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The Making of an Evangelical Tory: the Seventh Earl of Shaftesbury (1801-1885) and the Evolving Character of Victorian Evangelicalism
The Making of an Evangelical Tory: The Seventh Earl of Shaftesbury (1801-1885) and the Evolving Character of Victorian Evangelicalism David Andrew Barton Furse-Roberts A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy UNSW School of Humanities & Languages Faculty of Arts & Social Sciences November 2015 CONTENTS Page Abstract i Abbreviations ii Acknowledgements iii Introduction I Part I: Locating Anthony Ashley Cooper within the Anglican Evangelical tradition 1 1.1 Ashley’s expression of Evangelicalism 2 1.2 How the associations and leaders of Anglican Evangelicalism shaped the evolving 32 religious temperament of Ashley. 1.3 Conclusion: A son of the Clapham Sect or a brother of the Recordites? 64 Part II: A just estimate of rank and property: Locating Ashley’s place within the 67 tradition of paternalism 2.1 Identifying the character of Ashley’s paternalism 68 2.2 How Tory paternalist ideas influenced the emerging consciousness of Ashley in the 88 pre-Victorian era 2.3 The place of Ashley’s paternalism within the British Tory and Whig traditions 132 2.4 Conclusion: Paternalism in the ‘name of the people’ 144 Part III: Something admirably patrician in his estimation of Christianity: Ashley 147 and the emerging synthesis between Evangelicalism and Tory paternalism 3.1 Common ground forged between Tory paternalism and early Victorian Evangelicalism 148 3.2 Ashley and the factory reform movement: Project of Tory paternalism or 203 by-product of Evangelical social concern? 3.3 The coalescence of these two belief systems in the emerging political philosophy of 230 Ashley 3.4 Conclusion: Making Evangelicalism a patrician creed 237 Part IV: Ashley and the milieux of Victorian Evangelicalism 240 4.1 Locating Ashley’s place within the Victorian Evangelical Terrain 242 4.2 Thy kingdom come, thy will be done: The premillennial eschatology and 255 Evangelical activism of Ashley 4.3 Desire for the nations: Ashley and Victorian Evangelical attitudes to imperialism, 264 race and the ‘Jewish question’. -
The Invention of Tradition
The Invention of Tradition Edited by ERIC HOBSBA WM and TERENCE RANGER .:... ,.;.,.CAMBRIDGE - ::: UNIVERSITY PRESS PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge CB2 2RU, UK http://www.cup.cam.ac.uk 40 West 20th Street, New York, NY 10011-4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarc6n 13, 28014 Madrid, Spain © E. J. Hobsbawm 1983 © Hugh Trevor-Roper 1983 © Prys Morgan 1983 © David Cannadine 1983 © Bernard S. Cohn 1983 © Terence Ranger 1983 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 1983 First paperback edition 1984 Reprinted 1985,1986, 1987, 1988, 1989 Canto edition 1992 Reprinted 1993,1994,1995,1996,1997,1999,2000 Printed in the United Kingdom at the University Press, Cambridge Library of Congress Catalogue card number: 82-14711 British Library Cataloguing in Publication data The invention of tradition- (Past and present publications) 1. Sociology 2. Folklore- History I. Hobsbawm, E. J. II. Ranger, Terence Ill. Series 303.3'72 HM201 ISBN 0 521 43773 3 paperback Cover illustration: Car! Haag, Evening at Balmoral. Watercolour, 1854. Windsor Castle, Royal Library. © Her Majesty The Queen. Contents Contributors page vi Introduction: Inventing Traditions ERIC HOBS BA WM 2 The Invention of Tradition: The Highland Tradition of Scotland HUGH TREVOR-ROPER 15 3 From a Death to a View: The Hunt for the Welsh Past in the Romantic Period PRYS MORGAN 43 4 The Context, Performance and Meaning of Ritual: The British Monarchy and the 'Invention of Tradition', c. -
Entertaining Crisis in the Atlantic Imperium, 1770–1790 O'quinn, Daniel
