Elemenets of Individualism in the Life and Selected
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Samoan Submission Machines
Samoan Submission Machines: Grappling with Representations of Samoan Identity in Professional Wrestling Theo Plothe1 Savannah State University [email protected] Amongst the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. The discussion of Samoan identity in the context of sport has examined Maori identity and masculinity in New Zealand, among other topics, but there has yet to be work which considers Samoans within professional wrestling. This research investigates Samoan identity through a content analysis of televised wrestling matches. This research identifies six primary stereotypes under which Samoan identity is portrayed. These portrayals of Samoan characters, I argue, flatten the representation of this ethnic group within wrestling and culture at large. Keywords: Samoans, identity, representation, gimmicks Introduction Among the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. This research investigates the identity of Samoans within professional wrestling, and the different ways they are constructed and presented to audiences. “Gimmicks,” characters portrayed by a wrestler “resulting in the sum of fictional elements, attire and wrestling ability” (Oliva and Calleja 3) utilized by Samoans have run the gamut from the wild uncivilized savage, to the sumo (both in villainous Japanese and comically absurd iterations), to the ultra-cool mogul who wears silk shirts and fancy shoes. Their ability to cut promos, an important facet of the modern gimmick allowing wrestlers to address their opponents and storylines, varies widely as well, but all lie within their Samoan identity. -
More About the Album Thank Yous • About the Guitars
Produced by AM & Dustin DeLage Recording, engineering and mixing by Dustin DeLage at Cabin Studios, Leesburg VA Additional remote recording by Ken Lubinsky at lack Hills Studios, Plain"eld CT Atlantic $cean wa&es recorded by Mic'elle McKnig't at East eac', Charlestown R)* Mastering by ill +ol,, +ol, Productions, Alexandria VA* -ra.'ic Design by Stilson -reene, Leesburg VA ack co&er .'oto by Christi Porter P'otogra.'y, Lincoln VA All songs written by AM and ©Catalooch Music, BMI, except "Margaret" by Andrew McKnight ©19 !, "uccess Music, and "#ur Meeting Is #ver" %traditional&' #'e Songs #'e and 1. Embarking 1:12 ,M - vo<a-s7 a<ousti< & e-e<tri< guitars7 s-i"e guitar7 2. Margaret/Treasures in My Chest 4:56 &ative Ameri<an fute 3. Web of Mystery 3:24 9a<he- Tay-or - ce--o 4. eft Behin" 3:55 Mi<hae- Rohrer ; e-e<tri< an" u:right bass 5. #assage/(Fathers No') Our Meeting is Over 2:1+ isa Tay-or - drums7 harmony vo<a-s 6. ,retas Cu-ver 4:13 >ef Arey - man"o-in .. , Dram to the Ho-i"ays 5:13 4te:hanie Thom:son7 Tony Denikos - harmony vo<a-s 1. The Gift 3:51 3. 4ons & Fathers 3:53 $t'er Essential Musical Pieces 1+. My Litt-e To'n 3:35 ,-y M<@night - piano (Margaret( 11. ong Ago an" Far A'ay 1:5+ Warren M<@night - piano an" organ $4ons & Fathers( 12. Entre-azan"o 0:43 Ma"e-eine M<@night - f""-e (Long Ago & Far A'ay(7 13. -
Here We Are at 500! the BRL’S 500 to Be Exact and What a Trip It Has Been
el Fans, here we are at 500! The BRL’s 500 to be exact and what a trip it has been. Imagibash 15 was a huge success and the action got so intense that your old pal the Teamster had to get involved. The exclusive coverage of that ppv is in this very issue so I won’t spoil it and give away the ending like how the ship sinks in Titanic. The Johnny B. Cup is down to just four and here are the representatives from each of the IWAR’s promotions; • BRL Final: Sir Gunther Kinderwacht (last year’s winner) • CWL Final: Jane the Vixen Red (BRL, winner of 2017 Unknown Wrestler League) • IWL Final: Nasty Norman Krasner • NWL Final: Ricky Kyle In one semi-final, we will see bitter rivals Kinderwacht and Red face off while in the other the red-hot Ricky Kyle will face the, well, Nasty Normal Krasner. One of these four will win The self-professed “Greatest Tag team wrestler the 4th Johnny B Cup and the results will determine the breakdown of the prizes. ? in the world” debuted in the NWL in 2012 and taunt-filled promos earned him many enemies. The 26th Marano Memorial is also down to the final 5… FIVE? Well since the Suburban Hell His “Teamster Challenge” offered a prize to any Savages: Agent 26 & Punk Rock Mike and Badd Co: Rick Challenger & Rick Riley went to a NWL rookie who could capture a Tag Team title draw, we will have a rematch. The winner will advance to face Sledge and Hammer who won with him, but turned ugly when he kept blaming the CWL bracket. -
