Film Week at the Philharmonic Hitchcock!

Total Page:16

File Type:pdf, Size:1020Kb

Film Week at the Philharmonic Hitchcock! CHRONOLOGICAL LISTING 2013–2014 SEASON THE ART OF THE SCORE: FILM WEEK AT THE PHILHARMONIC HITCHCOCK! Avery Fisher Hall Tuesday, September 17, 2013, 7:30 p.m. Wednesday, September 18, 2013, 7:30 p.m. Constantine Kitsopoulos*, conductor VARIOUS Music from the films of Alfred Hitchcock THE ART OF THE SCORE: FILM WEEK AT THE PHILHARMONIC 2001: A SPACE ODYSSEY Avery Fisher Hall Friday, September 20, 2013, 8:00 p.m. Saturday, September 21, 2013, 8:00 p.m. Alan Gilbert, conductor VARIOUS 2001: A Space Odyssey (with screening of complete film) Includes music by Richard Strauss, Johann Strauss, Jr., Ligeti, Khachaturian, and others *denotes New York Philharmonic debut 2 ALAN GILBERT OPENS THE SEASON: THE OPENING GALA WITH YO-YO MA Avery Fisher Hall Wednesday, September 25, 2013, 7:30 p.m. Alan Gilbert, conductor Yo-Yo Ma, cello RAVEL Alborada del gracioso PIAZZOLLA/arr. Brunetti Suite from La serie del Ángel, for Cello and String Orchestra Osvaldo GOLIJOV Azul RAVEL Boléro ALAN GILBERT CONDUCTS: THE MARY AND JAMES G. WALLACH ARTIST-IN- RESIDENCE YEFIM BRONFMAN IN TCHAIKOVSKY Avery Fisher Hall Thursday, September 26, 2013, 7:30 p.m. Friday, September 27, 2013, 11:00 a.m. Saturday, September 28, 2013, 8:00 p.m. Tuesday, October 1, 2013, 7:30 p.m. Alan Gilbert, conductor Yefim Bronfman, piano RAVEL Alborada del gracioso BERNSTEIN Symphonic Dances from West Side Story TCHAIKOVSKY Piano Concerto No. 1 3 ALAN GILBERT CONDUCTS: U.S. PREMIERE OF FRIEZE BY MARK-ANTHONY TURNAGE Avery Fisher Hall Thursday, October 3, 2013, 7:30 p.m. Friday, October 4, 2013, 8:00 p.m. Saturday, October 5, 2013, 8:00 p.m. Tuesday, October 8, 2013, 7:30 p.m. Wednesday, October 9, 2013, 7:30 p.m. Alan Gilbert, conductor Julianna Di Giacomo†, soprano Kelley O’Connor, mezzo-soprano Russell Thomas†, tenor Shenyang, bass Chorus tba Mark-Anthony TURNAGE Frieze (U.S. Premiere–New York Philharmonic Co-Commission with the Royal Philharmonic Society and BBC Radio 3) BEETHOVEN Symphony No. 9 YOUNG PEOPLE’S CONCERT Avery Fisher Hall Saturday, October 12, 2013, 2:00 p.m. Points of Entry: Beethoven’s Symphony No. 9 Program tba †denotes New York Philharmonic subscription debut 4 JOSHUA WEILERSTEIN AND ARABELLA STEINBACHER Avery Fisher Hall Saturday, October 12, 2013, 8:00 p.m. Tuesday, October 15, 2013, 7:30 p.m. Joshua Weilerstein, conductor Arabella Steinbacher*, violin Osvaldo GOLIJOV Last Round MENDELSSOHN Violin Concerto DVOŘÁK Symphony No. 8 SEMYON BYCHKOV AND KIRILL GERSTEIN Avery Fisher Hall Thursday, October 17, 2013, 7:30 p.m. Friday, October 18, 2013, 2:00 p.m. Saturday, October 19, 2013, 8:00 p.m. Semyon Bychkov, conductor Kirill Gerstein†, piano RACHMANINOFF Rhapsody on a Theme of Paganini SHOSTAKOVICH Symphony No. 11, The Year 1905 *denotes New York Philharmonic debut †denotes New York Philharmonic subscription debut 5 CHARLES DUTOIT CONDUCTS PENDERECKI’S CONCERTO GROSSO Avery Fisher Hall Thursday, October 24, 2013, 7:30 p.m. Friday, October 25, 2013, 8:00 p.m. Saturday, October 26, 2013, 8:00 p.m. Charles Dutoit, conductor Carter Brey, cello Alisa Weilerstein, cello Daniel Müller-Schott, cello RAVEL Rapsodie espagnole Krzysztof PENDERECKI Concerto grosso MUSORGSKY/Ravel Pictures at an Exhibition SATURDAY