BIS SPACE Project Special Issue
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
A Very Short History of Cyberpunk
A Very Short History of Cyberpunk Marcus Janni Pivato Many people seem to think that William Gibson invented The cyberpunk genre in 1984, but in fact the cyberpunk aesthetic was alive well before Neuromancer (1984). For example, in my opinion, Ridley Scott's 1982 movie, Blade Runner, captures the quintessence of the cyberpunk aesthetic: a juxtaposition of high technology with social decay as a troubling allegory of the relationship between humanity and machines ---in particular, artificially intelligent machines. I believe the aesthetic of the movie originates from Scott's own vision, because I didn't really find it in the Philip K. Dick's novel, Do Androids Dream of Electric Sheep (1968), upon which the movie is (very loosely) based. Neuromancer made a big splash not because it was the "first" cyberpunk novel, but rather, because it perfectly captured the Zeitgeist of anxiety and wonder that prevailed at the dawning of the present era of globalized economics, digital telecommunications, and exponential technological progress --things which we now take for granted but which, in the early 1980s were still new and frightening. For example, Gibson's novels exhibit a fascination with the "Japanification" of Western culture --then a major concern, but now a forgotten and laughable anxiety. This is also visible in the futuristic Los Angeles of Scott’s Blade Runner. Another early cyberpunk author is K.W. Jeter, whose imaginative and disturbing novels Dr. Adder (1984) and The Glass Hammer (1985) exemplify the dark underside of the genre. Some people also identify Rudy Rucker and Bruce Sterling as progenitors of cyberpunk. -
Fudge Space Opera
Fudge Space Opera Version 0.3.0 2006-August-11 by Omar http://www.pobox.com/~rknop/Omar/fudge/spop Coprights, Trademarks, and Licences Fudge Space Opera is licenced under the Open Gaming Licence, version 1.0a; see Appendex A. Open Game License v 1.0 Copyright 2000, Wizards of the Coast, Inc. Fudge System Reference Document Copyright 2005, Grey Ghost Press, Inc.; Authors Steffan O’Sullivan, Ann Dupuis, with additional material by other authors as indicated within the text. Available for use under the Open Game License (see Appendix I) Fudge Space Opera Copyright 2005, Robert A. Knop Jr. Open Gaming Content Designation of Product Identity: Nothing herein is designated as Product Identity as outlined in section 1(e) of the Open Gaming License. Designation of Open Gaming Content: Everything herein is designated as Open Game Content as outlined in seciton 1(d) of the Open Gaming License. Fudge Space Opera -ii- Fudge Space Opera CONTENTS Contents 1 Introduction 1 1.1 Why “Space Opera”? . ......... 1 1.2 WhatisHere ........................................ .......... 2 1.3 TheMostImportantThing .............................. ............ 2 2 Character Creation 3 2.1 GeneralNotes........................................ .......... 3 2.2 5-PointFudge....................................... ........... 3 3 Combat 7 3.1 Default Combat Options . .......... 7 3.2 Basic Armor and Weapon Mechanics . ........... 7 3.3 Cross-WeaponScaleAttacks. .............. 8 3.4 Suggested Weapon Scales . ........ 9 3.5 DamagetoPassengers ................................. ............ 9 3.6 GiantSpaceBeasts.................................... ........... 9 3.7 When To Use Fudge Scale .......................................... 10 3.8 RangedWeapons....................................... ......... 11 3.9 Explosions........................................ ............ 12 3.10 Missiles and Point Defense . .............. 12 -iii- Fudge Space Opera CONTENTS 3.11 Doing Too Many Things at Once . -
Alastair Reynolds