Movies and Cultural Contradictions
< I 1976 Movies and Cultural Contradictions FRANK P. TOMASULO In its bicentennial year, the United States was wracked by dis- illusionment and mistrust of the government. The Watergate scandal and the evacuation of Vietnam were still fresh in everyone's mind. Forced to deal with these traumatic events, combined with a lethargic economy (8.5 per- cent unemployment, energy shortages and OPEC price hikes of 5 to 10 per- cent, high inflation (8.7 percent and rising), and the decline of the U.S. dollar on international currency exchanges, the American national psyche suffered from a climate of despair and, in the phrase made famous by new California governor Jerry Brown the previous year, “lowered expectations.” President Gerald R. Ford's WIN (Whip Inflation Now) buttons--did nothing bolster consumer/investor confidence and were widely perceived to be a public rela- tions gimmick to paper over structural difficulties in the financial system. Intractable problems were apparent: stagflation, political paranoia, collective anxiety, widespread alienation, economic privation, inner-city decay, racism, and violence. The federal government's “misery index,” a combination of the unemployment rate and the rate of inflation, peaked at 17 percent. In short, there was a widespread perception that the foundations of the American Dream bad been shattered by years of decline and frustration. Despite these negative economic and social indicators in the material world, the nation went ahead with a major feel-good diversion, the bicen- tennial celebration that featured the greatest maritime spectacle in Ameri- can history: “Operation Sail,” a parade of sixteen “Tall Ships,” fifty-three warships, and more than two hundred smaller sailing vessels in New York harbor. -
Dust Bowl Balladeer Next Door Who Would Have Thought That the Dust Bowl Balladeer Texas; Jobs Such As Working in the Men
Vol. 9, Issue 1 Dr. Jeanne Ramirez Mather, Ed. December 2006 The Genius Kid Dust Bowl Balladeer Next Door Who would have thought that The Dust Bowl Balladeer Texas; jobs such as working in the men. In 1939 he moved to David Meigooni at age 14 would was Okemah native Woody fields, carpentry, moving garbage New York and wrote and be an award winning scientist? Guthrie, who was named after cans, shining shoes, painting signs, worked with such folk singers Of course he started before he Woodrow Wilson. While and washing spittoons. His life as Burl Ives and Pete Seeger. In was 14. In fourth grade he de- Woody is often referred to as changed when his uncle bought 1940 he wrote the song perhaps veloped a science project called the voice of the common man him a guitar and taught him to he is best known for, This Land “Mom’s Fear of Radiation” in and a singer with a social con- play. He found that all around him is Your Land. The Department which he proved that his mother science, he was also a Renais- was life worth singing about. He of Interior commissioned actually was exposed to more sance Man. He was not only a wrote about what he saw and Woody in 1941 to write songs radiation while gardening than singer, musician, and song felt—the good, the bad, and how about the Grand Coulee Dam while watching television. writer, but also an artist and an to make things right. being built in Oregon. This in- Later he wondered if the rela- author. -
New Conformation Titles for 2007
New Conformation Titles for 2007 Champion CH Szikra's Haricot Vert Sosanna Folz & Alessandra Folz & Patricia Folz 1/6/2007 CH Mar-Ed's He Knoz The Play JH Edward Schaefer & Margaret Schaefer 1/7/2007 CH Onpoint's Bravo Thunder Rolls Medda Rauhut & Julie LaRue 1/7/2007 CH Vizagold's Shooting Star Sarah Locker & Angela Colyer & Carollyn Locker 1/7/2007 CH Reignbo Aldebaran Aviator Debra Jean Becker & Alan Becker 1/11/2007 CH Mehagians Sleepy Hollow Razl Dazl JH Rita L Mather & Marge Mehagian 1/14/2007 CH Piroska Toldin's Leading Edge Barrie Brinkworth & Hilarie Brinkworth & Frank Lacko & Martha Lacko 1/14/2007 CH Bitteroots Nicholaus Cazador Mr. Roger Kelvin Poole 1/20/2007 CH Rebel Rouser Ramblin Rose JH Robert E Jones & Rae Ann Jones 1/21/2007 CH Lyons Emma Jean Joy Lyons 1/27/2007 CH Storm Winds Namaste Warrior Alis Smith & Beverley Wanjon & Kirsten Davis 1/27/2007 CH Remek's Home Brew JH Susanne Glasgow 1/28/2007 CH Vizcaya's Vana Heroic Dreamer Jessica Sykora & Nancy Edmunds 2/3/2007 CH Midwest Dream Double Shot Jd Ronald L Grimm & Rhonda Grimm 2/4/2007 CH Copper Creek African Summer JH Debra Steele & Graeme Steele 2/9/2007 CH Hilldale Blu Raisnarukus Riley Sandy Remmers & Janet L Svoboda 2/9/2007 CH Linmar's Brambles-N-Brier Linda M & Fred F Hachtel 2/10/2007 CH Heartsong Closing Argument Jan Cox 2/11/2007 CH Varazs Kiralyi Kedvesem CD RA Sylvia Dorosh 2/17/2007 CH Bankers Sophisticated Lady Faye Wilson & Paula Murphy 2/18/2007 CH Dynata's Bound To Know It All JH Laurie Fairchild 2/19/2007 CH Tamaron's Fuego Del Corazon Michelle Rochester -
