Selected Renditions of Ragas of Hindustani Classical Music Dear
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Press Release BHILWARA SUR SANGAM 2018
Press Release BHILWARA SUR SANGAM 2018 Bhilwara Sur Sangam, a rare initiative on promoting Indian classical music by LNJ Bhilwara Group, enters 7th edition New Delhi, April 22, 2018:One of Delhi’s most prestigious annual classical Indian music shows, Bhilwara Sur Sangam this year saw top artists including Padma Shri Pandit Venkatesh Kumar (Hindustani Classical Vocalist), Pandit Ajay Shankar Prasanna (Flute), Ustad Shujaat Hussain Khan (Sitar), ShriAbhishek Borkar (Sarod), perform and enthrall the audience. Organised every year by LNJ Bhilwara Group, Bhilwara Sur Sangam completed its 7th year this year and like every time left the audience spellbound by the ragas and jugalbandi of artists. This year the Sur Sangam was dedicated to Ganasarswati Kishori Amonkar, who incidentally performed her last stage show in this program in 2017. Shri Ravi Jhunjhunwala, Chairman, LNJ Bhilwara Group, and key architect of this cultural show, said, “Bhilwara Sur Sangam is our modest endeavor to spread the rich heritage of Indian classical music traditions. It is indeed heartening that in its seven years of existence many legendary artists of diverse classical traditions and genres have performed on this platform, and helped us reiterate the pride of our great classical traditions.” Started in 2012, this classical musical fest has over the years featured exceptional and legendary artists including Pt. Jasraj, Pt. Hari Prasad Chaurasia, Ustad Shahid Pravez Khan, Ustad Rashid Khan, Pt. Ulhas Kashalkar, Ustad Shujaat Husain Khan, Gaansaraswati Kishori Amonkar, Dr N Rajam, Pt. Kumar Bose, Pt. Anindo Chatterjee, Pt. Ajoy Chakraborty, Sushri Kaushiki Chakraborty, Dr Ashwani Bhide Deshpande, to name a few. -
Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani -
Foundation University Medical College, Islamabad (BDS)
Foundation University Medical College, Islamabad (BDS) S# Candidate ID Name CNIC/NICOP/Passport Father Name Aggregate Category of Candidate 1 400119 Unaiza Ijaz 154023-376796-6 Ijaz Akhtar 92.66761364 Foreign Applicant 2 400218 Amal Fatima 362016-247810-6 Mohammad Saleem 92.29545455 Foreign Applicant 3 400266 Ayesha Khadim Hussain 323038-212415-6 Khadim Hussain 92.1875 Foreign Applicant 4 400114 Umar Fakhar 611012-326296-9 Nawaid Fakhar 90.6875 Foreign Applicant 5 302200 Parisa Saif Khan 61101-6413852-0 Saif Ullah Khan 90.47727273 Local Applicant 6 400148 Ayesha Bashir 373022-885861-0 Mirza Bashir Ahmed 89.78125 Foreign Applicant 7 303109 Sidra Batool 32203-4465194-8 Aman Ullah Khan 89.65909091 Local Applicant 8 300959 Linta Masroor 61101-6613020-4 Masroor Ahmad 89.56818182 Local Applicant 9 307998 Ujala Zaib 32102-7800856-0 Khalil Ur Rehman Buzdar 89.5 Local Applicant 10 301894 Alizay Ali 37301-8963956-8 Fawad Ali 89.38636364 Local Applicant 11 306454 Bakhtawar Mohsin Jami 42501-9843019-0 Mohsin Jami 89.20454545 Local Applicant 12 400237 Saad Sajjad Mughal AS9990403 Muhammad Sajjad Mughal 89.05113636 Foreign Applicant 13 400216 Hana Bilal 121016-527023-6 Muhammad Bilal Ahmad 88.94602273 Foreign Applicant 14 305067 Laiba Khalid 42201-1432628-6 Muhammad Khalid 88.93181818 Local Applicant 15 302632 Muhammad Akhtar 36203-8203731-9 Kareem Bukhsh 88.90909091 Local Applicant 16 301728 Ali Abbas Khan 33100-8906264-1 Shah Nawaz 88.90909091 Local Applicant 17 400059 Muhammad Sohaib Khan MJ4112853 Abdul Saeed Khan 88.86647727 Foreign Applicant -
Godrej Consumer Products Limited