Alastair Reynolds Born in 1966, Alastair Reynolds trained as an astronomer before working for the European Space Agency on a variety of science projects. He started publishing science fiction in 1990, and has now produced more than sixty short stories, as well as fourteen solo novels. His recent books include the Poseidon's Children trilogy, a Doctor Who novel, and a collaboration with Stephen Baxter, entitled The Medusa Chronicles. He has won the BSFA, Sidewise, Seiun and European Science Fiction Society awards, and has been a finalist for the Hugo, Arthur C Clarke, Locus and Sturgeon awards. After a long residence in the Netherlands, he now lives with his wife in the Welsh valleys, not too far from his place of birth. Other than writing, he enjoys hillwalking, astronomy, birdwatching, guitars, and indulging his passion for steam trains. Agents Robert Kirby Associate Agent 0203 214 0800 Kate Walsh [email protected] 020 3214 0884 Publications Fiction Publication Notes Details United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Elysium Fire Featuring Inspector Dreyfus - one of Alastair Reynolds most popular characters - 2018 this is a fast paced SF crime story, combining a futuristic setting with a gripping Gollancz tale of technology, revolution and revenge. One citizen died a fortnight ago. Two a week ago. Four died yesterday . and unless the cause can be found - and stopped - within the next four months, everyone will be dead. For the Prefects, the hunt for a silent, hidden killer is on . -
What If? Paths Not Taken—John M. Logsdon
22785-looking back book final 2 11/20/02 1:13 PM Page 81 What If? Paths Not Taken—John M. Logsdon 81 22785-looking back book final 2 11/20/02 1:13 PM Page 82 Looking Backward, Looking Forward President John F. Kennedy speaks before a crowd of 35,000 people at Rice University on 12 September 1962. NASA Image 69-HC-1245. 82 22785-looking back book final 2 11/20/02 1:13 PM Page 83 What If? Paths Not Taken—John M. Logsdon I want to ask all of you to join me for a few minutes in a men- tal experiment. There is a certain sense of determinism as we review a period of history, like the forty years of U.S. human spaceflight. There is an implicit assumption that there were no alternatives to the way things happened. If you step back even half a step, you know that’s not true; that along the way, history could have been very different if different choices had been made, if different events had happened. So I have arbitrarily picked a few situations in those forty years and invite you to ask along with me: “What if things had been different?” This notion of counterfactual history has some legitimacy. I have used it as a class assignment for my students in space policy, asking them to write about what might have occurred if different choices had been made. Dwayne Day, a former student and now a colleague, has suggested a whole symposium on counterfactual space history, and that might be an interesting thing to do someday. -
Geostationary Belt – State's Territory Or Province of Mankind?
Przegląd Narodowościowy / Review of Nationalities • nr 8/2018 • Nations without state or states without nations ISSN 2084-848X (print) • ISSN 2543-9391 (on-line) • DOI 10.2478/pn-2018-0011 Rafał Kopeć* Pedagogical University of Cracow, Kraków, Poland https://orcid.org/0000-0001-9961-2573 Geostationary Belt – State’s Territory or Province of Mankind? The only orbit like this Outer space, however infinite it seems, has its limitations. "e area that definitely cannot be called infinite is the geostationary orbit. It is a circular orbit that runs at an altitude of 35786 km above the Earth, that is 42160 km from the centre of our planet. It is a spe- cial type of a geosynchronous orbit which is characterized by an identical orbital period as the Earth rotation time (24 hours). "e geostationary orbit is a geosychronical orbit with an inclination (tilt) of 0 degrees. "e inclination of the orbit is the angle between the orbit plane and the reference plane, in this case the plane of the Earth’s equator. "e inclination of 0 degrees means that the orbit plane coincides with the equator plane. Describing the geostationary orbit as perfectly circular is of course an approxima- tion. Satellites maintain the about-geostationary orbit due to gravitational disturbanc- es. Uneven mass distribution of the Earth 1 causes disturbances on the East-West line, and the gravitational effect of the Sun and the Moon on the North-South line. In prac- tice, the inclination deviates between 3-5 degrees and the orbit height can fluctuate by plus or minus 50-75 km from the nominal geostationary orbit. -
Read Ebook // Articles on Novels by Stephen Baxter, Including: The
