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Journal of the National Museum in Warsaw New Series | Contents
Rocznik Muzeum Narodowego w Warszawie Nowa Seria | Journal of the National Museum in Warsaw New Series | Contents Part I – The Museum 19 Jan Białostocki, Künstlerstube (introduced by Antoni Ziemba) 45 Zygmunt Miechowski, Diary from the Warsaw Uprising (introduced by Alina Kowalczykowa, edited by Alina Kowalczykowa, Anna Szczepańska) 76 Marcin Romeyko-Hurko, “Noble Rivalry Between People of Good Will” How Citizens Created the National Museum in Warsaw Part II – Old Masters Art 113 Monika Kęsy, Justyna Olszewska-Świetlik, Aleksandra Janiszewska, Painting Technology and Technique in Crucifixion by Pieter Coecke van Aelst’s Workshop from the Collection of the National Museum in Warsaw 150 Barbara A. Kamińska, Pieter Aertsen’s Seven Works of Mercy: Charity and Salvation in the Age of Reform 178 Dorota Juszczak, The Self-Portraits of Marcello Bacciarelli: Dating and Attributions 209 Konrad Niemira, “Più bravo Pittore che fosse in Vienna,” or Marcello Bacciarelli at the Habsburg Court and in Viennese Salons 234 Stanisław Stefan Mieleszkiewicz, A Biedermeier Table for Displaying Geological and Dendrological Specimens from the Collection of the National Museum in Warsaw Part III – Polish Design 259 Anna Demska, Anna Maga, The Gallery of Polish Design at the National Museum in Warsaw 280 Agata Szydłowska, “Lambrequins Are a No-Go!” Critics’, Artists’, and Journalists’ Interior-Design Discourses During the “Small Stabilization” Era Part IV – Around Paderewski 312 Magdalena Pinker, Joanna Popkowska, Paderewski the Orientalist? Ignacy Jan Paderewski’s Collection of Chinese Cloisonné Enamels at the National Museum in Warsaw 340 Piotr P. Czyż, The President Thomas Woodrow Wilson Monument. Ignacy Jan Paderewski’s Gift to the City of Poznań and Its Artistic Implications 365 Petra ten-Doesschate Chu, Portrait of the Artist as a Young Celebrity Ignacy Jan Paderewski by Lawrence Alma-Tadema Part V – Reminiscences 380 Piotr Borusowski, Aleksandra Janiszewska, Antoni Ziemba Hanna Benesz (4 June 1947 – 12 May 2019) 389 Abstracts 400 Contributors Rocznik MNW. -
Open Access Version Via Utrecht University Repository
Philosopher on the throne Stanisław August’s predilection for Netherlandish art in the context of his self-fashioning as an Enlightened monarch Magdalena Grądzka Philosopher on the throne Magdalena Grądzka Philosopher on the throne Stanisław August’s predilection for Netherlandish art in the context of his self-fashioning as an Enlightened monarch Magdalena Grądzka 3930424 March 2018 Master Thesis Art History of the Low Countries in its European Context University of Utrecht Prof. dr. M.A. Weststeijn Prof. dr. E. Manikowska 1 Philosopher on the throne Magdalena Grądzka Index Introduction p. 4 Historiography and research motivation p. 4 Theoretical framework p. 12 Research question p. 15 Chapters summary and methodology p. 15 1. The collection of Stanisław August 1.1. Introduction p. 18 1.1.1. Catalogues p. 19 1.1.2. Residences p. 22 1.2. Netherlandish painting in the collection in general p. 26 1.2.1. General remarks p. 26 1.2.2. Genres p. 28 1.2.3. Netherlandish painting in the collection per stylistic schools p. 30 1.2.3.1. The circle of Rubens and Van Dyck p. 30 1.2.3.2. The circle of Rembrandt p. 33 1.2.3.3. Italianate landscapists p. 41 1.2.3.4. Fijnschilders p. 44 1.2.3.5. Other Netherlandish artists p. 47 1.3. Other painting schools in the collection p. 52 1.3.1. Paintings by court painters in Warsaw p. 52 1.3.2. Italian paintings p. 53 1.3.3. French paintings p. 54 1.3.4. German paintings p. -
Press Release Centre for Contemporary Art Ujazdowski Castle UJAZDOWSKI CASTLE