MATINEE CONCERT Avery Fisher Hall Saturday, October 26, 2013, 2:00 p.m. Charles Dutoit, conductor Musicians from the New York Philharmonic RAVEL String Quartet MUSORGSKY/Ravel Pictures at an Exhibition 6 ESA-PEKKA SALONEN AND LEILA JOSEFOWICZ Avery Fisher Hall Wednesday, October 30, 2013, 7:30 p.m. Thursday, October 31, 2013, 7:30 p.m. Friday, November 1, 2013, 11:00 a.m. Saturday, November 2, 2013, 8:00 p.m. Tuesday, November 5, 2013, 7:30 p.m. Esa-Pekka Salonen, conductor Leila Josefowicz†, violin RAVEL Mother Goose Suite Esa-Pekka SALONEN Violin Concerto (New York Concert Premiere) SIBELIUS Symphony No. 5 BERNARD LABADIE CONDUCTS MOZART’S REQUIEM Avery Fisher Hall Thursday, November 7, 2013, 7:30 p.m. Friday, November 8, 2013, 8:00 p.m. Saturday, November 9, 2013, 8:00 p.m. Bernard Labadie, conductor Soprano tba Stephanie Blythe, mezzo-soprano Frédéric Antoun*, tenor Andrew Foster-Williams, bass Philip Smith, trumpet New York Choral Artists Joseph Flummerfelt, director J.S.BACH Cantata No. 51, Jauchzet Gott in allen Landen! HANDEL “Let the Bright Seraphim” from Samson MOZART Requiem *denotes New York Philharmonic debut †denotes New York Philharmonic subscription debut 7 ALAN GILBERT CONDUCTS: NEW YORK PREMIERE OF OBOE CONCERTO BY THE MARIE-JOSÉE KRAVIS COMPOSER-IN-RESIDENCE CHRISTOPHER ROUSE Avery Fisher Hall Thursday, November 14, 2013, 7:30 p.m. Friday, November 15, 2013, 2:00 p.m. Saturday, November 16, 2013, 8:00 p.m. Tuesday, November 19, 2013, 7:30 p.m. Alan Gilbert, conductor Liang Wang, oboe R. STRAUSS Also sprach Zarathustra Glenn Dicterow, violin Christopher ROUSE Oboe Concerto (New York Premiere) R. STRAUSS Don Juan Glenn Dicterow, violin ALAN GILBERT CONDUCTS: ALL-BRITTEN PROGRAM Avery Fisher Hall Thursday, November 21, 2013, 7:30 p.m. Friday, November 22, 2013, 8:00 p.m. Saturday, November 23, 2013, 8:00 p.m. Alan Gilbert, conductor Philip Myers, horn Kate Royal*, soprano Sasha Cooke†, mezzo-soprano Paul Appleby, tenor Chorus tba Brooklyn Youth Chorus Dianne Berkun, director BRITTEN Serenade for Tenor, Horn, and Strings BRITTEN Spring Symphony *denotes New York Philharmonic debut †denotes New York Philharmonic subscription debut 8 ALAN GILBERT CONDUCTS: BRITTEN AND MOZART Avery Fisher Hall Tuesday, November 26, 2013, 7:30 p.m. Alan Gilbert, conductor Philip Myers, horn Paul Appleby, tenor MOZART Symphony No. 39 BRITTEN Serenade for Tenor, Horn, and Strings MOZART Symphony No. 41, Jupiter ALAN GILBERT CONDUCTS: MOZART’S FINAL SYMPHONIES Avery Fisher Hall Friday, November 29, 2013, 8:00 p.m. Saturday, November 30, 2013, 8:00 p.m. Alan Gilbert, conductor MOZART Symphony No. 39 MOZART Symphony No. 40 MOZART Symphony No. 41, Jupiter SATURDAY MATINEE CONCERT Avery Fisher Hall Saturday, November 30, 2013, 2:00 p.m. Alan Gilbert, conductor Jeffrey Kahane, piano Musicians from the New York Philharmonic POULENC Sextet for Piano and Winds POULENC Trio for Piano, Oboe, and Bassoon MOZART Symphony No. 41, Jupiter 9 DAVID ZINMAN AND RICHARD GOODE Avery Fisher Hall Thursday, December 5, 2013, 7:30 p.m. Friday, December 6, 2013, 8:00 p.m. Saturday, December 7, 2013, 8:00 p.m. David Zinman, conductor Richard Goode, piano Thomas ADÈS Three Studies from Couperin MOZART Piano Concerto No. 18 MENDELSSOHN Symphony No. 3, Scottish YOUNG PEOPLE’S CONCERT Avery Fisher Hall Saturday, December 7, 2013, 