DOCSLIB.ORG

Quintan Ana Wikswo

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Quintan Ana Wikswo QUINTAN ANA WIKSWO 185 Clinton Avenue #7A, Brooklyn NY 11205 917.691.1999 / [email protected] QUINTANWIKSWO.COM BUMBLEMOTH.COM Hailed as "heady, euphoric, singular, surprising" by Publishers Weekly, “obliterates boundaries of form, structure, genre and medium like a typhoon” by The Rumpus, “universal and personal, comforting and jarring, ethereal and earthy” by Electric Literature, and acclaimed by The Millions as “one of the few writers most necessary to read at this point in time,” Quintan Ana Wikswo develops conceptually-based trans-disciplinary hybrid works that integrate her fiction, poetry, nonfiction, memoir, essay, and emerging forms with her original photographs, performance, visual art, video installation, and cross-disciplinary collaborations. The author of three books in poetry, fiction, nonfiction, and hybrid forms, Wikswo publishes regularly in Guernica, Tin House, and others. Her more than forty-five text-based collaborative interdisciplinary works are currently touring and in major collections including the Brooklyn Museum, the Berlin Jewish Museum, the Museum of Contemporary Art Los Angeles, the Ronald Feldman Gallery NYC, and others. Her work has been translated into fifteen languages. Her books and public works surround the intersectionality of gender, disability, queerness, class, and race in place and time, with a focus on conflict and post-conflict zones, crimes against humanity, genocide, multigenerational aftermath issues, and military service. Her work surrounds obscured sites and prismatic and fractured narrative at sites of occluded and marginalized histories. A human rights strategist and field worker since 1988, she is an advocate for all those working in intersectional self-expression and collaboration. EDUCATION 2002 SAN FRANCISCO STATE UNIVERSITY M.F.A. in Creative Writing (Fiction, Poetry, Nonfiction, and Hybrid Forms) Special Studies: Publishing Practicum; Teaching Practicum Presidential Honors Fellow University Distinguished Service Award Editor, Fourteen Hills Literary Magazine 1998 UNIVERSITY OF TEXAS AT AUSTIN B.A. Interdisciplinary, with Honors Majors: African-American Studies, Gender Studies, Philosophy, History Minor: Military Studies Thesis: Disruptions Underground: Queer Women in the American South Thesis: Liminality in Mixed Race Literature: Négritude, Créolité, and African-American Expression Thesis: Gender in Warfare: New Approaches to Diversity, Inclusion, and Restitution University Honors and University Award in History University Honors, University Scholar, and Thesis Award in Gender and Women’s Studies Social Justice Scholar Research Award Special Recognition in African-American Studies National Merit Scholar Fellowship, National Association of Women in Science 1996 UNIVERSITY OF SYDNEY, AUSTRALIA International Honors Fellowship in Women, Gender and Colonialism Studies Thesis: Declarations of Independence: Gender and Race in Post-Colonialist Expression TEACHING: ACADEMIC APPOINTMENTS AND VISITING LECTURESHIPS 2018-2019 COLIN POWELL SCHOOL FOR CIVIC AND GLOBAL LEADERSHIP at CITY COLLEGE NEW YORK (CUNY) Visiting Professor: English, Creative Writing, Gender Studies, and Women’s Studies Visiting Professor: Global Violence Against Women Initiative Intersectional, interdepartmental fellowship program for women of color, disabled and queer women who have experienced or worked against sexual violence in conflict zones Graduate Nonfiction Workshop The Female Fighter: Understanding Gender & Violence 2018 OLD DOMINION UNIVERSITY (Norfolk, Virginia) Mina Hohenberg Darden Professor of Creative Writing, MFA and BA Department of English The Bottle Tree: Nonfiction and Hybrid Text Chapbooks about Norfolk MFA Nonfiction Workshop 2017-2018 SANTA