Entertaining Crisis in the Atlantic Imperium, 1770–1790 O'Quinn, Daniel Published by Johns Hopkins University Press O'Quinn, Daniel. Entertaining Crisis in the Atlantic Imperium, 1770–1790. Johns Hopkins University Press, 2011. Project MUSE. doi:10.1353/book.1868. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/1868 [ Access provided at 3 Oct 2021 03:51 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Entertaining Crisis in the Atlantic Imperium 1770– 1790 This page intentionally left blank Entertaining Crisis in the Atlantic Imperium 1770– 1790 daniel o’quinn The Johns Hopkins University Press Baltimore © 2011 The Johns Hopkins University Press All rights reserved. Published 2011 Printed in the United States of America on acid- free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Mary land 21218- 4363 www .press .jhu .edu Library of Congress Cataloging- in- Publication Data O’Quinn, Daniel, 1962– Entertaining crisis in the Atlantic imperium, 1770– 1790 / Daniel O’Quinn. p. cm. Includes bibliographical references and index. ISBN- 13: 978- 0- 8018- 9931- 7 (hardcover : alk. paper) ISBN- 10: 0- 8018- 9931- 1 (hardcover : alk. paper) 1. En glish drama— 18th century— History and criticism. 2. Mascu- linity in literature. 3. Politics and literature— Great Britain— History—18th century. 4. Theater— England—London—History— 18th century. 5. Theater— Political aspects— England—London. 6. Press and politics— Great Britain— History—18th century. 7. United States— History—Revolution, 1775– 1783—Infl uence. -
Return of Outdoor Memorials in London, Other Than Statues on The
1 s? s-> 11y i^ ^Aavaain^ <rii3DNv-$oi^ ^amainihwv tfAavaai ^UIBRARYQ^ ^UIBRARYQ^ ^EUNIVE %a3AiNa-]\\v %0i\m-i^ hoiimiti^ <TiH3NV-S 1% ^0KALIF(% ^OF-CALIFOfaj, ^EU ^lOSANCflfj> <^ o ft, /^\,% ft 7 s? v^ "^sajAiNfl-]^ ^AavaaiH^ ^amih^ <TiU3NV-S fQr ^UIBRARYtf/* <\WE-UNIVER% ^lOSASCElfj> ^UIBRAF or 30^ ^OJIIVJ-JO^ <riiJONVS01^ %MAINIUWV ^EUNIVERS//, CALIF % ^0F-CALIFC%, ^slOSANCElfj^, ^OF A I o %J13 AINf]-3VVv y<?Aav!iai Kfc '/- 10S-ANGEI&> &*MEI 2 £1 <X J X i s "%I3AIN(1 3^ ^fOJIlVJ-JO^ ^OJITVJ-JO^ Kto $clOS«lfj> ^OF-CAllFOfy* ^Ei & 15 '/HHAINIHttV* ni .1 • I LIBRARY \WEUNIYf LONDON COUNTY COUNCIL. RETURN OF OUTDOOR MEMORIALS IN LONDON, OTHER THAN STATUES ON THE EXTERIOR OF BUILDINGS, MEMORIALS IN THE NATURE OF TOMBSTONES, MEMORIAL BUILD- INGS AND MEMORIAL TREES. Prepared by THE CLERK OF THE COUNCIL, under the direction of the Local Government, Records J and Museums Committee' of- die Council.* PRIMKD FOR THE LONDON COUNTY COUNCIL BY SOl'THWOOD, SMITH AND CO., LTU. And may be purchased through any Bookseller or direct from P. S. KING AND SON, 2 anti 4, Great Smith-btrkkt, Victoria-street, Westminster. SAV, Agents for tht zalt of the publications of the London County Council. I9IO. No. 1359. Price is. Od. Post Free is. 8$d >oo—25.7.10—337 „ S.S. 1776 v* 28 OCT. 1920 ^iTJCAL- — 4 * » » • •• • • < • * • • • • • « • • •- • • ... .. • • • ••••• -470 PREFACE The following is an extract from the report of the Local - Government, Records and Museums Committee, submitted /» to the Council on 5th July, 1910 : We have for some time held the opinion that the pre- paration of a return of outdoor memorials in London would form a valuable addition to literature concerning London, and would meet a great want. -
Anglo-American Exchange in Postwar Sculpture, 1945–1975
