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Collection Alain Morala Salle 05 Les moulages surlignés en jaune sont des objets monumentaux d’ordre métrique. EXPOSITION : Les Racines de l’ART = 237 Mobiliers animaliers du Monde NB : Toutes les pièces du quaternaire sont des facsimilés de 2 types : 1] Moulages à partir des authentiques détenus dans les musées nationaux par empreinte directe ou par scan. O 2] Moulages à partir de sculptures interprétées par un artiste en respect des côtes et volumes. ------------------------------------------------------------------------------------------------------- MMAD 20 177*Protofigure de la ROCHE COTARD Indre et Loire Masque Moustérien de 32 100 ans ( Aurignacien ) c'est une lame de silex qui traverse le bloc de grès. Près de LANGEAIS en Indre et Loire Masque en silex retaillé de 10 x10 cm Yeux 7,5 cm en os calé par deux silex bon état. Provenance Collection Saint-Mathurin . sculpté sur grés O ----------------------------------------------------------------------------------------------------------- Page 1 sur 68 MMAD 140… MALS 26. N°01 Feuille de laurier de Volgu Rigy-sur-Arroux 71. la grande 335 mm O La plus grande jamais découverte MMAD 141… MALS 27. N° 02 Feuille de laurier de Volgu Rigy-sur-Arroux 71. la moyenne 270 mm O Très lancéolée MMAD 142… MALS 28. N° 03 Feuille de laurier de Volgu Rigy-sur-Arroux 71. la petite 195 mm O Oblongue en amande MMAD 143… MALS 29. N° 04 Feuille de laurier de Volgu Rigy-sur-Arroux 71. la petite 245 mm/ 75 mm O Losangique Page 2 sur 68 MMAD 152 257* Galet gravé D : 10,5 cm Grottes de LA COLOMBIERE ( Ain ) 2 chevaux gravés en opposition par les pattes Félin en tête bèche O MMAD 160a MMAD 160b 256* Galet gravé D : 8,3 cm Grottes de LA COLOMBIERE ( Ain ) RHiNOCEROS avec flèches verso du MMAD 151 Capridé en tête bèche Galet gravé avec une figuration verso du MMAD 150 d’un ours des cavernes à la tête en mouvement tourne à droite Abri sous roche de la Colombière (01). L = 10 cm/ 7,5 cm. Faculté des sciences de Lyon (Labo de Géologie) O MMAD 163 Grotte - abri du Colombier (gorges de l’Ardèche) Ardèche Vallon Pont d’Arc abri magdalénien du Colombier gravures fines d’un Bouquetin (Vallon-Pont-d'Arc, Ardèche) Dim : 15/10 cm O MMAD 171 SAINT MARCEL (Indre 36) Bracelet ou barrette ? avec décor géométrique Sur plaquette d’os sculptée Interprété par certains comme bracelet périnéal SAINT MARCEL (Indre 36) Fouilles Benoît L : 5,7 cm Collection MAN Page 3 sur 68 MMAD 250 France, Lot, Grotte de Pergouset Biche gravée à long cou, salle IV (photo M. Lorblanchet) Détail d'une tête de biche gravée, salle III . grottes ornées, parmi lesquelles Pech-Merle MMAD 730 MONTBRON (16) Bâton percé de Montgaudier (16) Prés de Montbron. Long bâton Figuratif. dim : 370 mm. Recto : deux serpents ; au verso : un phoque ou otarie. Technique de gravure en ronde bosse ARM 0117 O MMAD 750 Grotte des Deux-Avens Commune de Vallon Pont d'Arc 07150 Plaquette gravée sur cote de cervidé Tête de biche gravée 18 mm MMAD 750 Grotte