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Boston Symphony Orchestra Concert Programs, Season 53,1933-1934, Subscription Series

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Boston Symphony Orchestra Concert Programs, Season 53,1933-1934, Subscription Series PR5GR7W\E (TUESDAY) **• §5? SYMPHONY HALL, BOSTON FIFTY-THIRD SEASON 1933-1934 Second Concert of the MONDAY EVENING SERIES MONDAY, NOVEMBER 27 AT 8.15 THE BOSTON SYMPHONY ORCHESTRA (110 Musicians) Dr. SERGE KOUSSEVITZKY, Conductor PROGRAMME Handel . Concerto Grosso No. 5 in D major for String Orchestra (Edited by G. F. Kogel) Moussorgsky .... Prelude to the Opera "Khovanstchina" Pierne .... Divertisements on a Pastoral Theme, Op. 49 Strauss "Ein Heldenleben," Tone Poem, Op. 40 TICKETS AT BOX OFFICE SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Commonwealth 1492 INC. Dr. SERGE KOUSSEVITZKY, Conductor FIFTY-THIRD SEASON, 1933-1934 TUESDAY AFTERNOON, NOVEMBER 21, at 3.00 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1933, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. BENTLEY W. WARREN President HENRY B. SAWYER Vice-President ERNEST B. DANE Treasurer ALLSTON BURR ROGER I. LEE HENRY B. CABOT WILLIAM PHILLIPS ERNEST B. DANE EDWARD M. PICKMAN N. PENROSE HALLOWELL HENRY B. SAWYER M. A. DE WOLFE HOWE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1 zJ /lew awe manu adwa4itaaed> in aAAoinlina mib {Qom/ianu ah uocm (Qxecatcw ana \J vu&fee. Old Colony Trust Company 17 COURT STREET, BOSTON Affiliated with The First National Bank of Boston EXECUTOR • TRUSTEE * GUARDIAN • CONSERVATOR * AGENT 2 Fifty-third Season, 1933-1934 Dr. SERGE KOUSSEVITZKY, Conductor Violins. Burgin, R. EIcus, G. Lauga, N. Sauvlet, H. Resnikoff, "V Concert-master Gundersen, R. Kassman, N. Eisler, D. Theodorowicz, J. Hansen, £. Mariotti, V. Fedorovsky, P. Tapley, R. Leibovici, J. Pinfield, C. Leveen, P. Cherkassky, P. Zung, M. Knudson, C. Gorodetzky, L. Mayer, P. Diamond, S. Zide, L. Fiedler, B. Bryant, M. Beale, M. Stonestreet, L. Messina, S. Murray, J. Del Sordo, R. Erkelens, H. Seiniger, S. Violas. Lefranc, J. Fourel, G. Bernard, A. Grover, H. Artieres, L. Cauhape, J. Van Wynbergen, C Werner, H. Fiedler, A. Avierino, N. Deane, C. Gerhardt, S. Jacob, R. Violoncellos. Bedetti, J. Langendoen, J. Chardon, Y. Stockbridge, C. Fabrizio, E Zighera, A. Barth, C. Droeghmans, H. Warnke, J. Marjollet, I Basses. Kunze, M. Lemaire, J. Ludwig, O. Girard, H. Vondrak, A. Moleux, G. Frankel, I. Dufresne, G. Flutes. Oboes. Clarinets. Bassoons. Laurent, G. Gillet, F. Polatschek, V. Laus, A. Bladet, G. Devergie, J. Valerio, M. Allard, R. Amerena, P. Stanislaus, H. Mazzeo, R. Panenka, E. Arcieri, E. Piccolo. English Horn. Bass Clarinet. Contra-Bassoon Battles, A. Speyer, L. Mimart, P. Piller, B. Horns. Horns. Trumpets. Trombones. Boettchcr, G. Valkenier, W. Mager, G. Raichman, J. Macdonald, W. Lannoye, M. Lafosse, M. Hansotte, L. Valkenier, W. Singer, J. Grundey, T. Kenfield, L. Lorbeer, H. Gebhardt, W. Voisin, R. Adam, E. Hain,F. Mann, J. Tuba. Harps. Timpani. Percussion. Adam, E. Zighera, B. Ritter, A. Sternburg, S. Caughey, E. Polster, M. White, L. Organ. Piano. Celesta. Librarian. Snow, A. Sanroma, J. Fiedler, A. Rogers, L. J. Ctjattbler & Co. Famous for Style and Quality for Over a Century Century $kanb Silk Stockings "Century Brand" silk stockings, orig- inated and controlled by Chandler & Company, are the ultimate in stocking perfection. Beauty of color— fine texture — clear, even weave— sheerness and excellent wearing qualities make them the first choice of thousands and thou- sands of women ail over New England. This popularity did not just happen — rather it is because of the years of study Chandler & Company have made of all the features that go to make silk stockings of unusual merit, and equally as long research on the part of the makers — to produce the finest stockings made "Century Brand." "Century Brand" are thoroughly modern stockings in every respect — particularly modern in color, for they are checked by a stylist every week to secure the correct shades. Price Range 1.00-1.17-1.25-1.35 to 1.65 . FIFTY-THIRD SEASON, NINETEEN HUNDRED THIRTY-THREE AND THIRTY-FOUR TUESDAY AFTERNOON, NOVEMBER 21 at 3.00 Beethoven .... Symphony No. 2 in D major, Op. 36 I. Adagio molto; Allegro con brio. II. Larghetto. III. Scherzo (Allegro). IV. Allegro molto. Beethoven . Concerto for Pianoforte, No. 5, in E-flat major, Op. 73 ("Emperor") I. Allegro. II. i Adagio un poco mosso. III. Rondo. Beethoven Overture, "Leonore No. 2," Op. 72 SOLOIST EGON PETRI STEINWAY PIANO USED There will be an intermission of ten minutes after the symphony City of Boston, Revised Regulation of August 5, 1898,—Chapter 3, relating to the covering of the head in places of public amusement. Every licensee shall not, in his place of amusement, allow any person to wear