Annual Report 2013 Contents

Australian Research Council Centre of Excellence History of Emotions Annual Report 2013 Contents

Overview 4 Shaping the Modern Program 44 The Centre at a Glance 5 Program Report 44 Governance 6 List of Research Projects 46 Director’s Review 8 Spotlight: Emotions in Blood, Stone and Land 47 Meet the Advisory Board 10 Shaping the Modern Timeline 49 Meet the Chief Investigators 12 Meet the Researchers 14 Visitors 50 Spotlight: Discover Pre-Modern International Visitors 50 Emotions Through Our Wiki Site! 18 Spotlight: Early Career Visitors: Meet the Partner Investigators 19 Emotions on the Other Side of the World 51 Associate Investigators 20 Arts Industries Partnerships 52 Spotlight: Emotions Conference 21 Spotlight: My Life As a Playlist 55 Research 23 Academic Engagement 56 Meanings Program 24 Selected Public Engagements 56 Program Report 24 Selected Training and Development 60 List of Research Projects 26 Education and Outreach 62 Meanings Timeline 28 Spotlight: Zest Festival 2013 Spotlight: Arts and Rhetorics of Education Program Music Workshops 63 Emotion in Early Modern Europe 31 Media HIGHLIGHTS 64 Change Program 32 Events and Publications 68 Program Report 32 Selected Centre Events 68 Spotlight: Sacred Places, Pilgrimage and Emotions 34 Selected Publications 70 List of Research Projects 35 Spotlight: Palgrave Studies in the History of Emotions 75 Change Timeline 36 Awards and Research Grants 76 Performance Program 38 Selected Talks and Presentations 78 Program Report 38 Key Performance Indicators 86 List of Research Projects 40 Spotlight: Venus and Adonis 41 Personnel 92 Performance Timeline 43

Message Sticks at the 2013 Zest Festival, Kalbarri. © Erika von Kaschke. Overview The Centre at a Glance

Established in 2011, the ARC Centre Our emotions shape individual, The Centre works to of Excellence for the History of community and national identities. I. Create and foster links between Emotions has its headquarters at An overarching aim of the Centre a team of pre-eminent Australian The University of Western Australia, is to use historical knowledge humanities researchers, a with nodes across the country at the to improve our contextual network of international experts universities of Adelaide, Melbourne, understanding of the emotional and institutions, and a set of Queensland and Sydney. The Centre behaviour and health of modern industry partners (performing has developed a vast range of Australians. We recover the history arts institutions, art galleries, collaborative links to international of emotions from Europe 1100- media). institutions in Asia, Continental 1800, and share it with the wider Europe, the UK and North America Australian public to enrich our II. Develop innovative procedures and has established partnerships personal lives, revitalize our culture, and work spaces for inter- with such arts industries and and empower us to make good relating different research community groups as the National political and social decisions for methods (e.g. cultural Gallery of Victoria, the Australian our future. Australians today show historiography, literary analysis, Broadcasting Corporation, Musica strong emotional attachment to their visual arts interpretations, and Viva, the Zest Festival and the West land, cultural heritage, and history. performance practice research), Australian Opera Company. Besides Our long-term European heritage and to maximize fruitful its wide-ranging research projects, remains one of our strongest synergies between different the Centre maintains a nation-wide cultural influences, shaping the disciplines and methodologies. program of community outreach and world we live in today. education events.

Vision Aims Our Locations

Provide leadership in humanities research worldwide • To understand long-term changes in emotional Our Centre is a national entity with into how societies thought, felt and functioned concepts, expressions and regulation in Europe, a host site at The University of in Europe 1100-1800 and how this long history 1100-1800. Western Australia, and nodes at the continues to impact on present-day Australia. • To investigate mass emotions and their social, universities of Adelaide, Melbourne, political and economic influences. Queensland, and Sydney. Fundamental research questions • To analyse and demonstrate how emotions were In Australia: • How do understandings, expression and performance performed in music, art and drama. • Perth (Host), of individual and mass emotions change over time? • To show how this history underpins modern • Adelaide, • How do we best understand the roles of nature and Australian emotional culture and heritage. Brisbane culture in the formation of emotions, both individual • Brisbane, and communal? • To invigorate contemporary Australian performance practices through collaborative research findings. • Melbourne, • How do emotional understandings, expression and Perth (Host) • Sydney. Sydney performance affect political, social and cultural • To understand and communicate modern audience reactions to these performances. Adelaide developments (even up to present-day Australia)? We have partners worldwide: • To formulate policy suggestions for improving • Queen Mary, Melbourne Australia’s social and cultural well-being. University of London (UK), • To work towards establishing emotions as a • Université de Fribourg widely-used framework for understanding past (Switzerland), societies and cultures. • Freie Universität Berlin (Germany), • Newcastle University (UK), • University of Umeå (Sweden). Nicolas Poussin, Blind Orion Searching for the Rising Sun, 1658. © Metropolitan Museum of Art, Fletcher Fund, 1924. ARC Centre of Excellence History of Emotions Annual Report 2013 5 Francesco Guardi, The Antechamber of the Sala del Maggior Consiglio, ca. 1765–68. © Metropolitan Museum of Art, Bequest of Lore Heinemann, in memory of her husband, Governance Dr. Rudolf J. Heinemann, 1996.

The Centre’s administering overall oversight of research direction. collaborative partnerships, running Operational Diagram organisation is The University However, as the Operational Diagram events with Jordi Savall of Hespèrion of Western Australia; but a shows (see p. 7), all CIs of the Centre XXI; Andrew Lawrence-King and Il meet regularly to discuss decisions Corago; The Australian Chamber highly consultative structure relating to research and research Orchestra and The Sydney Dance enables all nodes to take part direction. Research programs can Company; The Perth International Meet annually for Director’s Advisory Board Communication in most Centre decision- be tracked from submission of Arts Festival; Shakespeare WA; report and Board feedback making. The Centre’s Chief Research Project pro formas by Perth Baroque; The Zest Festival; the Research related activity Investigators (CIs) are located all CIs, Postdoctoral Research WA branch of the National Trust of Fellows and Associate Investigators Australia; The State Library of WA; at The University of Western Professional/ (see Operational Diagram p. 7). the vocal ensemble e21 and the Early Monthly contact (Skype/ Arts Industries Partners Administrative Australia (UWA), and at the The Research Project pro formas Music Studio; Newman College Choir email/face to face meetings) related activity universities of Adelaide, describe the nature, aims and in Victoria; The Badinerie Players and Melbourne, Sydney and expected outcomes of individual the UQ Art Museum in Queensland; Queensland. research programs. These pro formas, and the Art Gallery of South Australia. updated annually, are submitted to, The Deputy Director is particularly At UWA, the Centre Director and and signed off by, Program Leaders, Meet monthly (Skype/ National responsible for maintaining and video) to discuss national Communications Officer; Deputy Director report to the Deputy and form a basis for the development extending relationships and strategies Education and Outreach Vice-Chancellor (Research) and liaise of Program Strategic Plans. Plans and Officers collaborative activities with our with the Dean of the Faculty of Arts. pro formas are also viewed by the Arts Industry Partners, and in Executive direction of the Centre is Director and Deputy Director. 2013 developed negotiations for undertaken by the Director Centre Director Meet weekly to discuss Centre Manager Administrative Officers forthcoming projects with the Black Deputy Director day-to-day operations and Administrative (Professor Philippa Maddern) in Partner Investigators conjunction with the Deputy Director Swan State Theatre Company in WA, Officers (UWA) (Professor Jane Davidson) and the The Centre has Partner Investigators Victorian Opera and the national Centre Manager (Dr Tanya Tuffrey). (PIs) at 5 European universities (Queen organization Musica Viva Australia. She also oversees the work of the Financial management is largely the Mary, University of London, Newcastle Collaborate through Education and Outreach Officers at Communicate regularly by International Partner responsibility of the Centre Manager, University, UK, Freie Universität, Berlin, email, visiting fellowships Investigators visiting fellowships, in consultation with the Director and Université de Fribourg, Switzerland each node. collaboratories, etc Deputy Director. Day-to-day operations and University of Umeå, Sweden). A The Centre aspires to convey its are managed by the Centre Manager, further partnership with the University research results as widely as in consultation with the Centre of Western Ontario is in the process of possible to school and community Director, the Deputy Director, and ratification. As can be seen from the Submit Program Strategic Program Leaders Submit Project audiences and where possible to Plans; receive feedback; pro formas, administrative officers. Day-to-day Operational Chart, it is the particular involve those audiences in Centre meet to choose AIs, updated annually Centre operations at the universities responsibility of the Director to activities. New initiatives in 2013 International Visitors of Adelaide, Melbourne, Sydney and maintain and develop these research included developing arts education Queensland are managed by the connections. During 2013 one new PI, partnerships with schools. In WA, relevant CIs, in conjunction with their Thomas Dixon from Queen Mary two schools participated in Submit Project pro formas, Chief Investigators Meet monthly (video updated annually conference) to discuss administrative officers, who report to University of London, joined the team. performance projects that will be the Centre Manager. research directions and extended into research-driven initiatives As can be seen from the Operational Arts Industries Partnerships historically informed work in 2014. Diagram (see p. 7), Centre research is and School and Community overseen by the leaders of the Outreach Advisory Board Meet regularly: seminars, Associate Submit Project Investigators, pro formas, four research programs collaboratories, symposia The Centre’s Advisory Board (see Research Fellows, updated annually Professor Bob White (UWA, Meanings CHE liaises and carries out research p.10), including top scholars in the PhD students Program), Professor David Lemmings projects with relevant industry field (and in other cognate fields), (Adelaide, Change Program), partners, mostly in the area of representatives of Arts Industry Professor Jane Davidson (UWA, performing and visual arts. We have Partners, and experienced public Performance Program) and three established Arts Industry policy experts, meets annually with the Professor Stephanie Trigg (Melbourne, Partners – the ABC, the National Director and Centre Manager to review Shaping the Modern Program). Gallery of Victoria, and WA Opera. Centre progress, and provide high-level The Centre Director is tasked with In 2013 we also built on existing academic and strategic advice. ARC Centre of Excellence History of Emotions Annual Report 2013 7 Director’s Review