Press release Centre for Contemporary Art Ujazdowski Castle UJAZDOWSKI CASTLE - A HISTORY The origins of the Jazdów settlement on the high left bank of the Vistula river precede the history of Warsaw and date back to a 12th century ford, connecting Kamień and Solec, which was a river crossing approached by a deep gulch in the escarpment (today Agrykola Street). The hamlet’s name, Jazdów or Ujazdów, is therefore derived from the root “jazd”, meaning “to ride, to ford”. The stronghold overlooking the ford from the south (the present site of Botanical Gardens) was a frequent stooping place of the Mazovian princes. During the 13th century Jazdów was destroyed twice; finally, prince Conrad of Mazovia decided to move his residence to the newly founded the township of Warsaw. Jazdów remained a prince’ castle but was used mainly as a hunting lodge. The second period of the hamlet’s history begins in the 16th century, when at the decline of the Mazovian dynasty their lands were taken over by the Crown. In 1548, after the death of king Zygmunt Stary, the Queen Dowager Bona chose Jazdów for her residence. The spacious wooden court, surrounded by magnificent gardens, was located at the site of today’s Finnish cottage colony. Sometime later, in the 70’s or 80’s, a new royal country residence was erected on the approximate site of today’s Ujazdowski Castle; the moving spirit behind this project was probably Anna Jagiellonka, the wife of king Stefan Batory. According to some records it was here that the great Renaissance drama Odprawa Posłów Greckich (The Dismissal of the Greek Envoys) by Jan Kochanowski was enacted for the royal coupe. -
Treasures of Stanisław August
Collector coins Treasures of Stanisław August Ladislas Vasa (1632−1648) Treasures of Stanisław August The unique series of gold and silver collector coins with the face values of 500 zloty and 50 zloty – “TREASURES OF STANISŁAW AUGUST” – replicates the famous 18th century medallic series with the images of the kings of Poland, which was struck on the order of Stanisław August Poniatowski. The royal medals, designed by two outstanding medallists: Jan Filip Holzhaeusser and Jan Jakub Reichel, were struck at the Warsaw mint in the years 1791–1797/1798. The design of the medals was based on portraits painted between 1768 and 1771 by Marcello Bacciarelli for the Marble Room at the Royal Castle in Warsaw. The coins issued by Narodowy Bank Polski are faithful replicas of the medals, preserving the diameter and height of relief of the originals. This applies to the portraits of the kings on the reverses. The obverses of the coins feature the reverses of the medals with biographies of the monarchs. The reverses of the medals have been reduced in size because they are accompanied by the name of the state along the rim, the image of the state emblem, the face value and the year of issue of the coins. The biographies of the monarchs and the inscriptions on the obverses of the medals accompanying the royal portraits are in Latin. The final text editing was most likely done by King Stanisław August himself. The names of the monarchs in Polish are presented on the sides of the coins, along with the name of the series “Treasures of Stanisław August”. -
The Kramarczuk Tour of Poland Parts of Poland and Is Known As Zakopianski Style
presents TThhee KKrraammaarrcczzuukk TToouurr ooff PPoollaanndd SSeepptteemmbbeerr 2233 –– OOccttoobbeerr 44,, 22001166 $$33,,119999 per person/double occupancy including roundtrip air from Minneapolis with your host Orest Kramarczuk owner of the Kramarczuk Sausage Company a Minneapolis tradition for over 60 years “The world is a book and those who do not travel read only a page.” ~ St. Augustine of Hippo natural landscapes. This architecture is copied in other The Kramarczuk Tour of Poland parts of Poland and is known as Zakopianski Style. You Itinerary will visit the Jaszczurowka Chapel, a great example of the wooden architecture in Zakopane, and the Sanctuary Friday, September 23 ~ Warsaw of Our Lady of Fatima at Krzeptowki, which was built by Depart Minneapolis and travel to Warsaw arriving the the people of Zakopane to thank the Lady of Fatima for next day. saving Pope John Paul II after an attempt on his life. Admire the breathtaking views of the Tatras from the top Saturday, September 24 ~ Warsaw of Gubalowka Mountain and shop for souvenirs of arts After arrival, you will be met and transferred to your hotel and crafts of the Highlanders (Gorale) in the local shops. in the heart of the city. The afternoon is free. At 6:00 PM, After lunch on your own you will have a free time. Before meet your guide and the rest of the group in the hotel we continue on to Krakow, take a spectacular RAFTING lobby. Drive along the beautifully renovated Royal Route TRIP on the Dunajec River in Pieniny National Park. with its historical monuments and residences. -