[PDF] Articles On Novels By Stephen Baxter, including: The Time Ships, Evolution (novel), Anti-ice, The Light... Articles On Novels By Stephen Baxter, including: The Time Ships, Evolution (novel), Anti-ice, The Light Of Other Days, Titan (stephen Baxter Novel), Moonseed (stephen Baxter Novel), Raft (novel), Time Book Review The publication is easy in read better to understand. It is writter in basic words and phrases rather than hard to understand. You wont truly feel monotony at anytime of your respective time (that's what catalogues are for about if you question me). (K aya Rip p in) A RTICLES ON NOV ELS BY STEPHEN BA XTER, INCLUDING: THE TIME SHIPS, EV OLUTION (NOV EL), A NTI-ICE, THE LIGHT OF OTHER DAYS, TITA N (STEPHEN BA XTER NOV EL), MOONSEED (STEPHEN BA XTER NOV EL), RA FT (NOV EL), TIME - To download A rticles On Novels By Stephen Bax ter, including : The Time Ships, Evolution (novel), A nti-ice, The Lig ht Of Other Days, Titan (stephen Bax ter Novel), Moonseed (stephen Bax ter Novel), Raft (novel), Time PDF, please follow the link listed below and save the ebook or have access to other information which might be highly relevant to Articles On Novels By Stephen Baxter, including: The Time Ships, Evolution (novel), Anti-ice, The Light Of Other Days, Titan (stephen Baxter Novel), Moonseed (stephen Baxter Novel), Raft (novel), Time ebook. » Download A rticles On Novels By Stephen Bax ter, including : The Time Ships, Evolution (novel), A nti-ice, The Lig ht Of Other Days, Titan (stephen Bax ter Novel), Moonseed (stephen Bax ter Novel), Raft (novel), Time PDF « Our solutions was released having a wish to function as a full on the web digital local library that provides usage of large number of PDF file document collection. -
Serious Shenanigans the New Space Opera and Social
SERIOUS SHENANIGANS THE NEW SPACE OPERA AND SOCIAL COMMENTARY: AN ANALYSIS OF IAIN M. BANKS’S SURFACE DETAIL AND THE HYDROGEN SONATA AND ANN LECKIE’S IMPERIAL RADCH TRILOGY. Marloes de Vogel 3865878 RMA Comparative Literary Studies Supervisor dr. Barnita Bagchi Second Reader dr. Monica Janssen August 2018 1 Abstract This thesis contributes to research on the genre of space opera. Space opera is generally considered the least sophisticated form of science fiction, and remains underrepresented in scholarly research. Yet, a considerable part of the greatest science fiction published over the past three decades has been space opera. Specifically, it has been New Space Opera (NSO), a renewed, innovative form of space opera that arose during the second half of the 1980s. The NSO uses space opera’s core elements of adventure and conflict to both entertain and address serious contemporary social, political, and economic issues. The aim of this thesis is to demonstrate that the NSO is an exceptionally suitable form to provide social commentary. I will show that the NSO is an innovation of the Classic Space Opera (CSO) in terms of both form and content, that the critical and satirical space operas written during the 1960s and 1970s aided this innovation, and that the perceived unsophisticated and clichéd nature of the Classic Space Opera (CSO) actually encouraged the development of the NSO. Furthermore, through a close-reading analysis of US-American author Ann Leckie’s Imperial Radch trilogy (2013-2015) and Scottish author Iain M. Banks’ Culture novels Surface Detail (2010) and The Hydrogen Sonata (2012), which are typical examples of NSO novels, I will analyze how the narrative strategies of estrangement, defamiliarization, affect, and the novum, which are integral to the speculative and imaginative nature of space opera, are employed to provide social commentary on topics such as the oppression and dehumanization of cultural others, and on issues of identity and subjectivity formation. -
Science Fiction Stories with Good Astronomy & Physics