The View From the Half-way Point widen my experience immeasurably by talking with worked in classrooms and with teachers to enrich the musicians, theatre studies experts, psychologists, fire teaching of the curriculum for over 1500 students across Our Centre has nearly reached its half-way point. experts, museologists, literary theorists (in a variety of Australia. Our partnerships with community We began in 2011; our funding agreement runs through European languages!), philosophers, musicologists organisations and arts institutions such as the Dax to 2017. Standing at this mid-point, it’s a good time to and performance specialists, art historians… the list is Centre at Melbourne, and Sydney Ideas connect us to reflect on the all-round view. Where have we come from? almost endless. I treasure feedback from an academic contemporary arts audiences. Our community What have we achieved? What comes next? not currently formally attached to the Centre, but who involvement ranges from the very local We started with large-scale aims. has attended Centre events. ‘I want to thank CHE for to the transnational. My Life As a Playlist (see Spotlight, We wanted to transform studies in the Humanities, from making interdisciplinary studies really work’ she said. p. 55) reaches out to everyone across Australia. At the opposite end of the scale, when CHE took the 2013 individuals or small groups in individual disciplines, We are also known not just for our disciplinary spread, production of John Blow’s ‘Venus and Adonis’ to Denmark working on very discrete projects, to large-scale, but for the chronological breadth of our work. We have (southwest WA), Denmark Arts responded: ‘To have this interdisciplinary, and collaborative research. We wanted only to look at the projects listed in this Report to see quality of Opera - the articulated history, period music to become world leaders in the long-term study of the research ranging from the 12th to the 21st centuries. and instruments, fine singing and dancing – was deeply History of Emotions. We aimed to provide a new, much It’s the recognition of this unprecedented chronological appreciated by the Denmark community…The History of more inclusive and wide-ranging history of how emotions, range of expertise that has led to Continuum publishers Emotions Project has much to give to the enlivening of individual and communal, worked in Europe in the long selecting CHE to edit, and contribute largely, to their our communities…You have been the highlight of period 1100-1800. We proposed to connect this history 6-volume history of emotions series (due 2015), running Denmark’s year!’ with modern Australia, not just in terms of how the past from 800 BC to the present day. This year saw the editorships continues to affect our lives today, but in regard to our of all volumes and most of the contributions established. And finally, the new long-term history of emotions? emotional attachments to our own long-term heritage. This, our largest output, must still be in progress - but World leaders in our field? We hoped to be able to convey our findings and outcomes already we can see the shape of the particular expertise The number and stellar quality of applications we receive to the wider community, and work with schools, community we bring to it. Firstly, we have already made significant for Distinguished International Visiting (DIV) and Early groups, and the general public to exchange information. contributions to the lively debate over how we best study Career Research (ECR) Visitor Fellowships (37 DIV emotions in history. Our findings, in line with those of Blue-sky visions indeed – and I think that when we were applications in 2012; 45 ECR applications in 2012; and 32 major international scholars in the field (that emotions granted our funding in 2010 some onlookers doubted we ECR applications in 2013) demonstrates our international are not reified objects, but rather relationships and could achieve them. Yet looking back at this 2013 Annual reputation. When we took a panel and several individual processes that perform actual social and cultural work Report, and our Reports from 2011-2012, I can truthfully papers from CHE to the 2013 Leeds International Medieval within communities) will transform understandings of the say that we are well on our way to meeting our goals. Congress (the biggest of its kind in Europe, attracting power of emotions in history. The breadth and scale of When I look forward, I see clear plans to bring them over 1800 delegates from over 50 countries), not only did our interdisciplinary research gives us special expertise to fruition. we find excellent (and enthusiastic!) audiences, but over on major long-term questions. What has been the perceived 70 international delegates attended our CHE reception to Transforming Humanities studies? relationship between reason and the passions from the make contact with, and learn more about, our work. We’ve found ways to bring large groups of scholars 12th century onwards? (It’s not as simple as ‘reason together, from an exponentially wide range of disciplines, Connecting to the community? increasingly came to control the passions’!) How has not just to hear one another’s approaches to the study of Here, we work in two ways, face-to-face, and digitally. empathy been practised and understood throughout the emotions, but to discuss them thoroughly and exchange Our rapidly expanding Facebook and Twitter connections; ages? How have emotions been mobilized, both in the views thoughtfully. Anyone attending our Methods our initiative to engage with the online Children’s University past and more recently, to create either well-functioning Collaboratory (March 2013) listened to and commented (see p. 62); our live-streaming of events (over 1000 in-groups or persecuted out-groups? Increasingly, in the on papers in historical anthropology, literary studies, viewers viewed/listened to our 2013 conference plenary years 2014-2017, our publications will provide answers, if history, art history, neuropsychiatry, and sociology, to presentations) and our wiki launch (see Spotlight p. 18) not one definitive answer, to these, and other, vital questions. name only a few. I’m a social historian of late-medieval are only some examples of the scope of our digital England; but just by attending CHE events in 2013 I could community connections. Face-to-face, in 2013, we

Philippa Maddern. © sundaysunset.images. ARC Centre of Excellence History of Emotions Annual Report 2013 9 The CHE Advisory Board 2013: L to R – Fiona Stanley, W. Gerrod Parrott, Philippa Maddern (Director), Iain McCalman, Carmen Lawrence, Amanda Duthie, Ian Donaldson, and Jane Davidson (Deputy Director). © sundaysunset.images.

Meet the Advisory Board

The Advisory Board is Fiona Stanley AC is the Founding Iain McCalman (Chair) is a Amanda Duthie, Head of Arts and German E. Berrios is an David Konstan is Professor of composed of individuals Director and Patron of the Telethon distinguished historian and ARC Entertainment at ABC TV until 2011, internationally awarded Professor Classics at New York University selected for their breadth of Institute for Child Health Research Federation Fellow. He has received is Director & CEO of the Adelaide of Psychiatry at Cambridge and Professor Emeritus of Classics and Distinguished Research numerous awards and honours, Film Festival. University in the UK. In 2010 he was and Comparative Literature at knowledge of government, Professor, School of Paediatrics including an AO for services to made Honorary Fellow of the Royal Brown University. He is a Fellow of research and business- & Child Health at The University history and humanities in 2007. Ian Donaldson is an Honorary College of Psychiatrists of the UK. the American Academy of Arts and related aspects of the of Western Australia and Vice He served on the Prime Minister’s Professorial Fellow in the School Sciences and Honorary Fellow of Centre’s activities, both in Chancellor’s Fellow at The University Science, Engineering and Innovation of Culture and Communication at Claudia Ulbrich is a Professor of the Australian Academy of the Australia and world-wide. of Melbourne. She was named Council in 2005. He is also a Fellow The University of Melbourne and History at the Freie Universität Humanities. He is co-editor of the They provide the Centre with Australian of the Year in 2003 and of the Australian Academy of the Emeritus Professor of the Australian (Berlin), partner institution of the series, Emotions of the Past in 2006 she was made a UNICEF Humanities, the Academy of the National University. He is also a Centre, specialising in the history (Oxford University Press). strategic counsel, enabling Australia Ambassador for Early Social Sciences in Australia and Fellow of the Australian Academy of early modern emotions and the unparalleled advancement Childhood Development. of the Royal Historical Society of of the Humanities, the British self-narrative. She is on the editorial Lyndal Roper is Regius Professor of research in the humanities Great Britain. Academy, and the Royal Society board of Ego-documents and History of History at the University of and making it accessible to W. Gerrod Parrott is Professor of Edinburgh. (Brill) and co-editor of Selbstzeugnisse Oxford, the first woman and the the wider community. of Psychology at Georgetown Carmen Lawrence, former WA der Neuzeit (Böhlau) and L’HOMME. first Australian to hold the post. University. He was Editor of Cognition State Premier, brings her extensive European Journal of Feminist History. She conducts research in early and Emotion from 1995-1999 and was political experience to the board. modern German history and is President of the International Society She is Chair of the Australian a Fellow of the British Academy for Research on Emotions from Heritage Council and is Professor and of the Australian Academy 2008-2013. He is a Fellow of the in Psychology at The University of the Humanities. Association for Psychological Science. of Western Australia.

ARC Centre of Excellence History of Emotions Annual Report 2013 11 Meet the Chief Investigators

Professor Professor Professor

Professor Professor Professor Professor Professor Professor Professor Professor Dr Juanita Feros Ruys Professor Philippa Maddern Jane W. Davidson Robert White David Lemmings Peter Holbrook Charles Zika Stephanie Trigg Yasmin Haskell Susan Broomhall The University DIRECTOR Deputy Meanings Change Program The University The University Shaping The University of of Sydney The University of Director and Program Leader Leader of Queensland of Melbourne the Modern Western Australia Western Australia The University of Juanita Feros Ruys Performance Program Leader Western Australia The University of The University of Peter Holbrook Charles Zika is a Yasmin Haskell is is the Director of the Susan Broomhall is Program Leader Western Australia Adelaide is Director of the Chief Investigator The University a Chief Investigator Sydney Node of CHE a Chief Investigator Philippa Maddern’s The University of Queensland Node whose research of Melbourne working in the and her research working in The role is to oversee Bob White is leader David Lemmings Western Australia of CHE. Peter’s projects explore Meanings, Change projects contribute Shaping the Modern and promote the of the Meanings is leader of the Stephanie Trigg (2013) work contributes the changing and Performance to the Meanings Program. Her whole research Program, which Change Program is Director of the to the Meanings relationship of Programs. Yasmin’s Program. Her projects analyse program of the Jane Davidson focuses on the ways and Director of the Melbourne Node of Program. His emotions and project on Jesuit project on demonic medieval and early Centre, and to oversees industry in which emotions Adelaide Node of CHE. The Shaping projects focus on religion between emotions explores emotions studies modern European represent the partnerships, have been defined CHE. The Change the Modern Program two related themes the fifteenth the theory, how emotions came colonialisms, objects Centre to the public. education and and understood Program focuses explores the legacy in English literature and eighteenth experience and to be attributed to and emotions. In particular her outreach, and in pre-modern on the analysis of of emotions as of the sixteenth centuries. His performance of disembodied beings tasks include liaison leads research European culture, collective emotions they developed in and seventeenth research focuses on emotion in the early such as demons with international on how emotions in literature, and their impact on Europe between centuries: self- three main areas: modern Society of in the twelfth and research were performed history, science broader historical 1100 and 1800, control, and the emotions fostered Jesus, the most thirteenth centuries. collaborators and expressed and medicine, change. Studies in with a particular conflict between at the Hapsburg influential order It considers the sorts and partners. in pre-modern the visual arts, this program rest on focus on the long- reason and the pilgrimage shrine of of educators in of emotions ascribed Philippa’s own CHE- dramatic, literary, music and drama. the understanding ranging effects passions. Mariazell in Austria; Catholic Europe and to demons and what related research artistic and musical Bob’s CHE-related that emotional of pre-modern emotions associated its colonies until the this tells us about projects explore: performances. Her projects explore discourses act as European emotions with witchcraft and end of the eighteenth the relationship how emotions own projects explore how emotions drivers of major on Australian the fear of social century. Her project between feeling and worked in late- how music was were described in cultural, social, culture. Stephanie’s threat; and emotions on ‘Passions for embodiment, and medieval English used historically and Shakespeare and political and own work for the generated in Learning’ opens whether feelings law, families, and is used today for how we interpret economic changes. Centre focuses response to natural up the emotional were considered an religious life; and emotional regulation those emotions David’s own CHE on the expression disasters. Charles worlds of scholars, exclusively human how late-medieval from personal today, and how research projects of emotion on the is also responsible scientists, teachers, characteristic. people in north- through to collective Shakespeare’s include Governing human face, in for the collaborative and students from Juanita is researching western Europe ceremonial plays have been Emotion: the poetic, dramatic exhibition on art the Middle Ages suicidal emotions actually interpreted activities; and how adapted and used Affective Family, and narrative and emotion to be through to the in the Middle Ages, expression of emotional affect can in modern Indian the Press and English literary held at the National nineteenth century. exploring how we emotion in faces, be achieved through films (including the Law in Early texts from Chaucer Gallery of Victoria in might uncover the gestures and historically informed Bollywood). Bob Modern Britain; and Shakespeare 2017. emotional states at behaviour. practices. She will has also published and Emotion in the through to play in the act of self- be taking up a post and has interests in English Criminal contemporary murder. The focus is at The University of eighteenth-century Courts, 1700-1830, writers on autism on textual resources, Melbourne in 2014, ideas of sympathy which will consider and prosopagnosia particularly first- but will continue as reflected in the emotional styles such as Oliver person life narratives. with her current theories of natural of English criminal Sachs. A second Juanita is also CHE role. rights, and romantic trials during a project examines the collaborating with writers, especially period when the relationship between UWA CI, Professor Keats and Hazlitt. incursion of counsel emotions and eco- Yasmin Haskell, on transformed their materialism; this a project studying culture. project compares the long history of and contrasts academic emotions human emotions from the High in medieval, early Middle Ages to the modern and modern eighteenth century. affective responses to two phenomena: fire and stone. ARC Centre of Excellence History of Emotions Annual Report 2013 13 Meet the Researchers