FE UNIVERSITY OF ART AND DESIGN (Santa Fe, New Mexico) Lecturer, MFA Program Creative Writing Department Voice Made Flesh: Advanced Fiction Workshop Liberation and Literature in Poetry and Nonfiction: Writing the Manifesto Hacking the Canon: Intersectional 21st century dissident writers and the Oxbridge Canon 2014 CITY UNIVERSITY OF NEW YORK / CUNY (New York City, New York Visiting Artist and Instructor, MFA and BA Department of Theater and Speech Writing Poetry, Fiction and Nonfiction for Performance CALIFORNIA COLLEGE OF ART / CCA (Oakland and San Francisco, California) Visiting Artist Lecturer, MFA and BA Social Practice Department MFA Master Class: site-specific workshop on cross-disciplinary books at social conscience sites 2013 NEW YORK UNIVERSITY / NYU (New York City, New York) Visiting Artist Lecturer, MFA and BA Department of English Queer Fiction, Nonfiction and Poetry in Multidisciplinary Writing COLGATE COLLEGE (Hamilton, New York) Visiting Artist, MFA and BA School of Visual Arts / Creative Writing Department / Film Studies Program MFA Master Class: Strategies for Collaboration between Writers, Filmmakers, and Visual Artists 2010-2013 CALIFORNIA STATE UNIVERSITY AT FULLERTON (Fullerton, California) Visiting Faculty, MFA and BA Departments of Music, Radio/TV/Film, Visual Arts, Theater, and English Master Class: Poetry and Music Composition Collaboration Master Class: Poetry and the Opera Libretto Master Class: Site-Specific Nonfiction Literature and Place-based performance Master Class: Video Installation and Original Literature Quintan Ana Wikswo 6 2012 CYPRESS COLLEGE (Orange County, California) Visiting Artist, BA and MFA Conceptual Photography / Department of Fine Art Master Class: Literature, Text, Contemporary Authors and the Photographic Project 2011 YESHIVA UNIVERSITY HONORS COLLEGE (New York City, New York) Visiting Professor and Artist in Residence (MA and BA) Departments of Art, English, History, and Interdisciplinary Studies Master Class: Gender Identity and Family Memoir Master Class: Writing the Holocaust Across Generations Master Class: Writing Nonfiction, Fiction and Poetry at Sites of Atrocity STERN COLLEGE FOR WOMEN (New York City, New York) Visiting Professor and Artist in Residence (MFA, MA, BFA, BA) Departments of English, Visual Art, Art History Master Class: Gender and Memoir in Poetry, Fiction and Nonfiction Master Class: Sexuality and Taboo in Poetry, Fiction and Nonfiction Master Class: Place, Memoir, and Visual Poetics 2010 UNIVERSITY OF ARIZONA AT TUCSON POETRY CENTER / CASA LIBRE DE SOLANA (Tucson, Arizona) Visiting Artist (MFA, BA) Master Class: Cross-genre poetry, fiction, nonfiction essay, and libretto Master Class: Poetics of Gender and Sexuality in Conflict Zones 2009 SWEET BRIAR COLLEGE (Amherst, Virginia) Visiting Faculty, MFA and BA Interdisciplinary Studies: Departments of English, Music, Theatre, Visual Arts BFA Master Class: poetry, fiction, and nonfiction in multi-disciplinary collaboration Master Class: Self-producing and alternative means of production for cross-disciplinary books 2008 BEYOND BAROQUE ARTS CENTER (Los Angeles, California) Instructor in Creative Writing: Poetry, Fiction, Nonfiction and Hybrid Forms See Say: Text and Performance Lab for Musicians and Writers Creating the Artist Book: Creation and Publication of Cross Genre Writing and Visual Art 1999-03 SAN FRANCISCO STATE UNIVERSITY (San Francisco, California) Lecturer, BA and MFA Instructor Editor, Fourteen Hills Literary Journal Instructor Fiction Editor, Fourteen Hills Literary Journal Department of Creative Writing Advanced Short Story Writing + Workshop I and II Directed Studies in Hybrid Text Directed Studies: Memoir Writing in Queer Sexuality Independent Studies: Memoir Writing for Combat Veterans Independent Studies: Memoir Writing for Sex Workers