DOCSLIB.ORG

JEREMY SHARMA Born 1977, Singapore 2006

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
JEREMY SHARMA Born 1977, Singapore 2006 JEREMY SHARMA Born 1977, Singapore 2006 Master of Art (Fine Art), LASALLE College of The Arts, Singapore 2013 Bachelor of Art (Fine Art) with High Distinction, LASALLE College of The Arts (RMIT), Singapore AWARDS AND RESIDENCIES 2016 Stelva Artist In Residence, Italy, Residency 2015 NTU Centre for Contemporary Arts (CCA), Artists in Residence, Singapore, Residency 2014 Temenggong Artists in Residence with Fundación Sebastián, Mexico City, Residency 2013 RPF Grant by LASALLE College of The Arts, Singapore 2013 Creation Grant by The National Arts Council, Singapore 2008 Artist Residency & Exchange Program (REAP) by Artesan Gallery Singapore, Manila, The Philippines, Residency 2007 Royal Over-seas League (ROSL) Travel Scholarship, Hospitalfield, Arbroath, Scotland, United Kingdom, Residency 2005 JCCI Arts Award by the Japanese Chamber of Commerce and Industry, Recipient 2004 Studio 106, Managed by LASALLE-SIA College of the Arts, Singapore, Residency 2003 Phillip Morris Singapore Arts Award, Honourable Mention, Singapore 2003 Studio 106 Residency Award, Singapore 2002 The Lee Foundation Grant, Singapore 2000 Actions for Aids Award, First Prize (Open Category), Singapore 1999 The Della Butcher Award presented by The Rotary Club Singapore, Winner, Singapore COLLECTIONS Ngee Ann Kongsi NUS Business School, Singapore One Farrer Pte. Ltd Prime Partners Singapore Art Museum Societe Genarale The Westin Singapore Private collections in Singapore and International SOLO EXHIBITIONS 2016 Orbiter and Sonata, Michael Janssen Gallery, Berlin 2014 Factum, Primae Noctis Gallery, Lugano, Switzerland 2014 Mode Change, Michael Janssen Gallery, Singapore 2014 Peace is Guilty, Sutton Gallery, Melbourne 2013 Exposition, curated by Jason Wee, Grey Projects, Singapore 2012 Apropos curated by Charles Merewether, ICA Gallery 2, Institute of Contemporary Arts Singapore, Singapore 2011 Variations, Art Forum Gallery, Singapore 2008 The Protection of Paintings- Of Sensations and Superscriptions, The Jendela Gallery, Esplanade Mall, Singapore 2007 Jeremy Sharma, Art Forum Gallery, Singapore 2007 End of a Decade, The Substation Gallery, Singapore 2006 The Certain Slant of Light, The Substation Gallery, Singapore 2004 The Arcane Glimpse, The Substation Gallery, Singapore SELECTED GROUP EXHIBITIONS 2017 The Making of an Institution, curated by Ute Meta Bauer, Anna Lovecchio, and Anca Rujoju, NTU Centre for Contemporary Art (CCA), Singapore 2017 Slow Fury- State of Motion (Through Stranger Eyes), curated by Kent Chan with The Asian Film Archives, Labrador Park, Singapore 2016 Athlete ‘Live’, Objectifs, Singapore 2016 Turn The Loose Mermaids, iPreciation Gallery, Singapore 2016 Wayang Malam, LASALLE College of The Arts, Windstedt Campus, Singapore 2016 The Great Lubricator, SOCIÉTÉ GÉNÉRALE Gallery Aliance Française de Singapour, Singapore 2015 Dear Painter, curated by June Yap, Sundaram Tagore Gallery, Singapore 2015 NTU CCA Residencies Open Studio Program, NTU CCA Studio, Singapore 2015 Longitudes, Endgames, and Screensavers – NTU CCA Residencies, NTU CCA Studio, Singapore 2015 The Measure of Your Dwelling – Singapore as Unhomed, ifa Gallery Berlin/Stuttgart, Germany 2015 Art Paris, Grand Palais, Paris, France 2015 Donato Piccolo, Voldermars Johansons, Jeremy Sharma, Primo Marella Gallery, Milan, Italy 2015 Prudential Singapore Eye – Contemporary Singapore Art, ArtScience Museum, Singapore 2015 Outliers by Jeremy Sharma – Geo|Graphic :Celebrating Maps and Their History, National Library, Singapore 2014 Modern Love curated by Bala Starr and Khairuddin Hori, Institute of Contemporary Arts, Singapore 2014 Bright S’pore(s), Primo Marella Gallery, Milan, Italy 2014 Countershadows (tactics in evasion) curated by Melanie Pocock, Institute of Contemporary Arts, Singapore 2014 Busan Biennale : Going, Going, Until I Meet The Tide, Busan Metropolitan City, Kiswire Factory, South Korea 2014 Anthropos curated by Lorendana PaZZini-Paracciani, Sundaram Tagore Gallery, New York 2014 Departure – curated by Milenko Prvacki, iPreciation Gallery, Singapore 2014 MARKET FORCES- Erasure : From Conceptualism To Abstraction, curated by Charles Merewether, Osage Gallery and City University, Hong Kong 2014 Materialised Time- curated by Chun Kai Feng, Latent Spaces @ Haw Par Vila, Singapore 2014 Do You Believe in Angels? Curated by Tony Godfrey, Mo Space, Manila, The Philippines 2014 Art Stage Singapore – SEA Platform, Marina Bay Sands Convention Centre, Singapore 2013 Singapore Biennale – If The World Changes, Co-curated by David Chew, Singapore Art Museum, Singapore 2013 Painting in Singapore, curated by Tony Godfrey, Equator Art Projects, Singapore 2013 Theory and Practice of The Small Painting, curated by Tony Godfrey, Equator Art Projects, Singapore 2013 Side-Glance, curated by Charles Merewether, Praxis Space, Institute of Contemporary Arts, Singapore 2013 A History of Curating in Singapore/Curating Lab : Phase 3, Goodman Art Centre, Singapore 2013 New Black City, Art Stage Singapore Platform curated by Jason Wee, Marina Bay Sands Convention Centre, Singapore 2012 Lyrical Abstraction : Works by Jeremy Sharma & Yeo Shih Yun, curated by David Chew, Singapore Art Museum, Singapore 2012 Panorama : Recent Art from Southeast Asia, Singapore Art Museum, Singapore 2012 Marchel Duchamp in Southeast Asia, curated by Tony Godfrey, Equator Art Projects, Singapore 2012 Still Building: Contemporary Art from Singapore, curated by Jason Wee, Selasar Sunaryo Art Space, Bandung, Indonesia 2012 The Same Rain, The Same Wind, Chiang Mai University Art Center, Thailand 2011 Foris, Earl Lu Gallery, Institute of Contemporary Art, Singapore 2011 The Tokyo Art Book Fair 2011, Arts Chiyoda, Tokyo, Japan 2010 14th Asian Art Biennale Bangladesh 2010, Bangladesh Shilpakala Academy, Bangladesh 2010 Forgetting The Roses, Telok Kurau Studios, Singapore 2010 Centre to Periphery, Japan Creative Centre, Singapore 2009 Ruckus Rubix, NUS Museum, Singapore 2009 Constructed Landscapes : Singapore in Southeast Asia, curated by Karen Lim, NUS Museum, Singapore 2008 The Royal Overseas Scholarship Exhibition, The Gallery@OXO, London 2007 City net Asia, Seoul Museum of Art, Seoul, Korea 2006 8 Young Contemporaries, Art Forum, Singapore 2006 Peninsular/Island, Taksu Gallery, Kuala Lumpur 2005 Real Presence/Floating Sites (Collateral Event with The 51st Venice Biennale), IUAV, Facolta’di design e Arti, Venice 2005 Jeremy Sharma/Jane Lee, Taksu Gallery, Singapore and Kuala Lumpur 2005 Nasi Campur, Taksu Gallery, Singapore and Kuala Lumpur 2005 New, Taksu Gallery, Singapore 2004 Design for Death, Post Theatre, Seoul Fringe Festival, Seoul, Korea 2004 Black and White, Art Forum, Singapore 2004 Artists Book, Public Art Library, Sculpture Square, Singapore 2004 Iconoclass/Persistence : Site of Memory, Plasma Screens, Esplanase-Theatres on the Bay, Singapore 2003 Singapore – ASEAN Art Awards 2003, ARTrium, Ministry for Information and the Arts (MITA) Building, Singapore 2003 No Apologies, Earl Lu Gallery I, LASALLE-SIA College of The Arts, Singapore BIBLIOGRAPHY 2016 Michele Ho, ‘Beyond The Frame: Painting Post Painting’ 2015 Kevin Chua, ‘Jeremy Sharma, or the Pulsations of Time’ 2015 Charles Merewether, ‘Shimmering surfaces: Reflections on cultural exchange’ 2014 Melanie Pocock, From Protective Colouration to the Recession of Colour: Notes on Countershadows (tactics in evasion) 2014 Charles Merewether, ‘The Force of Gravity: Recasting Modernism’ 2014 Deepika Shetty, ‘Hide and seek in foam’, The Straits Times, Life! May 20, 2014 .
