1 INSTRUCTIONS • Locate Your Name to Find out What Part You Have Been

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1 INSTRUCTIONS • Locate your name to find out what part you have been assigned. Names are listed alphabetically. Then download your assigned part from the website to prepare in advance of the first rehearsal. • Percussion parts will be assigned at the festival, but please prepare any parts you feel comfortable with. 2020 WSU Honor Symphonic Band Last First Instrument Part Angel Mackenzie Trumpet 2nd Ashley Carlin Oboe 1st Belote Savannah Trombone 3rd Blair Trent Trombone 2nd Bosma Ean Saxophone Alto 1-1 Bowen Emil Bassoon 2nd Broughton James Clarinet 3rd Burns Isabel Clarinet 1st Castle Jaclynne Trumpet 2nd Chance Natalie Flute 2nd Cheng Katelyn Flute 2nd Collier Julia Percussion Combs Mason Tuba Cooper Elise Flute/piccolo, 1st Cornett Faith Saxophone Alto 2-2 Danku Abigail Trombone 2nd Danku Elijah Trumpet 1st Davenport Rebekah Saxophone Alto 2 Davis Max Trombone 3rd Dickey Carson Trombone 3rd Doyle Dominic Saxophone Tenor 2 Drew Elly Bassoon 1st Eagan Katrina Flute 1st Fisher Evan Trombone 2nd Girard Elsa Euphonium Grimes Elizabeth Clarinet 2nd Hamilton Danyell Clarinet 2nd Hannon Julian Trumpet 3rd Haskins Nevaeh Clarinet 2nd Hutchinson Sarah Tuba james terrionna Percussion James Michael Saxophone Tenor 1 Jenna Becker Flute 1st 2 Lane Quimbee Percussion Leech Alexandra Clarinet 3rd Liu Rebecca Clarinet 1st Long Ellen Clarinet 1st Lowry Ian Horn 2nd-4th Lowry Kyle Trumpet 1st Magrum Noah Saxophone Alto 1-2 McCain T'asia Euphonium Meyer Callum Bassoon 2nd Miller Nicole Percussion O'Brien Aidan Clarinet 1st Paugh Kaylie Percussion Pence JD Clarinet 2nd Pennington Deja Horn 1st-3rd Phipps Savannah Trombone 1st Piatt Dylan Tuba Pike Lacey Trombone 1st Quinn Anna Trumpet 2nd Rose Allayna Clarinet 3rd Ruckman Jillian Trombone 2nd Sanderson Valerie Horn 1st-3rd Saylor Anastacia Flute 1st Shaw Jordan Clarinet 3rd Sheridan Robert Trombone 1st Slater Adam Saxophone Baritone Smith Kara Trumpet 3rd Stump Karr Horn 2nd-4th Sydney Totten Clarinet 1st Tarquinio Makayla Clarinet 3rd Walchli Hana Flute 2nd Watson Darian Saxophone Alto 1-3 West Brandon Clarinet 3rd Whitmoyer Michael Euphonium Widiker Erica Horn 1st-3rd Wiggins II Anthony Trumpet 3rd Williams Sidney Oboe 2nd Wood Nathan Saxophone Alto 2-3 Wooten Grace Flute 2nd .

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Conn Saxophone Microtuner
THE CONN SAXOPHONE MICROTUNER After a mouthpiece is placed on the neck of a saxophone it is then moved in (farther on) to raise the pitch or out to lower the pitch. The adjustment of the pitch by varying the tubing length by one method or another is common to most wind instruments. In most, if not all, cases the properties of the mouthpieces are not affected. However, as the mouthpiece of a saxophone is moved farther on the neck, the neck then protrudes farther into the mouthpiece, causing a reduction in the chamber volume of the mouthpiece. The chamber volume is believed to affect the intonation, quality, and stability of the notes produced by the saxophone. In July 1919, Conn engineer Edward J. Gulick was granted a patent for a saxophone microtuner, the primary purpose being to provide a convenient means to adjust the overall pitch of the instrument without having to move the mouthpiece on the cork. An apparently unintended beneﬁt was that the mouthpiece chamber volume remains unaffected. This is true provided the mouthpiece is not moved relative to the cork during the tuning process. The microtuner assembly consists of a receiver, a composite piece which I will call the armature, and a collar with a retaining nut. The receiver is an integral part of the saxophone neck and has external threads to accept the collar. An early version of the receiver is shown in Figure 1. The armature is made of three parts. First is a thin-walled cylindrical brass tube which telescopes snugly into the bore of the receiver, Second is an annular ﬂange with a larger external diameter than the receiver.
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The Sackbut and Pre-Reformation English Church Music
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The Early Evolution of the Saxophone Mouthpiece 263
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