Professor Professor Professor

Dr Merridee Bailey Dr Katie Barclay Dr Una McIlvenna Dr Rebecca Dr Sarah Randles Dr Spencer Young Professor Dr Penelope Woods Dr Raphaële Garrod Dr Katrina McNamara Jacqueline O’Loughlin The University The University The University The University The University of The University of The University of Van Gent of Adelaide of Adelaide of Sydney The University of Melbourne Western Australia Western Australia Western Australia The University of of Sydney The University of Western Australia Merridee Bailey Katie Barclay Una McIlvenna Sarah Randles Spencer Young Penelope Woods Raphaële Garrod is Western Australia is a Research works with David is investigating Rebecca McNamara is conducting a is a specialist in is a Postdoctoral researching Jesuit Katrina O’Loughlin Fellow in the Lemmings and emotional responses is exploring research project the intellectual, Jacqueline Van Research Fellow emotions with has research Change Program, Claire Walker on a to public execution emotions related on emotions and educational and Gent is an early based at UWA. Professor Yasmin interests in English investigating project on how the in the early modern to the suicidal sacred sites, religious history of modern historian Penelope is working Haskell at UWA. literary history, emotional eighteenth-century period, looking in impulse in the focusing on the medieval Europe. with special on audience She is investigating particularly discourses press shaped public particular at the medieval world. Cathedral of Notre His research research expertise and emotion in lexis and theories eighteenth-century surrounding opinion around law use of songs and Her project focuses Dame at Chartres, a interests include in the fields of early modern of emotions as they writing, cultural merchant practices and governance verse in accounts of on cases of suicide significant centre for the history of early modern performance history were spelled out at history, gender and in London over through acting on crime and execution and attempted medieval pilgrimage universities, poverty gender, religion and collaborating the French Jesuit cultural exchange. the late medieval people’s emotional across Europe. suicide found and an outstanding and poor relief, and colonialism. with UK and collège of La Flèche, Working with and early modern sensibilities, Crime reports were in legal records example of early and the social and Jacqueline’s Australian theatres where Descartes Bob White in the period, c. 1450- thinking about how often printed in huge and chronicles in gothic architecture cultural impact research at the on research into was educated, Meanings Program, 1650. Drawing on emotions drove numbers on cheap England and Europe and art. The of the concept of Centre for the audience and before focusing on her project for CHE an array of archival social and legislative pamphlets and from c. 1200-1550. project investigates the seven deadly History of Emotions emotion in theatre their enactment or explores the forging materials, from change. In addition, set to the tune of In addition to the emotions in sins. His project explores the ways in spectatorship subversion in the of intellectual and court records to she is working on well-known songs, reported emotions of relationship to analyses sermons, which emotions and today. Penelope pedagogical, and emotional bonds popular printed emotions within enabling the reader the self-murdered, the material theological treatises material culture are also considers ultimately, political among women in didactic texts, the marriages of to sing along to the she is interested in culture of this and confessional at the core of early intercultural practices of the the ‘long eighteenth she is examining the Scottish lower account of the (often the affective nature site, in particular literature in order modern colonial performance and French Jesuits. Her century’. Drawing the central role orders across the violent) crime and of the judiciary’s the emotional to understand encounters. She the international sources consist on manuscript of emotions and long eighteenth the public execution response to suicide responses of how ideas about draws on a variety of theatre tour both of textbooks in letters, travel writing morality in London century. of the condemned. and the emotional worshippers to the sin, penance textual and material now and historically. rhetoric, psychology, and memoirs, merchant activities Exploring how resonance of those relics and other holy and conversion sources connected Penelope and theology, as this research and the ways the emotional reporting on or material housed in influenced the to the Dutch and collaborated with well as treatises investigates the in which moral resonances of a petitioning on behalf the cathedral, to its emotional life Swedish East Shakespeare’s Globe of meditational emotional structures emotions, vices familiar tune could of suicide victims. built environment of European India companies, and Queen Mary, practice and of moral of intellectual and emotional be transferred or and visual programs Christians in the Moravian University of London edification, school- sociability expressions of good subverted in the new and to the objects later Middle Ages. missionaries on a PhD project plays and occasional and women’s economic conduct version of the song, that they brought as and indigenous on spectatorship, literature (poetry, participation in were represented. this project reveals donations or took converts and reconstruction and orations). This the early modern In addition, how music, balladry away as souvenirs Swedish explorers audiences. research is providing Republic of Letters. her research and performance or contact relics. of the eighteenth her with some of the investigates played an integral century. As part building blocks of the language role in the of the project, she her current project, of emotions in public’s emotional is studying the a history of prudence legal and literary perception of crime representation in early modern texts. Her project and punishment. of these material France which will revises our ideas traces and nuance traditional of medieval and their emotional historiographical early modern resonances in accounts of the merchants, showing contemporary French Grand Siècle that emotions and museum exhibitions. by highlighting morality were at the the importance of core of economic emotions in the very activity. fabric of the not-so- transparent subject of the Age of Reason.

ARC Centre of Excellence History of Emotions Annual Report 2013 15 Professor Professor INSIGHTS Pathologising the emotions of medieval war

Dr François Soyer Dr Ross Knecht Dr Brandon Chua Dr Stephanie Dr Grace Moore Dr Giovanni Dr Sandra Garrido Downes Tarantino The University The University The University The University The University of Chivalric prowess, ‘manhood’ and the noble of Adelaide of Queensland of Queensland The University of Melbourne The University Western Australia heart formed a language of the emotions of Melbourne of Melbourne Dr François Soyer Ross Knecht is a Brandon Chua Grace Moore is a Sandra Garrido is involved in war that was propagated at the has just completed scholar of early researches in the Stephanie Downes Senior Research Giovanni Tarantino working with Prof. highest levels. The dominant high medieval an analysis, modern English area of seventeenth- specialises in Fellow in the is a former Hans Jane Davidson on version of the Trojan War story was Benoît de critical edition and literature based at and eighteenth- French and Shaping the Modern Kohn Member of the a project called My Sainte-Maure’s mid-twelfth-century Roman translation of the The University of century English English texts and Program. Her Institute for Advanced Life As a Playlist. de Troie, later turned into the Latin prose Centinela contra Queensland. His literature. His manuscripts from primary research Study in Princeton The project utilises Historia destructionis Troiae by Guido delle Judios puesta research focuses on research interests the later Middle project is an and Balzan Research an interactive Colonne. Both support contemporary notions en la torre de la Shakespeare and involve the affective Ages and their examination of Associate at the website created of masculinity, in which the praiseworthy Iglesia de Dios by his contemporaries, dimensions of reception up to the representation Scuola Normale in collaboration heat of anger in battle reflects the ‘choleric’ Fray Francisco de with additional the public sphere the present day. of bushfires in of Pisa. His main with the Australian humour of Mars, and displays the ‘manhood’ Torrejoncillo, first interest in the early and the emotional A graduate of the nineteenth-century research interest Broadcasting (courage and efficacy) of warriors. Later, in printed in 1674. The modern discourse constitution of University of Sydney, settler literature, is in the history Corporation to the period 1412-1420, the Benedictine John book will appear in of the passions, political identities. she was a British which will lead to and theorization investigate the Lydgate used Guido’s work as the basis for print with Brill in the philosophy His project for Academy Visiting a book, Arcady in of tolerance (and way people use his English Troy Book, dedicated to Henry V. early 2014 with the of language, and the Meanings Scholar at Queen Flames. Grace’s intolerance) towards music to mark key Analysing the change from French to Latin title: Popularizing the history of Program of the Mary, University recent work religious minorities events in their lives to English, I’ve noted a further surprising Anti-Semitism in pedagogy. He is Centre involves of London, and a includes an essay in the early modern such as weddings change in emotional evaluation. Lydgate Early Modern Spain currently at work investigating Mayers Fellow at on emotional era. He is currently and funerals. implies that people fight because there is and its Empire: on a manuscript, representations of the Huntington responses to arson researching The website also something wrong with them mentally and Fray Francisco de tentatively titled private and public Library, San Marino. in novels and the the reception explores the emotionally. Lydgate suggests that behind Torrejoncillo and the The Grammar government in In 2014 she is the periodical press. in England of a response of modern the anger of war (Mars) lies the envious Centinela contra Rules of Affection: literary responses Bloomfield Fellow in With Stephanie number of emotive listeners to music melancholy symbolised by Saturn Judios (1674). Language, Passion, to the English English at Harvard. Trigg, she will and personalized that was historically – cold, old and dry. He habitually associates He is currently and Pedagogy in Civil Wars (1642- Her research at be producing a accounts of the used to mark such battle deeds with pale-faced melancholy writing his fourth Early Modern English 1660). The project CHE traces how fire source book Catholic persecution events. It thus – a dysfunctional and unmanly state book on the politics Literature, on the reads the literary expressions of for high school of the seventeenth- traces the trajectory – so offering a distinct challenge to the of fear and the use intersections of fiction written by emotion in literature children. Grace century Waldensians. of music use in view of war as a theatre for noble courage of Anti-semitic emotion, grammar, politically-active were used to convened the ‘Fire Waldensianism significant rituals and wisdom. He uses the example of Troy, conspiracy theories and schooling in figures in the period support and explore Stories’ symposium, is considered the from the medieval greatest of all medieval war stories, to in the early modern literary texts. as contributions to links between rival which took place only ‘heresy’ of the and early modern pathologise not just that war, but Mars Iberian World. a discussion on the nations during times at The University twelfth century period until the – war per se – as madness and deficiency. affective and non- of conflict. With a of Melbourne in to survive with present day. Andrew Lynch rational bases of focus on Anglo- December 2013. unbroken continuity, The University of Western Australia political allegiance French cultural Grace is also linking hands with and obedience. The ‘encounter’ and developing a the Protestant project concerns the diplomacy from research interest in Reformation of the literary contribution the thirteenth the environmental sixteenth century. to the public debate to the sixteenth humanities. He is also exploring over the emotional centuries, she is the methodological constitution of also contributing legitimacy of reading a community to the ‘Speaking geographical emerging from the Faces’ project with maps not merely chaos of civil war. Stephanie Trigg as in technical or part of the Centre’s geopolitical terms, Shaping the but in a way that Modern Program. he believes can justifiably be defined as ‘affective geography’. ARC Centre of Excellence History of Emotions Annual Report 2013 17 Spotlight: Discover Pre-Modern Emotions Through Our Wiki Site!

