COURSE GUIDE Byron Bay 373-391 Ewingsdale Rd
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Augie March – Strange Bird
AUGIE MARCH – STRANGE BIRD A BRIEF INTRODUCTION Welcome to Augie March, the biography. We are a five year old band, born and still living in Melbourne, Australia where music is alive every night of the week. Three of us were born and raised in the country outside of Melbourne and migrated to the city for schooling in various arts and humanities. At the moment we number five, having recently added an experienced pianist/piano-accordionist to an already accomplished, organic and adventurous group of people. He also teaches music copyright law part time, so nobody can put anything over us when it comes to publishing contracts. His name is Kiernan Box. Adam Donovan is, among other things, our lead guitarist. His style is adventurous and unorthodox. He treats his instrument like a formula one car driver treats his vehicle, and yet, to watch Adam on stage you might think otherwise. His favourite saying is - "There are many ways to skin a cat." We all admire truth and beauty at Augie March, but one of us surpasses the others in his pursuit of these objectives. His name is David Williams. He is the drummer and percussionist. His heroes are predominantly in the jazz field, but he takes as much inspiration from the stories of Charles Dickens, and to a lesser degree Rudyard Kipling's forays into verse. He has a small son called Ziggy. Singer/songwriter Glenn Richards is perhaps the most difficult member of Augie March to describe. This is largely because he is enigmatic and whether artistic people cultivate their own enigma or whether it comes naturally, it makes for a difficult task to profile them. -
Life in a Padded Cell: a Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©Copyright
Life in a Padded Cell: A Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©copyright ~ One ~ Satan has possessed your Soul! ‘Tony is very devout in “God’s Lesson”. I cannot speak highly enough of Tony’s manners and behaviour. They are beyond reproach’. It was the sort of report card every parent liked to see. It was 1964. The Beatles were big and Tony Cohen was a Grade One student at St. Francis de Sales primary school, East Ringwood. The following year he took his first communion. The Beatles were still big and there seemed little to fear for the parents of this conscientious and attentive eight-year-old boy. The sisters who taught him at that early age would doubtless have been shocked at the life he would come to lead – a life that could hardly be described as devout. Tony Cohen was born on 4 June 1957 in the maternity ward of the Jessie MacPherson hospital in Melbourne. Now a place specializing in the treatment of cancer patients it was a general hospital then. He was christened Anthony Lawrence Cohen. His parents Philip and Margaret Cohen had been living in James Street, Windsor, but had moved to the outer eastern suburb of East Ringwood prior to the birth of their son. Philip Cohen was the son of Jewish immigrants who had left Manchester, England, and settled in Prahran, one of Melbourne’s inner eastern suburbs. Philip’s father had served in the First World War, survived and then migrated to Australia with his wife and infant son (Tony’s Uncle David). -
ARIA Charts, 1996-08-18 to 1996-10-13
TRADE MARK REGD I A N SINGLES CHA VMS CHART TW LW TI TITLE / ARTIST TW LW TI TITLE / ARTIST 1 1 15 BECAUSE YOU LOVED ME/POWER OF THE DREAM Celine Dion A 662966.9 1 2 22 FALLING INTO YOU Celine Dion A EPI/SONY 483792.8 2 2 9 KILLING ME SOFTLY Fugees (Refugee Camp) A2 COL/SO 2 1 5 RECURRING DREAM - THE VERY BEST OF... Crowded House A EMI 8522482 3 3 9 RETURN OF THE MACK Mark Morrison WEA/WAR 063014 3 3 25 FORGIVEN, NOT FORGOTTEN The Corrs A EW/WAR 7567926122 4 4 12 JUST A GIRL No Doubt • INR/MCA IND80034 4 4 52 JAGGED LITTLE PILL Alanis Morissette A° WEA/WAR 9362459012 5 8 5 MOTHER MOTHER Tracy Bonham ISUPOL 8546592 5 6 33 PRESIDENTS OF THE U.S.A. Presidents Of The U.S.A. A3 COUSONY 481039.2 * 6 11 4 I WANT YOU Savage Garden ROA/WAR 1749 6 5 5 ENZSO Enzso • EPI/SONY 483870.9 7 5 2 WHO YOU ARE Pearl Jam EPI/SONY 663563. 7 7 3 BLUE L- n Rimes • CRB/SONY 485075.2 8 10 6 I LOVE TO LOVE La Bouche 8MG 432133523 8 8 17 SI TONE Bush A INR/MCA IND90000 9 13 3 THAT GIRL Maxi Priest Featuring Shaggy V 8936072 * 9 15 5 CE Bill Whelan • EW/WAR 7567828162 10 7 2 FOREVER LOVE Gary Barlow 8MG 4321387 10 12 3 OF ACT (INE Anthony Warlow PDR/POL 5331522 11 6 2 FREEDOM '96 Robbie Williams EMI 8831892 11 11 17 SW EAMS LE, Bouche • BMG 7863667592 * 12 36 2 MACARENA Los Del Rio 8MG 4321345372 * 12 NEW MTV UGGED Alice In Chains COL/SONY 484300.2 13 14 6 BLUE LeAnn Rimes CRB/SONY 663487.2 13 10 44 (WH HE STORY) MORNING GLORY Oasis A5 CRE/SONY 481020.2 14 9 10 THEME FROM MISSION IMPOSSIBLE LarryMullen & 14 13 13 OLD: orge Michael A VIR/EMI 8413922 * 15 20 4 YOU'RE -