The Woody Guthrie Centennial Bibliography
LMU Librarian Publications & Presentations William H. Hannon Library 8-2014 The Woody Guthrie Centennial Bibliography Jeffrey Gatten Loyola Marymount University, [email protected] Follow this and additional works at: https://digitalcommons.lmu.edu/librarian_pubs Part of the Music Commons Repository Citation Gatten, Jeffrey, "The Woody Guthrie Centennial Bibliography" (2014). LMU Librarian Publications & Presentations. 91. https://digitalcommons.lmu.edu/librarian_pubs/91 This Article - On Campus Only is brought to you for free and open access by the William H. Hannon Library at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in LMU Librarian Publications & Presentations by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. Popular Music and Society, 2014 Vol. 37, No. 4, 464–475, http://dx.doi.org/10.1080/03007766.2013.834749 The Woody Guthrie Centennial Bibliography Jeffrey N. Gatten This bibliography updates two extensive works designed to include comprehensively all significant works by and about Woody Guthrie. Richard A. Reuss published A Woody Guthrie Bibliography, 1912–1967 in 1968 and Jeffrey N. Gatten’s article “Woody Guthrie: A Bibliographic Update, 1968–1986” appeared in 1988. With this current article, researchers need only utilize these three bibliographies to identify all English- language items of relevance related to, or written by, Guthrie. Introduction Woodrow Wilson Guthrie (1912–67) was a singer, musician, composer, author, artist, radio personality, columnist, activist, and philosopher. By now, most anyone with interest knows the shorthand version of his biography: refugee from the Oklahoma dust bowl, California radio show performer, New York City socialist, musical documentarian of the Northwest, merchant marine, and finally decline and death from Huntington’s chorea. -
August 14, 2016 BACK to SCHOOL SUNDAY 8:30 and 11 A.M
August 14, 2016 BACK TO SCHOOL SUNDAY 8:30 and 11 a.m. ORDER OF WORSHIP August 14, 2016 Back to School Sunday (Please complete and pass the red friendship pad at this time.) Prelude Bound for the Promised Land Medley arr. Je Cranll Oak Grove Orchestra Welcome Dr. Glenn Ethridge (In preparation for worship, please silence all cell phones.) UP ON THE MOUNTAINTOP Call to Worship Old Time Religion arr. Moses Hogan Choir and Congregation Congregation sing on cue: Gimme that ol’ time religion, gimme that ol’ time religion, Gimme that ol’ time religion, it’s good enough for me. *Hymn Medley Revive Us Again See Insert Jesus Saves ere’s Within My Heart a Melody Scripture Matthew 17:1-8 Mr. Bob Unger Homily Up on the Mountain Dr. Amy Morgan DOWN IN THE VALLEY Anthem Jesus, Hold My Hand arr. Gene Bartlett Chancel Choir As I travel through this pilgrim land there is a friend who walks with me. Leads me safely through the sinking sand, it is the Christ of Calvary. is would be my prayer dear Lord each day to help me do the best I can. For I need y light to guide me day and night, blessed Jesus, hold my hand. Jesus, hold my hand, I need ee every hour. rough this pilgrim land, protect me by y power. Hear my feeble plea, O Lord look down on me. When I kneel in pray I hope to meet you there, blessed Jesus, hold my hand. When I wander through the valley dim toward the setting of the sun. -
American Music Review the H
American Music Review The H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XLII, Number 1 Fall 2012 Woody Guthrie and Bob Dylan Hit Manhattan By Sean Wilentz, Princeton University Editors Note: This paper was delivered as the keynote address for the Woody Guthrie Centennial Conference held at Brooklyn College on 22 September, 2012. On February 16, 1940, a freezing blizzardy day, Woody Guthrie—short, intense, and aged twenty-seven—ended a long hitchhiking journey East and debarked in Manhattan, where he would quickly make a name for himself as a per- former and recording artist. Nearly twenty-one years later, on or about January 24, 1961, a cold and post-blizzardy day, Bob Dylan—short, intense, and aged nineteen—ended a briefer auto journey East and debarked in Manhattan, where he would quickly make a name for himself as a performer and recording artist—not as quickly as Guthrie had, but quickly. Dylan had turned himself into what he later described as “a Woody Guthrie jukebox,” and had come to New York in search of his idol. Guthrie had come to look up his friends the actors Will Geer and Herta Ware, who had introduced him to influential left-wing political and artistic circles out in Los Angeles and would do the same in Manhattan. Two different stories, obviously, of two very different young men a generation apart—yet, more than he might have realized, Dylan partly replayed his hero’s entrance to the city where both men would become legends. -