Rebirth in Downfall – Revision
Rebirth in Downfall – revision Rebirth in Downfall – revision Lesson plan (Polish) Lesson plan (English) Bibliografia: Rozważania na temat malarstwa - 3 Maja - kolejny triumfalny upadek, [dostęp 2.10.2015 r.].. Rebirth in Downfall – revision Adopon of the Polish-Lithuanian Constuon of 3rd May 1791, by Jan Matejko Source: Wikimedia Commons, domena publiczna. Link to the lesson You will learn to list the achievements of the final period of the Polish‐Lithuanian Commonwealth; to indicate the advantages and disadvantages that the Partitions of Poland had for the partitioning states; to characterize the internal and external causes of Poland’s downfall. Nagranie dostępne na portalu epodreczniki.pl Nagranie abstraktu The Familia decided to use Russia’s favorable approach to enacting changes in Poland, and the convocational Confederated Sejm of 1764 began the process of healing the state. The throne was taken by Stanisław August Poniatowski – the last King to be elected. In response, the Polish nobility formed the Bar Confederation. The reason for it was the fear of the strengthening of the King’s position, and the influence of heterodox believers and Russia. After its collapse in 1772, Russia, Austria, and Prussia conducted the first Partition of Poland. During the Partition Sejm, the Commission of National Education was created. Portrait of Stanisław August Poniatowski in his coronaon garb, by Marcello Bacciarelli (1768) Source: Wikimedia Commons, domena publiczna. During the sessions of the so‐called Great Sejm (1788‐1792) of 3 May 1791, the deputies adopted the Constitution. Poland’s political system was to be based on Montesquieu’s separation of powers, and Poland became a constitutional monarchy. -
1B.-Rynek-Sztuki... EN.Pdf
Konrad Niemira THE ART MARKET IN WARSAW DURING THE TIMES OF STanisłaW II AUGUST1 When reading publications devoted to artistic culture in eighteenth-century Warsaw, one may sometimes get the impression that the art market in this city was rather ‘backward’ and ‘underdeveloped’.2 This dark legend was originated, or at least codified, by a pioneering researcher on the subject, the outstanding art historian Andrzej Ryszkiewicz. Ryszkiewicz devotes some room to the period in question in the first chapter of his monograph on the paintings trade in nine- teenth-century Warsaw. According to this scholar, there were only two shops that offered paintings for sale at the end of the eighteenth century: Ernst Christopher Bormann’s and Karol Hampel’s, although it must be stressed that neither mer- 1 This article could not have been written without the support of Prof. Andrzej Pieńkos and Piotr Skowroński, who invited me to take part in the academic seminar of the Ośrodek Badań nad Epoką Stanisławowską in 2017. I am grateful to both of them. Further work on the text as well as additional archival research would not have been possible without a scholarship from the Burlington Magazine, whose Council I would also like to thank here. 2 A. Ryszkiewicz, Początki handlu obrazami w środowisku warszawskim, Wrocław 1953; A. Magier, Este- tyka miasta stołecznego Warszawy, Warszawa 1963, p. 280, footnote 1; J. Białostocki, M. Walicki, Ma- larstwo europejskie w zbiorach polskich, Warszawa 1958, p. 23; S. Bołdok, Antykwariaty artystyczne, salony i domy aukcyjne, Warszawa, 2004 pp. 17–27; T. de Rosset describes the Warsaw paintings market as ‘miserable’, dominated by itinerant picturists of second-rate quality. -
THE MANY FACES of POLAND Tour: A-2 14 Days / 13 Nights LAND ONLY
THE MANY FACES OF POLAND Tour: A-2 14 Days / 13 Nights LAND ONLY TOUR ITINERARY: DAY 1 Saturday ● WARSAW (Welcome dinner) After arrival, you will be met and transferred to your hotel in the heart of the city. The afternoon is free. At 6:00PM, meet your guide and the rest of the group in the hotel lobby. Drive along the beautifully renovated Royal Route with its historical monuments and residences. Stop at Castle Square for a short walk through Old Town, and then join us for welcome dinner at a local restaurant. Your meal will include typical Polish dishes and famous Polish vodka, “Zubrowka”. DAY 2 Sunday ● WARSAW (Breakfast, Lunch) This morning, we introduce you to the highlights