DOCSLIB.ORG

A. Manuscripts Box/Folder Contents 1/NF Arnold-Fowler-Hall

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A. Manuscripts Box/Folder Contents 1/NF Arnold-Fowler-Hall A. Manuscripts Box/Folder Contents 1/NF Arnold-Fowler-Hall. That’s How Much I Love You. RCA Vic 20-1948 A. The lyrics are printed. 1/NF Boyd, Bill. UARSOUIANA. (RCA 21-0071). *See Don’t Call Me Sweetheart Anymore (Philips). 1/NF Campbell, Cecil. Tear Drops. 1/NF Carlisle, Cliff, and Sid Prosen. You Can’t Erase a Memory. 1/NF Carson, Jenny Lou. I Wish I had Kissed You Goodbye. 1/NF Casey, Claude. Don’t Turn Me Down. 1/NF _____. Hottest Little Baby in Town. 2 copies. *One copy on same page as Let Me Hear You Say “I Love You”. 1/NF _____. I’ll Always Love You. 2 copies. *One copy on same page as You’re Still My Sweetheart (Casey) and It Doesn’t Matter (N.A.). 1/NF _____. Lonesome as Can Be. 1/NF _____. Long Lonesome Road. No lyrics on manuscript. 1/NF _____. Road Weary Hobo. 1/NF _____. When I First Met You. The lyrics are printed. Bluebird Record No. 8730- B. 1/NF _____. Won’t You Please Believe in Me. 1/NF _____. You’re Not a Drop in the Bucket to Me. The lyrics are printed. Sept. 23rd -47. 2 copies. 1/NF _____. You’re Still My Sweetheart. 2 copies. *See I’ll Always Love You (Casey) for one copy. 1/NF Casey, Claude, and Mel Foree. I’ve Learned My Lesson Too Late. The lyrics are printed. 1/NF _____. Look in the Looking Glass. The lyrics are printed. 1/NF Casey, Claude, Al Dahle, and Guy Langley. You Were Cryin’ on My Shoulder. 1/NF Casey, Claude, Al Dahle, and Ednagene Reames. Big Blue Eyes Behave. 1/NF Casey, Claude, Al Dahle, and J. Ring. (My) Pretty Mountain Baby. 1/NF Casey, Claude, Al Dahle, and Elmer Wickham. Anyway You Didn’t Love Me No How (No-Ways). 1/NF _____. A Smile Always Follows a Tear. 1/NF Casey, Claude, Arizona Mulligan, and Al Dahle. Mississippi River (Roll Back Where You Belong). 1/NF Cassell, Pete. Just a Message to the One I Love. Copyright May 1, 1939. 1/NF Dahle, Al, and Claude Casey. Raindrop Serenade. 1/NF Dexter-Paris. It’s Up to You. Columbia 37062. Lyrics are typed. 1/NF Foree, Mel, and Dave Durham. I Was Never in You Heart. The lyrics are printed. 1/NF Griffin, Rex. I’m Crying Inside. The lyrics are printed. 1/NF Penny. Somebody. Okay and Peer. 1/NF Philips-Douglas. Don’t Call Me Sweetheart Anymore (Vic 47-2962). *On same page as Head of the House (N.A.) and UARSOULANA (Boyd). 1/NF Smith, Arthur Q. Tears on Her Bridal Bouquet. 1/NF Spencer, Tim. Room Full of Roses. 1/NF Stout, Clarence, and Claude Casey. You Can’t Right the Wrong You Did to Me. 1/NF Tubb, Ernest, and Bond. Tomorrow Never Comes. (Decca). 1/NF Wakely, Porter, Table Porter. You Can’t Break the Chains of Love. Decca # 6109. The lyrics are printed. 2 copies. 1/NF Young, “Gib,” (Music), words by Claude Casey. Six Years here in Prison. 1/NF No Author. Don’t Cry on My Shoulder. 