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NEW HAN FURNITU American Furniture Makersl Working in Hardwood ACKNOWLEDGEMENT

The success of an exhibition with the scope of NEW HANDMADE n :RNITURE always depends on the NEW dedication and assistance of many people. We wish to extend our thanks to the small but energetic Museum Staff and especially to our two HANDMADE museum interns, Wendy R. Berman and Harriet Joffey. Ms. Berman has for six months been involved with every aspect of the exhibition. Har­ FURNITURE: riet Joffey, a graduate intern, has been responsible American Furniture Makers for biographical research. Working in Hardwood Appreciation is due the artists who have enthusi­ astically supported the Museum by lending their May 3-July 15,1979 New York, NY. work. For financial aid we are indebted to the Followed by a national tour National Endowment for the Arts and to the Hard­ wood Institute for matching funds. For general American Craft Museum overhead expenses we have been awarded a grant (formerly the Museum of by the New York State Council on the Arts for Contemporary Crafts of the which we are also very thankful. American Crafts Council) 44 West 53rd Street P.].S. New York, N.Y. 10019 Exhibition made possible by a grant from the National Endow­ ment for the Arts, a Federal Agency, with matching funds h-om the Hardwood Institute, A Division of the National Hard­ wood Lumber Association. STATEMENT

NEW HANDMADE FURNITURE celebrates the art, Today the making of handmade furniture is a cul­ spiri t and vitality of contemporary furniture making tural phenomenon. Commercially produced furni­ by highlighting the impressive work of a represen­ ture can provide for most of our needs. The tative group of Americans. The artists chosen for demands of smaller living spaces, mobility and con­ this exhibition are talented craftspeople whose temporary lifestyles have brought about the archi­ work clearly illustrates their sensitive love for the tectural integration of furniture, with predominantly beauty of natural woods. Contributors range from straight lines and styling. The starkness of these long established artists to gifted students just begin­ environments, from the point of view of the collec­ ning careers. While some of the artists do teach, tor, has resulted in a resurgence of the intuitive most maintain their own studios, working full time wish to surround ourselves with the things that creating one-of-a-kind and commissioned pieces. speak to us, and of the artist. The examples in this The predominant characteristic of each work fea­ exhibition can only fortify this desire, for these are tured is its strong individuality. Each piece is an functional forms that are to be looked at, used, inventive, often innovative statement about the rich touched and cherished. variety of alternatives in the design and construc­ It is an enjoyment that ensures these pieces will tion of functional furniture. The application of become the heirlooms of tomorrow. extensive skills and experience to the intricacies of the handmade process has enabled the artists to Paul J. Smith extract new qualities from their traditional materials. Director Each piece, personal to its creator, becomes, in turn, personal to the viewer and owner. Characteris­ ticall y, these works communicate on tactile as well as visual levels. They invite a heightened apprecia­ tion of such qualities as texture, pattern and color­ they are beautiful to touch, to see, to use. BIOGRAPHIES

