Faculty of Music 2015-16 Highlights
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We Invite You to Host Choirs Ontario on the Road
Choirs Ontario DynamicMay/June 2017|Volume 45, Issue 4 Dynamic is published four times a year by Choirs Ontario. Reproduction or translation of any work herein without the express permission of Choirs Ontario is unlawful. Choirs Ontario Editor, design & layout Linda T. Cooke (outgoing) Editor’s Letter 3 President’s Message 4 Incoming Board Members 5 Editorial President’s Leadership Award 7 Dynamic welcomes your letters, com- Ruth Watson Henderson Competition 7 mentary, photos, audio clips, video files, Choirs Ontario on the Road 8 Bullying in Choirs and article submissions. send to: Sing Ontario! Comes to Ottawa 9 [email protected] OYC Update 10 Advertising Podium 11 Info. on advertising cotracts, rates & Job Openings/Singers Wanted 22 specifications: 416.923.1144 or Concert Listings 22 [email protected] Festivals & Events 22 Choirs Ontario. 626 Bathurst Street, Toronto M5S 2R1 416.923.1144 or 1.866.935.1144 f: 416.929.0415 Features [email protected] Bullying in Choirs 12 Charitable registration: News From The Net 17 11906 7536 RR0001 Enchorus Children’s Board of Directors Choir President Upbeat Matthew Otto, Toronto (outgoing) Past President Enchorus Children’s Choir 18 Rachel R.-Hoff, St. Catharines (outgoing) Music at St. Thomas’ 19 President Elect Oriana Competition Winner 21 Elaine Choi, Toronto West Ottawa Ladies Chorus 21 Secretary Melanie Tellez, Hamilton Treasurer, Vacant Directors Carole Anderson, Mississauga Shana Brown, Sault St. Marie Eli Clarke, Toronto (outgoing) Linda Cooke, Mississauga (outgoing) Laurel -
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von -
Sing Your Sorrow, Sing Your Joy
FACULTY OF MUSIC Sing your Sorrow, Sing your Joy Chamber Choir Dr. Lori-Anne Dolloff, conductor Eunseong Cho, collaborative pianist MacMillan Singers David Fallis, conductor Lara Dodds-Eden, collaborative pianist Sunday, October 27, 2019 2:30 pm Church of the Redeemer 162 Bloor Street West We wish to acknowledge this land on which the University of Toronto operates. For thousands of years it has been the traditional land of the Huron-Wendat, the Seneca, and most recently, the Mississaugas of the Credit First Nation. Today, this meeting place is still the home to many Indigenous people from across Turtle Island and we are grateful to have the opportunity to work on this land. PROGRAM Chamber Choir Dr. Lori-Anne Dolloff, conductor Eunseong Cho, collaborative pianist I Never Saw Another Butterfly Charles Davidson (b. 1929) iv. The Butterfly Leticia Balogh, soloist At the Heart of our Stillness Kathleen Allan* (b. 1989) The Dawn is not Distant Christine Donkin* (b. 1976) Allyson Whitmell, soloist Quviasuliqpunga Iqilaarjuk* (b. 19th century) Da Pacem Jeff Enns* (b. 1972) Turlutte Acadienne Montréalaise Marie-Claire Saindon* (b. 1984) Intermission The Faculty of Music is a partner of the Bloor St. Culture Corridor bloorstculturecorridor.com MacMillan Singers David Fallis, conductor Lara Dodds-Eden, collaborative pianist How They so Softly Rest Healey Willan* (1880-1968) Excerpts from Figure humaine Francis Poulenc (1899-1963) i. De tous les printemps du monde ii. Aussi bas que le silence iii. Toi ma patiente iv. Le jour m’étonne Chichester Psalms Leonard Bernstein (1918-1990) i. Urah, hanevel Sunny Sheffman, Annika Telenius, Xavier Solis, and Dante Mullin Santone, soloists ii. -
4 Behind the Scenes Playing in Rep 6 Your Latest School News and Stories
The Guildhall School Magazine Spring/ Summer 2016 4 Behind the Scenes 26 The Interview Playing in Rep Athole Still 6 Your latest School 30 Then & Now news and stories Debbie Wiseman PLAY32 Class Notes 35 In Memoriam Sir George Martin 12 Guildhall to the World New York, New York 14 My Legacy Gift Kevin Webb 16 Where art meets business 22 Doctor in the House 38 A Day in the Life Philip Venables Sara Lee Editorial Group Welcome to the latest edition of PLAY Short Courses Deputy Head of Development (Alumni & Supporter Relations) Recently, I spent two days meeting with current students who Rachel Dyson 2016 had applied to be involved in our Easter telephone appeal. I Head of External Affairs Jo Hutchinson asked them all the same questions and their responses, regardless of subject or level of study, were astonishingly consistent and Head of Development Summer Arts Camp Duncan Barker often quite touching. New Summer Arts Camp for 11-14 years (in association with the Barbican) Marketing & Communications Officer When asked ‘Why did you choose to study at Guildhall?’, many Drama Summer School Rosanna Chianta students spoke of loving the ‘easy-going’, ‘friendly’, ‘progressive’ Acting in Shakespeare & Contemporary Theatre Writer & Editorial Consultant Acting in Musical Theatre environment at Guildhall; how they felt at home as soon as Nicola Sinclair Drama Summer School for 16-17 years they walked in for an open day, an audition or to visit a friend Art Direction & Design who was here before them. They talked of the collaborative Music Summer School Pentagram New Brass and Percussion Week Jessie Earle opportunities that arise from the combination of conservatoire Advanced Saxophone and drama school, and from the School’s partnerships with New Advanced Viola and Performance Health Contact external organisations such as the LSO, the Barbican and the New Advanced Oboe New Oboe and Cor Anglais Artistry Email Royal Opera House. -
Le Comte Ory: C’Est Charmant! C’Est Divine!