1/NF _____. Head of the House. *See Don’t Call Me Sweetheart Anymore (Philips). 1/NF _____. It Doesn’t Matter. *See I’ll Always Love You (Casey). 1/NF _____. Let Me Hear You Say “I Love You”. *See Hottest Little Baby in Town (Casey). 1/NF _____. My Memory Lane. 1/NF _____. A Soldier’s Letter. 1st Violin. 1/NF _____. A Soldier’s Letter. 2d Violin. 1/NF _____. A Soldier’s Letter. 3d Violin. 1/NF _____. They Took the Stars Out of Heaven. 1st Violin. 1/NF _____. They Took the Stars Out of Heaven. 2d Violin. 1/NF _____. They Took the Stars Out of Heaven. 3d Violin. 1/NF _____. Things that Might Have Been. 1/NF _____. When I First Met You. 1/NF _____. When Mother Grows Old. No lyrics are found in this manuscript. 1/NF There are three additional untitled manuscripts. B. Printed Sheet Music (By Claude Casey) 1/NF Casey, Claude. I Wish I’d Never Met You. New York: Peer International Co., 1946. *On same sheet as My Little Tootsie. 13 copies. 1/NF _____. My Little Tootsie. New York: Peer International Co., 1946. *On same sheet as I Wish I’d Never Met You. 13 copies. 1/NF Casey, Claude, and Mel Foree. Days are Long, Nights are Lonely. New York: Bourne, Inc., 1946. 2 copies. 1/NF _____. Journey’s End. New York: Bourne, Inc., 1946. 9 copies. 1/NF Casey, Claude, Mel Foree, and Harold Hensley. I’ll Be Satisfied. New York: Bourne, Inc., 1947. 7 copies. 1/NF Casey, Claude, and Troy L. Martin. God Bless You, Little Darling. Chicago: Country Music, 1944. 2 copies. 1/NF _____. Little Soldier. Chicago: Country Music, 1943. 2 copies. 1/NF Casey, Claude, and J. W. Pitts. Let Me Hear You Say “I Love You”. New York: Peer International Co., 1949. 34 copies. 1/NF Foree, Mel, and Claude Casey. Look in the Looking Glass (At You). Nashville: Acuff-Rose Publications, 1947. 2 copies. 1/NF _____. Send Me the Pillow You Dream On. Country Sound. N.p.: Hal Leonard Publishing Corp., n.d. 2 copies. One copy has manuscript sketch of song. 1/NF Shelhamer, Jr., Ben, Claude Casey, and Don White. White Roses. Chicago: Country Music Publishers, 1947. 1/NF Smith, Arthur, and Claude Casey (music by); Mank, Chaw, and Waldo O’Neal (words by). Time Will Erase all Your Tears. Staunton, Illinois: Chaw Mank’s “Blue Ribbon” Music Co., 1944. 2 copies. C. Songbooks (By Claude Casey) 1/NF Claude Casey’s Caravan of Songs. New York: Bourne, Inc., 1947. D. Sheet Music (By Other Artists) 2/NF Allen, Steve. Let’s Go to Church (Next Sunday Morning). [N.p.]: Beechwood Music Corp., 1950. 2/NF Anglin, Jack, Jim Anglin, and Johnnie Wright. A Smile on My Lips (And An Ache in My Heart). Nashville: Acuff-Rose Publications, 1950. 2/NF _____. I Can’t Tell My Heart That. Nashville: Acuff-Rose Publications, 1950. 2/NF Anglin, Jack, Johnnie Wright, and Jim Anglin. Ashes of Love. Nashville: Acuff- Rose Publications, 1951. 2 copies. 2/NF Arlen, Harold (music). Rose, Billy, and E. Y. Harburg (words). It’s Only a Paper Moon. [N. p]: Harms, Inc., 1933. 