2:00 p.m. Points of Entry: Mozart’s Symphony No. 41, Jupiter Program tba ALL-DVOŘÁK PROGRAM WITH MANFRED HONECK AND ANNE-SOPHIE MUTTER Avery Fisher Hall Tuesday, December 10, 2013, 7:30 p.m. Manfred Honeck, conductor Anne-Sophie Mutter, violin DVOŘÁK Carnival Overture DVOŘÁK Violin Concerto DVOŘÁK Symphony No. 9, From the New World 10 RAFAEL FRÜHBECK DE BURGOS CONDUCTS BEETHOVEN AND STRAUSS Avery Fisher Hall Thursday, December 12, 2013, 7:30 p.m. Friday, December 13, 2013, 2:00 p.m. Saturday, December 14, 2013, 8:00 p.m. Rafael Frühbeck de Burgos, conductor BEETHOVEN Symphony No. 8 R. STRAUSS Ein Heldenleben Glenn Dicterow, violin HOLIDAY BRASS Avery Fisher Hall Sunday, December 15, 2013, 3:00 p.m. New York Philharmonic Principal Brass Quintet Lee Musiker Jazz Trio Program tba ANDREW MANZE CONDUCTS HANDEL’S MESSIAH Avery Fisher Hall Tuesday, December 17, 2013, 7:30 p.m. Wednesday, December 18, 2013, 7:30 p.m. Thursday, December 19, 2013, 7:30 p.m. Friday, December 20, 2013, 11:00 a.m. Saturday, December 21, 2013, 7:30 p.m. Andrew Manze*, conductor Joélle Harvey, soprano Tamara Mumford†, mezzo-soprano Allan Clayton, tenor Matthew Rose*, bass Westminster Symphonic Choir Joe Miller, director HANDEL Messiah *denotes New York Philharmonic debut †denotes New York Philharmonic subscription debut 11 A BROADWAY CHRISTMAS WITH BRIAN STOKES MITCHELL Avery Fisher Hall Friday, December 20, 2013, 7:30 p.m. Saturday, December 21, 2013, 2:00 p.m. Ted Sperling, conductor Brian Stokes Mitchell*, vocalist Program tba ALAN GILBERT CONDUCTS: NEW YEAR’S EVE CONCERT WITH IGUDESMAN & JOO Avery Fisher Hall Tuesday, December 31, 2013, 7:30 p.m. Alan Gilbert, conductor Igudesman & Joo* Program tba ALAN GILBERT CONDUCTS: COMPOSER-IN-RESIDENCE CHRISTOPHER ROUSE’S RAPTURE; ARTIST-IN-RESIDENCE YEFIM BRONFMAN IN MAGNUS LINDBERG Avery Fisher Hall Thursday, January 2, 2014, 7:30 p.m. Friday, January 3, 2014, 8:00 p.m. Tuesday, January 7, 2014, 7:30 p.m. Alan Gilbert, conductor Yefim Bronfman, piano Christopher ROUSE Rapture Magnus LINDBERG Piano Concerto No. 2 TCHAIKOVSKY Symphony No. 5 *denotes New York Philharmonic debut 12 ALAN GILBERT CONDUCTS: COMPOSER-IN-RESIDENCE CHRISTOPHER ROUSE’S RAPTURE; ARTIST-IN-RESIDENCE YEFIM BRONFMAN IN BEETHOVEN Tilles Center for the Performing Arts C.W. Post Campus Long Island University Brookville, New York Saturday, January 4, 2014, 8:00 p.m. Alan Gilbert, conductor Yefim Bronfman, piano Christopher ROUSE Rapture BEETHOVEN Piano Concerto No. 1 TCHAIKOVSKY Symphony No. 5 ALAN GILBERT CONDUCTS: LISA BATIASHVILI IN SHOSTAKOVICH Avery Fisher Hall Thursday, January 9, 2014, 7:30 p.m. Friday, January 10, 2014, 8:00 p.m. Saturday, January 11, 2014, 8:00 p.m. Tuesday, January 14, 2014, 7:30 p.m. Alan Gilbert, conductor Lisa Batiashvili, violin BEETHOVEN Fidelio Overture SHOSTAKOVICH Violin Concerto No. 1 BEETHOVEN Symphony No. 1 GERSHWIN An American in Paris 13 ANDREY BOREYKO AND JUDITH LECLAIR Avery Fisher Hall Thursday, January 16, 2014, 7:30 p.m. Friday, January 17, 2014, 11:00 a.m. Saturday, January 18, 2014, 8:00 p.m. Andrey Boreyko, conductor Judith LeClair, bassoon STRAVINSKY The Song of the Nightingale MOZART Bassoon Concerto ZEMLINSKY The Mermaid, Fantasy for Orchestra A FAREWELL TO CONCERTMASTER GLENN DICTEROW: CHAMBER MUSIC RECITAL Alice Tully Hall Sunday, January 19, 2014, 5:00 p.m.