GODREJ CONSUMER PRODUCTS LIMITED List of shareholders in respect of whom dividend for the last seven consective years remains unpaid/unclaimed The Unclaimed Dividend amounts below for each shareholder is the sum of all Unclaimed Dividends for the period Nov 2009 to May 2016 of the respective shareholder. The equity shares held by each shareholder is as on Nov 11, 2016 Sr.No Folio Name of the Shareholder Address Number of Equity Total Dividend Amount shares due for remaining unclaimed (Rs.) transfer to IEPF 1 0024910 ROOP KISHORE SHAKERVA I R CONSTRUCTION CO LTD P O BOX # 3766 DAMMAM SAUDI ARABIA 180 6,120.00 2 0025470 JANAKIRAMA RAMAMURTHY KASSEMDARWISHFAKROO & SONS PO BOX 3898 DOHA QATAR 240 8,160.00 3 0025472 NARESH KUMAR MAHAJAN 176 HIGHLAND MEADOW CIRCLE COPPELL TEXAS U S A 240 8,160.00 4 0025645 KAPUR CHAND GUPTA C/O PT SOUTH PAC IFIC VISCOSE PB 11 PURWAKARTA WEST JAWA INDONESIA 360 12,240.00 5 0025925 JAGDISHCHANDRA SHUKLA C/O GEN ELECTRONICS & TDG CO PO BOX 4092 RUWI SULTANATE OF OMAN 240 8,160.00 6 0027324 HARISH KUMAR ARORA 24 STONEMOUNT TRAIL BRAMPTON ONTARIO CANADA L6R OR1 360 12,240.00 7 0028652 SANJAY VARNE SSB TOYOTA DIVI PO BOX 6168 RUWI AUDIT DEPT MUSCAT S OF OMAN 60 2,040.00 8 0028930 MOHAMMED HUSSAIN P A LEBANESE DAIRY COMPANY POST BOX NO 1079 AJMAN U A E 120 4,080.00 9 K006217 K C SAMUEL P O BOX 1956 AL JUBAIL 31951 KINGDOM OF SAUDI ARABIA 180 6,120.00 10 0001965 NIRMAL KUMAR JAIN DEP OF REVENUE [INCOMETAX] OFFICE OF THE TAX RECOVERY OFFICER 4 15/295A VAIBHAV 120 4,080.00 BHAWAN CIVIL LINES KANPUR 11 0005572 PRAVEEN -
Fusion Without Confusion Raga Basics Indian
Fusion Without Confusion Raga Basics Indian Rhythm Basics Solkattu, also known as konnakol is the art of performing percussion syllables vocally. It comes from the Carnatic music tradition of South India and is mostly used in conjunction with instrumental music and dance instruction, although it has been widely adopted throughout the world as a modern composition and performance tool. Similarly, the music of North India has its own system of rhythm vocalization that is based on Bols, which are the vocalization of specific sounds that correspond to specific sounds that are made on the drums of North India, most notably the Tabla drums. Like in the south, the bols are used in musical training, as well as composition and performance. In addition, solkattu sounds are often referred to as bols, and the practice of reciting bols in the north is sometimes referred to as solkattu, so the distinction between the two practices is blurred a bit. The exercises and compositions we will discuss contain bols that are found in both North and South India, however they come from the tradition of the North Indian tabla drums. Furthermore, the theoretical aspect of the compositions is distinctly from the Hindustani, (north Indian) tradition. Hence, for the purpose of this presentation, the use of the term Solkattu refers to the broader, more general practice of Indian rhythmic language. South Indian Percussion Mridangam Dolak Kanjira Gattam North Indian Percussion Tabla Baya (a.k.a. Tabla) Pakhawaj Indian Rhythm Terms Tal (also tala, taal, or taala) – The Indian system of rhythm. Tal literally means "clap". -
1 SRUTI August 2011