SAE International Prospectus
AUSTRALIA BRISBANE BYRON BAY SYDNEY MELBOURNE ADELAIDE PERTH SOUTH AFRICA CAPE TOWN NEW ZEALAND AUCKLAND INDONESIA JAKARTA UNITED ARAB EMIRATES DUBAI [email protected] CRICOS: 00312F | RTO: 0273 INTERNATIONAL PROSPECTUS SAE_INT_Prospectus-covers_040917.indd 1 5/9/17 3:36 pm WHY GLOBALLY CONNECTED STUDY With over 53 campuses in 27 countries, our expertise is world JEREMY recognised and truly global. Our students and lecturers are DIPLOMA OF AUDIO AT SAE? a unique, diverse and creative community who come together for a collective purpose. OUR REPUTATION AS THE LEADING I REALLY LIKE THE ENVIRONMENT. THERE GLOBAL SPECIALIST ARE PLENTY OF TALENTED IN CREATIVE MEDIA PEOPLE AT SAE INSTITUTE EDUCATION COMES DOING SOME REALLY FROM OVER 40 YEARS COOL THINGS OF PIONEERING INDUSTRY STAFF AND STUDENTS CREATIVE MINDS. RECOGNISED INCLUDED. Real job outcomes start with unreal experiences. We work closely with At SAE, you will receive a our industry partners to provide you with work placement opportunities quality education with and hands-on experience. My timetable the power to unleash your creative potential. Monday Tuesday Wednesday Thursday Friday Morning Relax MIDI & Electronic Study Study Creative Project Music Production Midday Study REAL WORLD Afternoon Music Styles Relax Studio Production Study FACILITIES Evening Relax Studio session Work Studio session Work We invest heavily in our campuses to ensure you will be learning on Navitas is a leading global education provider the latest equipment, using industry that offers an extensive range of educational leading software. Our creative campuses offer inspiring spaces services to students and professionals including to work collaboratively with university programs, creative media education, classmates from your course professional education, English language training and other disciplines. -
Moo, You Bloody Choir
AUGIE MARCH MOO, YOU BLOODY CHOIR Is the third album by Augie March. It is now platinum in Australia and released in the US through Jive Zomba on August 7, 2007. www.augie-march.com www.myspace.com/augiemarch BRIEF INTRODUCTION Welcome to Augie March, the biography. We are a ten year old band, born and still living in Melbourne, Australia where music is alive every night of the week. Three of us were born and raised in the country outside of Melbourne and migrated to the city for schooling in various arts and humanities. At the moment we number five; a few years ago we added a pianist/piano-accordionist to an already accomplished, organic and adventurous group of people. He also teaches music copyright law part time, so nobody can put anything over us when it comes to publishing contracts. His name is Kiernan Box. Adam Donovan is, among other things, our lead guitarist. His style is adventurous and unorthodox. He treats his instrument like a formula one car driver treats his vehicle, and yet, to watch Adam on stage you might think otherwise. His favorite saying is – “There are many ways to skin a cat.” We all admire truth and beauty at Augie March, but one of us surpasses the others in his pursuit of these objectives. His name is David Williams. He is the drummer and percussionist. His heroes are predominantly in the jazz field, but he takes as much inspiration from the stories of Charles Dickens, and to a lesser degree Rudyard Kipling’s forays into verse. -
Recording Chimney's Afire Josh Pyke Issue 63
