David Hula Mickey Gottsch Randy Dowdy
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Issue 209 Music & Mornings Many Factors Determine the Amount of Music a Country Station Plays in Morning Drive
September 13, 2010 Issue 209 Music & Mornings Many factors determine the amount of music a Country station plays in morning drive. The competitive situation, spot load, caliber of air talent and even a change in morning shows are among them. Most recently, PPM ratings have led a number of programmers to increase the amount of music heard between 6-10am. For purposes of this week’s study, we looked at a variety of market situations to see how many songs were played in morning drive on a Wednesday for the last 12 months (excluding December 2009). As always, all airplay information comes from our friends at Mediabase 24/7. Stand Alone PPM Markets KKGO/Los Angeles has added a couple of songs per hour in the Medal Heads: “Not bad for an old radio guy!” says WGH-FM/AM/Norfolk last three months. It averaged about 12 songs between 6-9am up Dir. of Programming and Operations John Shomby. He and his niece Sara until about three months ago when it bumped to 14-15 songs in that (left) cheese for the camera after running the Virginia Beach Rock & Roll Half Marathon. At right (l-r), WWFG/Salisbury-Ocean City morning host time frame. Its 9am hour has stayed steady at 14 tunes throughout John Trout (5k), MM Jefferson Ward and Clear Channel’s Diane Walsh the last year. (both half-marathon) celebrate completing the local Hidden Treasures WUSN/Chicago has been stable in its morning airplay. It routinely runs. Each earned a podium finish in their age groups. has aired six-seven songs in the first hour of morning drive, seven- eight songs in the second hour, eight-nine songs in the third hour and McGraw’s Super In Dallas 10-11 songs in the final drive-time hour. -
Praise & Worship
pg0144_Layout 1 4/4/2017 1:07 PM Page 44 Soundtracks! H ot New Artist! pages 24–27 ease! ew Rele page N 43 More than 10,000 CDs and 186,000 Music Downloads available at Christianbook.com! page 8 1–800–CHRISTIAN (1-800-247-4784) pg0203_Layout 1 4/4/2017 1:07 PM Page 2 NEW! Elvis Presley Joey Feek NEW! Crying in If Not for You the Chapel Showcasing some of the Celebrating Elvis’s commitment first songs Joey Feek ever to his faith, this newly compiled recorded, this album in- collection features “His Hand cludes “That’s Important to in Mine,” “How Great Thou Art,” Me,” “Strong Enough to Cry,” “Peace in the Valley,” “He “Nothing to Remember,” Touched Me,” “Amaz ing Grace,” “The Cowboy’s Mine,” and more. “Southern Girl,” and more. WRCD31415 Retail $9.99 . .CBD $8.99 WRCD34415 Retail $11.99 . .CBD $9.99 Also available: WR933623 If Not for You—Book and CD . 15.99 14.99 David Phelps NEW! Hymnal Deal! Phelps’s flawless tenor inter- pretations will lift your appre- Joey+Rory Hymns That Are ciation of favorite hymns to a whole new level! Features “In Important to Us the Garden,” “How Great Thou The beloved country duo Art,” “Battle Hymn of the Re- sings their favorite hymns! public,” and more. Includes “I Need Thee Every Hour,” “He Touched WRCD32200 Retail $13.99 . .CBD $11.99 Me,” “I Surrender All,” “The Also available: Old Rugged Cross,” “How WRCD49082 Freedom . 13.99 11.99 WR918393 Freedom—DVD . 19.99 15.99 Great Thou Art,” and more. -
Shelby Stephenson, Ben Byrom, David E. Snyder, Stephen Carradini, John Abbott, Phil Juliano and the Dream Journal the Blotter December 2012 MAGAZINE
More’n you can count: Shelby Stephenson, Ben Byrom, David E. Snyder, Stephen Carradini, John Abbott, Phil Juliano and The Dream Journal The Blotter December 2012 MAGAZINE THE SOUTH’S UNIQUE, FREE, INTERNATIONAL LITERATURE AND ARTS MAGAZINE visit www.blotterrag.com The B l o t t e r “The Hunt for Un-read October” G. M. Somers..............Editor-in-Chief Martin K. Smith..............Publisher-at- A friend tells me from the depths of an autumn gloom that he can’t find Large, Treasurer anything to do, so he’s sitting in front of the television. Oh, I say. Nothing Marilyn Fontenot...............Director of Development better to do than that? No