Volume 19 BRISTOL and AVON ARCHAEOLOGY 2004
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Ms Kate Coggins Sent Via Email To: Request-713266
Chief Executive & Corporate Resources Ms Kate Coggins Date: 8th January 2021 Your Ref: Our Ref: FIDP/015776-20 Sent via email to: Enquiries to: Customer Relations request-713266- Tel: (01454) 868009 [email protected] Email: [email protected] Dear Ms Coggins, RE: FREEDOM OF INFORMATION ACT REQUEST Thank you for your request for information received on 16th December 2020. Further to our acknowledgement of 18th December 2020, I am writing to provide the Council’s response to your enquiry. This is provided at the end of this letter. I trust that your questions have been satisfactorily answered. If you have any questions about this response, then please contact me again via [email protected] or at the address below. If you are not happy with this response you have the right to request an internal review by emailing [email protected]. Please quote the reference number above when contacting the Council again. If you remain dissatisfied with the outcome of the internal review you may apply directly to the Information Commissioner’s Office (ICO). The ICO can be contacted at: The Information Commissioner’s Office, Wycliffe House, Water Lane, Wilmslow, Cheshire, SK9 5AF or via their website at www.ico.org.uk Yours sincerely, Chris Gillett Private Sector Housing Manager cc CECR – Freedom of Information South Gloucestershire Council, Chief Executive & Corporate Resources Department Customer Relations, PO Box 1953, Bristol, BS37 0DB www.southglos.gov.uk FOI request reference: FIDP/015776-20 Request Title: List of Licensed HMOs in Bristol area Date received: 16th December 2020 Service areas: Housing Date responded: 8th January 2021 FOI Request Questions I would be grateful if you would supply a list of addresses for current HMO licensed properties in the Bristol area including the name(s) and correspondence address(es) for the owners. -
An Analysis of the Graded Property Tax Robert M
TaxingTaxing Simply Simply District of Columbia Tax Revision Commission TaxingTaxing FairlyFairly Full Report District of Columbia Tax Revision Commission 1755 Massachusetts Avenue, NW, Suite 550 Washington, DC 20036 Tel: (202) 518-7275 Fax: (202) 466-7967 www.dctrc.org The Authors Robert M. Schwab Professor, Department of Economics University of Maryland College Park, Md. Amy Rehder Harris Graduate Assistant, Department of Economics University of Maryland College Park, Md. Authors’ Acknowledgments We thank Kim Coleman for providing us with the assessment data discussed in the section “The Incidence of a Graded Property Tax in the District of Columbia.” We also thank Joan Youngman and Rick Rybeck for their help with this project. CHAPTER G An Analysis of the Graded Property Tax Robert M. Schwab and Amy Rehder Harris Introduction In most jurisdictions, land and improvements are taxed at the same rate. The District of Columbia is no exception to this general rule. Consider two homes in the District, each valued at $100,000. Home A is a modest home on a large lot; suppose the land and structures are each worth $50,000. Home B is a more sub- stantial home on a smaller lot; in this case, suppose the land is valued at $20,000 and the improvements at $80,000. Under current District law, both homes would be taxed at a rate of 0.96 percent on the total value and thus, as Figure 1 shows, the owners of both homes would face property taxes of $960.1 But property can be taxed in many ways. Under a graded, or split-rate, tax, land is taxed more heavily than structures. -
Architecture and Literature in Victorian Britain by Benjamin Zenas Cannon Doctor of Philosophy in English University of California, Berkeley Prof
Disappearing Walls: Architecture and Literature in Victorian Britain By Benjamin Zenas Cannon A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Ian Duncan, Chair Professor Kent Puckett Professor Andrew Shanken Spring 2014 Disappearing Walls: Literature and Architecture in Victorian Britain © 2014 By Benjamin Zenas Cannon Abstract Disappearing Walls: Architecture and Literature in Victorian Britain By Benjamin Zenas Cannon Doctor of Philosophy in English University of California, Berkeley Prof. Ian Duncan, Chair From Discipline and Punish and The Madwoman in the Attic to recent work on urbanism, display, and material culture, criticism has regularly cast nineteenth-century architecture not as a set of buildings but as an ideological metastructure. Seen primarily in terms of prisons, museums, and the newly gendered private home, this “grid of