Load more

Recommended publications
  • NUS Museum Wins Inaugural Award for Innovative Museological Practice
    NUS Centre For the Arts For immediate release NUS Museum wins inaugural award For innovative museological practice International Committee of University Museums and Collections recognizes efforts to facilitate conversation between audiences and exhibitions Associate Professor Peter Pang, Associate Provost (Student Life), NUS, accepting the award from UMAC Chair Professor Hugues Dreyssé at NUS Museum, 10 May 2016. SINGAPORE, 10 May 2016 – NUS Museum’s prep-room is the first recipient of the University Museums and Collections (UMAC) Award for the most significant innovation or practice that has proved successful in a university museum or collection. Initiated in 2011, the prep-room is conceived as a means of exploring curatorial methods, developing content and scope and seeking audience participation in the lead-up to projects such as exhibitions and programmes. Employing mostly archival materials, curators present content, curatorial experiments and design ideas in an open gallery, inviting visitors to observe the exhibition-making process, engage with content, and potentially begin a long-term interest in the project. Since 2011, a total of ten projects have been incubated as prep-rooms at the Museum. Professor Hugues Dreyssé, Chairman of UMAC, shares, “The Board (of UMAC) salutes the museum's understanding of the basic principle of creating a contact between the audience and the museum, the creative approach to discussion between researchers, interns, artists and the public and the ease of adapting the idea to other museums.” In 2011, NUS Museum developed the notion of the prep-room from the museum’s work with archival materials and methods. With an interest in the Raffles Lighthouse, located on Pulau Satumu (Singapore), curators and collaborators spent eight months sourcing, categorizing and visually mapping archival materials ranging from 15th century cartographic maps to 19th century governmental declarations.
    [Show full text]
  • Introducing the Museum Roundtable
    P. 2 P. 3 Introducing the Hello! Museum Roundtable Singapore has a whole bunch of museums you might not have heard The Museum Roundtable (MR) is a network formed by of and that’s one of the things we the National Heritage Board to support Singapore’s museum-going culture. We believe in the development hope to change with this guide. of a museum community which includes audience, museum practitioners and emerging professionals. We focus on supporting the training of people who work in We’ve featured the (over 50) museums and connecting our members to encourage members of Singapore’s Museum discussion, collaboration and partnership. Roundtable and also what you Our members comprise over 50 public and private can get up to in and around them. museums and galleries spanning the subjects of history and culture, art and design, defence and technology In doing so, we hope to help you and natural science. With them, we hope to build a ILoveMuseums plan a great day out that includes community that champions the role and importance of museums in society. a museum, perhaps even one that you’ve never visited before. Go on, they might surprise you. International Museum Day #museumday “Museums are important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.” — International Council of Museums (ICOM) On (and around) 18 May each year, the world museum community commemorates International Museum Day (IMD), established in 1977 to spread the word about the icom.museum role of museums in society. Be a part of the celebrations – look out for local IMD events, head to a museum to relax, learn and explore.