2/NF Arnold, Eddy, Hal Horton, and Tommy Dilbeck. I’ll Hold You in My Heart (Till I can Hold You in My Arms). Chicago: Adams, Vee & Abbott, Inc., 1947. 2/NF Ashlock, Jesse. My Life’s Been a Pleasure. New York: Peer International Corp., 1943. 2/NF Atcher, Bob. Crying Myself to Sleep. New York: Peer International Corp., 1942. 2/NF _____. I Want to Be Wanted. Nashville: Acuff-Rose Publications, 1943. 2 copies. 2/NF Atcher, Randall I. Are You Sure (You’re Doing What You Want to Do). New York: Peer International Corp., 1941. 2/NF Autry, Gene. Why Don’t You Come Back to Me?. Arranged by N. Manoloff. Chicago: M. M. Cole Publishing Co., 1935. 2/NF Autry, Gene, and Smiley Burnette. I’ll Go Ridin’ Down that Old Texas Trail. Chicago: M. M. Cole Publishing Co., 1939. 2 copies. 2/NF _____. I’m Oscar – I’m Pete. Chicago: M. M. Cole Publishing Co., 1935. *On same sheet with Uncle Noah’s Ark. 2/NF _____. Uncle Noah’s Ark. Chicago: M. M. Cole Publishing Co., 1935. *On same sheet with I’m Oscar – I’m Pete. 2/NF Autry, Gene, and Jenny Lou Carson. Darling, What More Can I Do. Hollywood: West’rn Music Publishing Co., 1945. 2/NF Autry, Gene, Denver Darling, and Vaughn Horton. Address Unknown. Hollywood: Western Music Publishing Co., 1945. 2/NF Autry, Gene, and Fred Rose. At Mail Call Today. Hollywood: West’rn Music Publishing Co., 1945. 2/NF _____. Be Honest with Me. Hollywood: West’rn Music Publishing, Co., 1941. 2/NF _____. God Must Have Loved America. Hollywood: West’rn Music Publishing Co., 1942. 2/NF _____. I Guess I’ve Been Asleep for All These Years. Nashville: Milene Music, 1945. 2/NF _____. I’ll Wait for You. Hollywood: West’rn Music Publishing Co., 1942. 2/NF _____. Tears on My Pillow. Hollywood: West’rn Music Publishing Co., 1941. Appears to be missing page(s). 2/NF _____. There’s a Rainbow on the Rio Colorado. Hollywood: West’rn Music Publishing Co., 1942. 2/NF _____. Tweedle-O-Twill. Hollywood: West’rn Music Publishing Co., 1942. 2/NF _____. Yesterday’s Roses. Hollywood: West’rn Music Publishing Co., 1942. 2 copies. 2/NF _____. You’ll Be Sorry. Hollywood: West’rn Music Publishing Co., 1942. 2/NF Autry, Gene, Fred Rose, and Johnny Marvin. Little Pardner. Hollywood: West’rn Music Publishing Co., 1939. 2/NF Autry, Gene, Fred Rose, and Ray Whitley. Lonely River. Hollywood: West’rn Music Publishing Co., 1942. 2/NF Autry, Gene, and Cindy Walker. Silver Spurs on the Golden Stairs. [N.p.]: Golden West Melodies, Inc., 1945. 2 copies. 2/NF Barrett, Curt, and Charles Wilkins. I Might have Known (I’d Lose Your Love). New York: Peer International Corp., 1945. 2/NF Benjamin, Bennie, and George Weiss. I’ll Never be Free. New York: Laurel Music Co., 1950. 2/NF Betz, Mabel Hobson. Apple Blossom Time Along the Opecquon. Sacramento, Ca.: LeBam Music Publications and Enterprises, 1951. 2/NF _____. It is Spring at Lake Tahoe. Sacramento, Ca.: LeBam Music Publications & Enterprises, 1948.