MONOGRAFÍA Le comte Ory: C’est charmant! C’est divine! por Ingrid Haas Los comienzos de Le comte Ory lo contrario: solamente el dueto entre el Conde y la Condesa Adèle El 20 de agosto de 1828 Gioachino Rossini estrenó la que sería está tomado del dueto entre Corina y el Cavalier Belfiore deIl su última ópera cómica: Le comte Ory. Basada en un libreto viaggio... El resto de la música es original, compuesta ex profeso de Eugéne Scribe y Charles-Gaspard Delestre-Poirson, narra para Le comte Ory. Tenemos en este acto el famoso y bellísimo las aventuras amorosas de un libidinoso conde medieval en la trío entre Adèle, Isolier y Ory llamado ‘À la faveur de cette nuit época de las Cruzadas y cómo, en su afán por conquistar a la obscure’, tal vez el número más hermoso de esta ópera. condesa Adèle de Formoutiers, acaba disfrazándose de monja para adentrarse en el castillo de la bella joven. Descubierto el El resurgimiento de Le comte Ory plan por su paje, el joven Isolier, que también está enamorado de (1954 - 2003) la condesa, Ory tiene que huir del castillo ante el regreso de los Luego de su estreno en 1828, Le comte Ory permaneció en el caballeros cruzados. repertorio operístico francés por una veintena de años. Hacia mediados del siglo XIX el estilo belcantista había ya cedido su Las aventuras del conde Ory fueron narradas en una balada lugar al romanticismo, y costaba trabajo encontrar cantantes medieval que luego fue adaptada y publicada por Pierre-Antoine que pudieran con la tesitura y coloratura que exigen las óperas de la Place en 1785. -
WSO1718 Overture5 Web5b15d.Pdf
MARCH - APRIL 2018 I ISSUE 5 BRUCKNER & BACH Lara Ciekiewicz A CHORUS LINE LUCA BURATTO PLAYS PROKOFIEV AL SIMMONS SYMPHONIC SHENANIGANS wso.ca I 204-949-3999 MESSAGE FROM THE EXECUTIVE DIRECTOR In Winnipeg we greet the lengthening days and warmer weather with great enthusiasm and a feeling of pride for making it through another winter. Most of us say “that wasn’t too bad, at least it is a dry cold.” For the Winnipeg Symphony Orchestra, the start of spring brings us much enthusiasm about the season offerings for the coming year, but it also gives us extra appreciation for the concerts we are able to attend in the spring. I am looking forward to hearing Gwen Hoebig and Karl Stobbe perform Bach’s Double Concerto followed by the monumental Bruckner’s 9th Symphony. The partnership with Rainbow Stage continues with a wonderful performance of A Chorus Line, we perform great choral masterpieces at St. Boniface Cathedral in recognition of the anniversary of the diocese, and we welcome exciting young pianist Luca Buratto to the WSO. And, of course, we look forward to a performance with the irrepressible Al Simmons, our local genius. What else can we anticipate in the months to come? Well, the annual Winnipeg Symphony Orchestra Spring Gala on April 26 will move to the Centennial Concert Hall and Alloway Hall this year. The event will be connected to an exclusive performance of the orchestra and cast members from Cirque de la symphonie. Gala events are wonderful ways to celebrate as a community of WSO supporters, but attending the gala is not the only way to support the legacy of symphonic music in Winnipeg.You can enter the Symphony Sweepstakes, make a donation to the WSO Friends or Maestro’s Circle Programs, or remember the WSO in your estate planning. -
The Lawn May 21-22, 2016 the University of Virginia Is Grateful to the 392Nd Army Band from Fort Lee, Under the Direction of Warrant Officer One Kevin L
One Hundred and Eighty-Seventh FINAL EXERCISES The Lawn May 21-22, 2016 The University of Virginia is grateful to the 392nd Army Band from Fort Lee, under the direction of Warrant Officer One Kevin L. Pick, for its participation in Final Exercises. Contents A History of Final Exercises, 2 The Academic Procession, 3 Saturday, May 21 Finals Speaker, 4 Finals Program, 5 Sunday, May 22 Finals Speaker, 6 Finals Program, 7 Board of Visitors and Administration, 8 Faculty Marshals, 9 Graduation Planning Committee, 10 Graduates and Degree Candidates* Saturday, May 21 Graduate School of Arts & Sciences, 11 College of Arts & Sciences, 16 Sunday, May 22 School of Medicine, 27 School of Law, 27 School of Engineering & Applied Science, 29 Curry School of Education, 33 Darden Graduate School of Business Administration, 36 School of Architecture, 38 School of Nursing, 38 McIntire School of Commerce, 40 School of Continuing & Professional Studies, 42 Frank Batten School of