    [Show full text]
  • KLAS Art Auction 2014 Malaysian Modern & Contemporary Art Edition XI
    Lot 36, Abdul Latiff Mohidin Mindscape - 27, 1983 KLAS Art Auction 2014 Malaysian modern & contemporary art Edition XI Auction Day Sunday, September 28, 2014 1.00 pm Registration & Brunch Starts 11.30 am Artworks Inspection From 11.30 am onwards Nexus 3 Ballroom, Level 3A Connexion@Nexus No 7, Jalan Kerinchi Bangsar South City 59200 Kuala Lumpur Malaysia Lot 65, Ong Kim Seng Himalayan Panorama, 1982 2 3 Lot 64, Lim Tze Peng Thian Hock Keng Temple, Circa 1970s KL Lifestyle Art Space c/o Mediate Communications Sdn Bhd 150, Jalan Maarof Bukit Bandaraya 59100 Kuala Lumpur t: +603 20932668 f: +603 20936688 e: [email protected] Contact Information Auction enquiries and condition report Lydia Teoh +6019 2609668 [email protected] Datuk Gary Thanasan [email protected] Bidder registration and telephone / absentee bid Lydia Teoh +6019 2609668 [email protected] Shamila +6019 3337668 [email protected] Payment and collection Shamila +6019 3337668 [email protected] Lot 78, Ibrahim Hussein, Datuk Untitled, 1974 Kuala Lumpur Full Preview Date: September 11 - September 27, 2014 Venue: KL Lifestyle Art Space 150, Jalan Maarof Bukit Bandaraya 59100 Kuala Lumpur Auction Day Date: Sunday, September 28, 2014 Venue: Nexus 3 Ballroom, Level 3A Connexion@Nexus No 7, Jalan Kerinchi Bangsar South City 59200 Kuala Lumpur Time: 1.00 pm Map to Connexion@Nexus 7 Lot 77, Abdullah Ariff Chinese Junk, 1956 Contents 7 Auction Information 10 Glossary 18 Lot 1 - 77 149 Auction Terms and Conditions 158 Index of Artists Lot 37, Yusof Ghani Siri Tari, 1989 Glossary 6 BASOEKI ABDULLAH 1 AWANG DAMIT AHMAD Indonesian WomAn in Red, 2006 Iraga Dayung Patah, 2006 Oil on canvas | 69 x 50 cm Mixed media on canvas | 100 x 101 cm RM 35,000 - RM 45,000 RM 8,000 - RM 18,000 2 TAJUDDIN ISMAIL 7 JEIHAN SUKMANTORO Magenta Landscape, 2001 Miryam, 1997 Acrylic and pastel on board | 61 x 60 cm Oil on canvas | 70 x 70 cm RM 3,000 - RM 8,000 RM 7,000 - RM 12,000 3 Ismail Latiff 8 HAN SNEL Angkasa Mandi Angin No.
    [Show full text]
  • 1 MEDIA RELEASE Embargoed Until 4 October 2011, 7.15Pm
    MEDIA RELEASE Embargoed until 4 October 2011, 7.15pm INAUGURAL MUSEUM ROUNDTABLE AWARDS CELEBRATED MUSEUM EXCELLENCE AND RECORD-BREAKING VISITORSHIP FIGURES A first ever national accolade for Singapore’s museum industry in the wake of unprecedented visitorship figures to Museum Roundtable museums SINGAPORE, 4 October 2011 – The best of Singapore‟s museums have been recognised and honoured with the launch of the inaugural Museum Roundtable (MR) Awards, an initiative by the National Heritage Board (NHB). The first national accolade dedicated to museums and galleries serves to identify and celebrate shining examples of museum excellence amongst members of the MR. The awards ceremony also celebrated record-breaking visitorship of 7.9 million to MR museums in Financial Year 2010 (FY 2010), a further increase from the 7 million of FY 2009. 2 Following the MR Awards is the annual Business of Heritage (BOH) Conference, which will once again facilitate active discussion on topics relevant to today‟s museum and heritage industry by prominent industry professionals, as well as showcase the latest heritage projects funded under NHB‟s Heritage Industry Incentive Programme (HI²P). MR Awards 2011 3 First announced in September 2010, the MR Awards aim to recognise excellence in the museum sector, celebrate museum best practices and innovation, and enhance the local and international profiles of members of the MR. Since its inception in 1996, the MR has witnessed an impressive growth in membership from 12 since its establishment, to over 50 members today. 4 The MR Awards 2011 featured a total of four winners, one for each of the four categories listed below: a.
    [Show full text]
  • Contemporary Asian Art and Exhibitions Connectivities and World-Making
    Contemporary Asian Art and Exhibitions Connectivities and World-making Contemporary Asian Art and Exhibitions Connectivities and World-making Michelle Antoinette and Caroline Turner ASIAN STUDIES SERIES MONOGRAPH 6 Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Antoinette, Michelle, author. Title: Contemporary Asian art and exhibitions : connectivities and world-making / Michelle Antoinette and Caroline Turner. ISBN: 9781925021998 (paperback) 9781925022001 (ebook) Subjects: Art, Asian. Art, Modern--21st century. Intercultural communication in art. Exhibitions. Other Authors/Contributors: Turner, Caroline, 1947- author. Dewey Number: 709.5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: N.S. Harsha, Ambitions and Dreams 2005; cloth pasted on rock, size of each shadow 6 m. Community project designed for TVS School, Tumkur, India. © N.S. Harsha; image courtesy of the artist; photograph: Sachidananda K.J. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Acknowledgements . vii Introduction Part 1 — Critical Themes, Geopolitical Change and Global Contexts in Contemporary Asian Art . 1 Caroline Turner Introduction Part 2 — Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art . 23 Michelle Antoinette 1 . Polytropic Philippine: Intimating the World in Pieces . 47 Patrick D. Flores 2 . The Worlding of the Asian Modern .