Load more

Recommended publications
  • RHYTHM & BLUES...63 Order Terms
    5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R
    [Show full text]
  • Southeast Texas: Reviews Gregg Andrews Hothouse of Zydeco Gary Hartman Roger Wood
    et al.: Contents Letter from the Director As the Institute for riety of other great Texas musicians. Proceeds from the CD have the History of Texas been vital in helping fund our ongoing educational projects. Music celebrates its We are very grateful to the musicians and to everyone else who second anniversary, we has supported us during the past two years. can look back on a very The Institute continues to add important new collections to productive first two the Texas Music Archives at SWT, including the Mike Crowley years. Our graduate and Collection and the Roger Polson and Cash Edwards Collection. undergraduate courses We also are working closely with the Texas Heritage Music Foun- on the history of Texas dation, the Center for American History, the Texas Music Mu- music continue to grow seum, the New Braunfels Museum of Art and Music, the Mu- in popularity. The seum of American Music History-Texas, the Mexico-North con- Handbook of Texas sortium, and other organizations to help preserve the musical Music, the definitive history of the region and to educate the public about the impor- encyclopedia of Texas tant role music has played in the development of our society. music history, which we At the request of several prominent people in the Texas music are publishing jointly industry, we are considering the possibility of establishing a music with the Texas State Historical Association and the Texas Music industry degree at SWT. This program would allow students Office, will be available in summer 2002. The online interested in working in any aspect of the music industry to bibliography of books, articles, and other publications relating earn a college degree with specialized training in museum work, to the history of Texas music, which we developed in cooperation musical performance, sound recording technology, business, with the Texas Music Office, has proven to be a very useful tool marketing, promotions, journalism, or a variety of other sub- for researchers.
    [Show full text]
  • Jazz and the Cultural Transformation of America in the 1920S
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive.
    [Show full text]
  • Appendix B. Scoping Report
    Appendix B. Scoping Report VALERO CRUDE BY RAIL PROJECT Scoping Report Prepared for November 2013 City of Benicia VALERO CRUDE BY RAIL PROJECT Scoping Report Prepared for November 2013 City of Benicia 550 Kearny Street Suite 800 San Francisco, CA 94104 415.896.5900 www.esassoc.com Los Angeles Oakland Olympia Petaluma Portland Sacramento San Diego Seattle Tampa Woodland Hills 202115.01 TABLE OF CONTENTS Valero Crude By Rail Project Scoping Report Page 1. Introduction .................................................................................................................. 1 2. Description of the Project ........................................................................................... 2 Project Summary ........................................................................................................... 2 3. Opportunities for Public Comment ............................................................................ 2 Notification ..................................................................................................................... 2 Public Scoping Meeting ................................................................................................. 3 4. Summary of Scoping Comments ................................................................................ 3 Commenting Parties ...................................................................................................... 3 Comments Received During the Scoping Process ........................................................ 4 Appendices
    [Show full text]
  • Dan Hicks’ Caucasian Hip-Hop for Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media
    Dan Hicks’ Caucasian Hip-Hop For Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media Author: Steve Roby Showdate : Feb. 18, 2015 Performance Venue : Yoshi’s Oakland Bay Area legend Dan Hicks performed to a sold-out crowd at Yoshi’s on Wednesday. The audience was made up of his loyal fans (Hicksters) who probably first heard his music on KSAN, Jive 95, back in 1969. At age 11, Hicks started out as a drummer, and was heavily influenced by jazz and Dixieland music, often playing dances at the VFW. During the folk revival of the ‘60s, he picked up a guitar, and would go to hootenannies while attending San Francisco State. Hicks began writing songs, an eclectic mix of Western swing, folk, jazz, and blues, and eventually formed Dan Hicks and his Hot Licks. His offbeat humor filtered its way into his stage act. Today, with tongue firmly planted in cheek, Hicks sums up his special genre as “Caucasian hip-hop.” Over four decades later, Hicks still delivers a unique performance, and Wednesday’s show was jammed with many great moments. One of the evenings highlights was the classic “I Scare Myself,” which Hicks is still unclear if it’s a love song when he wrote it back in 1969. “I was either in love, or I’d just eaten a big hashish brownie,” recalled Hicks. Adding to the song’s paranoia theme, back-up singers Daria and Roberta Donnay dawned dark shades while Benito Cortez played a chilling violin solo complete with creepy horror movie sound effects.