Leadership and Public Policy, 42 Data Science Institute, 43 Student and Faculty Awards, 45 Honorary Societies, 47 Locations of 2016 School and Department Ceremonies, 50 Maps, 52 and inside back cover The Good Old Song, outside back cover *The degree candidates in this program were applicants for degrees as of May 2, 2016. Distinction and honor notations in this program are based on coursework completed as of the end of the Fall 2015 semester and may be adjusted based on coursework from Spring 2016. The August 2015 and December 2015 degree recipients precede the list of May 2016 degree candidates in each section. © 2016 by the Rector and Visitors of the University of Virginia Printing by University of Virginia Printing and Copying Services A History of Final Exercises at the University of Virginia So astute was Mr. -
Halifax Camerata Singers Fonds (MS-5-15)
Dalhousie University Archives Finding Aid - Halifax Camerata Singers fonds (MS-5-15) Generated by the Archives Catalogue and Online Collections on June 14, 2018 Dalhousie University Archives 6225 University Avenue, 5th Floor, Killam Memorial Library Halifax Nova Scotia Canada B3H 4R2 Telephone: 902-494-3615 Email: [email protected] http://dal.ca/archives http://findingaids.library.dal.ca/halifax-camerata-singers-fonds Halifax Camerata Singers fonds Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 3 Notes ................................................................................................................................................................ 4 Access points ................................................................................................................................................... 4 Collection holdings .......................................................................................................................................... 4 Posters (1993-2017) ..................................................................................................................................... -
2021 ROTARY SCHEDULE Rev1.Pdf
Please join us on our Facebook page for daily sessions we’ll be sharing with our community, and on Friday, March 19 for the Rose Bowl and Sunday, March 21 for the Stars of the Festival Concert Live Streams! Welcome to the 66th Annual Medicine Hat Rotary Music Festival! (sponsored by the Medicine Hat Rotary Club) in affiliation with The Alberta Music Festival Association “In Music Festivals, the object is not to gain a prize, nor to defeat a rival, but to pace one another on the road to excellence.” – Sir H. Walford Davies We’re so glad to welcome all of our participants to the 2021 Festival! Chairman’s Message 2021 Welcome to the 66th Medicine Hat Rotary Music Festival! It seems that much more than a year passed since our last Festival. Many of you would remember that our last Rose Bowl ended up being with the limited audience and most of us watched it on our Facebook pages. The Stars of the Festival event was canceled. So much changed in our world since our last meeting. Fortunately, one thing didn't change and that's music. For many of us, music is now more important than ever. The month of March remains the constant, as the winter is holding back and the spring is pulling forward. It's also the month, during which, Medicine Hat is going to live for music. The music, that beautiful gift to humankind. It means a different thing to different people. For some, "music can bring cultures into a universal conversation that is beyond intellect or reason, but which is heartfelt." For some "it takes us into a world apart, a world beyond self and ego, the place of emotion that touches the soul". -
China As an Issue: Artistic and Intellectual Practices Since the Second Half of the 20Th Century, Volume 1 — Edited by Carol Yinghua Lu and Paolo Caffoni