des Deux-Avens Commune de Vallon Pont d'Arc 07150 Plaquette gravée sur cote de cervidé 3 protomés de biches Et un corps à tête manquante 55 mm Page 4 sur 68 MMSO 05 G185 ISTURITZ Tête de bison sculptée 3D bois de renne sur andouiller de renne (156 mm) Mag IV 14000-13000 avJC magdal moy N° inv : MAN84677 Bâton perforé avec une tête de bison Collection Saint-Perier Long : 155 mm. Diam : 33 mm. Epais : 19 mm. O MPHC 51 ESPELUGUE grotte des Espélugues (65) N° Inv : MAN55334 Longueur : 91 mm Truite ou salmonidé avec 1 perforation magdalénien sculpture sur os grotte des Espélugues Lourdes O MPHC 90 G187a LORTET 65- Le bâton aux cerfs et saumons de Lortet sur bâton de 244/24 mm Gravure enroulée en ronde bosse. Cervidé nageant avec plusieurs saumons entre les pattes. Le bâton aux cerfs et saumons de Lortet sur bâton de 244/24 mm Grotte de LORTET 65 - MPHC 91 G187b LORTET 65- Le bâton aux cerfs et saumons de Lortet Prise d’empreinte du déroulées à plat 244/80mm Page 5 sur 68 MPHC 50 ESPELUGUE grotte des Espélugues (65) Petit cheval avec pelage + crinière en ivoire de Lourdes N° d’inventaire : MAN55351 Sculpture en ronde-bosse de cheval sur ivoire de mammouth 14000-13000 av JC magdalénien moyen Haut: 73 mm. Long: 35 mm. Prof: 17 mm. O MPHC 80 Grottes de Gargas Grottes préhistoriques de Gargas/Nestplori@ 65660 Aventignan Bâton percé et décoré sur os de renne dim : 145 mm / 60 mm O MPHC 80 Grottes de Gargas Grottes préhistoriques de Gargas 65660 Aventignan Galet de schiste gravé décors O animaliers dim : 180 mm / 110 mm Lion, bison, et chevelu indéterminé sur l’autre face MPOC 30 G106 DURUTHY Cheval au cou perforé argile modelée et cuite. Dim 98 mm / 86 mm Original découvert sur le site de Duruthy (Landes) Magdalénien IV. 14500-13000 av.J.C. O Page 6 sur 68 MPOC 31 DURUTHY Landes Tête de cervidé : renne ? La tête est percée d’origine Hauteur : 5 cm Original découvert sur le site de Duruthy (Landes) Magdalénien IV. 14500-13000 av.J.C. O MPOC 32 DURUTHY Landes Harpon double rang de barbelures Hauteur : 17cm Original découvert sur le site de Duruthy (Landes) Magdalénien IV. 14500-13000 av.J.C. O MPOC 33 DURUTHY Landes Bâton aux bouquetins Largeur : 15,2cm ; hauteur : 5,5cm Original découvert sur le site de Duruthy (Landes) Magdalénien IV. 14500-13000 av.J.C. O MMSO 811 BRASSEMPOUY (40) Grotte du Pape L. 135 mm; La. 33 mm; Ep. 10mm Elément de serre tête ou parure dont la destination reste indeterminée. 3 rangées de zigzag géométriques éxécutée sur sur côte de renne. Aurignacien – 27 000 ans BP Fouille E. Piette 1886, J. Laporterie O MPOR 80 CANECAUDE (Aude –11-) Villardonnel ARM 0122 Propulseur au mammouth de Canecaude sur bois de renne Gisement O fouillé par M. Henry de Lumley depuis plusieurs années Grotte de Canecaude, M. D. Sacchi poursuit des fouilles depuis 1966 Page 7 sur 68 MMSO 402 ENLENE Grotte d’Enlène ( Ariège 09 ) Complexe du Volp Fragment de propulseur des bouquetins affrontés Propulseur sculpte dans du bois de renne Grotte d’Enlène Ce propulseur est fragmentaire, il