1 z SRUTI August 2011 south indian classical music and dance magazine Issue 1 October 1983 Welcome to the brand new pages of SRUTI. In the tradition of a sutradhara, I have the pleasant task of telling you what lies in store for you. The lead group of articles on the phenomenon of Mandolin Srinivas shows that ours is a new kind of magazine. Not only do we bring you a fact-filled report on the musical prodigy (Are of Triumph: A Prodigy at Play, p.3) but we place his advent and achievement in perspective through three related articles: What Makes or Unmakes a Prodigy (p.4): The Twain Meet Again (p.7) and A Sextet of Sensations (p.12). Rounding out this lead group is a column by guest writer K.S. Mahadevan (p. 1 1) and a critique of Srinivas as a musician which appears elsewhere (p.42). In this inaugural issue, we also offer the first in a series of in-depth profiles of personalities of the world of South Indian classical music and dance – profiles of a kind you would not have encountered in any other magazine in India. The profile of D.K. Pattammal, under the caption Trailblazing Traditionalist (p.20) will be concluded in the November issue. Along with the profile . we offer this time a critical appreciation written by Contributing Editor K.S. Muthu- raman (p.36) and also an interview with Pattammal by another singer, Sita Rajan (On Pallavi Singing, p.38). Other music-related items are critiques with the unique SRUTI angle. -
2015 Flw Ballb Fl.Pdf
JAMIA MILLIA ISLAMIA, New Delhi B26 B.A. L.L.B. (HONS) List of Waiting Candidates Course : B.A. L.L.B. (HONS) I-Sem. Session : Jul 2015 - Dec 2015 SNO ROLLNO NAME FORM NO. FATHER'S NAME Category : GENERAL 1 B26003393 VAIBHAV MISHRA JMI0047574 ALOK MISHRA 2 B26002361 PRANSHU RANJAN JMI0080549 RAJEEV RANJAN 3 B26002603 MAITRI SINGHAL JMI0090400 DEEPAK SINGHAL 4 B26000906 HIMANSHU SINGH JMI0025814 BRAHAMPAL SINGH 5 B26002378 RISHI RAJ JMI0081523 SANJAY KUMAR SINGH 6 B26000037 SNEHA ARORA JMI0000038 TAJENDER KUMAR ARORA 7 B26003593 SONAM JMI0098765 MANOJ KUMAR JHA 8 B26000903 CHETAN SINGH JMI0025668 LAKSHMAN SINGH 9 B26002148 VINAYAK GAUTAM JMI0073151 PRAMOD KUMAR SINGH 10 B26002113 AKSHAT KAUSHIK JMI0071051 SUDESH KAUSHIK 11 B26000097 ROHAN VERMA JMI0001873 RAJESH VERMA 12 B26003022 MADHULIK GUHA JMI0106644 JYOTIRMOY GUHA 13 B26002334 RUPAM RANA JMI0079687 K.P. S RANA 14 B26001295 RISHU MALIK JMI0040180 BALBIR MALIK 15 B26000259 AMBIKA AGGARWAL JMI0006390 AJAY AGGARWAL 16 B26002145 RIA TYAGI JMI0072829 PANKAJ TYAGI 17 B26003407 VAISHNAVI AWASTHI JMI0052160 SARVESH AWASTHI 18 B26003392 AREEB AHMAD JMI0047238 SYED TANWEER AHMAD 19 B26000135 VRINDA AGGARWAL JMI0002919 ANOOP AGGARWAL 20 B26000683 SANJANA TANYA CHATTERJEE JMI0019183 SOLOMON CHATTERJEE 21 B26002178 SUBHADRA MADAAN JMI0074419 MANOJ MADAAN 22 B26002375 NAVYA SHARMA JMI0081183 SUDHANSHU SHARMA 23 B26000634 KASHISH KHATTAR JMI0017590 ASHOK KHATTAR 24 B26001625 RAJVARDHAN TIWARI JMI0052954 ANIL KUMAR TIWARI 25 B26000915 UTKARSH CHAUHAN JMI0026145 SANJAY CHAUHAN (Dr. A.A.A. Faizi) Controller of Examinations, JMI 1 JAMIA MILLIA ISLAMIA, New Delhi B26 B.A. L.L.B. (HONS) List of Waiting Candidates Course : B.A. L.L.B. (HONS) I-Sem. Session : Jul 2015 - Dec 2015 SNO ROLLNO NAME FORM NO. -
Bhilwara Sur Sangam Celebrates Its 5Th Edition 07Th Mar, 2016
Bhilwara Sur Sangam Celebrates its 5th Edition New Delhi, March 7, 2016: LNJ Bhilwara Group, one of country's leading business conglomerates with presence in textiles and power, concluded its two day annual cultural musical festival, Bhilwara Sur Sangam on Sunday. Top classical artists including Arnab Chakrabarty, Dr Ashwini Bhide Deshpande, Ustad Rashid Khan and Ustad Shahid Parvez Khan performed and enthralled the audience in the 5th edition of this program. The blend of young musicians fusing their talents with veterans of Indian classical tradition and one of the rarest jugalbandi of vocal and sitar amused the music lovers of the city. The first day of the musical fest saw performance by Arnab Chakrabarty, whose rigorous approach to musical aesthetics and