China as an Issue: Artistic and Intellectual Practices Since the Second Half of the 20th Century, Volume 1 — Edited by Carol Yinghua Lu and Paolo Caffoni 1 China as an Issue is an ongoing lecture series orga- nized by the Beijing Inside-Out Art Museum since 2018. Chinese scholars are invited to discuss topics related to China or the world, as well as foreign schol- ars to speak about China or international questions in- volving the subject of China. Through rigorous scruti- nization of a specific issue we try to avoid making generalizations as well as the parochial tendency to reject extraterritorial or foreign theories in the study of domestic issues. The attempt made here is not only to see the world from a local Chinese perspective, but also to observe China from a global perspective. By calling into question the underlying typology of the inside and the outside we consider China as an issue requiring discussion, rather than already having an es- tablished premise. By inviting fellow thinkers from a wide range of disciplines to discuss these topics we were able to negotiate and push the parameters of art and stimulate a discourse that intersects the arts with other discursive fields. The idea to publish the first volume of China as An Issue was initiated before the rampage of the coron- avirus pandemic. When the virus was prefixed with “China,” we also had doubts about such self-titling of ours. However, after some struggles and considera- tion, we have increasingly found the importance of 2 discussing specific viewpoints and of clarifying and discerning the specific historical, social, cultural and political situations the narrator is in and how this helps us avoid discussions that lack direction or substance. -
Program Spring 2016
PROGRAM SPRING 2016 CARMEN MAOMETTO II Reaching their Someday is music to everyone’s ears. The hard work, perseverance and vision of emerging artists demonstrate the power of having – and the joy of realizing – a Someday™. Together with programs like the Ensemble Studio at the Canadian Opera Company, we support a diverse range of Canadian talent in communities across the country through the RBC Emerging Artists Project. TM ® / ™ Trademark(s) of Royal Bank of Canada. VPS93138 39782A (05/2015) CONTENTS A MESSAGE FROM GENERAL DIRECTOR 4 WHAT’S PLAYING: ALEXANDER NEEF CARMEN 10 CARMEN FULL CIRCLE: As we bring our 2015/2016 season to a DIRECTOR JOEL IVANY close, we can look back on a year to be proud of, both on and off the stage. WHAT’S PLAYING: 14 MAOMETTO II The COC continued to cement its 20 SERIOUSLY... reputation as a centre for artistic ROSSINI’S MAOMETTO II excellence and a go-to destination for some of the world’s top operatic talent. 24 GET TO KNOW... This past fall, the world premiere of LUCA PISARONI Pyramus and Thisbe was a landmark production for the COC, while La 26 TOWARDS A NEW ERA OF LOWER TICKET PRICES Traviata met with rave reviews from critics and audiences alike. Our 28 BACKSTAGE AND BEYOND Siegfried featured one of the strongest casts you’re likely to hear anywhere 30 SHIFTING INTO HIGH GEAR in the world, and Claus Guth’s take on Mercedes-Benz at the COC The Marriage of Figaro had audiences laughing and talking! 31 BIOGRAPHIES: CARMEN BIOGRAPHIES: MAOMETTO II The unparalleled artistic achievement 35 continues this spring. -
Compact Discs and Dvds - Popular, Jazz, Ethno Recent Releases - Spring 2016
Compact Discs and DVDs - Popular, Jazz, Ethno Recent Releases - Spring 2016 Compact Discs 300 Entertainment Highly Suspect. Mister Asylum. 1 sound disc $13.98 300 Entertainment ©2015 TZZE 549128 2 857561005599 Contents: Mister Asylum -- Lost -- Lydia -- Bath Salts -- 23 / Sasha Dobson -- Mom -- Bloodfeather -- F*** Me Up -- Vanity -- Claudeland. Parental Advisory: Explicit Content. Grammy Nominee 2016: Best Rock Album. http://www.tfront.com/p-390736-mister-asylum.aspx Wap, Fetty. Fetty Wap. 1 sound disc $18.98 300 Entertainment ©2015 TZZE 552469 2 814908020226 Contents: Trap Queen -- How We Do Things -- 679 -- Jugg -- Trap Luv -- I Wonder -- Again -- My Way -- Time -- Boomin -- RGF Island -- D.A.M -- No Days Off -- I'm Straight -- Couple Bands -- Rock My Chain -- Rewind. http://www.tfront.com/p-393642-fetty-wap.aspx 429 Records Kidjo, Angelique. Sings. 1 sound disc $15.98 429 Records ©2015 FOTN 16042 2 795041604224 Contents: Malaika -- Ominira -- Kelele -- Fifa -- Otishe -- Bahia -- Petitie Fleur -- Samba Pa Ti -- Mamae -- Naima -- Loloye. Grammy Nominee 2016: Best World Music Album http://www.tfront.com/p-395928-sings.aspx Skaggs, Boz. Fool To Care. 1 sound disc $15.98 429 Records ©2015 FOTN 16032 2 795041603227 Contents: Rich Woman -- I M a Fool to Care -- Hell to Pay -- Small Town Talk -- Last Tango on 16th Street -- There S a Storm a Comin -- I M So Proud -- I Want to See You -- High Blood Pressure -- Full of Fire -- Love Don't Love Nobody -- Whispering Pines. http://www.tfront.com/p-387144-fool-to-care.aspx 4ad Records Beirut. No No No. 1 sound disc $14.98 4ad Records ©2015 FOUR 73525 2 652637352528 Contents: Gibralter -- No No No -- At Once -- August Holland -- As Needed -- Perth -- Pacheco -- Fener -- So Allowed.