Recommended publications
  • Leihmaterial Bote & Bock
    Leihmaterial Bote & Bock - Stand: November 2015 - Komponist / Titel Instrumentation Komp. / Dauer Aa, Michel van der 2 After Life B 2S,M,A,2Ba; 2005-06/ 95' Oper nach dem Film von Hirokazu Kore-Eda 0.1.1.BKl.0-0.1.0.1-Org(=Cemb)-Str(3.3.3.2.2); 2009 elektr Soundtrack; Videoprojektionen 1 The Book of DisquietB 1.0.1.1-0.1.0.0-Perc(1): 2008 75' Musiktheater für Schauspieler, Ensemble und Film Vib/Glsp/3Metallstücke/Cabasa/Maracas/Egg Shaker/ 4Chin.Tomt/grTr/Bambusglocken/Ratsche/Peitsche(mi)/ HlzBl(ti)/2Logdrum/Tri(ho)/2hgBe-4Vl.3Va.2Vc.Kb- Soundtrack(Laptop,1Spieler)-Film(2Bildschirme) 0 Here [enclosed] B 0.0.1.1-0.1.1.0-Perc(1)-Str(6.6.6.4.2)- 2003 17' für Kammerorchester und Soundtrack Soundtrack(Laptop, 1Spieler); Theaterobjekt K Here [in circles] B Kl.BKl.Trp-Perc(1)-Str(1.1.1.1.1); 2002 15' für Sopran und Ensemble kl Kassetten-Rekorder (z.B. Sony TCM-939) 0 Here [to be found]B 0.0.1.1-0.1.1.0-Perc(1)-Str(6.6.6.4.2)- 2001 18' für Sopran, Kammerorchester und Soundtrack Soundtrack(Laptop, 1 Spieler) Here Trilogy B 2001-03 50' siehe unter Here [enclosed], Here [in circles], Here [to be found] F Hysteresis B Fg-Trp-Perc(1)-Str*; Soundtrack(Laptop,1 Spieler); 2013 17' für Solo-Klarinette, Ensemble und Soundtrack *Streicher: 1.0.1.1.1 (alle vertärkt) oder 4.0.3.2.1 oder 6.0.5.4.2; Kb mit tiefer C-Saite 2 Imprint B 2Ob-Cemb-Str(4.4.3.2.1); 2005 14' für Barock-Orchester Portativ-Orgel zu spielen vom Solo-Violinisten; Historische Instrumente (415 Hz Stimmung) oder moderne Instrumente in Barock-Manier gespielt 1 Mask B 1.0.1.0-1.1.1.0-Perc(1)-Str(1.1.1.1.1)-
    [Show full text]
  • Richard Lert Papers 0210
    http://oac.cdlib.org/findaid/ark:/13030/kt638nf3ww No online items Finding Aid of the Richard Lert papers 0210 Finding aid prepared by Rebecca Hirsch The processing of this collection and the creation of this finding aid was funded by the generous support of the National Historic Publications and Records Commission. USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] June 2010 Finding Aid of the Richard Lert 0210 1 papers 0210 Title: Richard Lert papers Collection number: 0210 Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 58.51 Linear feet70 boxes Date (inclusive): 1900-1981 Abstract: This collection consists of Richard Lert's video and audio recordings of performances, rehearsals and lectures, personal papers and his music score library. Lert was born in Vienna and trained as an orchestral conductor in Germany. He moved to the United States in 1932 with his family and was the conductor of the Pasadena Symphony Orchestra from 1932 until his retirement in 1972. creator: Lert, Richard, 1885-1980 Biographical Note Richard Lert was born September 19, 1885, in Vienna, Austria. He trained as an orchestral conductor under Arthur Nikisch and began his career in Darmstadt, Germany, where he met and married his wife, Vicki Baum, in 1916. They had two sons. Lert held posts in Frankfurt, Kiel and Hannover before becoming the music director of the Berlin National Opera. Lert and his family moved to Los Angeles in 1932, where he became the music director of the Pasadena Symphony Orchestra.