books in which you might bury yourself for a Laine Cunningham.............Publishing while? No, says he. There’s nothing for me to read. Consultant Brace Boone III...................Marketing Deeply disappointed in his current state of things, I’m headed to the book- Advisor Richard Hess...........Programs Director store. In much the same way that one would throw a life preserver to a T.J. Garrett.............Staff Photographer drowning stranger, or give a couple of bucks to a sun-leathered panhandler, I feel obligated to help my friend out of his bluesy rut. I’m mad at him, but Advertisers and Subscriptions Contact: I’m going to help. And I admit it’s a complicated, bad attitude I have. Martin K. Smith Because I can understand, sort of, someone who’s not a reader at all, in a [email protected] foot-dashed-against-a-stone depression, turning to uninterrupted broadcrap 919.286.7760 TV. -
Swindle Sheet Rules Getting Shaped Up
FEBRUARY 2, 1963 SIXTY -NINTH YEAR 50 CENTS SWINDLE SHEET RULES GETTING SHAPED UP By MILDRED HALL WASHINGTON -The latest word on rules for deducting enter- tainment and travel expenses came out of the Internal Revenue Service last week in the form of a 20 -page pamphlet. The rules outline a fairly broad policy of entertainment allowances, provided the businessman keeps a good record of the outing, doesn't try to ring in his whole family on the deductible fun and indicates a business purpose. BiliboarMusic -Record Newsweekly The word "reasonable" appears to be the keynote. IRS says International The the deductible must be "reasonable" in amount, not lavish or ex- traordinary. The spender must have a "reasonable expectation that your business or your employer's business would benefit" by the Continued on page 8 Dave Gardner Witness Tells FTC Hearing Sues RCA for Club Hurts Sales & Profits By REN GREVATT Record Club was NEW YORK by Cornelius F. NEW YORK -The Columbia -Testimony by a prominent $3,500,000 vice -president and general manager vigorously attacked last week Keating, for its role as a the Columbia Record Club was a high- record manufacturing executive BILOXI, Miss. -Dixie come- of competition with retail record light of the early and midweek sessions of retailer in direct dian Dave Gardner obtained a Federal Trade Commission stores across the nation. restraining order court hearings involving the in district certain practices In testimony taken during here last week against RCA Vic- charges against of hearings on Fed- of the club. A number of New seventh day tor, blocking the sale of the al- area dealer eral Trade Commission charges Seriousness as York metropolitan * NATIONAL BREAKOUTS bum "All Aside," were also heard dur- Otto Harbach of monopoly and unfair pricing a $3,500,000 damage witnesses part of Tuesday and Wednesday tactics against the Columbia suit against the label. -
There Ain't No Easy Runs
Mark Linkous « Long Fade Page 1 of 8 There Ain’t No Easy Runs October 12, 2010 § 1 Comment (http://longfade.files.wordpress.com/2010/10/willisbrostog929.jpg) "Give Me Forty Acres ʹTo Turn This Rig Around,ʹ" The Willis Brothers (Starday, 1964) So far I have done a half dozen posts for this blog, and with the exception of perhaps the first, each time I have not had any idea what I would write about when I decided on that particular album. I had no inkling, for example, that the producer of “All Wrapped Up in Cash” had bought the Texas School Book Depository, or that Ruby Braff had been such a character; I was just attracted to the covers. Similarly with this album, I had never heard of the Willis Brothers or Starday Records or anything else connected to it. It just appealed to me as a great truckdriving album cover – which, as mentioned in my introductory post, is one of my favorite genres. So it was with some surprise that I discovered that the otherwise innocuous Willis Brothers are notable for being the group that first backed up the immortal Hank Williams. Known as the Oklahoma Wranglers at the time, they were already associated with Nashville legend Fred Rose and the relatively new Sterling Records label. One day Rose asked them, according to Hank Williams: the Biography , if they would “mind” backing up Williams, who was making the trip up from Alabama to do his first real recording. Picking up the story in the book: http://longfade.wordpress.com/tag/mark -linkous/ 18/ 07/ 2012 Mark Linkous « Long Fade Page 2 of 8 “On Tuesday, December 10, 1946, Hank Williams took the bus from Montgomery to Nashville. -