Did you know: (light green and bright yellow bring joy, for instance!). In a dictionary- • That rage, to fourteenth-century cum-encyclopaedia from 1623, the Europeans, had health benefits? Meet the Partner Investigators definition of ‘crocodile’ provides the • The origin of the popular proverb explanation of ‘crocodile tears’ – the ‘to shed crocodile tears’? proverb supposedly derives from a crocodile’s tendency to eat the body • That one early modern observer, of a man but pause and ‘weepe ouer seeing a turtle under stress shed Dr Thomas Dixon Professor Jun. Prof. Professor Professor the head’ before eating that too. Indira Ghose Dr Claudia Jonas Liliequist Peter Reynolds tears, thought it seemed like Queen Mary, Jarzebowski ‘a rational animal’? Many of these theories are radically University of London Université de Umeå University The University of unfamiliar to us – but they all made These are just a few examples of the Fribourg Freie Universität Newcastle, UK sense in their own time. Rage as a Dr Thomas Dixon Professor Jonas ways in which pre-modern ideas of Berlin health benefit? Fourteenth-century is the Director Professor Indira Liliequist is a Peter Reynolds is emotions surprise, bewilder, and health handbooks defined it as of the Centre for Ghose’s research Dr Claudia founding member a Shakespearean maybe even shock us – and they can ‘the boiling of the blood around the the History of the deals with laughter Jarzebowski works and administrator scholar with a all be found on our new wiki site. heart’. The extra heat and energy Emotions at Queen and its diverse on the history of of the International particular interest This exciting collection went public supplied was naturally good for the Mary, University functions with emotions in early Network for the in Shakespeare in in September 2013 under the paralysed, the weak, or those living of London, the regard to emotions modern Europe, Cultural History contemporary guidance of Philippa Maddern and in cold regions. Tears a sign of co-editor of the – laughter as a tool pursuing questions of Emotions in performance and our wiki administrator, Dr Ciara rationality? Yes – because contrary History of Emotions of aggression, a of how emotions and Premodern Europe practical workshop- Rawnsley, with contributions from based approaches to popular belief, from the twelfth blog, and co-editor, coping strategy in political power were (CHEP), now researchers throughout the Centre. to teaching to the eighteenth centuries, with Professor the face of fear and entwined with each integrated into the Shakespeare in Reaching its century – 100 items Europeans firmly believed that only Ute Frevert, of embarrassment, other. Her own UGPS (Umeå Group schools and higher – by the end of November, the fully rational beings could have true the Emotions in and a mechanism CHE-related for Premodern education. Between site now provides access to over emotions (and, conversely, that History book series to reduce social research projects Studies). His role 2001-2006 he was 143 references and images, from the rational individuals had to be published by Oxford tensions. Her recent explore how within CHE is in part the creative director twelfth to the eighteenth centuries. emotional as well). University Press. research focuses childhood and to provide a liaison of the English It comprises textual extracts and His publications on Renaissance emotion interrelate point between CHE We still have a long way to go to National Theatre’s visual images relating to the in the field have courtesy literature to each other from and the work of achieve our aim of making our wiki double BAFTA award identification, conceptualization, focused on the and the strategies a perspective based UGPS. His research site one of the best resources in the winning performance representation, and expression conceptual of emotional on practices and focuses on love, world for the history of emotions. website Stagework of emotions in a variety of genres histories of the management that agency rather sexuality, honour The wiki encourages CHE members (stagework.org.uk). and European languages (with terms ‘passions’ it shares with than on normative and shame in early as well as the broader public to He is currently translations into modern English). and ‘emotions’, as classical rhetoric. thinking; and the modern Europe; submit any relevant textual or exploring some of the It includes scientific, medical, and well as the cultural Her interest lies history of love as and includes the visual sources they may happen early modern plays theological accounts of emotion, histories of altruism, in tracing the the history of dynamics of family across in their research, laying originally written for as well as descriptions of emotions emotional education, movement of political power. emotions in the foundations for an invaluable performance by boys/ expressed in a variety of contexts tears and weeping. texts and ideas More recently she 17th-18th century database on emotions which young adults, and in from the literary to the legal. He has benefited about emotional has developed an Sweden. In a reaches across disciplinary 2012 at the ANZ from scholarly manipulation in the interest in how forthcoming Shakespeare While still in its infancy, the website boundaries and spans generations. exchanges on the Renaissance, and to conceptualize publication on promises to be an indispensable Association In the meantime, there’s plenty latter topic with intersects closely emotions within duelling, Jonas conference, he resource for researchers interested there to engage, amuse, intrigue, several members with the work of a global and explores the directed a production in charting how emotions were and inform! Get onto the site of CHE, including Bob White and transcultural early relationship between of Ben Jonson’s perceived, defined, depicted, (emotions.arts.uwa.edu.au/wiki/ Professor Philippa Peter Holbrook. modern history. honour, violence Epicene, or The Silent and expressed across time. Users or through our homepage) Maddern. The Queen and emotion. Woman, using a group can search the site – by tag, date, and enjoy! Mary Centre recently of young actors (boys language, subject, country – hosted an event in aged 10 – 17) drawn for useful references to emotion Suggestions for new entries to the London, organised from three schools in terms and expressions that would site can be made to our wiki jointly with the Perth region. otherwise be hard to find. We can administrator, Ciara Rawnsley by Dr François Soyer Peter has written find out how a colour theorist of the email: [email protected] of CHE, on early- about how his cast late 16th C thought emotions were modern hatred. negotiated the affected by viewing different colours problematic emotional and Conservator working on the original handwritten and hand-painted political landscape of copy of Histoires Prodigieuses, by Pierre Boaistuau, a sixteenth- Jonson’s play and century French writer presented to Queen Elizabeth I in 1560. how the audience © Wellcome Library, London. responded to it.

ARC Centre of Excellence History of Emotions Annual Report 2013 19 Spotlight: Emotions Conference

CHE held its second international of North Carolina), Sarah McNamer History of Emotions is developing conference themed ‘Sourcing (Georgetown University) and Adrian as an internationally recognised Emotions in the Medieval and Randolph (Dartmouth College) were field of research. Early Modern World’ at The available to a global audience via live Jane Davidson, CHE’s Deputy University of Western Australia streaming on the Centre’s website. Director noted: ‘Every single session from 27 - 29 June 2013. The online version of the plenaries (and there were four parallel streams presentations has attracted over The theme attracted a range of running throughout) had excellent 1,000 views. papers exploring and analysing content. It was an incredibly the twin subjects of emotions as Parallel sessions for each of the stimulating event, brimful of high sources of knowledge, and finding Centre’s research programs – quality ideas and scholarly exchange’. historical sources for emotions. Meanings, Change, Performance, ‘I’d like to thank you for a splendid and Shaping the Modern - resulted in This forum for the exploration of conference’, wrote Senior Research a conference comprising 88 papers, how emotions can be accessed Fellow, Andrew Lawrence-King. two workshops and a discussion and analysed across a broad range ‘I have enjoyed and learnt from every panel. CHE was well represented, of sources brought together more CHE event I’ve attended, but for me with CIs, postdoctoral research than one hundred scholars from this one was the best yet. fellows, associate investigators around the world, and powerfully I felt that this conference was more and postgraduate students amongst illustrated the Centre’s ambitious focussed than previous meetings. the presenters. A bursary program and innovative achievements in And of course I was very happy that provided the opportunity for cross-disciplinary research. one of those centres of focus was so international and interstate close to my own research questions. The plenary presentations by the postgraduate scholars to attend As well as re-affirming existing close international keynote speakers: the conference. partnerships, this conference seeded James Amelang (Universidad The breadth and depth of papers at some new collaborations.’ Associate Investigators Autónoma), Tim Carter (University this conference represents how the

CHE’s innovative Associate Given the lag between the research texts; Megan Cassidy-Welch Investigators (AIs) program being carried out and the outputs (AI 2014-2016) and Dolly Mackinnon has continued to expand being published, many of the AI (AI 2012), Discovery Project for projects which were funded in 2012 their work on war remembrance, in 2013. This program, will only see publications realised 1250-1700; Pam Sharpe (AI 2014-2016), established in 2011, provides in 2013 or 2014. For this reason, we Discovery Project on pre-modern for selected Australian have included the AIs funded in 2012 British families and households; humanities scholars, working in project lists, along with the year Heather Dalton (AI 2012), DECRA on on projects that correlate in which their funding was awarded. transnational family-based networks. Multiple years indicate more than with the Centre’s research The Centre funded 31 Associate one year of funding. aims and goals, to work with Investigators in 2013. A further call the Centre and its broader Associate Investigators are able to was issued during the year for the use their involvement with the Centre 2014 program - 67 applications network. The AIs are provided as leverage when applying for grants were received, with the applicants with up to $3,000 per year or other funding. We would like to coming from a variety of Australian in research support and are congratulate the following AIs who academic and cultural institutions invited to participate in CHE were awarded national competitive and a broad range of disciplines. academic events. research grants in 2013: Lisa Hill After considerable deliberation, (AI full term) and Han Baltussen 24 scholars were invited to become The program has significant (AI 2012 and 2014-2016), Discovery Associate Investigators in 2014. mutual benefits for CHE and for the Project for a study of how classical For details on all of our Associate Associate Investigators. The range Stoicism influenced Enlightenment Investigators see our website: and depth of the Centre’s research liberalism; Deirdre Coleman (AI full is exponentially enriched and the term), Discovery Project for her study historyofemotions.org.au/about- opportunities of collaboration of the relationships between British the-centre/who-we-are/associate- extended, through the AI program. Romanticism and early nineteenth- investigators/meet-the-associate- century Anglophone Bengali investigators.aspx

Gerard ter Borch the Younger, Curiosity, ca.1660–62, © The Metropolitan Museum of Art, The Jules Bache Collection. 21 Scene from a Novella, Liberale da Verona (Italian, Verona ca. 1445–1527/29 Verona). © Metropolitan Museum of Art, Gwynne Andrews Fund, 1986. Our Research: 4 programs Spread

Research

Research in CHE takes place within four programs: Meanings, Change, Performance, and Shaping the Modern. These programs are not discrete entities working in isolation; rather, each relates to all of the others.

Meanings This program carries out foundational work in understanding what emotions were thought to be, and how they were understood in the relevant period in Europe.

Change This program analyses mass or communal emotions, in particular mass and communal events which were emotionally driven, but had major political and social causes and consequences.

Performance This program deals with what we can tell about how emotions were understood, expressed, displayed, transferred, and constructed through performing and visual arts, i.e. music, opera, drama and painting.

Shaping the Modern This program draws connections between what was happening in Europe in 1100 – 1800 and what is happening in modern Australia, both in terms of continuities between our European emotional heritage and Australia now, and of current Australian knowledge of, and attachment to, our cultural histories.

23 INSIGHTS More Than Sin: Feeling About Medieval Suicide

I have discovered that suicide in the Middle Ages was not always regarded with condemnation and punishment, which may come as a surprise when we consider the Christian culture and judicial process that censured suicide during this period. In the legal records, many instances of sympathy and some sense of understanding are extended to those who killed themselves and the families they left behind. One of the most remarkable discoveries has been the use of sickness to contextualize cases of people who died by suicide. Many case records emphasised the weakness of the body as opposed to the weakness of the mind as a cause for suicide, and this opens up an important inroad for discovering how medieval people conceptualised health and the possibility of self-inflicted death. Rebecca McNamara The University of Sydney

Already, eleven substantial edited books are forthcoming Cicero, Giotto, Machiavelli, Descartes, Shakespeare); Program Report in 2014-15, and they illustrate these points. Two at least emotional states (anger, envy, love, folly, merriment, Meanings emanate directly from the Centre’s conferences. See our melancholy, shame, regret, sympathy, lust, desire, website (historyofemotions.org.au/publications) for all fear, indignation, suicidal feelings, sociability); subjects The mission of the Meanings Program the Meanings publications. (emotional communities, public and private emotions, Program is to ‘carry out fundamental research war, law, media), modes of emotional expressiveness in into understanding what emotions Each of the collections has a multi- and interdisciplinary behaviour, gesture, the face through music and visual were thought to be, and how they were reach, is focused on developing the History of Emotions art and many more. Studies of early medical accounts of understood, expressed, and enacted on a broad front, and each contains up to twenty essays emotional and mental illness not only provide unexpected in Europe from 1100 to 1800’. which are original and diverse. Among the writers sources for contemporary psychological research, but are some of our Chief Investigators, Postdoctoral ‘Meanings’ has been chosen as a also open up new ways of understanding such afflictions. Research Fellows, International Fellows, and Associate deliberately capacious category which is Investigators, augmented by well-respected national Historical chronology provides a third set of relationships intended to be conceptually foundational and international experts in particular areas. There is between scholarly activities in the Meanings Program, and also inclusive. This intentionally substantial representation from the fields of History, running from classical times through different phases reflects an overlapping body of knowledge, Literature, Music and Theatre, and Visual Arts, with some of the Medieval, Early Modern, Enlightenment, and which is well within our inclusive chapters incorporating findings from more than one Romantic periods. ‘Meaningful’ continuities and understanding of methodologies based disciplinary area. They contain essays that cover each of ruptures emerge through time and are included in the on the History of Emotions. As a result, our programs and, as a whole, add up to a showcase for Change Program. A fourth grouping would include many of the specific projects being the kind of work we do, especially in exploring ‘Meanings’ disciplinary ‘sources’, since subjects of papers given undertaken under its umbrella are also of emotions in the period 1100 to 1800 across different often begin from particular areas like literature, history, nominated as falling into one or more of European cultures. art, architecture, music, linguistics, and drama, but the other Programs – Change, Performance inevitably overlap. However, since the Centre is dedicated and Shaping the Modern. To these multi-authored works can be added to interdisciplinary and multidisciplinary research, all monographs published or forthcoming by individual Overall, what emerges is that the kind papers to a greater or lesser extent address adjacent CIs, AIs and Postdoctoral Research Fellows, and many of work we are doing is demonstrably areas of knowledge, necessarily reaching beyond articles that have also been accepted for publication. An collaborative and multi-disciplinary and, exclusive, traditional boundaries, to contribute – we initial proof of the Centre’s value lies in the sheer volume in terms of generating innovative study hope – to a more inclusive, comprehensive, though never of focused, research productivity which it has already of History of Emotions, it is fully complete, discipline of the History of Emotions. generated and which will accelerate, as publishers catch national and international in writers, up with our completions. Research in the Humanities has for so long been a comprehensive and wide ranging in matter of individuals working alone, but the Centre is subject-matter, and cumulative in Another way of illustrating the scope of the Meanings successfully demonstrating a different, more inclusive contribution to knowledge. Given the Program is to glance at the remarkable range of and collaborative way of conducting research, which is lengthy time for research, lags in papers in this stream offered, for example, at our latest fertile and self-generating, exhibiting an unprecedented publishers’ schedules, and the fact conference held at UWA in 2013, suggestively themed vitality and historically informed pluralism. That is why that the Centre has been running for ‘Sourcing Emotions in the Medieval and Early Modern our Program heading is plural – Meanings – since it is less than three years, this conclusion World’. This theme stimulated a range of papers looking clear we shall never find (and are not seeking), a single seems inevitable, and impressive in at the twin subjects of emotions as sources of knowledge ‘Meaning’ to be gleaned from the History of Emotions. its achievement. and also finding historical sources for emotions: ‘Meanings’ is clearly central to both approaches. Bob White Particular names appear from the past (Adam and Eve, Meanings Program Leader