    [Show full text]
  • An Examination of Stylistic Elements in Richard Strauss's Wind Chamber Music Works and Selected Tone Poems Galit Kaunitz
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 An Examination of Stylistic Elements in Richard Strauss's Wind Chamber Music Works and Selected Tone Poems Galit Kaunitz Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC AN EXAMINATION OF STYLISTIC ELEMENTS IN RICHARD STRAUSS’S WIND CHAMBER MUSIC WORKS AND SELECTED TONE POEMS By GALIT KAUNITZ A treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2012 Galit Kaunitz defended this treatise on March 12, 2012. The members of the supervisory committee were: Eric Ohlsson Professor Directing Treatise Richard Clary University Representative Jeffrey Keesecker Committee Member Deborah Bish Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii This treatise is dedicated to my parents, who have given me unlimited love and support. iii ACKNOWLEDGEMENTS I would like to thank my committee members for their patience and guidance throughout this process, and Eric Ohlsson for being my mentor and teacher for the past three years. iv TABLE OF CONTENTS List of Figures ................................................................................................................................ vi Abstract
    [Show full text]
  • View List (.Pdf)
    Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No.
    [Show full text]
  • Eine Alpensinfonie and Symphonia Domestica in Full Score Pdf, Epub, Ebook
    EINE ALPENSINFONIE AND SYMPHONIA DOMESTICA IN FULL SCORE PDF, EPUB, EBOOK Richard Strauss | 288 pages | 22 Oct 2009 | Dover Publications Inc. | 9780486277257 | English | New York, United States Eine Alpensinfonie and Symphonia Domestica in Full Score PDF Book Oehms Classics. Schonberg put it, Strauss would say things that would have meant being sent to a concentration camp had he not been the icon he was and the Nazi's simply "did not know exactly what to do with him. Seller Inventory M13J Subscribe to our Weekly Newsletter Want to know first what the latest reviews are that have been posted to ClassicsToday each week? As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Carlton Classics. Once started, however, he gave it his main attention for almost 40 years, producing 15 operas in that period. Salome, with its shocking, perverse sensuality, and Elektra, which goes beyond that in violence and unremitting tension, are prime examples of German expressionism in its most lurid phase. Paul Lewis , Piano. Munich: F. It was also the first opera in which Strauss collaborated with the poet Hugo von Hofmannsthal. IMP Classics Franz Konwitschny. Rosenkavalier opera Rosenkavalier , Op. In principle, however, Strauss's method remained constant. Preiser Records. Orfeo C B. Classica d'Oro There are only six works in his entire output dating from after which are for chamber ensembles, and four are arrangements of portions of his operas. AllMusic Featured Composition Noteworthy.
    [Show full text]
  • Creating Timeless Classics
    PENTATONE LIMITED CREATING TIMELESS CLASSICS Sit back and enjoy Creating timeless classics Around the start of the new suffering. But PENTATONE’s founders For all their diversity, the artists We don’t dabble in technology for millennium, three music enthusiasts were unwilling to compromise their featured on PENTATONE have one technology’s sake – we believe it’s came together to launch a new vision, so convinced were they of the thing in common. They all put their the only way to truly appreciate music label that promised to new technology that they launched heart and soul into the music, these great works of art. redefine the way people listen to their own label in 2001. drawing on every last drop of classical music. creativity, skill, and determination As we celebrate 13 years of After a somewhat rocky start, to perfect their compositions. PENTATONE and prepare for a Their vision was crystal clear: to the label quickly began adding changing of the guard, it is time to offer an unrivalled classical music talented artists to its roster. Now, PENTATONE exists to extract reflect on our achievements and experience through superior audio 13 years later, PENTATONE enjoys everything that went into creating look toward the future. technology. a reputation for excellence, its these timeless classics and put it catalogue comprising some of the before the listener with a resolution This release – the first to feature The introduction of 5-channel very best that classical music has to and crispness not found anywhere the label’s new visual identity – surround sound which made this offer.