Science Fiction Stories with Good Astronomy & Physics: A Topical Index Compiled by Andrew Fraknoi (U. of San Francisco, Fromm Institute) Version 7 (2019) © copyright 2019 by Andrew Fraknoi. All rights reserved. Permission to use for any non-profit educational purpose, such as distribution in a classroom, is hereby granted. For any other use, please contact the author. (e-mail: fraknoi {at} fhda {dot} edu) This is a selective list of some short stories and novels that use reasonably accurate science and can be used for teaching or reinforcing astronomy or physics concepts. The titles of short stories are given in quotation marks; only short stories that have been published in book form or are available free on the Web are included. While one book source is given for each short story, note that some of the stories can be found in other collections as well. (See the Internet Speculative Fiction Database, cited at the end, for an easy way to find all the places a particular story has been published.) The author welcomes suggestions for additions to this list, especially if your favorite story with good science is left out. Gregory Benford Octavia Butler Geoff Landis J. Craig Wheeler TOPICS COVERED: Anti-matter Light & Radiation Solar System Archaeoastronomy Mars Space Flight Asteroids Mercury Space Travel Astronomers Meteorites Star Clusters Black Holes Moon Stars Comets Neptune Sun Cosmology Neutrinos Supernovae Dark Matter Neutron Stars Telescopes Exoplanets Physics, Particle Thermodynamics Galaxies Pluto Time Galaxy, The Quantum Mechanics Uranus Gravitational Lenses Quasars Venus Impacts Relativity, Special Interstellar Matter Saturn (and its Moons) Story Collections Jupiter (and its Moons) Science (in general) Life Elsewhere SETI Useful Websites 1 Anti-matter Davies, Paul Fireball. -
FICTION REVIEW Ri
AUSTRALIAN FICTION REVIEW ri HM number t*?<jMeen december 1968 EDITORIAL There is some doubt at present about whether ASFR will continue or not. I have discussed this briefly in a State Of The Fanzine Address, which may be found at the end of this issue. I have placed it there because it belongs there. Even if you read it first, I would like you to read it after everything else in this issue, because what is in this issue is roughly what will be in future issues - namely, pretty straight talk about science fiction and what science fiction has to do with literature. A number of people will be receiving this issue as a sample. To them I say, if you like what you see, please tell me so and please take out a subscription. Best wishes, □OOOQDOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOQOOOOOOOOOOOO00000' AUSTRALIAN SCIENCE FICTION REVIEW QOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOQOOOOOOOOQOOOOOOOOOOOOOOOOOOOOOO00000 CONTENTS Editorial George Turner QN WRITING ABOUT SCIENCE FICTION page 3 Reviews 18 Letters 55 State Of The Fanzine Address 61 Artwork by - Sim Ellis Cover BrucePetty 30-31 ASFR is edited printed and published by John Bangsund PO Box 19 Ferntree Gully Victoria 3156 Australia Assistant Editor Anthony G Thomas Production Assistants Leigh Edmonds & Paul Stevens oooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooot 3000000000000000000000000000000000000000000000000000000000000000000000 NUMBER EIGHTEEN DECEMBER 1968 300000000000000000000OOOOOOOOOOO0000000000000000000000000DO00000000000 Reviews: IB H G Armytage: Yesterday's -
The Mutual Influence of Science Fiction and Innovation
Nesta Working Paper No. 13/07 Better Made Up: The Mutual Influence of Science fiction and Innovation Caroline Bassett Ed Steinmueller George Voss Better Made Up: The Mutual Influence of Science fiction and Innovation Caroline Bassett Ed Steinmueller George Voss Reader in Digital Media, Professor of Information and Research Fellow, Faculty of Arts, Research Centre for Material Technology, SPRU, University University of Brighton, Visiting Digital Culture, School of of Communication Sussex Fellow at SPRU, University of Media, Film and Music, Sussex University of Sussex Nesta Working Paper 13/07 March 2013 www.nesta.org.uk/wp13-07 Abstract This report examines the relationship between SF and innovation, defined as one of mutual engagement and even co-constitution. It develops a framework for tracing the relationships between real world science and technology and innovation and science fiction/speculative fiction involving processes of transformation, central to which are questions of influence, persuasion, and desire. This is contrasted with the more commonplace assumption of direct linear transmission, SF providing the inventive seed for innovation– instances of which are the exception rather than the rule. The model of influence is developed through an investigation of the nature and evolution of genre, the various effects/appeals of different forms of expression, and the ways in which SF may be appropriated by its various audiences. This is undertaken (i) via an inter- disciplinary survey of work on SF, and a consideration the historical construction of genre and its on-going importance, (ii) through the development of a prototype database exploring transformational paths, and via more elaborated loops extracted from the database, and (iii) via experiments with the development of a web crawl tool, to understand at a different scale, using tools of digital humanities, how fictional ideas travel. -