Anglo-American Exchange in Postwar Sculpture, 1945–1975 Rebecca Peabody, editor 1 Anglo-American Exchange in Postwar Sculpture, 1945–1975 Edited by Rebecca Peabody THE J. PAUL GETTY MUSEUM LOS ANGELES Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Getty, 2011) PROOF 1 2 3 4 5 6 2 © 2011 J. Paul Getty Trust Published by the J. Paul Getty Museum on www.gettypublications.org Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.gettypublications.org Marina Belozerskaya, Editor Elizabeth Zozom, Production Coordinator Gary Hespenheide, Designer ISBN: 978-1-60606-069-8 Front cover: Barbara Hepworth, Figure for Landscape, 1960. Los Angeles, J. Paul Getty Museum. Gift of Fran and Ray Stark. © Bowness, Hepworth Estate Illustration credits Every effort has been made to contact the owners and photographers of objects reproduced here whose names do not appear in the captions or in the illustration credits. Anyone having further infor- mation concerning copyright holders is asked to contact Getty Publications so this information can be included in future printings. This publication may be downloaded and printed either in its entirety or as individual chapters. It may be reproduced, and copies distributed, for noncommercial, educational purposes only. Please properly attribute the material to its respective authors and artists. For any other uses, please refer to the J. Paul Getty Trust’s Terms of Use. Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Getty, 2011) PROOF 1 2 3 4 5 6 3 Contents 4 Foreword Antonia Boström, Penelope Curtis, Andrew Perchuk, Jon Wood 6 Introduction: Trajectories in Sculpture Rebecca Peabody 9 Object Relations: Transatlantic Exchanges on Sculpture and Culture, 1945–1975 John C. -
THE VETERANIZATION of BRITISH WAR HORSES, 1850-1950 By
REMEMBERING THE FORGOTTEN LEGIONS: THE VETERANIZATION OF BRITISH WAR HORSES, 1850-1950 By CHELSEA AUTUMN MEDLOCK Bachelor of Arts in History Bachelor of Science in Genetics University of Kansas Lawrence, KS 2007 Master of Arts in History Oklahoma State University Stillwater, OK 2009 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2015 REMEMBERING THE FORGOTTEN LEGIONS: THE VETERANIZATION OF BRITISH WAR HORSES, 1850-1950 Dissertation Approved: Dr. Joseph Byrnes Dissertation Adviser Dr. Lesley Rimmel Dr. John Kinder Dr. Martin Wallen . ii ACKNOWLEDGEMENTS I would like to thank my committee members for their patience and support over the years. They allowed me to voice my theories and opinions throughout the entire process, openly and without judgment. Our brainstorming sessions afforded me the opportunity to experiment with my limitations and ambitions. I want to particularly thank my advisor for hanging in there with me through two degrees and a plethora of projects. I would also like to thank the staffs at the British Library, the Imperial War Museum, the National Army Museum, the Royal Society of Veterinary Surgeons, and the Royal Society for the Prevention of Cruelty to Animals Archives. Their services, support, and patience during my visitations allowed me to navigate my sources with ease. Next, I would like to thank my parents for supporting me through graduate school. I was a long and hard road and they were always there for me. Finally, I would like to thank my husband and my children. -
From the Angel to the Zoo a London A-Z
FROM THE ANGEL TO THE ZOO A LONDON A-Z FROM KING’S CROSS STATION Joseph Grimaldi Park 1778-1837, English clown and pantomimist. From family of dancers/entertainers. Debut aged 4 at Sadler's Wells Theatre. ANGEL ANGEL, ISLINGTON Grade II listed building. Famous Monopoly property. The “Angel” was actually the building on the corner.Current building was completed in 1903, then the Angel Hotel, later acquired by J. Lyons and Co. as a restaurant. Due to be demolished in 1959 for road improvements – but this didn’t happen. Renovated and re-opened in 1982 as the Angel Corner House. Currently used as offices and a bank. Wetherspoons opened The Angel in 1998 in the premises next door. BALLET SADLERS WELLS BALLET Named after Richard Sadler, who opened a Musick House here in 1683, and the springs which previously served St John's Priory in Clerkenwell. Sadler claimed the iron rich drinking water would be effective against "dropsy, jaundice, scurvy, green sickness and other distempers to which females are liable – ulcers, fits of the mother, virgin's fever and hypochondriacal distemper." It later became a theatre and in the 1930s a repertory ballet company and school was established - the Sadler's Wells Ballet School. New River Head: This was the reservoir at the mouth of the New River, the channel cut in 1604–13 to supply London with fresh water from springs in Hertfordshire. Local road names: Myddelton (Hugh, driving force behind construction), River, Amwell (water taken from Amwell springs). Mount Pleasant Mail Centre: Previously one of the largest sorting offices in the world. -