    [Show full text]
  • Art and Architecture in Southeast Asia (1969–1989 )
    Suddenly Turning Visible: Art and Architecture in Southeast Asia (1969–1989 ) . A Review T.K. Sabapathy Southeast of Now: Directions in Contemporary and Modern Art in Asia, Volume 4, Number 2, October 2020, pp. 237-265 (Article) Published by NUS Press Pte Ltd DOI: https://doi.org/10.1353/sen.2020.0011 For additional information about this article https://muse.jhu.edu/article/770701 [ Access provided at 25 Sep 2021 19:52 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Suddenly Turning Visible: Art and Architecture in Southeast Asia (1969–1989). A Review T.K. SABAPATHY The curators of Suddenly Turning Visible, a National Gallery Singapore (NGS) project consisting of an exhibition and a publication, introduce it grandly. I cite their opening remarks. In 1981 the Filipino artist and curator Raymundo R. Albano coined the expression “suddenly turning visible” to describe the rapid transformation of Manila’s landscape. The visibility that Albano was evoking was an aspirational one, as the Philippines, along with other countries across Southeast Asia, had embarked upon their most ambitious infrastructural projects yet. The driving force was the logic of developmental- ism, a desire for rapid economic growth in tandem with massive infrastructure building to transform the cities of Bangkok, Manila and Singapore into modern metropolises. Art had a critical role to play in the cities formulation, with artists and architects advancing varying perspectives towards this new vision.1 This is a vivid, forceful inauguration for an exhibition and its exegesis, setting out major premises for the two components.
    [Show full text]
  • NUS Museum and the Difference Is Review
    Exhibition Review And the Difference Is Liau Shu Juan The writer’s interest is in western oil painting and contemporary works which can range from new media art to photography and graphic design. A Year 1 student at Faculty of Arts and Social Sciences majoring in Communications and New Media, she enjoys analysing and creating art works. Inflatable garbage bags hanging in the air, a video of seemingly nonsensical conversations and an ordinary filing cabinet. The man on the street wouldn’t call them art. However, before you turn around and scoff at them, do take a moment to reflect. For such works, the concept and the experience are what matters, coupled with specific aesthetic strategies. Welcome to the world of contemporary art where modern experiences collide headon with traditional concepts of what constitutes art. The works on display are part of the And the Difference Is exhibit, a collaboration between Gertrude Contemporary Art Spaces (Melbourne) and the NUS Museum. Gertrude Contemporary Art Spaces values creativity, risk and experimentation and this vision is reflected in the works. As I entered 7 NUS Museum newsletter :: Issue 1, 2009 the gallery, I was greeted by a However, I find it a really interesting true love herself, but instead got a surreal sight of garbage bags or and creative way of cold reaction. Cinderella in turn more accurately, a mishmash of communication. As the quote asked Freakley if she wanted to colourful plastic bags hanging in generator, she devised a new form ‘take a picture instead’. Although the air, blown up to the point that of communication with her often the context of the conversations they look like a distorted molecular witty one liner referenced from changes, Freakley always structure.