of Warsaw. A half-day sightseeing tour includes Old Town, beautifully rebuilt after World War II, with the impressive Royal Castle, seat of the kings of Poland. Here the Constitution of May 3rd was proclaimed in 1791, the second oldest constitution, after the US Constitution, in the world. You will admire some of its 300 rooms and see there Canaletto Room with 23 of his paintings, the Throne Room, the magnificent Knight’s Hall with six large paintings by Marcello Bacciarelli, the Marble room with its 22 portraits of Polish kings and the largest and most impressive of all the castle’s chambers, the Ballroom. After lunch served at a local restaurant in Old Town, we continue our tour with a drive to the area of the former Warsaw Ghetto. En route, you will see the building of the National Opera House and Town Hall. -
Trzy Nieznane Obrazy Marcella Bacciarellego Z Kolekcji Ukraińskich
TRZY NIEZNANE OBRAZY MARCELLA BACCIARELLEGO Z KOLEKCJI UKRAIÑSKICH 67 Biuletyn Historii Sztuki LXXXIII:2021, nr 1 ISSN 00063967 KONRAD NIEMIRA Warszawa, Instytut Historii Sztuki UW https://orcid.org/0000-0003-3366-4615 MICHA£ PRZYGODA Muzeum Narodowe w Warszawie https://orcid.org/0000-0002-7008-1534 Trzy nieznane obrazy Marcella Bacciarellego z kolekcji ukraiñskich Three Unknown Paintings by Marcello Bacciarelli in Ukrainian Collections 68 KONRAD NIEMIRA, MICHA£ PRZYGODA Przedmiotem artyku³u jest obraz Marcella Bacciarellego (17311818) ze zbiorów Okrêgowego Muzeum Krajoznawczego w Winnicy (³ííèöüêèé îáëàñíèé êðàºçíàâ÷èé ìóçåé). Omawiana kompozycja, nieodnotowana dotychczas w studiach powiêconych artycie, jest obecnie ekspo- nowana jako Portret Karola Krystiana Wettyna. W artykule przedstawiono alternatywn¹ identyfi- kacjê modela jako Jana Rzewuskiego (17321759) oraz datowanie pracy na lata 17581759. W dalszej czêci tekstu wskazano jej graficzny pierwowzór i osadzono kompozycjê w oeuvre artysty. Wprowadzenie do studiów nad Bacciarellim obrazu z Winnicy stanowi punkt wyjcia do rewizji wyobra¿eñ o wczesnym etapie jego kariery. Na prze³omie lat 50. i 60. XVIII w. Jan Rzewuski nie by³ bowiem jedynym klientem artysty reprezentuj¹cym ten ród. W Okrêgowym Muzeum Krajo- znawczym w ¯ytomierzu (Æèòîìèðñüêèé îáëàñíèé êðàºçíàâ÷èé ìóçåé) znajduj¹ siê dwa por- trety przedstawiaj¹ce jego dwie siostry Annê i Antoninê. Obrazy te, nies³usznie atrybuowane Alexandrowi Roslinowi, s¹ dzie³ami Bacciarellego. Poniewa¿ w zbli¿onym czasie artysta portre- towa³ tak¿e ojca ca³ej trójki, Micha³a Rzewuskiego, postawiæ mo¿na tezê, ¿e na pierwszym etapie jego kariery rodzina Rzewuskich odgrywa³a rolê wiêksz¹, ni¿ dotychczas przypuszczano. S³owa-klucze: Marcello Bacciarelli (17311818), Jan Rzewuski, Anna Humiecka, Antonina Ma- ³achowska, portret The focus of this article is a portrait by Marcello Bacciarelli (17311818) in the collection of the Regional Museum of Local Lore in Vinnytsia (³ííèöüêèé îáëàñíèé êðàºçíàâ÷èé ìóçåé). -
Exhibition of One Painting
EXHIBITION OF ONE PAINTING PAINTINGS FROM THE DRESDEN STATE ART COLLECTIONS AND THE HAMBURGER KUNSTHALLE Ariadne Abandoned by Theseus, Angelika Kauffmann, 1 May — 30 July 2017, Dresden State Art Collections Portrait of a Patrician Family, Abraham van den Tempel, 4 August — 30 November 2017, Hamburger Kunsthalle ARIADNE ABANDONED BY THESEUS BY ANGELIKA KAUFFMANN Angelika Kauffmann—one of the most revered artists of the second half of the eighteenth century, famous for her portraits and historical scenes—repeatedly painted motifs taken from the tale of the mythological heroine Ariadne. Roland Enke The most dramatic depiction is the painting Ariadne Abandoned by Theseus from the col- lections of the Gemäldegalerie Alte Meister in Dresden (Fig. 1), which is currently on loan to the Royal Łazienki Museum, where, together with the Portrait of Princess Giuliana Pubblicola Santacroce as Lucretia, also by Kauffmann, it forms an excel- lent dual discourse on the role of women—both as artist and as the person portrayed. Born in Switzerland, Angelika Kauffmann strove to be a skilled artist from an early age—in Eng- land she was known as Angelika Kauffmann. In 1764, at the age of 23, she painted one of her earliest mythological scenes, which immediately gained recognition among connoisseurs of history painting. As stated in the first biography of the artist—written in her lifetime—‘she began … to compose and paint historical and mythological 1. Ariadne Abandoned by Theseus subjects in which she shows she was well read, Angelika Kauffmann, before 1782, had a noble mind and charming taste.’ Staatliche Kunstsammlungen Dresden, Gemäldegalerie Alte Meister 4 5 At this point, it is worth recalling the story of cameo; her image is reduced to gestures and her as in the Sleeping Ariadne in the Vatican collec- satory symbol of humanity’s lack of compassion. -