-JO-Y-C-E-A-N-D-E-~R-S-'O-N------Arts and Crafts, Oakland, CA PETER DANKO Currentry: JOlIN CEDERQUIST Born: 1923, New Jersey Maintaining studio in Alameda, Born: 1946 Bam: 1949, Washington, D.C. Education: CA Educatioll: Education: 1945, Dickinson College, Car- 1969 71, California State 1 Tni- , 1971, University of Maryland, lyle, Penn.; Ph.D. JON BROOKS versity, Long Beach, CA.; MA College Park, MD; BA 19'16, New York University, Born: 1944, Manchester, New 1969, CSll; BA Currently: New York; MA, Currentl)': Maintaining studio in Alexan­ Current!»: . IIampshire Maintailling studio in dria, VA. J 'Edllcation: Maintains studio in Morristown, Capistrano Beach, CA. 1967, Rochester Institute of New Jersey 'lechnology, Rochester, N.Y; Instructor at Saddleback Com­ munity College, Mission Viejo, ALLEN DIAZ MfA CA. Born: 1945, New York, N.Y. EDGAR ANDERSON 1966, RIT-BFA Education: Born: 1922, New Jersey Currentlv.· 1974, Florida International Uni­ Education: Maintairling studio in New MICI lAEL S. CHINN versity, Miami, FLA.; BA Boston, N.H. 19'15-47, Pratt Institute, New Born: 1950, Sherman, Tex,l'; Apprenticeship with Bill Professor of Sculpture, St. York; Education: Wyman Anselms College, Manchester, 19'18-49, Chicago Technical 197 ,+, San Jose llniversity, San Currently: NJI. College, Chicago, lll.; Jose, CA.; BA Maintaining studio in Florida Currently: Czm-en!t)': Maintains studio in Morristown, STEVEN CALDWELL Graduate student at California JOHN PAUL DODD New Jersey Born. 1948, Seattle, State 1 Tniversity Born. 1954, Rochester, N.Y. Washington Lecturer at California State llni­ Education: Education: versity, Long Beach, CA. BHUCE BEEKEN 1978, Rochester Institute of 1973, University of Iowa, Iowa Technology, Rochester, N.Y.; Born. 1953, I l~ll1over, NI-i. City, I()\\ra; MFA MICHAEL COFFEY BFA Education: 1971, Middlebury College, Currently: Boston University-ProgrcU11 in Middlebury, VT; BA Born: 1928, New York, New Instructor at Rochester Institute Artisanrv, Boston, Mass.; Certifi­ Currently: York of Technology, Rochester, N. Y. cate of Mastery Maintaining studio in Seattle, Ed1lcatioll: Apprenticeship with Simon Washington 1953, Case \X'estern Reserve Watts l'niversity, Cleveland, Ohio; ALAN FRIEDMAN Currently: M.S.S.A. Horn: 1944, Philadelphia, PA. Maintaining studio in 1950, New York Unh'ersit)~ Education: Burlington, Vermont Born: 1932, Emporia, Kansas New York, N.Y.; BA 1969, University of Wisconsin, Education: Current(v: Madison, WI; MFA University of Kansa<;, Maintainil1g studio in Poultney, GARRY KNOX BENNETT 1961, 1967, Rochester Institute of Lawrence, Kansas; MFA VT Technology, Rochester; NY; Born: 1934, Alameda, California 1958, u. of Kansas, BFA Director of Michael Coffey BFA Education: Currently: School of Fine , Currently: 1959-62, California College of DirectOl: of Wendell Castle Poultney, VT Maintaining studio in Terre AsSOciates, Inc., Scottsville, N.Y Ilaute, IN. Professor at SUNY Brockport, Associate Professor at Indiana Brockport, N.Y State UniverSity, Terre Haute, IN. -