Hayride Final 51-100.Pdf
COMMERCIAL DISCS CUT IN KWKH RADIO STUDIOS The next eighteen songs are examples of the commercial discs recorded by record companies in the KWKH radio studios during the early years of the Hayride. Several of them were major country music used for radio broadcasts, some thirty by hits, competing with music made in profes - fifteen feet in size with a twelve foot high sional studios in Nashville, Dallas, and the ceiling, and an announcer's viewing area, big cities of the north, east and west. In into a recording studio with only a one- part, this is as much testimony to the abil - track control board but with five top quality ities of KWKH recording engineer Bob microphones. In the main, the studio 'Sully' Sullivan as it is to the artists them - catered to the local artists who wanted to selves. Sullivan was born in Shreveport be able to record locally for the local PACE - and lived locally, working a full day shift on MAKER record label set up by singer Webb the station as well as taking charge of out - Pierce, but it also suited artists contracted side broadcasts such as the Hayride. He to other labels including Slim Whitman was also persuaded to stay on occasionally who had a day job as a mail man and Mac during the down-time of the early morning Wiseman who was resident in Shreveport hours. While the station was off air, he briefly and was unable to get back to would turn the insulated internal room Nashville on demand. TEX GRIMSLEY & THE TEXAS PLAYBOYS 1-13 Walking The Dog (Grimsley) PACEMAKER 1001 Fiddle player Marcel 'Tex' Grimsley They relocated around Shreveport after was a mainstay of the KWKH radio sched - that, playing local shows as the Red River ules in the late '40s and he was the first to Ramblers and holding down their own record on PACEMAKER with his band, the radio show as well as being early regulars Texas Playboys. -
The Willis Brothers GUY WILLIS VIC WILLIS SKEETER WILLIS BIRTHDAY July 5 BIRTHDAY May 31 BIRTHDAY December 20 BIRTHPLACE Alexter, Okla
The Willis Brothers GUY WILLIS VIC WILLIS SKEETER WILLIS BIRTHDAY July 5 BIRTHDAY May 31 BIRTHDAY December 20 BIRTHPLACE Alexter, Okla. BIRTHPLACE .. Shulter, Okla. BIRTHPLACE .. Coaltan, Okla. JOINED OPRY 1946 JOINED OPRY 1946 JOINED OPRY 1946 Commemorative plaques and a cake help celebrate The Willis Brothers' ten years with Starday Records. The Willis Brothers, Guy, Skeeter and Vic, originally and their renditions of some of the commercial jingles known as "The Oklahoma Wranglers," are recognized on the Opry draw as much applause as regular musical internationally as one of the top country and western numbers. entertainment groups. The brothers have numerous record releases and per- Their colorful career began at KGEF in Shawnee, sonal appearances to their credit. Two of their most Oklahoma, and from there to "The Brush Creek Follies" recent hit recordings are "Give Me Forty Acres" and show on KMBC in Kansas City, Missouri. Following "Bob". Personal tours have taken them to England, World War II, they joined the Grand Ole Opry. They Holland, Germany, France, Ireland, Greenland, New- left to become the nucleus of Eddy Arnold's network foundland, Puerto Rico, the Bahamas and every state radio and stage shows. They played the music on many in the union. of his early hit recordings, and also appeared in two movies with him. They pioneered "Jubilee, U.S.A." and The Willis Brothers have established themselves as later joined NBC's Midwestern Hayride. They were the a top act in every aspect of country show business. Guy, first group to back the late Hank Williams, later becom- the oldest and emcee of the show, plays guitar. -
9/27/2016 Series I. Biography Nashville Banner Reporter