manque les deux têtes et le fut du propulseur Magdalenien -17 000 -10 000, 9x7 cm O MMSO 402R ENLENE Grotte d’Enlène ( Ariège 09 ) Complexe du Volp Fragment de propulseur des bouquetins affrontés Version reconstruite (sculpture exécutée par Alain Morala) MMSO 405 ENLENE (09) Montesquieu-Avantès Propulseur en forme d'oiseau taillé dans un morceau de bois de cervide, O L 90 mm, Aurignacien -17 000 -10 000 MMSO 440 MASSAT ARIEGE Ours gravé sur galet L= 18 / 9cm Magdalénien IV Grotte inf. de MASSAT Ariège. C’est le premier galet gravé de l’histoire de la Préhistoire. Musée de Foix Ariège. O Page 8 sur 68 MMSO 453 BEDEILHAC (09) Tête de Propulseur en bois de renne ‘’Le Faon d Izard aux oiseaux ‘’Collection Romain Robert N° d’inventaire : MAN86628Propulseur "le faon à l'oiseau" 14000-13000 av JC magdalénien moyen bois de renne, gravé, sculpture (technique) Hauteur: 82 mm. Longueur: 74 mm. Ep: 8 mm. MMSO 501 La VACHE (09). Lissoir sur lame d’os avec gravure des 4 ours. Sur l’autre face bouquetin gravé. Grotte de la Vache. Alliat. Magda V-VI. Collection Romain Robert Tarascon sur Ariège. MAN 83067 / L = 121 mm ; l = 21 mm epai 3 mm O MMSO 505 LA VACHE (09). Grotte de la Vache. Salle Monique Niveau 4 Plaquette de « la frise des lions » Lamelle d’os recollage de 2 pièces, Raccord effectué en 1987 par D. Buisson L. 167 mm, larg. 35 mm, Ep. 1 mm MAN 83347/MAN 83643 O MMSO 512 La VACHE (09) plaquette os gravée Deux loups face à face Dim : 7cm / 3,3 cm Page 9 sur 68 MMSO 200 G131a Mas d’AZIL (09) Rondelle dite « de la vache et son veau ». N° d’inventaire : MAN77558 17000-11000 av JC magdalénien gravé sur os d’omoplate Epais: 1 mm. Diam: 50 mm. O 35 € MMSO 201 G133 Mas d’AZIL (09) Tête du cheval hennissant Sculpté sur bois de renne Collection Piette N° d’inventaire : MAN47343 14000-13000 av JC magdalénien moy. Haut : 29 mm. Long : 54. mm. Epais : 14 mm. O existe en version pendeloque APDM 5 MMSO 202 G140 Mas d’AZIL (09) Fragment de propulseur aux 3 têtes de chevaux dont une décharné, mais une 4 ième tête ici absente devait supporter le crochet du propulseur par le substitut de l’oreille N° Inv: MAN47080 - ARM 0119 Verso : 1 têtes est prolongée par une encolure 17000-11000 av JC. magdalénien fouilles Piette, 1887-1900 Collection Piette sculpture sur bois de renne, Long : 170 mm. Larg : 165 mm. Epais : 9 mm O MMSO 203 G141 Mas d’AZIL (09) Reconstruction du bâton aux 4 têtes de chevaux. A partir du propulseur MNSO 52 (3 têtes) et avec une hampe rallongée, facile à fixer par ligature. O Page 10 sur 68 MMSO 204 G142 Mas d’AZIL (09) Propulseur « Le Faon aux oiseaux » Le plus beau propulseur de l’art Préhistorique. Dim = 320 mm de long larg max 153 mm C’est une artistique de renommé mondiale, le célèbre “Faon aux oiseaux” fut découvert dans les cavités aziliennes, par Saint-Just Péquart en 1936 O MMSO 205 G143 MAS d’AZIL Le propulseur au bouquetin sur bois de renne. N° Inv: MAN47025 47257 ; APM01401 Propulseur au bouquetin gravé sculpté 17000-11000 av JC magdalénien Long : 265 mm.