Publishing Practicum: Fourteen Hills Literary Magazine 1999-05 THE ARTISTS’ STUDIO OF SAN FRANCISCO (San Francisco, California) Accredited with San Francisco State University Department of Creative Writing Director (MFA and BA level) Master Class for SOCOM Veterans (Special Operations Command): Introduction to Creative Writing Workshop for Afghanistan Veterans (Fiction, Nonfiction, Memoir and Poetry) Workshop for Mogadishu/Somalia Veterans (Fiction, Nonfiction, Memoir and Poetry) Workshop for Iraq War Veterans (Fiction, Nonfiction, Memoir and Poetry) Quintan Ana Wikswo 2 Workshop for Survivors of Gender-based Hate Crime and Rape (Fiction, Nonfiction, Memoir Poetry) Master Class for Sex Workers: Memoir Writing (Cross-Genre) Workshop for Queer Writers: Memoir and Poetry Fiction Workshop: M.F.A. Portfolio Preparation Nonfiction Workshop: M.F.A. Portfolio Preparation Poetry Workshop: M.F.A. Portfolio Preparation Workshop: Prose and Poetry in Performance Studio Workshop: Collaborative Forms SELECTED AWARDS, DISTINCTIONS & FELLOWSHIPS 2019 Corporation of Yaddo, Fellowship in Writing 2018 Top 4 Writers: Dennis Cooper’s Blog Recommended Reading: Lambda Literary Best Books – The Millions Best Books – Luna Luna Magazine Best Books – The Rumpus 2017 Co-Curator: Arlene Schloss Retrospective, Howl Gallery, NYC Photographs “Out Here Death Is No Big Deal” Acquired by Brooklyn Museum Library and Archives Pew Charitable Trust Grant for Video Installation (with composer Andrea Clearfield) Millay Colony Artist in Residency Jiwar Artist in Residency, Barcelona Convento Mertola Artist in Residency, Portugal 2016 Photographs “The Hope of Floating” Acquired by Brooklyn Museum Library and Archives PEN USA Professional Member International Association of Women in Music Excellence Award (with Pamela Madsen) International Associate of Women in Music Excellence Award (with Andrea Clearfield) SFAI 140 Presenter: Immigration and Emigration / Gender Violence on the Border 2015 Photographs “Catalpa” Acquired
Load more

Recommended publications
  • A CHARGED EMBRACE Program Notes Bruce
    A CHARGED EMBRACE Program Notes The Harpsichord Resuscitated Bach was so completely out of fashion when he died William Kraft: Quillery for harpsichord (2013) that it wasn’t until a teenaged Felix Mendelsohn re- Gloria Cheng, harpsichord discovered the Saint Matthew Passion through the activities of his aunt, Sarah Levy, an influential sing- Bruce Broughton: Sonata for Cello & Piano (2012) er in Berlin’s most important choral society. She was Andrew Shulman, cello; Robert Thies, piano also a harpsichordist trained by Bach’s eldest son, Veronika Krausas: Sillages for 4 double basses (2013) Wilhelm Friedemann. After a century of neglect and Nico Abondolo, Steve Dress, Christian Kollgaard & Denis five years of editorial and preparational effort, the Trembly, double basses twenty-year-old Mendelsohn conducted the redis- covered work in 1829 with a vast and historically Broughton: Concerto for Cello & Ten Instruments (2015) incorrect chorus nearing 400. According to con- Andrew Shulman, cello; Sara Andon, flute; Keve Wilson, oboe; temporary accounts, the German King and his Eric Jacobs, clarinet; Anthony Parnther, bassoon; Daniel Rosen- boom, trumpet; Allen Fogle, horn; Noah Gladstone, bass trom- entire court attended, and a thousand people were bone; Aron Kallay, piano; Sidney Hopson, percussion; Thomas turned away. That night the direction of music his- Harte, double bass; conducted by Benjamin Wallfisch tory changed: the floodgates opened to the past. In 1924, when Man Ray painted “f” holes on a nude In 1850, the Bach Society (Gesellschaft) was founded photograph of his inamorata Kiki de Montparnasse, to publish all of his known works. That enterprise who was posed to resemble a stringed instrument, was finally completed in 1900.