unique tonal quality hypnotized the listeners. This was followed by a mesmerizing performance of Dr Ashwini Bhide Deshpande who is an outstanding vocalist of the famed ‘Jaipur- Atrauli’ Khayal Gayaki tradition. She represented the new generation of veterans worthy of wearing the mantle of the old masters. Evolved from Dhrupad singing, the Jaipur- Atrauli Gharan acquired its name and status as a Gharana in the early half of the 20th century as a result of the growing popularity of stalwarts of this Gharana. She presented some signature and speciality Raags of this Gharana. Mr Ravi Jhunjhunwala, Chairman, LNJ Bhilwara Group said, “We have always endeavored to spread the rich heritage of Indian classical music through Bhilwara Sur Sangam. I am happy to see the audience enjoying the high-end performances by an array of many legendary artists and applauding them. -
New and Bestselling Titles Sociology 2016-2017
New and Bestselling titles Sociology 2016-2017 www.sagepub.in Sociology | 2016-17 Seconds with Alice W Clark How is this book helpful for young women of Any memorable experience that you hadhadw whilehile rural areas with career aspirations? writing this book? Many rural families are now keeping their girls Becoming part of the Women’s Studies program in school longer, and this book encourages at Allahabad University; sharing in the colourful page 27A these families to see real benefit for themselves student and faculty life of SNDT University in supporting career development for their in Mumbai; living in Vadodara again after daughters. It contributes in this way by many years, enjoying friends and colleagues; identifying the individual roles that can be played reconnecting with friendships made in by supportive fathers and mothers, even those Bangalore. Being given entrée to lively students with very little education themselves. by professors who cared greatly about them. Being treated wonderfully by my interviewees. What facets of this book bring-in international Any particular advice that you would like to readership? share with young women aiming for a successful Views of women’s striving for self-identity career? through professionalism; the factors motivating For women not yet in college: Find supporters and encouraging them or setting barriers to their in your family to help argue your case to those accomplishments. who aren’t so supportive. Often it’s submissive Upward trends in women’s education, the and dutiful mothers who need a prompt from narrowing of the gender gap, and the effects a relative with a broader viewpoint. -
Vocal Grade 4
VOCAL GRADE 4 Introduction Welcome to Grade 4 You are about to start the wonderful journey of learning to sing, a journey that is challenging, but rewarding and enjoyable! Whether you want to jam with a band or enjoy singing solo, this series of lessons will get you ready to perform with skill & confidence. What will you learn? Grade 4 covers the following topics : 1) Guruvandana and Saraswati vandana 2) Gharanas in Indian Classical Music 3) Pandit Vishnu Narayan Bhatkhande 4) Tanpura 5) Lakshan Geet 6) Music & Psychology 7) Raag Bhairav 8) Chartaal 9) Raag Bihag 10) Raag and Time Theory 11) Raag Kafi 12) Taal Ektaal 13) Bada Khyal 14) Guessing a Raag 15) Alankar 1 What You Need Harmonium /Synthesizer Electronic Tabla / TablaApp You can learn to sing without any of the above instruments also and by tapping your feet, however you will get a lot more out of this series if you have a basic harmonium and a digital Tabla to practice. How to Practice At Home Apart from this booklet for level 1, there will be video clippings shown to you for each topic in all the lessons. During practice at home, please follow the method shown in the clippings. Practice each lesson several times before meeting for the next lesson. A daily practice regime of a minimum of 15 minutes will suffice to start with. Practicing with the harmonium and the digital Tabla will certainly have an added advantage. DigitalTablamachinesorTablasoftware’sareeasilyavailableandideallyshould beusedfor daily practice. 