FEATURE If Josh Pyke’s career as a recording artist writes a song they have the chord progression, should ever founder, he has a contingency the melody, the lyrics, and that’s the core of the plan – a career as a record producer. Based on song. For me, production then involves things the evidence thus far it would seem unlikely that like sonic embellishments, ideas and motifs and he’ll need a Plan B any time soon. His debut signature melody lines. It can involve writing, album, last year’s Memories & Dust entered the augmenting the song and the structure, and the national charts at No. 4, and went on to win the arrangement. It’s very hands on, and for me as a 2007 ARIA award for ‘Best Adult Contemporary songwriter it’s very much a natural step. It’s also Album’. The obvious commitment of his record getting the best performance out of musicians, label, Ivy League, not to mention a sustained having little techniques to ensure the musician touring schedule of the UK, all bode well for a is fulfilling his or her potential with each take. long career. And Wayne’s amazing at that. I learn something from everybody that I work with, but Wayne Yet notwithstanding the unlikelihood of his [Connolly] in particular is amazing at eliciting artistic demise, the prospects for an alternative the best performance out of the musicians that production career are already looking good. he works with. At those same ARIAs last year he was awarded ‘Producer of the Year’ along with Memories & MOC: But what with the success of Josh Pyke Dust co-producer, the much respected Wayne the Artist, it seems the Josh Pyke the Producer Connolly. -
Why Study at Sae?
INTERNATIONAL PROSPECTUS WHY GLOBALLY CONNECTED STUDY With over 49 campuses in 23 countries, our expertise is world recognised and truly global. Our students and lecturers are AT SAE? a unique, diverse and creative community who come together for a collective purpose. OUR REPUTATION AS THE LEADING GLOBAL SPECIALIST IN CREATIVE MEDIA EDUCATION COMES FROM OVER 40 YEARS OF PIONEERING INDUSTRY CREATIVE MINDS. RECOGNISED Real job outcomes start with surreal classroom experiences. We work closely with our industry partners to At SAE, you will receive a provide you with work placement quality education with opportunities and hands-on the power to unleash your experience. creative potential. REAL WORLD FACILITIES We invest heavily in our campuses to ensure you will be learning on Navitas is a leading global education provider that offers the latest equipment, using industry an extensive range of educational services to students leading software. Our creative and professionals including university programs, creative campuses offer inspiring spaces media education, professional education, English to work collaboratively with language training and settlement services. classmates from your course If you are a Navitas partner you can recruit students for and other disciplines. SAE in both Australia and New Zealand as well as into the network globally. PRACTICAL & CREATIVE PROJECT BASED SPECIALISTS You will truly sharpen your skills by We employ specialists with extensive practicing, not just studying from a industry experience and connections text book. From day one, you’ll be to help you transition from study in small classes, using the latest to industry. equipment focused on practical project based work. FAST- TRACK CAREER READY OPTION GRADUATES Be industry ready and in your dream job sooner with our accredited fast-tracked Not only do our courses equip you learning pathways. -
News Issue 50
Welcome to AT’s commemorative Indispensable section of Issue 50. I know Andy has done a masterful job steering his introductory Ed Space around the craggy rocks of misty-eyed nostalgia… I’m afraid I can’t be so circumspect. It’s Issue 50, I’ve been doing AT since Issue 3 and I demand some misty-eyed nostalgia! Here goes: In 1998, when I arrived back in Australia after five years in the UK, my first stop-off was to see Greg Simmons and Philip Spencer in Sydney. I heard they’d just started a new magazine and also heard they were looking for another pair of hands in editorial. I guess they couldn’t believe that someone with pro audio publishing experience was just happening to head home, and I could hardly believe there was a mag in Australia that would allow me continue the work I was doing at Audio Media and Sound on Sound magazines. A match made in heaven… But it was tough times. I’m sure anyone who’s started a small business would be familiar with the uncertainty that comes with that – the lack of money and hardware, stupidly long hours, phones getting cut off… but also the profound satisfaction of doing something cool, doing it well and doing it your own way. I’m proud of AT. The 49 issues of the magazine that line up in front of me on my desk, account for the prime years of my working life, as well as a good chunk of what should have been my recreational/family time.