    [Show full text]
  • Hopscotch-Takes-Opera-Into-The- Streets.Html
    CLIP BOOK PREVIEWS/ FEATURES October 31, 2015 Also ran online: http://www.nytimes.com/2015/10/31/arts/music/hopscotch-takes-opera-into-the- streets.html September 13, 2015 Also ran online: http://www.latimes.com/entertainment/arts/la-ca-cm-fall-arts-hopscotch-opera-la- 20150913-story.html October 8, 2015 Also ran online: http://www.latimes.com/entertainment/arts/la-et-cm-hopscotch-opera-industry-20151008-story.html November 21, 2015 Also ran online: http://www.latimes.com/entertainment/arts/la-et-cm-hopscotch-hawthorne- 20151121-column.html December 13, 2015 Also ran online: http://www.latimes.com/entertainment/arts/la-ca-cm-best-classical-music-2015- 20151213-column.html November 16, 2015 Opera on Location A high-tech work of Wagnerian scale is being staged across Los Angeles. BY ALEX ROSS Parts of “Hopscotch” are staged inside a fleet of limousines. Other scenes take place on rooftops and in city parks. CREDITPHOTOGRAPH BY ANGIE SMITH FOR THE NEW YORKER Jonah Levy, a thirty-year-old trumpet player based in Los Angeles, has lately developed a curious weekend routine. On Saturday and Sunday mornings, he puts on a white shirt, a black tie, black pants, and a motorcycle jacket, and heads to the ETO Doors warehouse, in downtown L.A. He takes an elevator to the sixth floor and walks up a flight of stairs to the roof, where a disused water tower rises an additional fifty feet. Levy straps his trumpet case to his back and climbs the tower’s spindly, rusty ladder. He wears a safety harness, attaching clamps to the rungs, and uses weight-lifting gloves to avoid cutting his palms.
    [Show full text]
  • Fifteen Minutes of Fame: Maksim Velichkin
    Fifteen Minutes of Fame: Maksim Velichkin - Homage to Bach Maksim Velichkin is an accomplished cellist, pianist, and harpsichordist who has been active as a soloist, chamber musician, and orchestra artist among an international circle featuring venerable conductors and headlining classical stars. He has worked with James Levine, Kurt Masur, Charles Dutoit, Yuri Temirkanov, Wolfgang Sawallish, Herbert Blomstedt, Christoph von Dohnanyi, Gabor Takacs-Nagy, Sarah Chang, Maxim Vengerov, Yuri Bashmet, Dmitry Sitkovetsky, Bobby Mc Ferrin, Joshua Bell, Martha Argerich, Gabriela Montero, Renaud Capucon, Lynn Harrell, Misha Maisky, Frans Helmerson as well as many others. Maksim’s performances have been featured on Radio Swiss Romande, WQED FM in Pittsburgh, National Radio and Television of Uzbekistan. Moreover, as an improviser and interpreter of contemporary and popular music Maksim’s performance and recording career includes credits with noted musical celebrities Stevie Wonder, Chick Corea, Billy Childs, Burt Bacharach, Bobby McFerrin, Dwight Trible, Bitter:Sweet, Chris Botti, Bob James, Josh Groban, Red Elvises, Bernadette Peters, Natalie Cole, Alan Silvestri, Richard Thompson and many others. He performs and tours frequently with the Verbier Chamber Orchestra throughout North and South America, Europe, Asia, and Australia. Maksim Velichkin has also been active as a collaborative pianist having performed numerous recitals with instrumentalists and singers. As a duo pianist, he has performed J.S.Bach's Concerto for Two Pianos in c minor at Carnegie Hall in Pittsburgh, and Saint-Saens's Carnival of the Animals in Sydney, Australia. Valentine to Bach Adrienne Albert Award-winning U.S. composer Adrienne Albert (ASCAP) has received grants from the NEA, ACF, MTC/Rockefeller Foundation, ACF Subito Award, MPE, and ASCAP.