2 Lesson 1 GURUVANDANA SARASWATI VANDANA & Guruvandana Importance of Guruvandana : The concept of Guru is as old as humanity itself. -
J 1607 PAPER II.P65
Signature and Name of Invigilator Answer Sheet No. : ...................................................... (To be filled by the Candidate) 1. (Signature) Roll No. (Name) (In figures as per admission card) 2. (Signature) Roll No. (In words) (Name) Test Booklet No. J1 6 0 7 PAPERII Time : 1¼ hours]MUSIC [Maximum Marks : 100 Number of Pages in this Booklet : 48 Number of Questions in this Booklet : 50 Instructions for the Candidates ÂÚUèÿææçÍüØô¢ ·ð¤ çÜ° çÙÎðüàæ 1. Write your roll number in the space provided on the top of this 1. ÂãÜðU ÂëDU ·ð¤ ª¤ÂÚU çÙØÌ SÍæÙ ÂÚU ¥ÂÙæ ÚUôÜU ÙÕÚU çÜç¹°Ð page. 2. §â ÂýàÙ-Âæ ×𢠿æâ Õãéçß·¤ËÂèØ ÂýàÙ ãñ¢Ð 2. This paper consists of fifty multiple-choice type of questions. 3. ÂÚUèÿææ ÂýæÚUÖ ãôÙð ÂÚU, ÂýàÙ-ÂéçSÌ·¤æ ¥æ·¤ô Îð Îè ÁæØð»èÐ ÂãÜðU ÂUæ¡¿ ç×ÙÅU 3. At the commencement of examination, the question booklet ¥æ·¤ô ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ÌÍæ ©â·¤è çÙÙçÜç¹Ì Áæ¡¿ ·ð¤ çÜ° çÎØð will be given to you. In the first 5 minutes, you are requested ÁæØð¢»ð çÁâ·¤è Áæ¡¿ ¥æ·¤ô ¥ßàØ ·¤ÚUÙè ãñ Ñ to open the booklet and compulsorily examine it as below : (i) ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ·ð¤ çÜ° ©â·ð¤ ·¤ßÚU ÂðÁ¤ÂÚU Ü»è ·¤æ»Á ·¤è (i) To have access to the Question Booklet, tear off the paper âèÜ ·¤ô ȤæǸU Üð¢UÐ ¹éÜè ãé§ü Øæ çÕÙæ SÅUè·¤ÚU-âèÜU ·¤è ÂéçSÌ·¤æ seal on the edge of this cover page. Do not accept a Sßè·¤æÚU Ù ·¤Úð¢UÐ booklet without sticker-seal and do not accept an open booklet. -
Gunidas by G
From boulder!parrikar Tue May 19 20:57:10 MDT 1992 Article: 46958 of soc.culture.indian Newsgroups: soc.culture.indian Path: boulder!parrikar From: [email protected] (Rajan Parrikar) Subject: Great Masters Part XI: Jagannathbuva Purohit Message-ID: <[email protected]> Originator: parrikar@sangria Sender: [email protected] (The Daily Planet) Nntp-Posting-Host: sangria.colorado.edu Organization: University of Colorado, Boulder Date: Wed, 20 May 1992 02:53:14 GMT Lines: 397 Namashkaaram!! Here comes Part XI of the Great Masters series. Once again the feature is taken from G.N. Joshi's book "Down Melody Lane". Rajan ===== ********************************************************************** pp 154-162 of Down Melody Lane My Guru Gunidas by G. N. Joshi Jagannathbuva Purohit - 'Gunidas' - was my Guruji. It is very difficult to express on paper my felings about him. He was kind and honest to the core, and possessed a wealth of new and rare musical compositions. He was very richly gifted, yet he called himself 'Gunidas'- servant of the gifted ones. It was unfortunate that I met him so late in my life. For 10 years I enjoyed his company and we became so close that I regarded him as one of my family. I respected him, stood in awe of him and yet we were bound together by unbreakable bonds of love. I do not quite remember where and when I first met this great man. I think it was around 1956 when I had gone to Manik Varma's house in Pune. He used to come there from Kolhapur a few days every month to give her tuition.