South Coast Records Discography

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South Coast Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan South Coast Records Discography South Coast was an Austin, TX, label distributed by MCA. It was a Division of the Brovsky Stewart Group, owned by Michael Brovsky. Brovsky also owned Studio South in Austin, as well as two publishing companies. The label focused on Texas rock and country. South Coast/MCA 5100 Series: MCA 5183 - Musta Notta Gotta Lotta - Joe Ely [1981] Musta Notta Gotta Lotta/Dallas/Wishin’ For You/Hold On/Rock Me My Baby//I Keep Gettin’ Paid The Same/Good Rockin’ Tonight/Hard Livin’/Road Hawg/Dam Of My Heart/Bet Me MCA 5192 - The Shake Russell-Dana Cooper Band - The Shake Russell-Dana Cooper Band [1981] Gentle Way To Ride/Deep In The West/Song On The Radio/Rollin’ My Blues/Silver Heart//Fade Away/You’ve Got A Lover/Waitin’ Here For You/Goin’ Down Judah/Out Of Control/Dream Darlin’ MCA 5199 - Reunion - Jerry Jeff Walker [1981] Maybe Mexico/Sailing/Takin' It As It Comes/Got Lucky Last Night/Bittersweet//Some Go Home/Morning Song To Sally/She Left Me Holdin'/For Little Jessie (She Knows Her Daddy Sings)/Pick Up The Tempo MCA 5262 - Live Shots - Joe Ely Band [1981] Fingernails/Midnight Shift/Honky Tonk Masquerade/Honky Tonkin’/Long Snake Moan//I Had My Hopes Up High/She Never Spoke Spanish To Me/Johnny’s Blues/Fools Fall In Love/Boxcar MCA 5355 - Cowjazz - Jerry Jeff Walker [1983] Dealing With The Devil/Don’t Think Twice (It’s Alright)/Old ‘59/Green Back Dollar/Lovin’ Of The Game//Laying My Life On The Line/Still Around/Promise/Tangee/Wind MCA 5480 - Hi-Res - Joe Ely Band [1984] What’s Shakin’ Tonight/Cool Rockin’ Loretta/Madame Wo/Dream Camera/Letter To Laredo//She Gotta Get The Gettin’/Lipstick In The Night/Imagine Houston/Dame Tu Mano/Locked In A Boxcar With The Queen Of Spain 1.

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MCA-700 Midline/Reissue Series
MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063.
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Oe Ely Né Earle R. Ely Le 9 Février 1947 À Amarillo, Au Texas, Est Un Auteur
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August Troubadour
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ECF001-Waite-Complaint.Pdf
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Case 1:19-Cv-01091-LAK Document 38 Filed 05/03/19 Page 1 of 30
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Jesse "Guitar" Taylor
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POSTERING in AUSTIN, TEXAS by Nels “Jagmo” Jacobson
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To Download a PDF of the Full Decision
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Volume 1 • Number 12 • April 1991 • FREE A ‘FieV For M usic P reservation o f C u l t u r e cornerstone o f C a r e e r really until I got back here that I really got BY SHANE WEST interested, though. Back there, I was doing a futile effort of trying to play rock ‘n’ roll in You’ve got to hand it to the guy...he’s really ‘Hillbilly-Hollywood.’ got a Fiel for music. Sounds like you were maybe a little ahead To begin, let’s face facts: Lanny Fiel is the o f your time. lastofadyingbreed. Aguywho caresasmuch (Laughs) Of course, now that’s pretty much (if not more) about the past and the act of what country music has become...watered- preserving it for future generations as he does down rock ‘n’ roll. for the future itself. What did you do with this somewhat new As we began our talk about his life and appreciation of country? (many) careers, some key elements quickly I started playing in some country bands became apparent. Though he is a richly tal here and really wanted to play steel guitar., ented musician himself, as many who read Ibought one and it wasjust a junkpile. You’d this article will no doubt readily attest, Fiel is hit a note and it’d go up but it wouldn’t come the type who would much rather talk about back down all the way. The guy threw a his role in documenting the accomplishments fiddle in with it.
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West Texas Sound 1991 03 01
THE OFFICIAL PUBLICATION OF THE WEST TEXAS MUSIC ASSOCIATION INSIDE THIS ISSUE Readers ‘Sound Off’ Spotlight On Jesse “Guitar” Taylor Live Music Reviews ‘Sound Around’ Debuts Volume 1 • Number 12 • April 1991 • FREE ‘They M ake The Stars Shine A t Night’ “There was an article in Time magazine BY SHANE WEST about a disco in the Woodstock area called the ‘The Electric Circus’. It talked about how The storyline reads something like the they didn’t have live music in that club but childhood odyssey about the little engine that were using recorded music and lighting. We could. How the diminutive, but resourceful were looking for a name and knew we weren’t train kept on keepin’ on ’til he finally made it a circus,” Prather added with a grin, “but that to the top of the hill. we were the ‘hearing aids’ in a disco... that’s Of course, that familiar scenario, more of where the name “Electric Ear” came about.” ten than not, sums up many small business He added, “At the time, me and Russ success stories to be sure, but perhaps none Wilkinson were talking about how we didn’t better than the pro sound source known as want to open a club but that we ought to be Electric Ear Productions. Tom and Sammie able to take stuff to parties...in fact, we were Prather have indeed parlayed what began as already custom-recording 8-track tapes and a part-time “hobby”, into one of the most playing them for functions like the Jaycees, widely-recognized and certainly respected who we were working with alot.
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