    [Show full text]
  • 2013-2014 Subscription Series
    2013-2014 Subscription Series Fri. Sun. Thursday 6 8PM 8PM Fri 9 2PM Saturday 6 8PM Sat. 9 8PM 2PM 2013-2014 Subscription Series A B C D A B A B C D A B September Fri. Sun. Beethoven 9 PREMIuM Thursday 6 8PM 8PM Fri 9 2PM Saturday 6 8PM Sat. 9 8PM 2PM Yannick Nézet-Séguin Conductor Beethoven Calm Sea and Sept. Sept. Sept. Sept. Westminster Symphonic Choir Prosperous Voyage A B C D A B A B C D A B Joe Miller Director Muhly “Bright Mass with Canons” 26 27 28 28 Beethoven Symphony September No. 9 (“Choral”) Beethoven 9 PREMIuM Yannick Nézet-Séguin Conductor Beethoven Calm Sea and Sept. Sept. Sept. Sept. OctoberWestminster Symphonic Choir Prosperous Voyage Joe Miller Director Muhly “Bright Mass with Canons” 26 27 28 28 Mahler 4 Beethoven Symphony Oct. Oct. Oct. Oct. Yannick Nézet-Séguin Conductor Britten No. 9 (“Choral”)Variations and Fugue Richard Woodhams Oboe on a Theme of Purcell 4 5 5 6 Christiane Karg Soprano Strauss Oboe Concerto October Mahler Symphony No. 4 Mahler 4 Oct. Oct. Oct. Oct. BronfmanYannick Nézet-Séguin Plays BeethovenConductor Britten Variations and Fugue Richard Woodhams Oboe on a Theme of Purcell Semyon Bychkov Conductor Beethoven Piano Concerto No. 4 Oct. 4 Oct. Oct. 5 5 6 Christiane Karg Soprano Strauss Oboe Concerto Yefim Bronfman Piano Shostakovich Symphony No. 11 Mahler Symphony No. 4 10 11 12 (“The Year 1905”) BronfmanPines of Rome Plays BeethovenPREMIuM Rafael Frühbeck de Burgos Beethoven Overture to Semyon Bychkov Conductor Beethoven Piano Concerto No. 4 Oct. Oct.
    [Show full text]
  • Chicago Presents Symphony Muti Symphony Center
    CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI zell music director SYMPHONY CENTER PRESENTS 17 cso.org1 312-294-30008 1 STIRRING welcome I have always believed that the arts embody our civilization’s highest ideals and have the power to change society. The Chicago Symphony Orchestra is a leading example of this, for while it is made of the world’s most talented and experienced musicians— PERFORMANCES. each individually skilled in his or her instrument—we achieve the greatest impact working together as one: as an orchestra or, in other words, as a community. Our purpose is to create the utmost form of artistic expression and in so doing, to serve as an example of what we can achieve as a collective when guided by our principles. Your presence is vital to supporting that process as well as building a vibrant future for this great cultural institution. With that in mind, I invite you to deepen your relationship with THE music and with the CSO during the 2017/18 season. SOUL-RENEWING Riccardo Muti POWER table of contents 4 season highlight 36 Symphony Center Presents Series Riccardo Muti & the Chicago Symphony Orchestra OF MUSIC. 36 Chamber Music 8 season highlight 37 Visiting Orchestras Dazzling Stars 38 Piano 44 Jazz 10 season highlight Symphonic Masterworks 40 MusicNOW 20th anniversary season 12 Chicago Symphony Orchestra Series 41 season highlight 34 CSO at Wheaton College John Williams Returns 41 CSO at the Movies Holiday Concerts 42 CSO Family Matinees/Once Upon a Symphony® 43 Special Concerts 13 season highlight 44 Muti Conducts Rossini Stabat mater 47 CSO Media and Sponsors 17 season highlight Bernstein at 100 24 How to Renew Guide center insert 19 season highlight 24 Season Grid & Calendar center fold-out A Tchaikovsky Celebration 23 season highlight Mahler 5 & 9 24 season highlight Symphony Ball NIGHT 27 season highlight Riccardo Muti & Yo-Yo Ma 29 season highlight AFTER The CSO’s Own 35 season highlight NIGHT.
