGH THE MODELS IN LUIS VALDEZ’S LOS VENDIDOS By ADI PRASATYA CHRISTIANTO Student Number: 07 4214 007 Approved by Dewi Widyastuti S.Pd., M. Hum. Advisor July 14, 2011. Tatang Iskarna S.S., M. Hum. Co-Advisor July 14, 2011. ii PLAGIATPLAGIAT MERUPAKANMERUPAKAN TINDAKANTINDAKAN TIDAKTIDAK TERPUJITERPUJI A Sarjana Sastra Undergraduate Thesis THE REPRESENTATION OF MEXICAN-AMERICANS’ LIFE STAGES THROUGH THE MODELS IN LUIS VALDEZ’S LOS VENDIDOS By ADI PRASATYA CHRISTIANTO Student Number: 07 4214 007 Defended before the Board of Examiners On July 26, 2011 And Declared Acceptable BOARD OF EXAMINERS Name Signature Chairman : Dr. Fr. B. Alip, M.Pd,. M.A. __________________ Secretary : Drs. Hirmawan Wijanarka, M.Hum. __________________ Member 1 : Drs. -
El Teatro Campesino Archives CEMA 5
http://oac.cdlib.org/findaid/ark:/13030/c8xw4hsw Online items available Guide to the El Teatro Campesino Archives CEMA 5 Finding aid prepared by Finding aid prepared by Salvador Guerena and CEMA staff Major funding came from the Ford Foundation. The digitization of the video and audio archives was produced with support from the University of California Institute for Mexico and the United States. UC Santa Barbara Library, Department of Special Collections University of California, Santa Barbara Santa Barbara, California, 93106-9010 Phone: (805) 893-3062 Email: [email protected]; URL: http://www.library.ucsb.edu/special-collections 05/27/2007 Guide to the El Teatro Campesino CEMA 5 1 Archives CEMA 5 Title: El Teatro Campesino Archives Identifier/Call Number: CEMA 5 Contributing Institution: UC Santa Barbara Library, Department of Special Collections Language of Material: English Physical Description: 284.5 linear feet(142 boxes, 124 videos, 46 slide albums, and 192 posters) Date (bulk): Bulk, 1964-1988 Date (inclusive): Bulk, 1964-1988 1964-2010 General Physical Description note: 142 boxes, 124 videos, 46 slide albums, and 192 posters Biographical/Historical note The Teatro Campesino Archives represents over twenty years of this theater company's activities through 1988. The organization continues to the present. It is the country’s most influential Latino theater group and one which has made major contributions to Chicano culture in the United States and to the development and expansion of the boundaries of theater everywhere. El Teatro Campesino began with short performances in the fields of California's central valley for audiences of farm workers in 1965.