    [Show full text]
  • Wikswo Condensed Resume 031813
    QUINTAN ANA WIKSWO [email protected] www.QuintanWikswo.com Quintan Ana Wikswo is a transdisciplinary artist whose works integrate her original new works in literature (fiction, poetry, and essay), visual art, film, and performance. These projects are performed, published, presented and exhibited across disciplines and fields. A 2013 Creative Capital Grantee in Emerging Fields, she is the co-Artistic Director of Fieldshift Further, (NYC/LA) and a core artist with FlashPoint (NYC) and Catalysis Projects (LA). She works in New York City, Los Angeles, and Europe. SOLO MUSEUM EXHIBITIONS 2013 VERGESSEN The Jewish Museum / Berlin October 1, 2013 – January 15, 2014 FOSSOYEUR Museum of Modern Art / Ceret, France August 15 – September 15, 2013 VERGESSEN Jüdisches Museum München / Munich February 26 – September 15, 2013 2011-12 PROPHECY OF PLACE: QUINTAN ANA WIKSWO Yeshiva University Museum / New York City August 1, 2011 – April 1, 2012 SELECTED PERFORMANCES 2013 Musee d’Art Modern de Ceret / France (Alchemist’s Suite) Atelier de la Main d’Or / Paris (Alchemist’s Suite) Jewish Museum Munich / Germany (Sonderbauten) Monk Space / Los Angeles (Alchemist’s Suite) California State University / Fullerton (Luminosity) (Wupatki) Ebenboeckhaus / Munich (Sonderbauten) (Charite) (Witzengen Urne) Le Poisson Rouge / NYC (Charite) Dixon Place / NYC (Volkerkunde / Anthropology) SEEDS / NYC (Charite) Pete’s Candy Store / NYC (Charite) Unnameable Books / NYC (Wupatki) (The Anguilladae Eaters) 2012 University of Colorado / Colorado Springs (Wupatki) Tin House
    [Show full text]
  • 0Kign $Wvvgtng[ U 5Vtkpi 3Wctvgvu %Qorqukvkqpcn
    # ! " #$ % &''( Nigel (Henry) Butterley (b. 1935) is recognised as one of Australia’s foremost contemporary composers. His works span most compositional genres. By making a case for the value of sketch study in the process of musical analysis, the principal purpose of this thesis is to augment understanding of Butterley’s music and in particular, his compositional processes and procedures through the various stages of the genesis of a composition, from the sketch to final score. Butterley’s string quartets, composed between the years 1965 to 2001 provide the basis for this study; these works are contextualised and examined to illustrate his approach to composition in microcosm and also his individual style within the genre of string quartet writing. This study focuses on the examination of preliminary sketches, drafts and holographs, as well as the scores of the completed works. Initially, analysis is based on preliminary sketches; this will be augmented by a formal analysis of the completed works. Traditionally, formal analysis deals with the final product, something that has been created, and in a sense, views a work retrospectively. Sketch study, in contrast, examines the work as it is being created and is concerned with the attendant compositional issues and choices available to the composer and the processes followed as he or she creates the composition. The current work will identify significant common features in all the string quartets, and will trace Butterley’s compositional trajectory through these works demonstrating that individual characteristics of Butterley’s style, emergent as early as 1965, continued to be utilised in 1995 and remain present in the Bagatelle of 2001.