Eugène Delacroix, Hamlet and His Mother, 1849. © Metropolitan Museum of Art, Bequest of Miss Adelaide Milton de Groot (1876–1967), 1967. ARC Centre of Excellence History of Emotions Annual Report 2013 25 Danijela Kambaskovic Constant Mews Alison Scott (AI full term), UWA, (AI 2012-2015), Monash, (AI full term), UQ, Body and mind from Plato Theorizing emotion in mendicant Passionate readers: literary responses to Descartes influenced traditions, with particular to stoicism and the development of an reference to the ‘Speculum emotional ethics of reading, 1600-1700 Heather Kerr dominarum’ (Mirror of ladies) (AI full term), Adelaide, Barry Spurr Architectures of debate in several Clare Monagle (AI 2012), Sydney, seventeenth-century writers (AI 2012-2015), Monash, ‘The bliss of solitude’: representations Emotions in scholasticism: of the idea, experience and emotion of Heather Kerr historicising the passions of the soul solitude in poetry in English from the (AI full term), Adelaide, early modern period to today Melancholy sympathies: scaling up Lisa O’Connell ‘Beachy Head’ (Charlotte Turner (AI full term), UQ, Makoto Takao Smith, 1749-1806) Sentiment, secularity and the (PhD candidate), UWA, eighteenth-century British novel Glocal emotion: performative Hannah Kilpatrick practices of Jesuit conversion (PhD candidate), Melbourne, Katrina O’Loughlin in early modern Japan Angers, indignities, and furies – (Postdoctoral Research Fellow, constructing an emotion in late- AI 2012), UWA, Stephanie Trigg medieval English historical writing ‘A certain correspondence’: (CI), Melbourne, intellectual sociability and emotional Fire, rock, affect: shaping Ross Knecht community in the eighteenth century modern emotions (Postdoctoral Research Fellow), UQ, The grammar of passion Katrina O’Loughlin Stephanie Trigg (Postdoctoral Research Fellow, (CI), Melbourne, Stephen Knight AI 2012), UWA, Speaking faces: describing the facial (AI 2012 and 2013), Melbourne, An Irish Jig: the friendship of Princess expression of emotion (1400-2012) The role of emotions in medieval Dashkova and Martha Wilmot List of Research Projects romance Anik Waldow Ursula Potter (AI 2013), Sydney, Catherine Kovesi (AI 2012 and 2013), Sydney, The importance of sensibility in the (AI 2012), Melbourne, Interpreting adolescent fears shaping of enlightenment values Claws of desire: women, lust and in early modern daughters (1750-1800) sacred space in early modern Italy Sarah Randles Claire Walker Andrew Lynch (Postdoctoral Research Fellow), (AI full term), Adelaide, (AI full term), UWA, Melbourne, Governing emotion: the affective The emotions of war in medieval Deirdre Coleman Raphaële Garrod Emotions and sacred sites: family, the press and the law in The Meanings Program literature incorporates the following (AI full term), Melbourne, (Postdoctoral Research Fellow), UWA, Chartres Cathedral early modern Britain The family diaries of Katherine Jesuit emotions Joanne McEwan research projects: Ciara Rawnsley Robert White Plymley (1758-1829) (AI 2012), UWA, Yasmin Haskell (PhD candidate), UWA, (CI), UWA, Merridee Bailey Emotion and emotional attachment Brandon Chua (CI), UWA, ‘An ancient tale new told’: Performing emotions in Shakespeare (Research Fellow, AI 2012), Adelaide, in eighteenth-century Scottish (Postdoctoral Research Fellow), UQ, Passions for learning: emotion, Shakespeare’s use of folk and Emotions in mercantilism in late infanticide narratives Carol Williams Reason and the passions education and knowledge cultures fairy tales as sources for his plays medieval and early modern England, (AI 2012), Monash, (1100-1800) Shane McLeod (thesis passed on 18 November 2013) c. 1450-1650 Heather Dalton Emotions in medieval music theory (AI 2013), UWA, (AI 2012), Melbourne, Yasmin Haskell Richard Read, Han Baltussen Enduring pride: The memorial Colin Yeo Emotional support, knowledge (CI), UWA, (AI full term), UWA, (AI 2012), Adelaide, runestones dedicated to the warriors (PhD candidate), UWA, transfer and dynastic ambition: the Jesuit emotions The reversed cross in Pseudo Giotto’s The early modern reception of who helped Knútr conquer England Poetic antecedents of the Gothic mode importance of women and strong ‘Crib at Greccio’ as a booster of Cicero’s ‘Consolation To Himself’ Lisa Hill family relationships in early sixteenth- Rebecca McNamara liturgical drama (1297-1300) Richard Yeo (AI full term), Adelaide, Diana Barnes century Atlantic trading networks (Postdoctoral Research Fellow), (AI 2012), Griffith, Emotions in the social thought Bronwyn Reddan (Research Associate, AI 2012), UWA, Sydney, The passions of the expert: the ethos Daniel Derrin and political economy of the (PhD candidate), Melbourne, The politics of civility: historicizing Emotions and the suicidal impulse of specialization in Western science, (AI 2013), Macquarie, Scottish enlightenment Love me, love me not: performing genres of community, 1580-1665 in the medieval world 1600-1900 Humours of the mind: comic emotion in early modern contes de fées Peter Holbrook Marina Bollinger persuasion in early modern Philippa Maddern Spencer Young (CI), UQ, Sarah Russell (AI full term), UQ, English literature (CI), UWA, (Postdoctoral Research Fellow), UWA, A literary and intellectual (PhD candidate), UWA, The sex of Adam in early modern Europe Emotions at work: family, law and Emotions, sin and conversion Stephanie Downes history of self-government Intimate enmity: an affective analysis of religious life in late-medieval England narratives among the early French Keagan Brewer (Postdoctoral Research Fellow), Christian perceptions of ‘internal others’ Aleksondra Hultquist Dominicans (PhD candidate), Sydney, Melbourne, Alicia Marchant in the Medieval West c. 1200-1330 (AI 2012), Melbourne, The emotion of amazement in Public and private faces: diplomacy, (AI 2013, Research Associate), UWA, Charles Zika Love and desire, stage and page: Juanita Feros Ruys the middle ages poetry, and emotion in Anglo-French Emotions in late medieval English (CI), Melbourne, the love story in fiction and drama (CI), Sydney, contact, 1250-1600 chronicles Emotions and sacred space, 1300-1750 Andrea Bubenik in Britain (1660-1750) Suicidal emotions in the middle ages (AI full term), UQ, Sarah Ferber Louise Marshall Danijela Kambaskovic Juanita Feros Ruys The passions in early modern art (AI 2012), Wollongong, (AI 2012), Sydney, (AI full term), UWA, (CI), Sydney, theory (1400-1690) Worlds behind the world: the Trouble in heaven: emotions and The sonnet sequence before early The secret life of demons: the politics of the imagination in the plague in Renaissance Italy modern eyes: printing practices and emotional capacity of non-corporeal early modern witchcraft, demonic notions of the genre in Italy 1450-1650 beings in medieval thought possession and spirituality

ARC Centre of Excellence History of Emotions Annual Report 2013 27 The emotion of amazement intheMiddle Ages, English historical writing, Angers, indignities,andfuries—constructing anemotion inlate-medieval Sarah Randles, P Emotions andsacred sites: Chartres Cathedral, to the‘Speculumdominarum’(Mirror of ladies), Theorizing emotion inmendicant influenced withparticular traditions, reference helped Knútrconquer England, Enduring pride:Thememorialrunestones dedicated who to thewarriors Clare Monagle, AI2012-2015,Monash Emotions inscholasticism:historicising thepassions of thesoul, Rebecca McNamara, P world, Emotions andthesuicidalimpulseinmedieval emotions inthemiddleSuicidal ages, thought, medieval The secret life of demons:theemotional capacity of non-corporeal beingsin Spencer Y amongtheearlyEmotions, French sinandconversion narratives Dominicans, Philippa Maddern,CI,UWA family,Emotions at work: lawandreligious life inlate-medieval England, 1100-1500 History 1100-1500 Literature 1100-1500 History Art/Music 1100-1800 History Research Associate, UWA Emotions inlate Englishchronicles, medieval Fire, rock, shapingmodernemotions, affect: Stephanie T The role of romance, emotions inmedieval Stephen Knight,AI2012-2013,Melbourne literature, inmedieval The emotions of war Andrew L Haskell, CI,UWA , music theory Emotions inmedieval 2012, Sydney Louise Marshall, AI Renaissance Italy, the plaguein emotions and Trouble inheaven: cultures, and knowledge emotion, education, Passions for learning: Monash Williams, AI2012, 1500-1700 Literature, History &Art/Music History

Timeline Meanings 1100

oung, P Y asmin asmin Carol ostdoctoral Research F ostdoctoral ResearchF

Juanita Ruys,CI,Sydney

ostdoctoral ResearchF candidate, UWA Sarah Russell, PhD West c.1200-1330, in theMedieval ‘internal others’ perceptions of of Christian analysis affective Intimate enmity:an 1200-1330 History 1200 Hannah Kilpatrick,PhDcandidate, Melbourne Shane McLeod,AI2013,UWA

F Downes, P Anglo-French contact, Stephanie diplomacy, andemotion in poetry, faces: Public andprivate 1250-1600 Literature &History ellow, Melbourne Juanita Ruys,CI,Sydney, ellow, Melbourne ellow, UWA AliciaMarchant, AI2013, ellow, Sydney ostdoctoral Research Keagan Brewer, PhDcandidate, Sydney AI fullterm, UWA 1297-1300 History Art/Music drama, drama, booster of liturgical ‘Crib at Greccio’ asa in Pseudo Giotto’s The reversed cross space, Emotions andsacred 1300-1750 History CI, Melbourne

Constant Mews, AI2012-2015,Monash 1300 ynch, AIfullterm, UWA Danijela Kambaskovic, AIfullterm, UWA Body andmindfrom Plato to Descartes, Charles Zika, Richard Read, rigg, CI,Melbourne

T emotion, Stephanie facial expression of describing the Speaking faces: 1400-2012 Literature, History & Art/Music History 1400-1690 History Art/Music The passions inearlytheory, modernart

rigg, CI,Melbourne

1400

Kambaskovic, AIfullterm, UWA practices andnotions of thegenre inItaly, Danijela The sonnet sequence before early moderneyes: printing England, Emotions inmercantilism inlate andearly medieval modern 1450-1650 History 1450-1650 Literature MerrideeBailey, Research F

Daniel Derrin,AI2013,Macquarie in early modernEnglishliterature, Humours of themind:comic persuasion Ross Knecht,P The grammar of passion, The grammar Brandon Chua,P Reason andthepassions, modern Italy, of desire:Claws lustandsacred women, space inearly government, government, andintellectual ofA literary self- history 1500-1700 History 1500-1700 History Art/Music 1500-1700 Literature 1500-1700 Literature &History trading networks, networks, trading family relationships inearly sixteenth century Atlantic andstrongambition: theimportanceof women knowledgeEmotional anddynastic support, transfer daughters, Interpreting adolescent fears inearly modern 1500 Ursula P CatherineKovesi, AI2012,Melbourne P eter Holbrook, CI,UQ ostdoctoral ResearchF Andrea Bubenik,AIfullterm, UQ ostdoctoral ResearchF Heather Dalton, AI2012,Melbourne otter, AI2012-2013,Sydney 1525 ellow, AI2012,Adelaide

ellow, UQ ellow, UQ

1550 Sarah F demonic possession andspirituality, imagination inearly modernwitchcraft, Worlds thepoliticsof the behindtheworld: Marina Bollinger,AIfullterm, UQ The sex of Adaminearly modernEurope, (thesis passed on18November 2013) plays, talesuse of folk- andfairy assources for his ‘An ancient tale new told’: Shakespeare’s Poetic antecedents of theGothic mode, Heather Kerr,AIfullterm, Adelaide seventeenth-century writers, Architectures of debate inseveral Colin Y 1550