] 9,)R, Carnegie-Mellon New England College, THOMAS) TUCKER J971, JUDY KENSLEY McKIE Uni\'ersity, [lenniker, NH.; BA Born: 1955, Bryn Mawr, PA. Pittsburgh, ]lA.; BS Czlrrenti1': 80m: 1944, Boston, MA. Education: Clirrel1l0': Maintaining studio in Henniker, Edllcation: 19~4-76, Studied with Leonard Maintaining studio in lIoneoye NIl 1966, Rhode Island School of Hilgnel; Woodw(?rker. Falls, NY. . Instructor at the lIaystack Design; BFA 1979, Boston Ul1lverslty-Pro­ Instructor at the School for Mountain School of Crafts, Currentlv' gram in American Craftsmen, Rochester, SUllll11el; 1979 Maintaining studio in Artisanry (final semester) NY. Cambridge, MA. Cun'elltl)': Teaching Assistant-Boston STEVE MADSEN JOHN W. McNAL'GHTON University, Program in Arti­ TOMMY LACAGNINA Bam: 1947, Oxnard, CA. samy, Boston, Mass. Borl7: 1938, Rochester, NY Educatioll: Born: 19-+3, Winchester, IN. Education: 1969-72, University of New Education: Mexico, Albuquerque, NM. 1970, Bowling Green State l lni­ MICllAEL llURWITZ 197-i, Rochester Institute of Technology, Rochestel; NY.; 196')-67, Utah State University, versity, BO\yling Green. KY.; Bam: 1955, Miami, FLA. MFA Logan, lItah. "lFA Education: 1970, RlT; BFA ClII7"C!1l t IV,' 1969, Ball State University, 1979, Boston University, Pro­ Cun'entl)': Maintairi'ing studio in Albuquer­ Muncie, IN.; MA gram in Artisamy (final Maintaining studio in Hornell, que, N~l. 1965, Ball State l'ni\'ersity; BS semester) NY. Czm'entl}'.· Currelltlv.· J\.lainrairling studio in E\'ans Associate Professor at New SAMUEL S. J\.1ALOOF Maintairling studio in Boston, York State College of Ceramics, ville, IN. MA. Alfred, New York. 80m: 1916, Chino, CA. Associate Professor at Indiana I:'dllcation,' State University, Terre llaute, Sdflaugh t IN. RIC! lARD KAGAN ALAN LAZAR US ClIl7'entlv: Born: 19"15, Philadelphia, PA. ;\.laintairling studio in Alta Born: 19"10, Rochestel; NY JERE OSGOOD /:'dlIcati01I: Educatioll: Loma, CA. ) 966, New School of Social 1967, Rochester Institute of Bam: 1936, Ne\\ York, NY Research, New York, NY he.lllw tion: lechnology, Rochester, NY.; ROBERT MARC! I 1962-65, Temple Unin~rsity, MFA 1961, Hochester Institute of Technology, Rochester, NY; Philadelphia, PA. 1965, Lycoming College, \'\'iJ­ Hom: 19')0, Glen Falls, NY ClI/Tel/tI),: liamsport, PA.; BA Education: BFA 77 , 19,),)-5"", University of Illinois, j\laintairling studio in Philadel­ Cun'ently: 19 Hochester Institute of llrbana, phia, PA. Maintaining studio in Montclair, '[1=chnology, Rochester, NY.; IL. Instructor at Philadelphia MFA Cun"enrl),: NJ. Maintairiing stuclio in Sommer" College Faculty member at William Pm­ 1975, Penland School of Crafts, ville, MA. of An, Philadelphia, PA. terson College, Wayne, NJ. Penland, NC. 1973, I{hode Island School of Associate Professor at Boston Design, Providence, RI.; BFA University, Program in Artisamy I3iLL KEYSER MARK LINDQUIST Cll J7'e ntl)': Bam: 1936, Pittsburgh, PA. Born: 1949, Oakland, CA :\laintairling studio in EdzlcC( tiOJl: Education: \'\'orcester, MA. Rochester Institute of 1961, Pratt Institute, MFA Program Teaching at Worcester Craft Technology, Rochester, NY; Studied with Meh'in Lindquist Center, \X'orcestel~ MA. MFA (Father) ALAN SIEGEL Cw-rentl)': STEWART PAUL Associate Professor/Arts Dept., Born: 1951, Philadelphia, PA. Born: 1938, New York, NY University of New llampshire, Education: Education: Durham, 'NH. 1972, Philadelphia College of Graduate Studies-Stanford and Art, Philadelphia, PA.; BS Columbia Universities Currently: 1960-62, Fulbright Grant, PariS. IIO\X'ARD \X'ERNER Maintaining studio in Philadel­ France Born· 1951, ~eptune, NJ phia, PA. 1960, Brandeis University, Education: Waltham, MA.; BA 1976, Rochester Institute of LEE