    [Show full text]
  • Faculty of Music 2015-16 Highlights
    2015-16 HIGHLIGHTS & NEWS Faculty members Librarian James Mason discovered Norwegian composer Johan Halvorsen’s violin concerto written for Kathleen Parlow believed to have been lost for over a century. Violinist Henning Kraggerud will perform the 21st-century premiere of the concerto in Norway in July 2016 as part of the International Musicological Society’s annual conference. In November Don McLean was reappointed as Dean, Faculty of Music for 2016-2021. Composition Professor Ka Nin Chan retired at the end of the 2014-15 academic year. Head of Voice Studies Professor Wendy Nielsen received a Ruby in the 2015 Opera Canada Awards in October for her work as a soprano and voice instructor. Harp instructor Judy Loman and violin instructor Jacques Israelievitch were appointed members of the prestigious Order of Canada last July. Sadly, shortly after on September 5, Jacques Israelivitch passed away after a months-long battle with cancer. Retired voice instructor mezzo Patricia Kern passed away in October. She was 88 years old. She made her debut with the Scottish Opera in 1969 in Rossini’s La Cenerentola, and her Canadian Opera Company debut in 1973 in Rossini’s The Barber of Seville. She began teaching voice at the Faculty in 1980. In the words of our Dean, “It is with much sadness that we note the passing of Dr. George Brough on September 15 at the age of 97, keyboard player and opera coach, who worked for many years with UofT Opera, as well as the COC, Banff Centre, Mendelssohn Choir, and other organizations.” And again, in the words of our Dean: “I am saddened to inform you of the passing of Prof.
    [Show full text]
  • Notes on Contributors David Bennett Is Associate Professor of English and Cultural Studies at the University of Melbourne
    Notes on Contributors David Bennett is Associate Professor of English and Cultural Studies at the University of Melbourne. His article came out of research for an ARC Discovery Project on postmodernism and Australian art-music. He convened an international conference on Music and Postmodern Cultural Theory at Melbourne University in December 2006. Anne Marshman holds a PhD from the University of Melbourne, where she also lectured in twentieth-century music history in 2004 and 2005. She is currently a Visiting Fellow at the National University of Singapore. Bronwen Robertson is a PhD student in Ethnomusicology at the University of Melbourne. She continues her lifelong obsession with rock music and modal harmonies by examining and taking part in the underground rock music scene in Iran’s capital city, Tehran. Paul Doornbusch practices mostly algorithmic composition, usually including electronics. After spending the 1990s in Europe, Paul now lives in Australia where he recently released a book, The Music of CSIRAC, on the world’s first computer to play music. He is currently senior guest lecturer in Computer Music at the New Zealand School of Music. Andrew Raiskums is Director of Gloriana Chamber Choir, one of Melbourne’s finest and most versatile vocal groups. His interest in early music stems from studies at the University of Melbourne with Professor John Griffiths, and his wide experience as a singer, conductor and teacher. Veronika Krausas was born in Sydney but raised in Canada. Her works have been performed in Canada, the United States, Australia, Germany, the Netherlands and Romania. She is on faculty at the Thornton School of Music at the University of Southern California in Los Angeles.
    [Show full text]
  • The Association of Canadian Women Composers (ACWC), L'association Des Femmes Compositeurs Canadiennes (AFCC)
    e-Bulletin ACWC/AFCC Fall/Winter 2015 The Association of Canadian Women Composers (ACWC), L'association des femmes compositeurs canadiennes (AFCC) Notes from the Chair by Janet Danielson Hello ACWC Composers, Friends and Supporters, This fall has been a season of success for women composers, at least in out here on the West Coast. The acclaimed Turning Point Ensemble just toured Asia with a programme featuring music by Alexina Louie, Dorothy Chang, and Linda Catlin Smith. Vancouver’s Modulus Festival has had two successive women composers-in-residence, our local Jocelyn Morlock and the American Caroline Shaw. The Vancouver Symphony is premiering Vivian Fung’s Violin Concerto #2. Have we finally reached the goal of equal recognition of women composers? Let’s review the ACWC objectives and our progress within them. • To disseminate information about and to women composers in Canada and abroad Fifteen years ago, our newsletter put together by the late indefatigable Anita Sleeman, who did all the newsletter editing and layout, running it off on her home copier, folding, stuffing, and stamping the envelopes, whereas today we enjoy immediate international exposure via our web- based newsletter, our Box Office, and a much improved website. Fortunately, our newsletter editor and webmaster are just as indefatigable as Anita! • To promote the performance of work by Canadian and other women The ACWC has outdone itself in recent months, both in Canada and internationally. The June 20 Straw House Gallery Concert in Parry Sound, and the September 18 Earth Music Concert, !1 e-Bulletin ACWC/AFCC Fall/Winter 2015 featuring music by twelve of our members were great successes.