Ciara Rawnsley, PhDcandidate, UWA eo, PhDcandidate, UWA erber, AI2012,Wollongong

1575 History 1580-1665 Diana Barnes,Research Associate A I 2012,UWA The politicsof civility:historicizing genres of community,

Richard Y The passions of theexpert: theethos of specialization inWestern science, 1600-1900 History of anemotional ethics of reading, Passionate readers: responses literary to stoicism andthedevelopment 1600-1700 Literature Han Baltussen, AI2012,Adelaide Cicero’s ‘Consolation To Himself’, The early modernreception of Claire Walker, AIfullterm, Adelaide press andthelawinearly modernBritain, family, emotion: theaffective Governing ‘ period to today, inEnglishfromin poetry theearly modern the idea,experience andemotion of solitude F Katrina O’Loughlin,P Dashkova Wilmot, andMartha An IrishJig:thefriendshipof Princess

The bliss of solitude’:representations of 1600 ellow, AI2012,UWA

2012, Griffith eo, AI2012,Griffith

BarrySpurr,AI,ydney ARC Cent re ofEx ostdoctoral Research 1625

Alison Scott, AIfullterm,UQ

cellen e History ofEmotions Annu

1650 Makoto T Jesuit conversion inearly modernJapan, Glocal practices of emotion: performative F Raphaële Garrod, P Jesuit emotions, Robert White, CI,UWA Melbourne fées, Bronwyn Reddan,PhDcandidate, emotion inearly modern Love me,love menot: performing Performing emotions inShakespeare, Daniel Derrin,AI2013,Macquarie in early modernEnglishliterature, Humours of themind:comic persuasion ellow, UWA Literature 1660-1750 in Britain, infictionanddrama the love story Love and desire, stageandpage: AI 2012,Melbourne akao, PhDcandidate, UWA

Aleksondra Hultquist, Y asmin Haskell, CI,UWA,

ostdoctoral Research Continuedto P30 Continuedto P30 Continuedto P30 Continued to P30 Continued to P30

1675

contes de al Repor

t 2013

1700 29 1700 1750 1800 1850 1900 1950 2000

Literature 1700-1800 Spotlight:

Sentiment, secularity and the eighteenth-century British novel, Arts and Rhetorics Lisa O’Connell, AI full term, UQ of Emotion in Early An Irish Jig: the friendship of Princess Dashkova and Martha Wilmot, Katrina O’Loughlin, Postdoctoral Research Fellow, AI 2012, UWA Modern Europe

History On 25-27 November, The University of Queensland 1700-1800 Node of CHE was delighted to host ‘Arts and Emotions in the social thought and political economy of the Scottish enlightenment, Rhetorics of Emotion in Early Modern Europe’, Lisa Hill, AI full term, Adelaide the 2013 collaboratory of CHE’s Meanings Program. The collaboratory invited presenters and guests from ‘A certain correspondence’: intellectual sociability and emotional community in the eighteenth century, a diverse range of disciplines – intellectual and social Katrina O’Loughlin, Postdoctoral Research Fellow, AI 2012, UWA history, literary criticism, musicology, and performance Emotion and emotional attachment in eighteenth-century infanticide narratives in London and Edinburgh, studies, to name just a few – to explore the active role of Joanne McEwan, AI 2012, UWA aesthetic and rhetorical techniques in conditioning emotional experience in Europe between 1500 and 1800. History 1750-1800 UQ CHE’s Director, Peter Holbrook, and ARC The importance of sensibility in the shaping of enlightenment values, Postdoctoral Research Fellows Brandon Chua and Anik Waldow, AI 2013, Sydney Ross Knecht were pleased to welcome three keynote speakers: Lynn Enterline (Vanderbilt University), Christopher Tilmouth (Peterhouse, The University Literature of Cambridge), and Vanessa Agnew (The University 1749-1806 of Michigan). Enterline’s lecture considered Tudor Melancholy sympathies: scaling up ‘Beachy Head’ literature and drama in light of the discursive practices (Charlotte Turner Smith), Heather Kerr, AI full term, Adelaide of early modern educational institutions, while Tilmouth addressed eighteenth-century literary treatments of sentimentalism. The interdisciplinary emphasis of the Literature collaboratory was underlined by Agnew’s presentation 1756-1829 on the affective dimensions of music in early modern The family diaries of Katherine Plymley, cross-cultural encounters. Deirdre Coleman, AI full term, Melbourne Other international guests included Indira Ghose (Université de Fribourg and CHE Partner Investigator), Simon Haines (Chinese University of Hong Kong), History 1100-1800 John Roe (The University of York), and Tom Bishop (The University of Auckland), who joined speakers from Passions for learning: emotion, education, and knowledge cultures, CHE’s Adelaide, Melbourne, Sydney, and UWA Nodes Yasmin Haskell, CI, UWA and from UQ and other universities around Australia. The event saw a range of scholarly approaches brought History to bear on the question of the relation between rhetoric 1600-1900 and emotion, with presenters addressing such topics as the evolution of the novel; the role of affect in The passions of the expert: the ethos of specialization in Western science, Shakespearean drama; early modern stage practice; Richard Yeo, AI 2012, Griffith political satire and polemic; and discursive modes of self-creation and self-discipline. History A highlight of the collaboratory was the presentation 1300-1750 of the first modern performance of Johann Christoph Emotions and sacred space, Pepusch’s Venus and Adonis, a masque of 1715 with Charles Zika, CI, Melbourne a libretto by Colley Cibber. Produced by Jane Davidson (UWA, and CHE Deputy Director) from a score edited by Literature, History & Art/Music History Samantha Owens (UQ, and an Associate Investigator with 1400-2012 the Centre), the masque featured the performances of Lotte Betts-Dean as Venus, Vivien Hamilton as Adonis, Speaking faces: describing the facial expression of emotion, and Stephen Grant as Mars, with musical direction by Stephanie Trigg, CI, Melbourne Donald Nicolson. The production was made possible by the collaboration of CHE, The University of Literature Queensland School of Music, and The University 1660-1750 of Queensland Art Museum.

Love and desire, stage and page: the love story in fiction and drama in Britain, Aleksondra Hultquist, AI (2012), Melbourne

Benjamin West, Venus Lamenting the Death of Adonis, 1768 (retouched 1819). © Carnegie Museum of Art. ARC Centre of Excellence History of Emotions Annual Report 2013 31 Change Program

Program Report Projects: Scope and These projects, like that of François ‘performance’ for the constitution of Conceptualization Soyer (Adelaide) on early modern emotional experience. Many projects hate literature in southern Europe, conceive of all emotional expressions The Program presently includes seem to be inspired partly by ideas as performances shaped by social Assumptions and objectives around 30 active projects, including about the spread of moral panic with and cultural context, and read them two led by Chief Investigators, six led the proliferation of print culture, a accordingly. Thus Una McIlvenna As originally conceived, the Centre for the by Postdoctoral Research Fellows, form of media which accelerated the (Sydney) interprets early modern History of Emotions approached ‘change’ in up to 20 developed by Associate communication of hysteria as well as execution ballads as performances two explicit ways: first by expressing interest Investigators, and three PhD enlightenment. intended to stimulate emotion in explaining the causes and consequences of projects. In terms of chronological among listeners and draws attention By contrast with the stress on mass emotional events (e.g. witch crazes, moral spread, the largest concentration to the complex meanings of such ‘othering’ typical of moral panics, panics); and second by attending to collective of projects addresses the period ‘news’, inflected as it was by a third approach concentrates emotions or ‘emotional regimes’ as drivers of 1500-1700, but there are six projects commercial and aesthetic imperatives. on ‘emotions of inclusion’. significant historical change. A third approach, on the eighteenth century. There is By stressing the performative aspects For example in their studies of necessarily connected with the other two but also a preponderance of research on of communicating feelings, these ‘emotions, community and sacred more implicit than explicit, was to identify and northern Europe (especially Britain), projects also show that, rather than space, 1300-1750’, Charles Zika and study complex changes in collective emotional although one researcher is studying faithfully representing the true inner Sarah Randles (Melbourne) are norms over the ‘longue durée’ (best expressed Renaissance Italy, and another ‘self’ of the individual or community, interested in the ability of religious by our reaction against the ideas of emotional project attends to the Iberian emotions are intended to impact worship and spiritual spaces to ‘development’ in Europe from medieval to Peninsula between 1500 and 1800. on their audiences; in other words, inspire the love of God as a source modern times, as evidenced in the work of they do things in the world. Studying There are several distinct of communal feeling. Indeed it is Huizinga and Elias). interactive expressions of affect approaches among Change arguable, following Sara Ahmed’s should therefore reveal norms of All these approaches assume that collective researchers. Firstly, some of us work, that hatred of some named social hierarchy and control, emotions ‘exist’, if only in the sense that we are using similar sources to identify others (e.g. Jews, Catholics, asylum competing valuations of morality, can identify common patterns of emotional ‘emotional communities’ which were seekers) is frequently associated and changing patterns of cultural expression that have differed according to time semi-institutionalized. For example with love for the idealized community exchange and reproduction. This and place (e.g. classical stoicism, eighteenth- several researchers are studying or nation. This suggests the overall indeed, is the politics of emotion. century sensibility, American cool, the British emotional expressions occurring fluidity of emotions and emotion ‘stiff upper lip’). Of course they also tend to take in official or institutional records, words in ‘affective economies’, it for granted that individual emotional such as those of merchants’ guilds and also provides a useful method Events, Publications expression is influenced by the ‘feeling rules’ (Merridee Bailey, Adelaide), and for reading texts. Certainly, in their and Outreach characteristic of every culture, although the legal records (Rebecca McNamara, collaborative project ‘Governing The Change Program has held Centre’s commitment that ‘emotions make Sydney). These scholars have Emotions: the Affective Family, three collaboratories: one each history’ surely implies that individual emotional identified communities that the Press and the Law in Early in 2011, 2012 and 2013. All these expression is not determined by culture. Indeed depended on the regulation of Modern Britain’, David Lemmings, have resulted in plans for collections one important hypothesis that inspires much of emotions to ‘manage’ their clients, Katie Barclay and Claire Walker have of scholarly essays. Two are the our empirical work is William Reddy’s argument whether they were fellow merchants shown that printed accounts of trials subject of proposals presently that historical change occurs when significant or subjects of the justice system. and sermons variously sought to under consideration by the editors numbers of people ‘strive to feel’ according to the Secondly, there is a concentration inspire compassion around images of Palgrave Studies in the History dominant emotional regime but ultimately reject of projects which analyse the of suffering of families, as well as of Emotions, while one is in press the feeling rules. I think we should regard this as constitution of collective emotions to engender fear about deviance (D. Lemmings and A. Brooks (eds.), a challenge for our research: in other words, we by branding deviant behaviour from prescribed models of family Emotions and Social Change: suppose that conflicting emotional styles helped with expressions of alarm and relations. In the aggregate, therefore, Historical and Sociological to advance or impede historical change, rather disgust. Thus Giovanni Tarantino it may be most fruitful to approach Perspectives (Routledge: New York, than regarding them as simply epiphenomenal. (Melbourne) discusses the studies in the history of emotions May 2014)). The Program also importance of anti-Catholic ritual as ‘narratives’, whereby complex has an active education and and propaganda in seventeenth- discourses formed around objects outreach strategy. century Britain for constituting of emotion – God, the family, the English protestant identities, while law, the nation – competed for David Lemmings Charlotte-Rose Millar (Melbourne) affective dominance. Change Program Leader has argued that witchcraft pamphlets in England during the Finally, besides analysing emotional same period may have represented narratives, a fourth strategy crucial a communal response to individuals for research in the Change Program unable to control their emotions. emphasizes the importance of