intelligibility” polices the boundaries not only of physical interaction but also of cultural values and modes of knowing. As my project argues, however, architecture in fact offered nineteenth-century theorists unique opportunities to broaden radically the parameters of aesthetic agency. A building is generally not built by a single person; it is almost always a corporate effort. At the same time, a building will often exist for long enough that it will decay or be repurposed. Long before literature asked “what is an author?” Victorian architecture theory asked: “who can be said to have made this?” Figures like John Ruskin, Owen Jones, and James Fergusson radicalize this question into what I call a redistribution of intention, an ethically charged recognition of the value of other makers. -
Care and Support Providers
Children, Adults and Health Care and Support Providers CCH44 November 2016 Care and Support Providers If you have been finding it difficult to manage at home, you might be considering arranging for a care and support provider to help you with personal tasks such as washing and dressing, or with help to prepare your meals. There are a number of ways you might want to arrange the help you need: You may wish to buy your support yourself from a provider, in which case this factsheet will help you know where to start. You may wish to be assessed by the council to see if you are eligible for council support. If you are eligible for support, the council may offer you its Promoting Independence Service, for up to 6 weeks, to help you do as much for yourself as possible, so that you can continue to live safely at home. Our Care Act Frequently Asked Questions document gives you more information on how we work out if you are eligible. Our pages on support at home give you details of other services to help you stay well. Further information is available in the document ‘Care and Support to help you stay in your own home: information on charges’ on whether you would have to contribute financially to support you receive from the council. If you are eligible to receive support from the council, the council can arrange support from a care and support provider for you. Alternatively, if you are eligible for support from the council, you may wish to have a direct payment, which means you arrange your own support and you make the choice about which provider to use. -
Bristol, Avon Valleys and Ridges (NCA 118)
NELMS target statement for Bristol, Avon Valleys and Ridges (NCA 118) Your application is scored and a decision made on the points awarded. Both top priorities and lower priorities score points but you should select at least one top priority. Scoring is carried out by... Choosing priorities To apply you should choose at least one of the top priorities, and you can choose lower priorities - this may help with your application. Top priorities Priority group Priority type Biodiversity Priority habitats Priority species Water Water quality Flood and coastal risk management Historic environment Designated historic and archaeological features Undesignated historic and archaeological features of high significance Woodland priorities Woodland management Woodland planting Landscape Climate Change Multiple environmental benefits Lower priorities Priority group Priority type Lower priorities Water quality Archaeological and historic features Woodland Biodiversity - top priorities Priority habitats You should carry out land management practices and capital works that maintains, restores and creates priority habitats. Maintain priority habitat such as: • Coastal and floodplain grazing marsh • Lowland meadows • Lowland calcareous grassland Reedbeds Traditional orchard • Lowland dry acid grassland Wood Pasture and Parkland Restore priority habitats (especially proposals which make existing sites bigger or help join up habitat networks) such as: ● Coastal and floodplain grazing marsh • Lowland meadows • Lowland calcareous grassland Reedbeds Traditional -
Keeching Notice.Rpt