M. ROHDE Currently: Technology: BFA Born: 1929, New York, NY Maintaining studio in Lake Hill, Resident woodworker at Education. NY Peter's Valle\' Craftsmen, 1953, Ohio State Uni\'ersitv. Instructor at Parsons School of Layton, NJ Columhus, OH.; MS . Design, NY, NY. Current/v: 1951, Massachusetts Institute of Maintaining studio in Mt. TrempeJ~ NY Technology, Cambridge, MA.; JOHN SNlDECOR BA Conducts workshops at Peter's Self-Taught Born: 19"12, Santa Barbara, CA Valley. Layton, N]. wood\"orker/craftsman Educatioll: California State University. Long Cllrrellfl}': ROBERT \X'HITLEY Maintail;ing studio in Chappa­ Beach, CA.; BA, MA qua, NY. Currently: Bam: 1924, Trenton, NJ Associate Professor, California h'dllcation: State University, Long Beach, Trenton School of Art, Trenton, LEE A. SCHUETTE CA. NJ Bom: 1951, Berlin, NH Tt:ained bv father/commercial artist and 'cabillet maker Education: MICHAEL SPEAKER 1973, University of New Hamp­ Currently: shire, Durham, NH.: BA Born: 19"16, Los Angeles, CA. Maintaining studio in Solebury, 1972, Pilchuck Glass School, Education: Bucks County, PA. Stanwood, Wa..<;hington 1975, University of Colorado, Boulder, Colorado; MFA 197 1, Apprenticed to Jack ED\X'l\RD Zl'CCA O'Leary, Meriden, NH. 1969, University of Oregon, Cw'rently: Eugene, Oregon; BS Born: 19'-1:6, Philadelphia, PA. Maintairling studio in Durham, Currently: Education: NH Maintaining studio in Los 1968, Philadelphia College of Technical assistant, University Angeles, CA. Art, Philadelphia, PA.; BFA of New J Iampshire, Durham: CII rrell til': N.H. Maintaining studio in Putnam, DANIEL LOOMIS VALENZA Connecticut Born: 193-1, Rochestel~ NY Ed1lcation: 1966, Rochester Institute of Technology, Rochester, NY,; MFA 1958, KIT-BFA -MICHAEL SPEAKER Los Angeles, California Rhinoceros Desk Koa wood scales, ebony bird and tail; traditional joinery; 46" x 92" x 26" HOWARD WERNER Mi. Tremper, New York Love Seat Poplar burl; shaped; 36" x 42" x 66"

~ .. ~ ...... -. -- -ROBERTWHITLEY Solebury, Pennsylvania Throne Chair Curly maple, birdseye maple, crotch wal nut; traditional joinery, shaped; 34\.-2" x 34\.-2" x 22\.-2" ALANSIEGEL Lake Hill, New York Smiling Bandit Chair; poplar, transparent acrylic stain; shaped; 311;2" x 21M" x 25" -MARK LINDQUIST Henniker; New Hampshire Windsoar Cloud Chair (Cumulus) Cherry burl, spalted maple, birdseye maple; ebony, padauk pins; turned, shaped; 38 1,-2" x 281-2" x 161-2" JERE OSGOOD Someroille, Massachusetts Desk Chair Curly maple, leather; traditional joinery, shaped; 32" x 19" x 151h" STEVEN CALDWELL Seattle, Washington Love Seat Ash, rosewood, wool; traditional joinery, molded laminations, shaped; wool upholstery woven by Jane Danforth; 30" x 53Yz" x 29" MICHAEL COFFEY - Poultney, Vermont Aphrodite Rocking Lounge Chair; Mozambique; laminated, shaped; 5'±" x 90" x 28" -PETERDANKO Alexandria, Virginia Molded "Danko" Chair Red oak, poplar; stacked wood veneers, molded; 31" x 22" x 23" BILL KEYSER Honeoye Falls, New York Coffee Table Cherry, elm, walnut; molded laminations, veneered, shaped; 16" x 18" x 72" DANIEL LOOMIS VALENZA Durham, New Hampshire Table Structure English brown oak, American red oak; constructed, bolted; 13" x 46" x 60" LEE A. SCHUE I IE - Durham, New Hampshire Triangular Tables Birch, cherry; laminated plywood, shaped; 24" x 18" xlI" JOHN W. McNAUGHTON EL 'ansvi/le, Indiana The Clamp Table Walnut, birch, glass; turned, carved; 19" x 22" x 