upon the head a covering which obstructs the view of the exhibition or performance in such place of any person seated in any seat therein provided for spectators, it being understood that a low head covering without projection, which does not obstruct such view, may be worn. Attest: J. M. GALVIN. City Clerk The works to be played at these concerts may be seen in the Allen A. Brown Music Collection of the Boston Public Library one week before the concert. Symphony in D major, No. 2, Op. 36 . Ludwig van Beethoven (Born at Bonn, December 16 (?), 1770; died at Vienna, March 26, 1827 In 1801 Beethoven's deafness, which had begun with a roaring in his ears, grew on him. He suffered also from frightful colic. He consulted physician after physician ; tried oil of almonds, cold baths and hot baths, pills and herbs and blisters; he was curious about galvanic remedies, and in his distress he wrote: "I shall as far as possible defy my fate, although there must be moments when I shall be the most miserable of God's creatures. ... I will grapple with fate; it shall never pull me down." Dr. Schmidt sent him in 1802 to the little village of Heiligenstadt, where, as the story goes, the Emperor Protus planted the first vines of Noricum. There was a spring of mineral water,—a spring of marvellous virtues,—which had been blessed by Saint Severinus, who died in the village and gave the name by which it is known today. Beethoven's house was on a hill outside the village, isolated, with a view of the Danube valley. Here he lived for several months like a hermit. He saw only his physician and Ferdinand Ries, his pupil, who visited him occasionally. Nature and loneliness did not console Beethoven. He had been in dismal mood since the performance of the First Symphony (April, 1800). The powers of darkness, "finstere Machte," to quote Wasielewski's phrase, had begun to torment him. He had already felt the first attacks of deafness. It is possible that the first symp- toms were in 1796, when, as a story goes, returning overheated from THE ANALYTIC SYMPHONY SERIES Edited and Annotated by PERCY GOETSCHIUS, Mus. Doc. Published by Oliver Ditson Company, Inc. The Analytic Symphony Series comprises thirty-four volumes covering the most important symphonies of the world's greatest masters. Each volume is presented in playable two-hand piano score, and contains complete analytical notes on the structure and orchestration in addition to critical notes appraising the significance of the composition and its salient points. Copies may be had from your Music Dealer or the Publishers. OLIVER DITSON COMPANY, Inc. 359 Boylston Street Boston, Mass. JO CO MY Yes ma'am — We sell tomahawks! The trade name happens to be "hatchet," but they'll do everything a tomahawk can do, and more, and better. Also we can pro- vide you with rubbing-sticks, to save the trouble of carrying matches, or with flint- and-steel, if you think rubbing-sticks too primitive; and a bicycle, and a gun, and a jig-saw puzzle, and a lace ruffle, and a collar for your dog and another for your husband, and a suit that was made in Boston last week and a rug made in Persia last century, and one gadget to lift an egg from the saucepan and another to lift a car from the road, and the latest song-hit and a book older than the Bible. It wouldn't take you an hour to get all of these things and more at Jordan Marsh Company. a walk, lie plunged his head into cold water. "It would not be safe to say that the smallpox, which in his childhood left marks on his face, was a remote cause of his deafness." In 1800-1801 Beethoven wrote about his deafness and intestinal troubles to Dr. Wegeler, and to the clergyman, Carl Amenda, in Kurland. It was at the beginning of October, 1802, that Beethoven, at Heiligenstadt, almost ready to put an end to his life, wrote a letter to his brothers, the document known as "Beethoven's will," which drips yew-like melancholy. Furthermore, Beethoven was still passionately in love with Giulietta Guicciardi, of whom he wrote to Wegeler, November 16, 1801 : "You can hardly believe what a sad and lonely life I have passed for two years. My poor hearing haunted me as a spectre, and I shunned men. It was necessary for me to appear misanthropic, and I am not this at all. This change is the work of a charming child who loves me and is loved by me. After two years I have again had some moments of pleasure, and for the first time I feel that marriage could make me happy. Unfortunately, she is not of my rank in life, and now I certainly cannot marry." Beethoven, however, asked for her hand. One of her parents looked favorably on the match. The other, probably the father, the Count Guicciardi, refused to give his daughter to a man without rank, without fortune, and without a position of any kind.
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