NORTH SOMERSET LEVELS INTERNAL DRAINAGE BOARD LAND DRAINAGE ACT 1991 NOTICE TO FARMERS AND RIPARIAN OWNERS Farmers and landowners with land adjoining the following ‘Viewed Rhyne’ watercourses are advised that the 2019 Flood Defence aquatic weed-cutting operations will take place broadly in accordance with the following programme. Flailing of watercourse banks will normally be necessary and this may take place several days before the weed-cutting work. All works will be undertaken in accordance with the Board’s Conservation Policy and Best Practice Guidelines. Riparian owners are reminded that in accordance with the Board’s Byelaws (2011) a 9-metre wide strip of land from the top of the bank should be kept clear for access and maintenance purposes. This particularly applies where land has been sub-divided to form small ‘pony paddocks’. The Board has legal right of entry, whilst efforts are made to minimise damage to crops it may not be possible to interrupt or delay the programme to avoid harvesting operations, as the Board’s contractor follows well-established operational routes for maximum efficiency. Variance on the dates stated below may occur depending on adverse weather and ground conditions. BACKWELL COMMON AREA 15 June - 31 July 1st Cut and 15 Sept - 31 Oct 2nd Cut River Kenn: (Brook farm gateway to garden) River Kenn: (Length of Backwell Lake) 15 Sept - 31 Oct 1 Cut Only Backwell Common Rhyne: (From field boundary to farm Backwell Common Rhyne: (From junction with River Kenn to River Kenn: (Bow Bridge to Backwell Lake) access -
What's on for Over
What’s on for over 50s Henbury and Brentry 2019 HENBURY BRENTRY AND Types of activities available Arts & Crafts See pages 8, 17-19 Dance Classes See pages 5, 6 Exercise Classes See pages 5, 7, 14-16, 18-20, 22 INDEX OF ACTIVITIES Music / Singing Classes See page 7 Social Groups See pages 8, 14, 16-17, 20-21 Special Interest Groups See pages 6, 8, 14-15, 17, 19-21 Walking Groups See page 18 Key to activities Bus Toilets Dementia Friendly Parking Accessible Refreshments Lunch Stairs Hearing Loop This guide is funded by Bristol Charities, and produced in partnership with LinkAge Network. 1 Bristol Charities’ mission is to provide opportunities and support for people and communities to improve lives through grants, housing and charitable projects. Our work ranges from: BRISTOL CHARITIES • Providing excellent quality Almshouse accommodation with support on site in a safe community setting • Providing a new Extra Care Scheme in Stockwood for Older People who will need extra support to help them maintain active, safe and independent lives • Giving to those in need through grants to individuals and other community organisations • Delivering Community Development projects for people aged 50+ to facilitate inspiring social activities that enrich lives, reduce isolation/loneliness and promote active participation Bristol Charities is committed to supporting Older People and others to have choices in their lives, to be able to live near the people and places they care about and knowing that they are valued as contributing to the well-being of their community. Bristol Charities has supported the Henbury and Brentry project and the LinkAge Network for several years. -
Severn Estuary RCZAS Updated Project Design for Phase 2 Main
Severn Estuary Rapid Coastal Zone Assessment Survey Updated Project Design for Phase 2 Main Fieldwork for English Heritage (HEEP Project No. 3885) Toby Catchpole and Adrian M. Chadwick Version 2 Revised, March 2010 Contents List of figures ............................................................................................................ iii Project details ............................................................................................................ v Summary ................................................................................................................. vii 1 Introduction and project background..................................................................1 2 Research aims and objectives ...........................................................................3 3 Summary of Phases 1 and 2a ...........................................................................5 3.1 Introduction .........................................................................................5 3.2 Sites identified as requiring further study in Phase 2a ......................... 5 3.3 The results of the Phase 2a fieldwork ................................................. 6 4 Project interfaces ...............................................................................................9 5 Communications and project products ............................................................. 11 6 Project review ..................................................................................................13 7 Health -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
The Star of Endor