    [Show full text]
  • A B C a B C D a B C D A
    24 go symphonyorchestra chica symphony centerpresent BALL SYMPHONY anne-sophie mutter muti riccardo orchestra symphony chicago 22 september friday, highlight season tchaikovsky mozart 7:00 6:00 Mozart’s fiery undisputed queen ofviolin-playing” ( and Tchaikovsky’s in beloved masterpieces, including Rossini’s followed by Riccardo Muti leading the Chicago SymphonyOrchestra season. Enjoy afestive opento the preconcert 2017/18 reception, proudly presents aprestigious gala evening ofmusic and celebration The Board Women’s ofthe Chicago Symphony Orchestra Association Gala package guests will enjoy postconcert dinner and dancing. rossini Suite from Suite 5 No. Concerto Violin to Overture C P s oncert reconcert Reception Turkish The Sleeping Beauty Concerto. The SleepingBeauty William Tell conducto The Times . Anne-Sophie Mutter, “the (Turkish) William Tell , London), performs London), , media sponsor: r violin Overture 10 Concerts 10 Concerts A B C A B 5 Concerts 5 Concerts D E F G H I 8 Concerts 5 Concerts E F G H 5 Concerts 6 Conc. 5 Concerts THU FRI FRI SAT SAT SUN TUE 8:00 1:30 8:00 2017/18 8:00 8:00 3:00 7:30 ABCABCD ABCDAAB Riccardo Muti conductor penderecki The Awakening of Jacob 9/23 9/26 Anne-Sophie Mutter violin tchaikovsky Violin Concerto schumann Symphony No. 2 C A 9/28 9/29 Riccardo Muti conductor rossini Overture to William Tell 10/1 ogonek New Work world premiere, cso commission A • F A bruckner Symphony No. 4 (Romantic) A Alain Altinoglu conductor prokoFIEV Suite from The Love for Three Oranges Sandrine Piau soprano poulenc Gloria Michael Schade tenor gounod Saint Cecilia Mass 10/5 10/6 Andrew Foster-Williams 10/7 C • E B bass-baritone B • G Chicago Symphony Chorus Duain Wolfe chorus director 10/26 10/27 James Gaffigan conductor bernstein Symphonic Suite from On the Waterfront James Ehnes violin barber Violin Concerto B • I A rachmaninov Symphonic Dances Sir András Schiff conductor mozart Serenade for Winds in C Minor 11/2 11/3 and piano bartók Divertimento for String Orchestra 11/4 11/5 A • G C bach Keyboard Concerto No.
    [Show full text]
  • The RIAS Recordings Vol. II
    Ferenc Fricsay Richard Strauss: Burleske | Oboe Concerto Duet concertino | Till Eulenspiegel L.Goossens | H. Geuser | W. Fugmann | M. Weber Berlin, 1949-1955 RIAS-Symphonie-Orchester RICHARD STRAUSS Burleske for Piano and Orchestra in D minor, TrV 145 Allegro vivace 20:06 Concerto for Oboe and Small Orchestra in D major, TrV 292 I. Allegro moderato 8:17 II. Andante 8:47 III. Vivace – 4:32 Allegro 2:44 Duet concertino for Clarinet and Bassoon with String Orchestra and Harp in F major, TrV 293 I. Allegro moderato 5:32 II. Andante 2:20 III. Rondo. Allegro ma non troppo 8:21 Till Eulenspiegel’s Merry Pranks, Op. 28, TrV 171 14:21 Léon Goossens, oboe Heinrich Geuser, clarinet Willi Fugmann, bassoon Margrit Weber, piano RIAS-Symphonie-Orchester* Ferenc Fricsay, conductor Heinrich Geuser *today: Deutsches Symphonie-Orchester Berlin Experiment and Elegy Ferenc Fricsay conducts Strauss When it comes to Ferenc Fricsay, the legendary Hungarian conductor, afficionados mostly think of his fiery Mozart interpretations, his fundamental approach to Bartók or his commitment to modern music which earned the 33-year-old sudden international fame when he conducted the world premier of Gottfried von Einem’s opera Dantons Tod at the Salzburger Festspiele in 1947. But Fricsay and Richard Strauss? Hadn’t Fricsay, being the general music director of the Bayeri sche Staatsoper (Bavarian State Opera) in Munich from 1956 until 1958, just been accused of not providing enough support to the city’s great son, of having only once performed his works in concert, and not even a single opera? A glance at the list of existing sound documents from that time calls to atten- tion that the number of entries under the keyword “Strauß, Johann” exceeds by far the number of entries mentioning “Strauss, Richard”.