Nashville Banner Reporter Reference Files: Series I. Biography, 1890-1999 (bulk 1932-1997) Collection Summary Creator: Nashville Banner Title: Biography Series Inclusive Dates: 1890-1999 (bulk 1932-1997) Summary/Abstract: A wide variety of materials, mostly from 1932-1997, documenting individuals, and used by Nashville Banner reporters for reference in the course of their daily work. Items were originally housed in the Banner Clippings Files and were removed for preservation purposes by Nashville Public Library staff to form this collection. Physical Description/Extent: 12.25 cu. ft. Series: I. Biography Linking Entry Complexity Note: Forms part of the Nashville Banner Reporter Reference Files, part of the Nashville Banner Archives. Accession Number: RT-102 Language: English Stack Location: Closed stacks Nashville Banner Room Repository: Special Collections Division, Nashville Public Library, 615 Church Street, Nashville, TN 37219 Biographical/Historical Sketch The Nashville Banner newspaper began publication on Apr. 10, 1876 and ceased publication Feb. 20, 1998. Scope and Contents of the Collection The Nashville Banner Reporter Reference Files, Biography Series has information about notable people who received news coverage in the Nashville Banner newspaper. Most of these individuals were important to the city of Nashville; state government; or the region of Middle Tennessee, though a few national figures are also included. The types of people documented include politicians, mayors, governors, criminals and victims of crimes, educators, journalists, doctors, businesspeople, celebrities, attorneys, judges, musicians (including musical groups and bands), artists, authors, editors and journalists of the Nashville Banner, and many others. Most materials date from the 1930s to the 1990s, though a few individual items may be as early as 1890. -
Why Does Country & Western Music
NEW ENGLAND COUNTRY & WESTERN MUSIC: SELF-RELIANCE, COMMUNITY EXPRESSION, AND REGIONAL RESISTANCE ON THE NEW ENGLAND FRONTIER BY CLIFFORD R. MURPHY B.A. GETTYSBURG COLLEGE, 1994 M.A. BROWN UNIVERSITY, 2005 SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE PROGRAM IN MUSIC: ETHNOMUSICOLOGY AT BROWN UNIVERSITY. PROVIDENCE, RHODE ISLAND MAY 2008 © 2008 CLIFFORD R. MURPHY This dissertation by Clifford R. Murphy is accepted in its present form by the Department of Music as satisfying the dissertation requirement for the degree of Doctor of Philosophy. (signed and dated copy on file at Brown University) Date_______________ _________________________ Jeff Todd Titon, Advisor Recommended to the Graduate Council Date_______________ __________________________ Jennifer Post, Reader Date_______________ __________________________ Paul Buhle, Reader Date_______________ __________________________ Rose Subotnik, Reader Approved by the Graduate Council Date_______________ __________________________ Sheila Bonde, Dean of the Graduate School iii CURRICULUM VITAE Clifford R. Murphy was born in Ridgewood, New Jersey in 1972 and was raised in New Hampshire in the towns of Durham and Newmarket. Cliff learned to play guitar at age 16, graduated from Newmarket High School in 1990, and attended Gettysburg College where he majored in History and English. Following graduation in 1994, Cliff returned to New Hampshire and spent the next nine years working as a singer, songwriter, and rhythm guitarist in the internationally -
BILLBOARD COUNTRY UPDATE [email protected]
Country Update BILLBOARD.COM/NEWSLETTERS SEPTEMBER 16, 2019 | PAGE 1 OF 20 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Blanco, Highwomen Is The Party Over? Country Gets Score Wins >page 4 Serious With A New Wave Of Singles Conley, Americana And Music Cycles The first time Craig Morgan sang “The Father, My Son and the a child in a dangerous world; and two songs that face mortality, >page 10 Holy Ghost” was also supposed to be the last time. Chris Young’s “Drowning” and Luke Combs’ “Even Though The song details Morgan’s difficult emotional journey I’m Leaving.” following the death of son Jerry Greer, 19, in a 2016 drowning They’re not the only examples. Justin Moore topped the accident, and