9781426795510.Pdf
U Contents U Opening Meditation ....................................................4 Introduction ...............................................................5 Lesson One: Mary Had a Baby ....................................7 Lesson Two: Rise Up, Shepherd, and Follow ..............14 Lesson Three: Children, Go Where I Send Thee ........21 Lesson Four: Go, Tell It on the Mountain ..................28 Leader Guide ............................................................35 MHAB00.indd 3 7/10/14 2:09 PM U Opening Meditation U ADVENT It is a time of expectation and anxiety. It is a day when we tell the old, old story of Jesus and his love. We remember how you came, Lord, and we anxiously await your return. You promised to return, and like Israel in the days of old, we expectantly await the fulfillment of your promise. It is hard down here, Lord, and we know that you know all about it. They treated you mean; treat us mean too! Your body [would be] broken, but you came anyway. They made you be born in a manger, but you came anyway. Our eyes was blind, but you came anyway. We didn’t know who you were. And so, sweet, little Jesus boy, we gather today, looking for you to show up in our celebration [and in our study], as we wait for you to come again, All grown up, with all power in your hands. Hallelujah! All rights reserved, © Marilyn E. Thornton, 2007. Used by permission. 4 MHAB00.indd 4 7/10/14 2:09 PM U Introduction U he birth of Jesus is celebrated in many kinds of songs: carols, hymns, oratorios and cantatas, and the African American spiritual. And yet Tthe season of Advent is not just preparation for the Christmas season: putting up decorations, buying presents, baking treats, and lighting candles. -
This Machine Kills Fascists" : the Public Pedagogy of the American Folk Singer
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2016 "This machine kills fascists" : the public pedagogy of the American folk singer. Harley Ferris University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Rhetoric Commons Recommended Citation Ferris, Harley, ""This machine kills fascists" : the public pedagogy of the American folk singer." (2016). Electronic Theses and Dissertations. Paper 2485. https://doi.org/10.18297/etd/2485 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN FOLK SINGER By Harley Ferris B.A., Jacksonville University, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English/Rhetoric and Composition Department of English University of Louisville Louisville, KY August 2016 “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN -
Beginnings: Abraham: the Seeds of Faith Trusting God to Do the Right
Beginnings: Abraham: The Seeds of Faith C. God __________. Trusting God To Do The Right Thing Genesis 18:16 – 19:38 1. Jeremiah 17:9-10 March 11, 2018 By: David Wilson IV. Sin has _________________. I. God’s _______________. (verses 16-19) A. ____________ impact. A. What he will __________. (verses 16-18) B. The normal ____________. (James 1:13-15) B. How he will __________. (verse 19) V. Sin will be _______________. (verse 19:12-28) C. What he gets to __________. (verses 20-21) A. Judgment is ____________. II. _______________ with God. (verses 22-33): B. Judgment is ____________. A. _______________ C. Judgement is ___________. 1. ____________, __________, ________________. Some thoughts to take home (2 Corinthians 5:17-21): B. The _______________ Question. (verse 25) • Ministers of _________________. 1. God can do anything, but is it always the __________ • _______________ to God. thing? • Hope in __________. 2. It is only __________ that rescues Lot. III. Sin is _______________. (verses 19:1-5) This Week’s Songs: Bound For Glory A. Sodom’s ______________. Forever 10,000 Reasons (Bless The Lord) Lord I Need You 1. Ezekiel 16:49-50; Luke 17:28-30 B. Sodom’s ____________. (verses 19:4-5) Beginnings: Abraham: The Seeds of Faith b. How can Abraham’s prayer to the LORD in 18:22-33 March 11, 2018 shape the way we pray? By: Joey Tomlinson Small Group Questions *You do NOT have to answer or discuss every Question. Feel free to just pick a few. These are meant to guide you in truth.