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    Francesco d’Errico Francesco d’Errico LIST OF PUBLICATIONS 1. Monographs Monographs in preparation Backwell, L., d’Errico, F., Kalahari San material culture: Ancestral knowledge shared by elders at Museum Africa. Published Monographs 1) d’Errico, F. 2003. Néandertaliens et hommes anatomiquement modernes : des trajectoires parallèles vers la modernité culturelle. Habilitation à Diriger des Recherches. Bordeaux : Université Bordeaux 1, pp. 186. 2) Bosinki G., d’Errico, F., Schiller P. 2001. Die Gravierten Frauendarstellungen von Gönnersdorf. Der Magdalenien-Fundplatz Gönnersdorf, Band 8. Franz Steiner Verlag GMBH. Stuttgart 364 pp., 233 figs., 197 planches h.t. 3) d’Errico, F. 1995. L'art gravé azilien. De la technique à la signification. XXXIème Supplément à Gallia-Préhistoire. Paris : CNRS Editions, 329 pp. 2. Edited Monographs 1) Henshilwood, Ch. et d’Errico F. (Eds.) 2011. Homo symbolicus: the dawn of language, imagination and spirituality. Amsterdam: Benjamins. 2) d’Errico, F., Hombert J.-M. (Eds.) 2009. Becoming eloquent. Advances on the emergence of language, human cognition, and modern cultures. Amsterdam: Benjamins. 3) d’Errico, F. et L. Backwell (Eds). 2005. From tools to symbols. From Early Hominids to Modern Humans. Johannesburg: Wits University Press. 4) Zilhão J. & d’Errico, F. 2003 (Eds.) The Chronology of the Aurignacian and of the Transitional Technocomplexes. Dating, Stratigraphies, Cultural Implications. Portuguese Institute of Archaeology (IPA) monographs series Trabalhos de Arqueologia. 5) Giacobini G. & d’Errico, F. (Eds.), 1986: I cacciatori neandertaliani, Jaca Book: Milano. 3. Articles in peer reviewed journals (• journals wiht impact factor) • Backwell, L., Bradfield, J., Carlson, K.J., Jashashvili, T., Wadley, L., d’Errico, F. 2017 en révision.
  • Defining Magdalenian Cultural Groups in Franco-Cantabria by the Formal Analysis of Portable Artworks

    Defining Magdalenian Cultural Groups in Franco-Cantabria by the Formal Analysis of Portable Artworks

    Defining Magdalenian cultural groups in Franco-Cantabria by the formal analysis of portable artworks ∗ Olivia Rivero & Georges Sauvet The motifs, techniques and stylistic features of Upper Palaeolithic art offer enormous Paris potential for the investigation of social and cultural interactions in south-western France and northern Spain during the later stages of the last ice age. The key regions of Aquitaine, Cantabria and the Pyrenees clearly share an overall family resemblance, but detailed analysis of horse heads on portable objects of bone, antler and stone from Magdalenian contexts reveal that particular features can be attributed to different Madrid regions at different periods. Furthermore, the 0 km 500 patterns of interconnection are structured very N differently in the Upper Magdalenian than in the Middle Magdalenian, perhaps as rising temperatures in the latter period led to territorial expansion and social realignment. Keywords: France, Spain, Upper Palaeolithic, Magdalenian, mobiliary art, cave art, stylistic analysis, correspondence factor analysis, ascending hierarchical clustering Supplementary material is published online at http://antiquity.ac.uk/projgall/rivero339 Introduction Style in archaeology may be used in different ways and serve various purposes (Conkey & Hastorf 1990). The pioneers in the study of Palaeolithic art used it as a chronological marker within an evolutionary perspective (Breuil 1952). Leroi-Gourhan (1965) subsequently proposed a chronocultural scheme of four stages, based on the evolution of animal representations using features such as the perspective of horns and hooves, the number of legs by pair and the presence of anatomical details and conventions. In this culture- historical approach, a unique evolution was assumed to take place everywhere and to follow * CREAP “Cartailhac”, TRACES-UMR 5608, Universit´e de Toulouse-le-Mirail, All´ee A.