PRINCE STANISŁAW PONIATOWSKI: EXPERT on and COLLECTOR of ANCIENT and ITALIAN ART Agnieszka Bender Cardinal Stefan Wyszyński University in Warsaw
Muz., 2020(61): 80-89 Annual, eISSN 2391-4815 received – 03.2020 reviewed – 04.2020 accepted – 05.2020 DOI: 10.5604/01.3001.0014.2085 PRINCE STANISŁAW PONIATOWSKI: EXPERT ON AND COLLECTOR OF ANCIENT AND ITALIAN ART Agnieszka Bender Cardinal Stefan Wyszyński University in Warsaw In the present paper the current state of research into similarly as in guides to the Eternal City and Florence, he the patronage and collecting activities of Prince Stanisław has been almost entirely neglected. In a guide to Rome, Poniatowski (1754–1833) in his second homeland Italy, with a note mentioning him appeared for the first time only in which he was connected for almost 40 years of his life, is out- 2009 in the text by Adam Broż.5 Meanwhile, both in Rome lined. Over the period, the Prince made three long trips there and its vicinity, as well as in Florence and around, many which preceded 30 years of living in Italy on a permanent places still connected with this important historical figure can basis, first in Rome, and then in Florence, where he was bur- be found. Over the recent dozen years or so some new inter- ied following his last will in a sumptuous tomb raised by his est of Italian and Polish researchers in that rather forgotten, sons in the Blessed Sacrament Chapel by St Mark’s Church.1 but certainly not commonplace, and after all favourite neph- The biographical novel by Marian Brandys published under ew of the last Polish King has been observed. Several publica- a slightly provocative title over half a century ago Nieznany tions of professional historians and what is more, amateurs książę Poniatowski [Unknown Prince Poniatowski], despite with a passion and journalists, who, interestingly, are Italians several editions,2 has not significantly contributed to pop- or Poles living in Italy, have been released;6 they have tried ularizing the extremely extravagant figure of the King’s to popularize the figure of the fabulously wealthy, though nephew Stanisław Poniatowski; neither have the trans- eccentric Prince. -
Treasures of Stanisław August
Collector coins Treasures of Stanisław August Sigismund the Elder (1506–1548) Treasures of Stanisław August The unique series of gold and silver collector coins with the face values of 500 zloty and 50 zloty – “TREASURES OF STANISŁAW AUGUST” – replicates the famous 18th century medallic series with the images of the kings of Poland, which was struck on the order of Stanisław August Poniatowski. The royal medals, designed by two outstanding medallists: Jan Filip Holzhaeusser and Jan Jakub Reichel, were struck at the Warsaw mint in the years 1791-1797/1798. The design of the medals was based on portraits painted between 1768 and 1771 by Marcello Bacciarelli for the Marble Room at the Royal Castle in Warsaw. The coins issued by Narodowy Bank Polski are faithful replicas of the medals, preserving the diameter and height of relief of the originals. This applies to the portraits of the kings on the reverses. The obverses of the coins feature the reverses of the medals with biographies of the monarchs. The reverses of the medals have been reduced in size because they are accompanied by the name of the state along the rim, the image of the state emblem, the face value and the year of issue of the coins. The biographies of the monarchs and the inscriptions on the obverses of the medals accompanying the royal portraits are in Latin. The final text editing was most likely done by King Stanisław August himself. The names of the monarchs in Polish are presented on the sides of the coins, along with the name of the series “Treasures of Stanisław August”.