Edouard Moyse, Accused heretics standing before a tribunal of the Spanish Inquisition in Sevilla. © Wellcome Library, London. ARC Centre of Excellence History of Emotions Annual Report 2013 33 List of Research Projects

The Change Program Sarah Ferber Philippa Maddern François Soyer Spotlight: incorporates the (AI 2012), Wollongong, (CI), UWA, (Postdoctoral Research following research Worlds behind the world: Emotions at work: family, Fellow), Adelaide, Sacred Places, the politics of the imagination law and religious life in Cultivating fear and hatred of Pilgrimage and Emotions projects: in early modern witchcraft, late-medieval England the ‘other’: the development demonic possession of officially sanctioned Merridee Bailey Charlotte-Rose Millar and spirituality anti-Semitic and (Research Fellow, (PhD candidate), Melbourne, AI 2012), Adelaide, Islamophobic sentiment in The 2013 Change collaboratory, convened by Professor Raphaële Garrod Witchcraft, the devil and Emotions in mercantilism Catholic Southern Europe Charles Zika and Dr Sarah Randles at The University (Postdoctoral Research popular print in seventeenth- in late medieval and early (1500-1800) of Melbourne from 23-25 May, explored the emotions Fellow), UWA, century England modern England, Jesuit emotions Jennifer Spinks created in response to various forms of sacred place Mark Neuendorf c. 1450-1650 (AI 2012), Melbourne, from late antiquity to the modern period. Such sacred Stephen Gaukroger (PhD candidate), Adelaide, Violent emotions and places might commemorate the role of topography Katie Barclay (AI 2012), Sydney, Madness in England in the religious polemic: southern in a mythical past, a foundational event in the life of (Postdoctoral Research Sensibility in the ‘age of sensibility’ Indian religious cultures communities or significant moments in communal Fellow), Adelaide, eighteenth century development or survival. Through rituals and Governing emotions Lisa O’Connell in the sixteenth-century other forms of commemoration and memory, 1660-1800 Yasmin Haskell (AI full term), UQ, northern European they become repositories for communal meaning (CI), UWA, Sentiment, secularity and imagination Diana Barnes Jesuit emotions the eighteenth-century and collective identity. The collaboratory examined Nicole Starbuck (Research Associate, British novel how these emotions could be used to build, AI 2012), UWA, Lisa Hill (AI 2013), Adelaide, strengthen and defend forms of community and The politics of civility: (AI full term), Adelaide, Katrina O’Loughlin Pacific passions: explorations communal identity. historicizing genres of Emotions in the social (Postdoctoral Research of humanity from the age of thought and political economy Fellow, AI 2012), UWA, enlightenment to the French The smoking ceremony that formed part of the community, 1580-1665 of the Scottish enlightenment ‘A certain correspondence’: Revolution, 1766-1804 Welcome to Country, and the first lecture on ‘Sacred Ann Brooks intellectual sociability and Places of the South’ by Professor Peter Read, firmly David Lemmings Giovanni Tarantino (AI full term), UWA, emotional community in brought Australian Indigenous sacred space to the (CI), Adelaide, (Postdoctoral Research Emotions and social change the eighteenth-century fore, and reminded the participants how the emotional Governing emotions Fellow), Melbourne, response to sacred place is present in most religions Ann Brooks 1660-1800 Robert Phiddian Digging out some (AI full term), UWA, (AI 2012), Flinders, emotional roots of British and societies. David Lemmings Governing emotions ‘Saeva indignatio’ – Swift anti-Catholicism: a study of (CI) Adelaide, Many papers by the twenty speakers, five of whom 1660-1800 as emotional outrider in the the English representations were from Europe and North America, focused Norbert Elias, emotions Ann Brooks early eighteenth-century of the seventeenth-century specifically on pilgrimage sites and their associated and historical change (AI full term), UWA, literary regulation of ‘the massacres of Piedmontese rituals, iconography, architecture and material culture, Emotions in transmigration: David Lemmings rage of party’ Waldenses between the twelfth and eighteenth centuries, and how (CI) Adelaide, transformation, movement Neil Ramsey Stephanie Trigg these exploited the senses of touch, sight and hearing. Emotions in the English and identity (AI 2013), UNSW, (CI), Melbourne, The collaboratory demonstrated that sacred places of criminal courts, 1700-1830 pilgrimage promote collective and personal emotional Ann Brooks The Orientalist emotions Fire, Rock, Affect: experience, usually directed to achieving physical and (AI full term), UWA, Andrew Lynch of modern war: imperial Shaping Modern Emotions (AI full term), UWA, conflict in eighteenth-century spiritual benefit, wellbeing or protection, or facilitating Norbert Elias, emotions Claire Walker The emotions of war in travel writing thanks for benefits received. In this way they help fashion and historical change (AI full term), Adelaide, medieval literature community, both through direct emotional experience Heather Dalton Sarah Randles Governing emotion: at the shrine, and through later indirect emotional (AI 2012), Melbourne, Joanne McEwan (Postdoctoral Research the affective family, the attachment. The forms of emotional investment in these Emotional support, (AI 2012), UWA, Fellow), Melbourne, press and the law in early pre-modern religious shrines seem to be one of the knowledge transfer and Emotion and emotional Emotions and sacred sites: modern Britain most important models for the later commemoration attachment in eighteenth- Chartres Cathedral dynastic ambition: the Claire Walker of sacred places by secular nations and states. century infanticide narratives importance of women and Elsa Reuter (AI full term), Adelaide, in London and Edinburgh strong family relationships (PhD candidate), Adelaide, Governing emotions in early sixteenth-century Una McIlvenna Justice and the passions 1660-1800 Atlantic trading networks (Postdoctoral Research in English treason trials, Richard Yeo Fellow), Sydney, 1660-1714 Nicholas Eckstein (AI 2012), Griffith, Singing the news of death: (AI 2012), Sydney, Sarah Russell The passions of the expert: song in early modern ‘Getting’ the joke: anger, (PhD candidate), UWA, the ethos of specialization in European execution envy, violence and contempt Intimate enmity: an affective Western science, 1600-1900 (1500-1900) in the community life of analysis of Christian Charles Zika Renaissance Italy Dolly MacKinnon perceptions of ‘internal (CI), Melbourne, (AI 2012), UQ, others’ in the Medieval West Emotions and sacred space, Emotional landscapes: c. 1200-1330 1300-1750 English and Scottish battlefield memorials 1638-1936

The smoking ceremony by Wurundjeri Elder, Ron Jones, brought Australian Indigenous sacred space to the fore. © Erika von Kaschke. ARC Centre of Excellence History of Emotions Annual Report 2013 35 1100 1200 1300 1400 1500 1550 1600 1650 1650 1700 1750 1800 1850 1900 1950 2000

History Theory 1100-1500 History 1700-1800 1500-1700 Emotions at Work: Family, law and religious life in late-medieval England, Norbert Elias, emotions and historical change, Philippa Maddern, CI, UWA Worlds behind the world: the politics of David Lemmings, CI, Adelaide, Ann Brooks, AI full term, UWA the imagination in early modern witchcraft, ‘Getting’ the joke: anger, envy, violence and contempt in the community life of demonic possession and spirituality, Emotions and social change, Ann Brooks, AI full term, UWA Renaissance Italy, Sarah Ferber, AI 2012, Wollongong Emotions in transmigration: transformation, movement and identity, Nicholas Eckstein, AI 2012, Sydney Emotional support, knowledge transfer and dynastic Ann Brooks, AI full term, UWA ambition: the importance of women and strong family relationships in early sixteenth century Atlantic History trading networks, 1638-1936 Heather Dalton, AI 2012, Melbourne History Emotional Witchcraft, the devil and popular print in landscapes: History 1200-1330 1660-1714 seventeenth-century England, English and Intimate enmity: an affective analysis Charlotte-Rose Millar, PhD candidate, Melbourne Scottish Justice and of Christian perceptions of ‘internal others’ in battlefield History Governing emotion: the affective family, the passions the Medieval West. memorials, 1700-1800 the press and the law in early modern Britain, in English Sarah Russell, PhD candidate, UWA Dolly Claire Walker, AI full term, Adelaide treason trials, Emotions in the social thought and political economy of the Scottish enlightenment, MacKinnon, AI Elsa Lisa Hill, AI full term, Adelaide Violent emotions and religious polemic: southern 2012, UQ Reuter, PhD Indian religious cultures in the sixteenth century candidate, ‘A certain correspondence’: intellectual sociability and emotional community in the eighteenth century, northern European imagination, Adelaide Katrina O’Loughlin, Postdoctoral Research Fellow, AI 2012, UWA Jennifer Spinks, AI 2012, Melbourne Emotion and emotional attachment in eighteenth century infanticide narratives in London and Edinburgh, Joanne McEwan, AI 2012, UWA Madness in England in the ‘age of sensibility’, Mark Neuendorf, PhD candidate, Adelaide History Digging out some emotional roots of British anti-Catholicism: a study of the English representations 1100-1700 History, Literature of the seventeenth-century massacres of Piedmontese Waldenses, 1500-1700 Giovanni Tarantino, Postdoctoral Research Fellow, Melbourne Emotions and Sacred Sites: Chartres Cathedral, Sarah Randles, Postdoctoral Research Fellow, Melbourne Jesuit emotions, Yasmin Haskell, CI, UWA, The Orientalist emotions of modern war: imperial conflict in eighteenth-century travel writing, Raphaële Garrod, Postdoctoral Research Fellow, UWA Neil Ramsey, AI 2013, UNSW

History, Literature 1500-1900 History 1766-1804 Singing the news of death: song in early modern European execution, Una McIlvenna, Postdoctoral Pacific passions: explorations of humanity from Research Fellow, Sydney the age of enlightenment to the French Revolution, Nicole Starbuck, AI 2013, Adelaide History 1500-1800 Literature 1700-1800 Cultivating fear and hatred of the ‘other’: the Literature Sentiment, secularity and the eighteenth-century British novel, Literature development of officially 1580-1665 Lisa O’Connell, AI full term, UQ 1100-1500 sanctioned anti-Semitic and Islamophobic sentiment in The politics Sensibility in the eighteenth century, Stephen Gaukroger, AI 2012, Sydney of civility: The emotions of war in medieval literature, Catholic Southern Europe, Saeva indignatio – Swift as emotional outrider in the early eighteenth century historicizing Andrew Lynch, AI full term, UWA François Soyer, literary regulation of ‘the rage of party’, Robert Phiddian, AI 2012, Flinders Postdoctoral Research genres of Fire, rock, affect: shaping modern emotions, community, Fellow, Adelaide History Stephanie Trigg, CI, Melbourne Diana Barnes, 1660-1800 Research Associate, AI Governing emotions, David Lemmings, CI, Adelaide; 2012, UWA Katie Barclay, Postdoctoral Research Fellow, Adelaide; Claire Walker, AI full term, Adelaide; Ann Brooks, AI full term, UWA

History 1300-1750 History Emotions and 1450-1650 Sacred Space, History Emotions in mercantilism 1600-1900 Charles Zika, CI, History in late medieval and early Melbourne The passions of the 1700-1830 modern England, Merridee expert: the ethos Bailey, Research Fellow, AI of specialization in Emotions in the English criminal courts, David Lemmings, CI, Adelaide 2012, Adelaide Change Western science, Richard Yeo, AI 2012, Timeline Griffith