    [Show full text]
  • August 19, 2020 Season Launch Featuring the Toronto Mozart Choir
    August 19, 2020 Season Launch Featuring the Toronto Mozart Choir David Bowser conductor Megan Miceli soprano Georgia Burashko mezzo soprano David Walsh tenor Michael Robert-Broder bass-baritone Gregory Millar piano Daniel Norman organ 2020/2021 Season August 19, 2020 Season Launch A Greeting from David Bowser, artisitic director and conductor Verleih uns Frieden (Grant Us Peace) Felix Mendelssohn Season Launch: Beethoven Mass in C and Music of Love & Nature An Introduction from Barbara Croall, composer Nda-bgami giikiikgosh miiniwaa (I am getting sleepy again) from Miziwe (Everywhere…) Barbara Croall Season Launch: 2021 Toronto Mozart Vocal Competition and Mozart’s Requiem Lobgesang (Hymn of Praise) Fanny Mendelssohn Hensel Heil sey euch Geweihten (final chorus from Die Zauberfloete) Wolfgang Amadeus Mozart Toronto Mozart Players - Season Launch, August 19 2020 2 2020/2021 Season David Bowser, artistic director and conductor David Bowser is Co-Founder and Artistic Director of the Mozart Project and conducts the Toronto Mozart Players. He is Artistic Director and Conductor of Pax Christi Chorale and the Oakville Choral Society. He is an active guest conductor, composer, university instructor and vocal coach. David has conducted music for ballet, opera, film, television and the concert stage, and has performed in Canada, the United States, Japan, Belgium, France, Austria, Italy, Slovenia, Slovakia and the Czech Republic. He has been music director of the Thunder Bay Symphony Orchestra and Chorus, the Brantford Symphony Orchestra, the North York Concert Orchestra and the Hart House Chorus. He has also served as resident conductor of the Orchestre Symphonique de Québec and assistant conductor of the Nova Scotia Opera.
    [Show full text]
  • Curriculum Vitae
    CURRICULUM VITAE Aiyun Huang 80 Queens Park Toronto, ON M5S 2C5 Canada Cellphone: 858.883.4542 Email: [email protected] website: http://www.aiyunhuang.com BORN Kaohsiung, Taiwan EDUCATION 1999-2004 Doctor of Musical Arts in Contemporary Music Performance University of California, San Diego (advisor: Steven Schick) 1997-1998 Master of Arts in Music University of California, San Diego (advisor: Steven Schick) 1995-1996 Premier Prix Conservatoire Nationale de Region de Rueil-Malmaison, France (Professor: Gaston Sylvestre) 1991-1995 Bachelor of Arts in Music Performance with Honors University of Toronto (Professors: Russell Hartenberger, Robin Engelman) POSITION 2017- Associate Professor of Percussion, Faculty of Music, University of Toronto Director of UofT Percussion Ensemble Head of Percussion 2006-2017 William Dawson Scholar (2014-2018) Associate Professor (2012-) Assistant Professor (2006-2012) Chair of Percussion Area (2006-) Director of McGill Percussion Ensemble (2006-) Schulich School of Music of McGill University, Montreal, Canada 2004-2006 Faculty Fellow (Post-doctorate researcher and teaching fellow) 2001- Founding member, Canadian new music trio Toca Loca (Gregory Oh and Simon Docking) 1997-2006 Member, red fish blue fish percussion group 2002-2003 Instructor of Record, UCSD 1997-2002 Teaching Assistant, UCSD RESEARCH INTERESTS Percussion performance, contemporary music, performance practice, multimedia collaboration, music memory, music theatre, music perception and cognition GRANTS AND AWARDS 2019 • CO-PI, JELF Matching