56" AlAN FRIEDMAN Terre Haute, Indiana Reading Lamp Birch, brass; laminated plywood, ,--- shaped ; 47\-7" x 13" x 13" -EDWARD ZUCCA Putnam, Connecticut Saucers Over Sharks Mirror Walnut, maple, fiddleback mahogany, ivory, silver leaf; carved, veneered, inlaid; 20" x 24" x 2" JUDY KENS LEY McKIE Cambridge, Massachusetts Chest With Birds Limewood; traditional joinery, panel construction, relief carving; 31 " x 36" x 22" JUDY KENSLEY McKIE Cambridge, Massachusetts Table With Dogs Mahogany, glass; laminated, carved; 32" x 62" x 18" WENDELL CASTLE W ENDELL CASTLE Scottsville, New York ScottSl'ille, New York Leather-Topped Desk Umbrella Stand Maple, leather; traditional joinery, Maple; laminated, shaped; stacked horizontal lamination, shaped; 35\.1" x 18" x 13 \4" 29" x 69" x 26\.-2" JOYCE & EDGAR ANDERSON Morristown, New jersey Game Table Teak; solid wood segmented top, traditional joinery, turned, shaped; 28Y.!" x 40" diam. Courtesy Mr. & Mrs. Donald Berlin, Morristown, New Jersey - Alta Loma, California Settee walnut; traditional joinery, shaped; 32" x 42" x 24" ROBERT MARCH Worcester, Massachusetts Roll-Top Desk Padauk, leather; Chinese and traditional joinery; 43W' x SOW' x 28¥1" -JOHN PAUL DODD Rochester; New York Wall-Hung Drawers Figured gum, walnut, leather; traditional joinery, molded laminations, veneered; 1l¥!" x 34" x 12\12" LEEM.ROHDE Chappaqua, New York Jewelry Box Cocobola, rosewood; traditional joinery; shaped; 14" x 13" x II" -BRUCE BEEKEN Burlington, Vermont Tea Cart Hickory; traditional joinery, steam bent laminations, shaped; 32\.7" x 40" x 22W' ALAN LAZARUS Montclair, New Jersey Clock Cherry, walnut; traditional joinery, turned, shaped; 66" x 15" x 13" JONBROOKS New Boston, New Hampshire Elm Landscape Chair Elm, leather, ebony pegs; shaped; 271/2" x 43" x 24" THOMAS HUCKER Berwyn, Pennsylvania Spice Cabinet (Wall Hung) French walnut; traditional joinery, molded, laminated, veneered; 38" x l7Y.!" x 10%" Oakland, Cali/omia Clock with Four Drawers Cherry, acid-etched galvanized steel mounts; traditional joinery; ,)1 " x 12" x 12" RICHARD KAGAN Philadelphia, Pennsylvania Chest of Drawers American black walnut; traditional joinery, shaped; 611;2" x 371;2" x 23" MICHAEL HURWITZ Newton, Massachusetts Chair Cherry, cotton velveteen; traditional joinery, molded lamination; 51J,4 " x 22 J,4" x 21 " TOM LACAGNINA Alfred, New York Movable Top Table Cherry; turned, shaped; 26" x 39" x 25" closed - STEWART PAUL c;;,pistrano Beach, California Philadelphia, Pennsylvania The Bridge French Kiss Hanging Jewelry Cabinet Jewelry box; maple, cherry, padauk; Embuya; shaped, molded leather laminated, shaped; 2'1" x 24" x 12" 61h" x 131h" x 16" MICHAELS. CHINN Long Beach, California Chest II Embuya, ash, ebony, glass, leather; traditional joinery, tambour sides, shaped; 9 \1 " x 21 " x 13" -JOHN SNIDECOR Long Beach, California Jewelry Chest (Wall-Hung) Indian ebony, padauk; traditional joinery; 38" x 8" x 8" STEVE MADSEN ALLEN DIAZ A lbuquerque, New Mex ico North M iami, Florida Box The Flying Box Container with four drawers; embuya, Mirror; maple, w alnut, Philippine rosewood, osage, rainbow wood veneer mahogany; traditional joinery, laminated, ( man-made), spalted maple, zebra inlaid; wood, vermillion, silver, ivory; 7" x 34" x 12\12" traditional joinery, laminated, inlaid, shaped; 13" x 16\12" x 6\12" - CATALOG LISTING Dimensions given are listed in order 0/ height, width, depth.