    [Show full text]
  • Keith Haring - the Journey of a Steve Chua Graffiti Artist 38 Information the Legend of Lichtenstein 44 out in the Streets
    ISSUE 16 | FEB 2011 FEBRUARY 2011 / 1 Yisulang-Confabu Mar 2011 1/15/11 9:37 AM Page 1 C M Y CM MY CY CMY K 2 / THE POCKET ARTS GUIDE Composite C M Y CM MY CY CMY K FEBRUARY 2011 / 3 CONTENTS 12 34 17 13 C M Y 24 26 44 CM MY 12 COMING UP 17 SPOTLIGHT 50 INTERVIEW CY LAND-TA-MORPHOSIS — Artist in Focus - Farhad Hussain An Interview — What the CMY Second of the Trilogy: Castle :Phunk? Beyond a Mountain 12 K Dorit Feldman: A Solo Exhibition by Art Facet Glimpses: A Solo Exhibition by 26 COVER STORY 61 SINGAPORE BenCab ART MAP The Window Project 13 Pop! Back into the Future with Burton Morris Will Siber: Sculpture, Wall Object & Painting Solo Exhibition By Seah Kang Chui 不变 50 年 Unchanged For 50 64 DIRECTORIES Years 14 34 FEATURES Singapore Art Galleries Other Listings ‘No si hijomiono’o jabesi soré Gurerro Habulan – jajivo’ The Warrior of pop! 34 Tourist Spots Malaysia Art Guide Limelight Blossoms by Keith Haring - The Journey of a Steve Chua Graffiti artist 38 InFORMATION The Legend of Lichtenstein 44 Out in the Streets 4 / THE POCKET ARTS GUIDE C M Y CM MY CY CMY K FEBRUARY 2011 / 5 CONTENTS SPOTLIGHT INTERVIEW SINGAPORE ART MAP 6 / THE POCKET ARTS GUIDE C M Y CM MY CY CMY K FEBRUARY 2011 / 7 Issue #16 (February 2011) ISSN 1793-9739 / MICA (P) 252/09/2010 www.thepocketartsguide.com On the Cover Burton Morris Poparazzi Acrylic on canvas 91.4 x 91.4cm Editor-in-Chief Remo Notarianni / [email protected] Guest Editor Saskia Joosse / [email protected] Art Director Amalina MN / [email protected] Contributors Bharti Lalwani Advertising Sales [email protected] General enquiries and feedback [email protected] Submission of press releases [email protected] THE POCKET ARTS GUIDE PTE LTD (TPAG) 215 Henderson Road, #03-03, Henderson Industrial Park Singapore 048545 For advertising enquiries, please email [email protected].
    [Show full text]
  • Artists Imagine a Nation
    ARTISTS IMAGINE A NATION Abdullah Ariff Boo Sze Yang Chen Cheng Mei (aka Tan Seah Boey) Chen Shou Soo Chen Wen Hsi Cheong Soo Pieng Chia Yu Chian Chng Seok Tin Choo Keng Kwang Chuah Thean Teng Chua Mia Tee Foo Chee San Ho Khay Beng Khaw Sia Koeh Sia Yong Kuo Ju Ping Lee Boon Wang Lee Cheng Yong Lim Mu Hue Lim Tze Peng Mohammad Din Mohammad Ng Eng Teng Ong Kim Seng Tumadi Patri Phua Cheng Phue Anthony Poon Seah Kim Joo Tang Da Wu Tay Bak Koi Tay Boon Pin Teo Eng Seng Tong Chin Sye Wee Beng Chong Wong Shih Yaw Yeh Chi Wei Yong Mun Sen Contents Foreword Bala Starr 8 Pictures of people and places Teo Hui Min 13 Catalogue of works 115 Brief artists’ biographies 121 Acknowledgements 135 Foreword Works of art are much more than simple collectables or trophies, in the A work of art maintains its status as a speculative object well past the date same way that history is more than a compilation of triumphal stories or nostalgic the artist considered it ‘finished’ or resolved, and in fact meanings might never reflections. Histories build and change through their own telling. The works in actually fix or settle. What we identify ascontemporary is as much about a process this exhibition, Artists imagine a nation, record individual artists’ perceptions, of looking back and re-evaluating the practices and insights of those who have experiences and thinking, and document their aspirations for their communities travelled before us as it is about constantly seeking the new.
    [Show full text]
  • TK Sabapathy, Writing the Modern: Selected Texts on Art & Art History
    FOR IMMEDIATE RELEASE Singapore Art Museum publishes four decades of critical and historical texts by renowned art scholar, critic and curator T.K. Sabapathy T.K Sabapathy, Writing the Modern: Selected Texts on Art & Art History in Singapore, Malaysia & Southeast Asia, 1973-2015. Edited by Ahmad Mashadi, Susie Lingham, Peter Schoppert and Joyce Toh, Singapore: Singapore Art Museum, 2018. SINGAPORE, 22 JANUARY 2018 – During Singapore Art Week 2018, Singapore Art Museum (SAM) will launch an anthology of texts by esteemed art critic, curator and scholar of art developments and art history in Singapore, Malaysia and Southeast Asia from the 1970s to 2010s, T.K. Sabapathy. Selected from over four decades of critical and historical scholarship, Writing the Modern: Selected Texts on Art & Art History in Singapore, Malaysia & Southeast Asia, 1973-2015 brings together Sabapathy’s most significant and influential writings for the first time. With its detailed explication of artworks and critical reflections on art historical developments in Singapore, Malaysia and Southeast Asia, the anthology will serve as maps for an exploration of visual art development and art histories of the region. From the early 1970s, through SAM’s founding in 1996, and till today, T.K. Sabapathy has contributed significantly to Singapore’s and the regional art scene in various capacities – as historian and educator, critic, advisor and advocate of the visual arts and culture. His dedication to the documentation and development of the region’s art scene has been instrumental in the building of the modern and contemporary art history of Singapore and Southeast Asia, and in the establishment of SAM.