    [Show full text]
  • 2019-20 Highlights & News
    professor in 1971, he had a long performance and recording career in Vienna. He retired in 1991. Long-time Professor of Violin David Zafer passed away on April 20, 2019 at the age of 85. In addition to teaching at the Faculty from 1966 to 1999, Prof Zafer was conductor of the Toronto Symphony Youth 2019-20 HIGHLIGHTS & NEWS Orchestra for 25 years. Established in his memory, the Zafer Family Scholarship continues to grow with gifts FACULTY made by friends and former students. Gifts to this Prof Caryl Clark was a co-editor of The Cambridge scholarship will be matched dollar for dollar by the Haydn Encyclopedia that was published in April 2019 by office of UofT Provost Cheryl Regehr. See Cambridge University Press. donate.utoronto.ca/music. Professor Emeritus and former Dean Russell Ethnomusicologist Prof James Kippen and Dr. Hartenberger was awarded a 2019 Lifetime Annette Sanger retired from the Faculty of Music last Achievement Award from the Toronto Musicians’ summer. They joined the Faculty in 1990. Prof Kippen Association, Local 149. led research in Indian and Hindustani music and Dr. Opera Division Prof Sandra Horst received an Sanger taught a wide range of courses including Balinese Honorary Doctor of Music Degree from her alma mater gamelan ensemble. Wilfrid Laurier University in June 2019. Long-time Director of the Electronic Music Studio Piano instructor Boyanna Toyich (BMusPerf 1970) and composer Prof Dennis Patrick (MMus 1975, passed away on June 19, 2019. “A beacon of positivity,” BMus 1974) retired after over 40 years of service to the a devoted teacher, and an innovator dedicated to music Faculty of Music.
    [Show full text]
  • Curriculum Vitae
    CURRICULUM VITAE Aiyun Huang 80 Queens Park Toronto, ON M5S 2C5 Canada Cellphone: 858.883.4542 Email: [email protected] website: http://www.aiyunhuang.com BORN Kaohsiung, Taiwan EDUCATION 1999-2004 Doctor of Musical Arts in Contemporary Music Performance University of California, San Diego (advisor: Steven Schick) 1997-1998 Master of Arts in Music University of California, San Diego (advisor: Steven Schick) 1995-1996 Premier Prix Conservatoire Nationale de Region de Rueil-Malmaison, France (Professor: Gaston Sylvestre) 1991-1995 Bachelor of Arts in Music Performance with Honors University of Toronto (Professors: Russell Hartenberger, Robin Engelman) POSITION 2017- Associate Professor of Percussion, Faculty of Music, University of Toronto Director of UofT Percussion Ensemble Head of Percussion 2006-2017 William Dawson Scholar (2014-2018) Associate Professor (2012-) Assistant Professor (2006-2012) Chair of Percussion Area (2006-) Director of McGill Percussion Ensemble (2006-) Schulich School of Music of McGill University, Montreal, Canada 2004-2006 Faculty Fellow (Post-doctorate researcher and teaching fellow) 2001- Founding member, Canadian new music trio Toca Loca (Gregory Oh and Simon Docking) 1997-2006 Member, red fish blue fish percussion group 2002-2003 Instructor of Record, UCSD 1997-2002 Teaching Assistant, UCSD RESEARCH INTERESTS Percussion performance, contemporary music, performance practice, multimedia collaboration, music memory, music theatre, music perception and cognition GRANTS AND AWARDS 2019 • CO-PI, JELF Matching
    [Show full text]