JOYCE & EDGAR ANDERSON 8. Coat Stand Moni.'itown, New.lersey Mahogany: laminated, shaped; 1. Game Table 74" x 23" x 23" Teak; solid wood segmented top, 9. Three Legged Desk traditional joiner}; turned, shaped; Maple, zebra, walnut: traditional joinery, 28W' x 40" diam. veneered; Courtesv Mr. & Mrs. Donald Berlin, 29" x 6,"*" x 'iO" Morristown, New Jersey 10. LeatherTopped Desk BRUCE BEEKEN Maple, leather; traditional joinery, Burlington, Veri-nont stacked horizontal lamination, shaped; 29" x 69" x 26W' 2. Tea Cart Hickory: traditional joinery, Steam bent JOHN CEDERQUIST laminations, shaped; Capistrano Beach, Califomia 32W' x 40" x 22¥1" 1l. "A" Deck, Etc. GARRY KNOX BENNETT Hanging Jewelry Cabinet; Oakland, Califomia Embuya; shaped, molded leather; 'i5" x 8" x 12" 3. Chest' with Four Drawers 12. The Bridge Douglas fir, oak, acid-etched galvanized I Ianging Jewelry Cabinet steel mounts, metal and porcelain Embuya; shaped, molded leather; drawer pulls; 24" x 24" x 12" 35W' x 13\-11" x 13\4" 4. Clock with Four Drawers MICHAEL S. CHINN Cherry, acid-etched galvanized steel Long Beac/), California mounts; traditional joinery; 13. Chest II 51" x 12" x 12" Embuya, ash, ebony, glass, leather; traditional joinery, tambour sides, ]ONBROOKS shaped; New Boston, Nell' Hampshire 9Ih" x 21" x 13" 5. Elm Landscape Chair Elm. leather, ebony pegs; shaped: MIClIAEL COFFEY 27Ih" x 43" x 2q" Poultne;: Vermont 14. Aphrodite STEVEN CALDWELL Rocking Lounge Chair: Seattle, Washington Mozambique; lanLinated, shaped; 6. Love Seat 5,,*" x 90" x 28" Ash, rosewood, wool: traditional joinery, molded laminations, shapecl; wool PETER DANKO upholstery woven by .lane Danforth: AI.e:mndria, Virginia 30" x 53Ih" x 29" 15. Molded "Danko" Chaif Red oak, poplar: stacked wood veneers, WENDELL CASTLE molded; Scottsville, Nell' York 31" x 22" x 23" 7. Umbrella Stand Maple: laminated, shaped; 35Ih" x 18" x 13\4" ALLEN DIAZ RICHARD KAGAN 30. Interlocking Box Exercise # 3A North Miami, Florida Philadelphia, Pennsylvania (No Glue) 16. The Flying Box 22. Chest of Drawers Lidded box; birdseye maple, spalted Mirror; maple, walnut, Philippine AmeIican black walnut; traditional maple, zebra, ebony; padauk pins and mahogany; traditional joinery, laminated, jOinery, shaped; splines; inlaid; 61 W' x 37W' X 23" 5IA" x 9" x 9" 7" x 34" x 12Y.2" BILL KEYSER STEVE MADSEN JOHN PAUL DODD Honeoye Falls, New York Albuquerque, New Mexico Rochester, New York 23. Coffee Table 31. Box 17. Wall-Hung Drawers ChelTY, elm, walnut; molded Container with four drawers; embuya, Figured gum, waLnut, leather; traditional laminations, veneered, shaped; rosewood, osage, rainbow wood veneer joinery, molded laminations, veneered; 16" x 18" x 72" (man-made), spalted maple, zebra llM" x 34" x 12W' 24. Shelf (Wall-Hung) wood, vermillion, silver, ivory; Cherry, walnut, mahogany, ramin; traditional joinery, laminated, inlaid, ALAN FRIEDMAN shaped; Terre Haute, Indiana veneered over styrofoam core; 69" x 13" x 24" 13" x 16W' x 6W' 18. Reading Lamp 32. Broadcasting Towers in the Hills Birch, brass; laminated plywood, TOM LACAGNINA Where I Live shaped; Alfred, New York Container with drawers; spalted maple, 47W' x 13" x 13" 25. Cabinet rosewood, ebony; vermillion, ivory; 19. Three-Legged Chair Cherry, mahogany, zebra, birch, walnut; traditional joinel)~ laminated, inlaid, Philippine mahogany; traditional joinery, traditional joinery, vertical stacked shaped; laminated, shaped; lamination, shaped; la" x 8Y.2" x 4" 30" x 19W' x 23W' 47lJj" x 32" x 16IA" THOMAS HUCKER 26. Movable Top Table Alta Lorna, California Cherry; turned, shaped; Berwyn, Pennsyll'ania 26" x 39" x 25" closed 33. Desk 20. Spice Cabinet (Wall