The Drink Tank Sixth Annual Giant Sized [email protected]: James Bacon & Chris Garcia
The Drink Tank Sixth Annual Giant Sized Annual [email protected] Editors: James Bacon & Chris Garcia A Noise from the Wind Stephen Baxter had got me through the what he’ll be doing. I first heard of Stephen Baxter from Jay night. So, this is the least Giant Giant Sized Crasdan. It was a night like any other, sitting in I remember reading Ring that next Annual of The Drink Tank, but still, I love it! a room with a mostly naked former ballerina afternoon when I should have been at class. I Dedicated to Mr. Stephen Baxter. It won’t cover who was in the middle of what was probably finished it in less than 24 hours and it was such everything, but it’s a look at Baxter’s oevre and her fifth overdose in as many months. This was a blast. I wasn’t the big fan at that moment, the effect he’s had on his readers. I want to what we were dealing with on a daily basis back though I loved the novel. I had to reread it, thank Claire Brialey, M Crasdan, Jay Crasdan, then. SaBean had been at it again, and this time, and then grabbed a copy of Anti-Ice a couple Liam Proven, James Bacon, Rick and Elsa for it was up to me and Jay to clean up the mess. of days later. Perhaps difficult times made Ring everything! I had a blast with this one! Luckily, we were practiced by this point. Bottles into an excellent escape from the moment, and of water, damp washcloths, the 9 and the first something like a month later I got into it again, 1 dialed just in case things took a turn for the and then it hit. -
Bsfs-B50-Pocket-Program.Pdf
Anti-Harassment Policy Balticon and other BSFS events are dedicated to providing a comfortable and harassment-free environment for everyone. In order to offer a welcoming and safe space for everyone, please be respectful of all others. Do not use slurs or derogatory comments about a person, group or category of people. This could include comments based on characteristics such as (but not limited to) actual or perceived race, national origin, sex, gender, sexual orientation, physical appearance, age, religion, ability, family or marital status or socioeconomic class. Do not behave in a manner disrespectful to another individual. The complete text of the BSFS Anti-Harassment Policy is available at http://balticon.org/wp50/wp- content/uploads/2015/07/Harassment-Policy.pdf. Pet Policy No pets allowed in Balticon function space. Weapons Policy All weapons, including but not limited to all swords, knives and replicas, projectile weapons including nerf toys and waterguns, must be peace bonded by designated convention personnel immediately upon the purchase of the weapon from a dealer or entering the hotel. It is your responsibility to be aware of and follow all laws regarding the possession of weapons. No sparring will be permitted in the convention. Balticon reserves the right to hold any weapons in violation until the end of the con. Failure to comply with this policy may result in the confiscation of your badge. MasQuerade Costumers are excepted for the time spanning a half hour before the Masquerade to a half hour after the MasQuerade. HOURS OF OPERATION Hours of Operation Function Location Friday Saturday Sunday Monday 10 am to MD 5 pm 10 am 1 pm; 10 am Art Show Salons to to reopen to A and E 7:30 pm 8 pm for sales 2 pm 2:15 to 5 pm New Garden Art Auction 2 pm MD Salon D MD Salon Friday 2 pm through Monday 5 pm F Entrance See Convention Operations for Lost & Found, Con Ops is beside security issues, late-night registration, to locate a the specific Balticon staff person, access to locked elevators functions spaces, etc.