    [Show full text]
  • 13 June 2014 Page 1 of 10
    Radio 3 Listings for 7 – 13 June 2014 Page 1 of 10 SATURDAY 07 JUNE 2014 Norwegian Dance No.1 (Op.35) for piano duet the production with the critics Alexandra Coghlan and Geoffrey Leif Ove Andsnes & Håvard Gimse (piano) Smith. On a flying visit to London, the Metropolitan Opera's SAT 01:00 Through the Night (b045c18j) General Manager Peter Gelb explains to Tom that although the Jonathan Swain presents works by Czech composer Vilem 5:01 AM launch of the Met's live HD cinema relays worldwide have been Blodek. Strauss (ii), Johann [1825-1899] a tremendous success the opera company faces bankruptcy Schatz-Walzer ('Treasure Waltz') from Der Zigeunerbaron within in the next two or three years if things aren't rectified 1:01 AM (Op.418) now. Gelb sets out his plan to save the Met to Tom. Smetana, Bedrich [1824-1884] Kitchener-Waterloo Symphony Orchestra, Raffi Armenian Overture to The Bartered Bride (1870) (conductor) Tom also took the opportunity to catch up with the American BBC Symphony Orchestra, Jirí Belohlávek (conductor) countertenor Lawrence Zazzo when he was in town and found 5:10 AM out about the influence Frankie Valli and the Bee Gees had on 1:08 AM Waissel, Matthäus (c.1535/40-1602) him...as well as James Bowman! Zazzo also expressed his Blodek, Vilem [1834-1874] Three Polish Dances for lute frustration at the idea that countertenors are a continuation of Music for the Shakespeare Celebrations - suite for orchestra Jacob Heringman (lute) the castrati line and not seen as falsettists in their own right.
    [Show full text]
  • School Ofmusic
    FACULTY RECITAL • ,.. presented by ,. THE SHEPHERD SOCIETY ... Sunday, September 28, 2003 3:00 p.m. ' Lillian H Duncan Recital Hall • • . ) ti . ~ RICE UNNERSITY School~ ofMusic PROGRAM Canonic Sonata No. 4 in D Minor Georg Philipp Telemann Vivace ma moderato (1681-1767) Piacevole non largo • Presto • Leone Buyse, flute • Robert Atherholt, oboe .. \ Sonata in B-flat Major Wolfgang Amadeus Mozart for Bassoon and Cello, K. 292 (1756-1791) Allegro Andante Rondo: Allegro Benjamin Kamins, bassoon Norman Fischer, cello ., Tafelmusik II Georg Philipp Telemann • • for flute, oboe, bassoon, and continuo I Andante Vivace Largo Allegro ., .. Leone Buyse,flute Robert Atherholt, oboe Benjamin Kamins, bassoon Norman Fischer, cello Thomas Jaber, harpsichord Nachtpoema (1963) Proctor Van Eechaute . .. (1904-1964) .- Una voce poco fa Gioacchino Rossini from II Barbiere di Siviglia (1792-1868) "' William Ver Meulen, horn Thomas Jaber, piano )- - Five Romantic Songs .. ,.. Standchen Franz Schubert ,.. (1797-1828) Zueignung Richard Strauss (1864-1949) r - L'Invitation au Voyage Henri Duparc (1848-1933) 0 Never Sing To Me Again Sergei Rachmaninoff (1873-1943) If Ever I Would Leave You Frederick Loewe (1901-1988) Stephen King, baritone r- Thomas Jaber, piano PERFORMER BIOGRAPHIES LEONE B UYSE is Professor ofFlute and Chamber Music at the Shepherd l ' School ofMusic. In 1993 she relinquished her principal positions with the Bos­ ton Symphony Orchestra to pursue a more active teaching and solo career after twenty-two years as an orchestral musician. Previously assistant principal flutist I > > of the San Francisco Symphony and solo piccoloist of the Rochester Philharmonic ) Orchestra, Ms. Buyse has appeared as soloist with those orchestras, as well as with l'Orchestre de la Suisse Romande, the Boston Symphony and Boston Pops, the Utah Symphony, and the New Hampshire Music Festival, of which she was principal flutist for ten years.
    [Show full text]