Hung) Walnut; traditional joinery, shaped; French walnut; traditional joinery, ALAN LAZARUS 32" x 60" x 28" molded, laminated, veneered; Montclair; New Jersey 34. Settee 38" x 17Yz" x lOW' 27. Ribbon Shelves Walnut; traditional joinery, shaped; Wall-hung shelf unit; vacuum formed MICHAEL HURWITZ 32" x 42" x 24" poplar with oak veneer; Newton, Massachusetts 168" x 44" x 12" ROBERT MARCH 21. Chair Worcester, Massachusetts Cberry, cotton velveteen; traditional 28. Clock Cherry, 35. RollTop Desk joinery, molded lamination; walnut; traditional joinery, turned, shaped; Padauk, leather; Chinese and traditional 51IA" x 22IA" x 21" 66" x 15" x 13" jOinery; 43Yz" x 50W' x 28M" MARK LINDQUIST Henniker, New Hampshire JUDY KENSLEY McKIE Cambridge, Massachusetts 29. Wind~oar Cloud Chair (Cumulus) Cherry burl, spalted maple, birdseye 36. Couch With Gazelles maple; ebony, padauk pins; turned, Poplar, baltic birch; traditional joinery, ~haped; shaped, carved; 38Yz" x 2$Yz" x 16W' 27" x 82" x 35" -

37. Chest With Birds ALAN SIEGEL EDWARD ZUCCA Limewood; traditional joinery, panel Lake Hil4 New York Putnam, Connecticut construction, relief carving; 44. Torso 5l. Temple Table 31"x36"x22" Chair; painted poplar; shaped; Cherry; traditional joinery, shaped; 38. Table With Dogs 2814" x 16W' x 34" 30" x 15" xIS" Mahogany, glass; laminated, carved; '-is. Smiling Bandit 52. Saucers Over Sharks Mirror 32" x 62" x 18" Chair; poplar, transparent acrylic stain; Walnut, maple, fiddleback mahogany, shaped; ivory, silver leaf; carved, veneered, JOHN W McNAUGHTON 3 El'ansl'ille, Indiana 31W' x 21 A/I x 25" inlaid; 20" x 2q" x 2" 39. The Clamp Table JOHN SNIDECOR Walnut, birch, glass; turned, carved; Long Beach, California 53. Jewelry Box On Spikes 19" x 22" x 56" Walnut, maple, velvet; traditional joinery, 46. Jewelry Chest (Wall-Hung) shaped; Indian ebony, padauk; traditional 15" x 14" x 9" JERE OSGOOD joinery; Somerville, Massachusetts 38" x 8" x 8" 40. Desk Chair Curly maple, leather; traditional joinery, MICHAEL SPEAKER shaped; Los Angeles, California 32" x 19" x 15W' 47. Rhinoceros Desk Koa wood scales, ebony bird and tail; STEWART PAUL traditional joinery; , Philadelphia, Pennsylvania 46" x 92/1 x 26" 41. French Kiss Jewelry box; maple, cherry, padauk; DANIEL LOOMIS VALENZA laminated, shaped; Durham, Neu' Hampshire 61;2/1 x 13W' x 16" '-is. Table Structure English brown oak, American red oak; LEE M. ROHDE constructed, bolted; Chappaqua, New York 13" x 46" x 60" 42. Jewelry Box Coco bola, rosewood; traditional joinery, HOWARD WERNER shaped; Mt. Tremper, Nell' York 14/1 x 13" xII" 49. Love Seat Poplar bur\; shaped; LEE A. SCHUETTE 36" x 42" x 66" Durham, Neu) Hampshire 43. Triangular Tables ROBERT WHITLEY Birch, cherry; laminated plywood, Solebury, Pennsylvania shaped; '50. Throne Chair 24" x 18" x 11" Curly maple, birdseye maple, crotch walnut; traditional joinery, shaped; 3"1:1;2" x 34W' X 22W'

American Craft Council it· 22 West ')')th Street New York, NY 10019 ISBN 0-88321 030.1 7 The is a national, nonprofit memhership organization founded in 19... 3 to stimulate interest in contemporary crafts. ACC sponsors the American Craft Museum which it founded in 19,)7, puhlishes American Craft magazine, and maintains a library and nationwide audiovisual service on American crafts. Through its subsidiary, American Craft Enterprises, Inc, ACC presents seasonal markets for crafts across the country. Membership in the American Craft Council is open to alL ACC publishes additional reference material on the subject of wood, including a 23-page bibliography, exhibition catalogs. and slides. Listings are available on request from ACC, 22 West ')5th Street, New York, N.Y 10019.