    [Show full text]
  • 1111 Liuttuntry Byron Gaillmors
    65 ME NEITHER -Brad 7,,,1e, -Mm Mann. 66 SMOKE RINGS IN THE DARK -Cary Allan -MCA Nashville 67 DADDY WONT SELL THE FARM -Moog mrry Gentry- Columbia 68 LONELY- Dog/..((.E-Mans. 2000 CONSIDERED nhe( 69 ALL THINGS -r CI,- I CY Monument 70 ONE VOICE -556 Gilman-Sp, 71 BLUE MOON-Steve CBSNT- 72 ALMOST DOESNT COUNT-Mask W @ -)4rm.y 73 HOME TO YOU -John M;rhml MongmmrA,knti, 74 YOU WONT BE LONELY NOWW -BBI7 Rq Man 75 WHEN YOU COME BACK TO ME AGAIN -Cann Artists Brooks-Coptol Pos ARTSi IN,. a aorl.AltldLatpdnVlobN 1 TIM McGRAW (7) CaA (il Warner Bro,. /C.rnn11W PaSJMPRIMT (n nfchanrdrxe,) 2 FAITH HILL (4) wa,,,e. Brm./WRN (1) orm. Ara. /CurWWRN 1 MCA NASHVILLE (4o) 3 LONESTAR(4)BMA Lroy Keith 2 CURB (29) 4 DIXIE CHICKS (s) Monument 3 ARISTA NASHVILLE (ss) TO BE -Arom 4 RCA (36) 5 TOBY KEITH (4) b, 33 HE DIDN'T HAVE -B. 1Pawy 5 WARNER BROS. (15) 6 GEORGE McSRI(e1MCA Nodw'lle LOVED BY &aok,& 6 BNA (08) 7 MARTINA E (7) RCA 34 YOU'LL ALWAYS BE ME- 7 MONUMENT (25) 8 JO DEE MESSINA (5) Curb Dunn- Anre,Nwhoille B LYRIC STREET (,$) 9 ALAN JACKSON (8) Mau xathmee 35 BEEN THERE- CBO,Blmh SA Stone W tins -RCA 9 01 MCAISLEe 36 WHAT I NEED TO DO -K.nAI C4)5 -RNA EPIC(.,) 10 MERCURY (65) 10 BRAD PAISLEY (3) Awa NammS. 37 LET'S MAKE LOVE -7,14 VAI With O,. MA,m,- 11 CAPITOL (o5) (J RCA/MCA Noshmlle W,.ne.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • (Pdf) Download
    Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air
    [Show full text]
  • 282 Newsletter
    NEWSLETTER #282 COUNTY SALES P.O. Box 191 November-December 2006 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 WELCOME TO OUR COMBINED CHRISTMAS CATALOG & NEWSLETTER #282 Once again this holiday season we are combining our last Newsletter of the year with our Christmas catalog of gift sugges- tions. There are many wonderful items in the realm of BOOKs, VIDEOS and BOXED SETS that will make wonderful gifts for family members & friends who love this music. Gift suggestions start on page 10—there are some Christmas CDs and many recent DVDs that are new to our catalog this year. JOSH GRAVES We are saddened to report the death of the great dobro player, Burkett Graves (also known as “Buck” ROU-0575 RHONDA VINCENT “Beautiful Graves and even more as “Uncle Josh”) who passed away Star—A Christmas Collection” This is the year’s on Sept. 30. Though he played for other groups like Wilma only new Bluegrass Christmas album that we are Lee & Stoney Cooper and Mac Wiseman, Graves was best aware of—but it’s a beauty that should please most known for his work with Lester Flatt & Earl Scruggs, add- Bluegrass fans and all ing his dobro to their already exceptional sound at the height Rhonda Vincent fans. of their popularity. The first to really make the dobro a solo Rhonda has picked out a instrument, Graves had a profound influence on Mike typical program of mostly standards (JINGLE Auldridge and Jerry Douglas and the legions of others who BELLS, AWAY IN A have since made the instrument a staple of many Bluegrass MANGER, LET IT bands everywhere.