it left much of the Grand Ole Opry audience in Country Airplay chart on Sept. 7 with “The Ones That Didn’t Church, Aldean tears in March 2019. Backstage, Morgan told Ricky Skaggs he Make It Back Home,” a song about soldiers who died in battle, Go To College doubted he was strong enough to perform it again. accompanied by a video that incorporates first responders >page 11 Skaggs “put his hands on and school shootings. Riley my shoulder with big tears in Green’s new “I Wish Grandpas his eyes,” recalls Morgan. “He Never Died” laments the deaths said, ‘You have to sing that of people and pets, as well as the Garth, Trisha Play song. The world needs to hear decline of the family farm. Tenille Musicians Hall Event this kind of music.’ ” Townes’ “Jersey on the Wall (I’m >page 11 Morgan relented. -
Rory Lee Feek
Rory Lee Feek Rory Lee Feek né en 1966 à Atchison, a grandi à Highland, dans le nord du Kansas; c’ est un artiste Américain, chanteur et auteur- compositeur qui se positionne dans la ‘’Country Music’’. Son père, Robert Feek, employé dans une entreprise de maintenance des wagons, le jour, devient chanteur en soirée; il fait partie d’un groupe composé de son frère et de quelques musiciens. Rory, l’accompagne dans les clubs et bars, mais c’est surtout à la maison que son père reprend des chansons de Merle Haggard, Jim Reeves et Hank Thompson. Rory s’élève dans cette ambiance et c’est tout naturellement qu’il envisagera de faire plus tard carrière dans la chanson. A 9 ans il commence à écrire des chansons et apprend à jouer de la guitare. Il sera inspiré par Don Williams, Merle Haggard. Devenu adulte, il s’engage dans les ‘’ Marines ‘’ comme technicien en Avionique et commence à chanter dans les bases installées au Vietnam. Il entreprend une carrière solo du coté de Dallas et décide en 1995 d’aller habiter à Nashville. D’un premier mariage Rory a deux filles : Hopi et Heidi; cette dernière mène une carrière de chanteuse. Rory Feek travaille comme compositeur à Nashville, il écrit " The Chain of Love " pour Clay Walker, " Some Beach " pour Blake Shelton, "A Little More Country Than That’’ pour Easton Corbin, y compris des chansons pour Tracy Byrd ‘’ "The Truth About Men", Jimmy Wayne et bien d'autres artistes. En 2004, Rory fonde le label Giants layer Records avec lequel il enregistre en 2005 un album solo ‘’ Strong Enough to Cry ‘’, puis l’album ‘’ My Old Man’’. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS JANUARY 25, 2021 | PAGE 1 OF 21 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Barrett’s ‘Hope’ Can’t We All Get Along? Tiptoeing Around Holds On >page 5 Politics With A Message Of Hope CMA Expands Country artists have been repeatedly criticized for steering Jason Isbell, The War and Treaty and Steve Earle for a re- COVID-19 Program clear of politics, but a number of acts in the genre are now united make of Bob Dylan’s “The Times They Are A-Changin’,” due >page 12 behind a single patriotic idea: unification. Feb. 5 on Bandcamp and Feb. 8 at digital streaming outlets. Republican Garth Brooks sang “Amazing Grace” after Pres- The 1964 classic addresses civil rights, warning the voices of ident Joe Biden took the oath of office at the U.S. Capitol on hate that they will “sink like a stone” if they swim against the Jan. 20, exactly two weeks after domestic terrorists attacked tide of inclusion. Eric Church In that very building and placed the safety of America’s leaders • Rory Feek released his own version of “The Times They Triplicate in doubt. Are A-Changin’ ” on >page 13 “This is not a po- Jan. 22, accompa- litical statement,” nied by a video that Brooks said during a addresses the power Jan. 18 press confer- that online messages FGL Goes To ence announcing his have to unite or divide The Movies participation in the in the current cultural >page 13 inauguration. “This is conversation. a statement of unity.” • Rodney Atkins That mirrored issued a cover of Makin’ Tracks: Biden’s oft-stated Anne Murray’s 1983 mission to bring the HUBBARD (left) single “A Little Good Allen, Paisley and McGRAW ROSSELL BROOKS Find ‘Freedom’ nation together, a no- News” on Jan.