There Are Many Things to See in the City of London. This Self-Guided Tour Will Show You the Highlights of Old London
There are many things to see in the City of London. This self-guided tour will show you the highlights of Old London. This can be a companion or prep guide for taking our City of London Tour. Start: Temple Underground Station Finish: The Tower of London Duration: 2 – 2.5 hours Be sure to also check out our Guide to London on a Budget, where you can find our full selection of self-guided London tours. Begin (Stop A)– Temple Station - As soon as you step out of Temple Station, turn to the LEFT. Walk up the stairs here directly onto ARUNDEL STREET. Walk up the street (up the hill) until you reach the traffic lights on your RIGHT. Cross over DIAGONALLY to the courtyard of the Church across the road with the three statues in front. Click here for a larger interactive City of London Sights Map (Stop B) – St. Clement Danes Church - The church here was designed by master architect Sir Christopher Wren and was opened to the public in the 1680’s. The curious name of the building is thought to come from the fact that this area of London had a large Danish population in the 9th century, or perhaps because King Harold I was buried here in 1040 and he had Danish heritage. Originally, the church was just the neighbourhood site of worship for people living in this section of London, although today the church has a very different purpose. Face the church and take the path to the LEFT. Jump up the ledge and stand just on the side of the building. -
DRAGON Magazine Is Published Monthly by Happens to Occur in the Wrong Place at Dragon Publishing, a Division of TSR Hobbies, Klller Game Is the First Commercially Inc
September 1981 Dragon 1 Dragon Vol. VI, No. 3 Vol. VI, No. 3 September 1981 Publisher. Jake Jaquet Editor-in-Chief. Kim Mohan There is a bit of a new trend in gaming “Live” role-playing games are much Editorial staff . Bryce Knorr that I find a bit disturbing, and perhaps it more an exhibition (like a Wild West Marilyn Mays should be food for thought for all of us. I shoot-out on a movie lot or an SCA dem- Gali Sanchez refer to the recent interest in so-called onstration) than actual game playing. Sales. Debbie Chiusano “live” games, especially of the “assassin” I’m for any activity that is fun for the Circulation . Corey Koebernick or “killer” varieties. participants and harmless to everyone Office staff . Cherie Knull. These types of games are billed as else. But the “live” role-playing games, Roger Raupp role-playing games, and in the strictest particularly the assassin type, may not Contributing editors. Roger Moore definition of the word, I guess they are. be entirely harmless to everyone else. Ed Greenwood What disturbs me is that they are being Physical games — spectator sports, for This issue’s contributing artists: equated by the non-gaming public (or by example — can cause harm to the partic- Clyde Caldwell Bruce Whitefield those with limited gaming experience) ipants. But the spectators of those sports Roger Raupp Will McLean with heroic fantasy and science fiction are willing spectators, and they aren’t on Susan Collins Dexter Pratt role-playing games — and the types are the playing field while the game is going James Holloway J.