    [Show full text]
  • Copy UPDATED KAREOKE 2013
    Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M.
    [Show full text]
  • Victor & Bluebird Records
    July 1. m Chicago July 1.1940 FEATURES DOWN BEAT ‘Hog Mouth Was So Sad Kick BY JOE LANC, JR. Indianapolis—Finest kirk of the week, during ill« AFM con- Powerful He Could vrnlion, was running arrow* Bub Crosby and Oxzie Nelson in llic Hotel Claypool bar rrying into iheir beers with their hair hang­ Play Your Name’ ing in their eyes. They were discussing ihe Ger­ BY ONAH L SPENCER man push into Paris. Chicago—Jasper Taylor ia the man who first used a washboard in a jazz band. Big Names for And he waa and still is a good drummer. Starting with W. C. Handy in Memphis in 1913, Taylor came to Chicago in 1916 and made records Delavan Lake Spot for Paramount and other labels with Jimmy O’Brien, Jelly Roll Morton nnd others. In France, during the war, Taylor played drums in the Delavan Lake. Wis.—Following Usher, DI «65th Infantry band. Later he*—- Bill Carlsen’s opening for nine hroeder m j65th Infantry band. Later h_ played with Will Marion Cook’s orchestra was playing in. days at Oriental ballroom, Don now-famous combo at the Clef “I also saw Jelly Roll Morton Wallace’s Northwestern U. band ual nig^ Club, New York. read a piano manuscript he had takes eight days opening July 7, Later, he played with Dave Pey­ never seen, upside down, and he Th® Down Scot Club, a program conducted by Ruth Royal after which Les Hite’s band cornea ton’s Grand Theater ork here, and plaved it without halting.” (center in picture) on station KCKN, Kansas City.
    [Show full text]
  • Hank Williams I Ain't Got Nothin' but Time: December 1946 - August 1947 Mp3, Flac, Wma
    Hank Williams I Ain't Got Nothin' But Time: December 1946 - August 1947 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: I Ain't Got Nothin' But Time: December 1946 - August 1947 Country: US Released: 1985 Style: Country MP3 version RAR size: 1850 mb FLAC version RAR size: 1637 mb WMA version RAR size: 1112 mb Rating: 4.5 Votes: 799 Other Formats: XM MP3 MPC AA MP4 AIFF MOD Tracklist Hide Credits Calling You A1 2:53 Written-By – Hank Williams Never Again A2 2:41 Written-By – Hank Williams Wealth Won't Save Your Soul A3 2:45 Written-By – Hank Williams When God Comes And Gathers His Jewels A4 2:48 Written-By – Hank Williams Cool Water A5 3:51 Written By – Bob Nolan Honky Tonkin' B1 2:45 Written By – Hank Williams I Don't Care (If Tomorrow Never Comes) B2 2:46 Written-By – Hank Williams Pan American B3 2:47 Written By – Hank Williams My Love For You (Has Turned To Hate) B4 2:39 Written-By – Hank Williams Swing Wide Your Gate Of Love B5 2:24 Written By – Hank Thompson I Saw The Light C1 2:43 Written By – Hank Williams Six More Miles C2 2:46 Written By – Hank Williams Move It On Over C3 2:44 Written-By – Hank Williams (Last Night) I Heard You Crying In Your Sleep C4 2:42 Written-By – Hank Williams Battle Of Armageddon C5 2:22 Written By – Odell McLeod, Roy Acuff Alone And Forsaken D1 1:59 Written By – Hank Williams Roly Poly D2 2:10 Written-By – Fred Rose Rock My Cradle (Once Again) D3 2:56 Written By – Billy Folger, Johnny Bond Old Country Church D4 2:35 Written By – W.S.
    [Show full text]