    [Show full text]
  • For Immediate Release Present Jendela: a Play of the Ordinary
    NUS Centre For the Arts For Immediate Release Present Jendela: A Play of the Ordinary Jumaldi Alfi, Untitled 2008, Acrylic on Canvas, 215 x 315 cm Singapore, 4 March 2009 – NUS Museum and Gajah Gallery present the works of art collective Jendela in the first part of two major exhibitions on Indonesian contemporary art. The exhibition, Jendela: A Play of the Ordinary, opens at NUS Museum on 4 March 2009 and will run till 19 April 2009. Consisting of graduates of Institut Seni Indonesia (ISI) in Yogyakarta, Kelompok Seni Rupa Jendela (Jendela Art Group) is now one of Indonesia’s most prominent contemporary art collective. The meteoric rise of Jendela that began in the mid-1990s is both fascinating and confounding. Paintings, sculptures and installations produced by these artists that included Handiwirman Saputra, Jumaldi Alfi, Yusra Martunus, Rudi Mantofani and Yunizar (See Annex 1), are seemingly detached from the politically charged practices that typify Yogyakarta art. Based on observations of the everyday or mundane, the artists produce works that are visually arresting, seductive, astutely crafted, yet cool, ambiguous, distanced from such conventional gestures and themes. Contrasted against the stridency of activism, the works of Jendela also appear to some as abstract, formal, void of discernable text and empty. Should the works be regarded as a departure 50 Kent Ridge Crescent Singapore 119279 Tel: (65) 6516 2492 Fax: (65) 6874 1002 Website: www.nus.edu.sg/cfa - 1 - NUS Centre For the Arts from the very spirit of social and political
    [Show full text]
  • Heritage Development Plan Development — Heritage III Plan City Renaissance
    Renaissance City Plan III — Heritage Development Plan Renaissance City Plan III Heritage Development Plan © Copyright 2008, National Heritage Board No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the written permission of the publisher. All rights reserved. All photos in this publication are copyrighted. Permission is required for reproduction. ISBN: 978-981-08-1701-5 Published By National Heritage Board 140 Hill Street, #03- 02 MICA Building Singapore 179369 Tel: (65) 6338 0000 Fax: (65) 6332 3568 Website: http://www.nhb.gov.sg Editorial Team Corporate Policy Corporate Services and Planning Division National Heritage Board Printed and bound in Singapore. Designed and produced by SiliconPlus Communications Pte Ltd First Edition 2008 CONTENTS FOREWORD BY NHB CHAIRMAN 3 1 NATIONAL IDENTITY AND 5 THE SINGAPOREAN HEART AND SOUL 2 HERITAGE VISION: 9 A Distinctive Global Hub For Heritage And Culture 3 UNIQUELY SINGAPORE 15 4 PUTTING SINGAPORE 21 ON THE WORLD STAGE 5 ENGAGING MINDS, 27 INSPIRING HEARTS 6 AT HOME WITH HERITAGE 35 7 ATTRACTING TALENT AND 41 BUILDING CAPABILITIES 8 RELISHING AND RESTORING 45 HERITAGE RESOURCES 9 FROM HARDWARE TO HEARTWARE 49 Opening Festival of the National Museum of Singapore (NM) © National Heritage Board FOREWORD BY NHB CHAIRMAN Entrusted with the mission to foster Moving ahead into the future, I am excited nationhood, identity and creativity through about the opportunities presented to the heritage and cultural development, the arts and heritage sector under RCP III. National Heritage Board (NHB) has NHB will continue to engage our valuable made significant progress since its partners in the development of an even establishment in 1993.
    [Show full text]