THE STAR OF ENDOR BY EBEN COBB " T1lwe - more thing, in 11,.avenand ~artla, Horatio, 2'1aa11are drMmt qf in your plaUo,oplay." - 8HA.1tB8PUJlB. HYDE PARK, MASS. EBEN COBB, PUBLISHER Digitized by Goog Ie COPYRIGIIT, 1891, BY EBEN COBB. C. J. PETERS & SON, TYPOGRAPHERS AND ELECTROTYPER8, 146 HIGH 8111itET1 BotTON. Digitized by Goos le Digitized by Google .. INTRODUCTION. A REMINISCENCE OF YEARS AGONE. NEARLY half a century .ago - midsummer - and the afternoon's closing hours. • I sat enshadowed by the "old fort," on the seaward side of Noddle's Island. The tide was well on the ebb, and a broad stretch of beach and flats made out to the margin of the yet retreating waters. I was in that happy, ecstatic mood, so apt to be the humor of the youth, who, while yet a boy, revels in the glorious dream that the full measure of manhood's experience makes up the volume of his mind. The hush that seemed to rest on bay and land alike was broken by the sound of footsteps, which bespoke the approach of some party from towards the ferry landing; and I raised myself from my reclining posi tion upon the grass, in order to make observation of the intruder. It was a man; and my keen, infallible judgment at once pronounced that there was something strikingly wrong about the approaching 9enu1 homo. He was throwing his right arm about in a strange, lunatic 3 Digitized by Goog Ie 4 INTRODUCTION. manner, and, as he came nearer, I distinctly heard him ejaculating sentences of incoherent muttering, at times seeming to address the clouds, and anon his wit less, vacant _talk appeared directed to the inanimate stones that o'erspread the beach about him. -
Area Green Space Plan - Henbury and Southmead
Area Green Space Plan - Henbury and Southmead Consideration of the value of Brentry Hill Open Space prior to identifying it in the Area Green Space Plan for potential disposal for development. Notes to support interpretation of assessment carried out in July 2009. Introduction • The Parks and Green Space Strategy was adopted by Bristol City Council in February 2008 with a clear aim to improve the city's accessible green spaces - providing new facilities, providing them where they are needed across the city and arresting the decline resulting from decades of under investment. • One of the funding methods adopted by the Strategy was to sell some green space and reinvest 70% of money raised back in to improving more important spaces. • Area Green Space Plan ideas and options papers, currently out for consultation until October 29th 2010, identify where potential disposal spaces are. How were potential disposal spaces identified: • The Parks and Green Space Strategy set out how potential disposal spaces should be identified. The minimum open space provision standards adopted by the Strategy were applied and a range of value criteria also considered. • The value criteria, as set out in the Strategy are given below: Community value This is an assessment of a site’s value to the local community based on both feedback from local people and knowledge of changes taking place in the area. Factor Example of type of considerations Level of use Current use and potential for improved use Community views of the Does the community think it’s important and why? space Views of different groups will be considered. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Disappearing Walls: Architecture and Literature in Victorian Britain Permalink https://escholarship.org/uc/item/1mk2h39c Author Cannon, Benjamin Zenas Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Disappearing Walls: Architecture and Literature in Victorian Britain By Benjamin Zenas Cannon A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Ian Duncan, Chair Professor Kent Puckett Professor Andrew Shanken Spring 2014 Disappearing Walls: Literature and Architecture in Victorian Britain © 2014 By Benjamin Zenas Cannon Abstract Disappearing Walls: Architecture and Literature in Victorian Britain By Benjamin Zenas Cannon Doctor of Philosophy in English University of California, Berkeley Prof. Ian Duncan, Chair From Discipline and Punish and The Madwoman in the Attic to recent work on urbanism, display, and material culture, criticism has regularly cast nineteenth-century architecture not as a set of buildings but as an ideological metastructure. Seen primarily in terms of prisons, museums, and the newly gendered private home, this “grid of intelligibility” polices the boundaries not only of physical interaction but also of cultural values and modes of knowing. As my project argues, however, architecture in fact offered nineteenth-century theorists unique opportunities to broaden radically the parameters of aesthetic agency. A building is generally not built by a single person; it is almost always a corporate effort. At the same time, a building will often exist for long enough that it will decay or be repurposed.