ARC Centre of Excellence History of Emotions Annual Report 2013 37 Of these projects, the work on publication entitled Ressurrexit Secular musical enquiries featured rhythm, text and action led by CI (ed. Davidson, 2013, Uniprint, UWA). Distinguished International Visiting Davidson, with major performance- Fellow Professor Tim Carter’s Another research performance practice exploration by Andrew keynote ‘From conception to delivery: project was developed by AI Rob Lawrence-King, deserves special Sourcing (musical) emotions in Conkie (La Trobe University) and mention. Beginning in 2011, Early Baroque Italy’ which provoked co-investigated with Postdoctoral with an experimental production questions about how we might be Research Fellow Penelope Woods in Copenhagen of Monteverdi’s able to access valid information on (The University of Western Australia). ‘favola in musica’ Orfeo, the work how the topic was used to persuade This project used an all-male cast to has progressed with Lawrence-King audiences. With similar concern, investigate the emotions on stage presenting himself as the modern AI Helen Dell (The University of and in the audience as they related day Il Corago to produce music and Melbourne) questioned the to the enactment of Desdemona’s staged action according to the authenticity of affect generated death in Shakespeare’s Othello. principles and practices of baroque in the modern performances of rhetoric. These endeavours have A major outcome for the medieval song. Postdoctoral Performance been so successful that in July 2013 Performance Program has been the Research Fellow Una McIlvenna Lawrence-King won a Golden Mask, project ‘My Life As a Playlist’ which (The University of Sydney) looked at Program Russia’s top theatrical honour, came to fruition with the launching the performance spaces and affects for his musical direction of of an on-line survey investigating of early modern street ballads. Cavalieri’s La Rappresentazione di peoples’ uses of music as markers Monteverdi’s Lamento d’Arianna Anima e di Corpo at the Theatre of key emotional rituals in their lives: was the topic of two presentations Natalya Satz in Moscow. In addition birthdays, marriages, funerals, by Daniela Kaleva (AI 2014, to this, Lawrence-King along with falling in love. The project was The University of South Australia) CHE visiting collaborator Jordi Savall a partnership with the Australian and Senior Research Fellow won a Helpmann Award (Australia’s Broadcasting Corporation and Andrew Lawrence-King, each Program Report top theatrical honour) for a recital involved participation from many paper exploring the communication of viola da gamba and harp music radio listeners who were able to of affect. Rhetorical concerns where the communication of up-load their favourite playlists interfaced discussion of instrumental The Performance Program of CHE partnerships, with mutually being developed in collaboration historically informed emotional and explain why this music was technique in papers by CHE associate has investigated how emotions were developed works coming to fruition with a Senior Research Fellow expression was central to their so important to them. ‘My Life As performance artist Georg Corall (the thought, felt, understood, displayed, on the stage, through the written (Lawrence-King), a Postdoctoral research endeavour. Their a Playlist’ can be found at Eloquent Hautboy), and doctoral transferred and constructed through word and in conferences and Research Fellow (Garrido), our performances in Australia included abc.net.au/arts/playlist student Hannah Lane (The Australian a public panel discussion on National University – co-supervised performance and the visual arts. collaboratories that have generated Associate Investigators (d’Arcy, The scholarly weight of the Lucrezia Borgia in association with by Andrew Lawrence-King) on the The Performance Program has been much international debate. Dell, Collins, Maddox, Owens, Performance Program was revealed broadly conceived, understood as Marshall, Conkie, Read, Bubenik, CHE, the National Gallery of Victoria French single-action harp. Inevitably, our current researchers during CHE’s second international ranging from an association with and Stockigt), and two PhD and the Early Music Studio at The bring their own modern encultured conference ‘Sourcing Emotions Theatrical concerns were explored in staged theatrical and musical projects (Alessi and Takao). University of Melbourne. experience to attempts to interpret in the Medieval and Early Modern papers on despair and suicide as performance through to the These researchers cover a range historical works. Thus central to our Within Australia, reflective World’ (June 2013), with one-third depicted in seventeenth-century enactment of social and cultural of disciplines including history, enquiry into the history of performed performance research projects of the total number of presentations French drama (Emilia Witon- rituals, some in more formal literature, theatre, musicology, emotions are questions relating to included a production of John Blow’s focused on Performance topics. Godberfforde, University of Cambridge, settings like in the courtroom or the performing arts and the extent that historical affect can Venus and Adonis in Western Highlights included presentations UK); encoding emotions into stage at a public execution site, whilst performance studies, psychology, be understood and re-imagined in Australia, working with associate on sacred contexts by AIs Constant directions in Stuart drama (Jitka others have been domestic or and art theory. Whilst these modern performance contexts. artists Perth Baroque and arts Mews and Carol Williams (Monash Stollova, Charles University, Prague); religious performances, taking projects all sit well within We create new ways of performing education partners, the Methodist University) on music as the ‘exaltation translating emotional performance place in private, intimate settings. Performance, there is a strong the meaning derived from these Ladies’ College Claremont and of the mind derived from things practices of English actresses in the This approach to definition has and inevitable connection with all historical works. Some of our Denmark Arts. In Queensland, eternal bursting forth in sound’ seventeenth century (Alessi, CHE provided opportunities for the three other research programs. performance outputs have been a production of Johann Christoph in Parisian chant theory of the PhD Candidate, UWA); and sentiment development of some fascinating developed employing quasi- Chronologically, the largest Pepusch’s Venus and Adonis was late thirteenth and early fourteenth in eighteenth century drama (Glen projects. Given that the performances experimental approaches to attempt concentration of projects focuses mounted, developed from AI centuries; AI Denis Collins McGillivray, The University of Sydney). we are dealing with are live acts, stylistic and affective re-creations, on the period 1600-1800, but there Samantha Owens’s (The University (The University of Queensland) on typically with an audience present For all the Performance Program whilst others have synthesized are a number of studies of Medieval of Queensland) project on German the relationship between emotion, or implied, much of the program’s publications go to historyofemotions. historical knowledge yet remain and Renaissance music and art. baroque music that resulted from text and counterpoint in the sacred research output has included org.au/publications-resources.aspx grounded in present day notions The research focuses mainly on her own edition of the score. music of the Counter-Reformation; reflective practice or rehearsal of emotional affect. Southern Europe (especially Italy), There was also an exciting program AI Maddox (The University of Sydney) Jane Davidson and performance experience although Germany and Britain of music at Newman College, on the emotional expression in Performance Program Leader alongside more traditional written This exciting program presently feature strongly, with one project The University of Melbourne, which the musical services of St Anthony commentary and evaluation of includes around 20 active projects, ‘My Life As a Playlist’ having very investigated the emotional role of Padua around 1700; and associate historical performance accounts including two led by Chief strong resonances for modern of music for Lent and Eastertide performance artist Stephen Grant by contemporary commentators. Investigators (Davidson and White), Australians, thus interfacing with in Germany in the early eighteenth (The University of Melbourne) Moreover, and crucially, this three led by Postdoctoral Research the Shaping the Modern Program. century. This work, emerging from examined affect in the sacred program has been central to the Fellows (McIlvenna, Woods and 2012 AI Janice Stockigt’s project, compositions of Heinrich Schütz development of CHE’s arts Garrod), and the remaining work resulted in a scholarly program (1585-1672).

The Two Gentlemen of Verona performed in Shone by Two Gents Productions at Shakespeare’s Globe. Reproduced with permission of Arne Pohlmeier. © Ellie Kurttz. ARC Centre of Excellence History of Emotions Annual Report 2013 39 Vivien Hamilton (Adonis), Lotte Betts-Dean (Venus), © Erika von Kaschke.

List of Research Projects

The Performance Program Helen Dell Una McIlvenna incorporates the following (AI 2013), Melbourne, (Postdoctoral Research Fellow), research projects: Singing death Sydney, Singing the news of death: song in Sandra Garrido Patricia Alessi early modern European execution (Postdoctoral Research Fellow), UWA, (PhD candidate), UWA, (1500-1900) (In partnership with the ABC), ‘Expressing the emotions of opera’s My Life As a Playlist Samantha Owens first bitches, witches and women in (AI full term), UQ, britches’: The contemporary mezzo- Raphaële Garrod The use of instrumentation to soprano sings opera’s seventeenth- (Postdoctoral Research Fellow), UWA, represent emotions in theatrical music century repertoire Jesuit emotions of the German Baroque (1600-1800) Spotlight: Andrea Bubenik Yasmin Haskell Richard Read Venus and Adonis (AI full term), UQ, (CI), UWA, (AI full term), UWA, The passions in early modern Jesuit emotions The reversed cross in Pseudo Giotto’s art theory Aleksondra Hultquist ‘Crib at Greccio’ as a booster of Johann Christoph Pepusch (1667-1752) was a native of Lincoln’s Inns Field production of 1717-18. This first Denis Collins (AI 2012), Melbourne, liturgical drama (1297-1300) Berlin, who settled in England in the 1690s. Originally ever Australian production of the work was designed to (AI 2013), UQ, Love and desire, stage and page: a member of the Queen’s Theatre Orchestra, in 1714 he interplay between tragedy and comedy, while giving the Janice Stockigt Emotion and music in the the love story in fiction and drama moved to Drury Lane Theatre where he became musical audience intimate access to the drama by placing them (AI 2012), Melbourne, Counter-Reformation in Britain (1660-1750) director. As competition between theatres was intense, in close proximity to the performers. The performance The role of music for Lent and Pepusch was preoccupied with finding ways to attract reflected the expressive rhetoric of music, posture Rob Conkie Andrew Lawrence-King Eastertide in the Dresden Catholic new audiences to his venue. In 1715 he collaborated with and gesture in the period. Emphasis was placed on (AI 2013), La Trobe, (Senior Research Fellow), UWA, court church (1710–1742) playwright Colley Cibber (1671-1757) to create Venus and clarifying the use of specific instruments for particular Othello’s ongoing affect Rhythm, text, action: exploring Makoto Takao Adonis, a masque and an afterpiece for a play performance. affective outcomes. emotional meaning and communication Sing d’Arcy (PhD candidate), UWA, Venus and Adonis was advertised proclaiming it would in sacred and theatrical musical With acclaimed harpsichordist Donald Nicolson as (AI 2013), UNSW, Glocal emotion: performative ‘give the town a little good Musick in a Language they performance settings working through musical director, the research team worked with a Space, music and emotion: practices of Jesuit conversion understand’. The novelty of a masque performed in a reflective historically-informed wonderful company of performers: Vivien Hamilton architecture and the organ in early modern Japan English countered the competition lying only a few streets performance-practice approach (Adonis), Lotte Betts-Dean (Venus), Stephen Grant (Mars), in early modern Spain away at the Haymarket Theatre where popular Italian Robert White and The Badinerie Players with guest woodwind artists. Alan Maddox operas were produced. Ironically, of course, though sung Jane Davidson (CI), UWA, Together they created two performances at the UQ Art (AI 2012-2013), Sydney, in English, Venus and Adonis was composed firmly in the (CI), UWA, Performing emotions in Shakespeare Museum on 23 and 26 November 2013. The production The performance of affect Italianate style that was popular at the time. Rhythm, text, action: exploring generated much interest from the general public as well in early modern opera Carol Williams emotional meaning and communication So, Venus and Adonis occupies an important historical as Early Modern scholars and was positively reviewed. (AI 2012), Monash, in sacred and theatrical musical Alan Maddox niche. The project, developed in 2013 by AI Samantha The production was made possible through a UQ-UWA Emotions in medieval music theory performance settings working through (AI 2012-2013), Sydney, Owens and CI Jane Davidson, is based on a historically Bilateral Collaboration Award, The Centre of Excellence a reflective historically-informed Musical emotion in the sacred sphere Penelope Woods informed edition of the work. This was made by Owens for the History of Emotions Performance Program and UQ performance-practice approach (Postdoctoral Research Fellow), UWA, after study of the full score at the archives of the Royal Node, The UQ School of Music, and The UQ Art Museum. Louise Marshall Audience and emotion in early College of Music, which seemingly was used at the Jane Davidson (AI 2012), Sydney, modern performance history (CI), UWA, Trouble in heaven: emotions and (In partnership with the ABC), the plague in Renaissance Italy My Life As a Playlist Venus and Adonis © The Metropolitan Museum of Art, The Jules Bache Collection, 1949. ARC Centre of Excellence History of Emotions Annual Report 2013 41 Frans Francken, Der geigende Tod, Circa 1775-1825, Wikimedia Commons. 1100 1300 1400 1500 1600 1700 1800 1900 2000

Music Drama 1100-1300 1400-2012 Contemporary reception

Emotions in medieval music theory, Audience and Carol Williams, AI 2012, Monash emotion in Music early modern 1500-1800 performance history, Singing the news of death: Penelope song in early modern Art Music Woods, European execution, 1297-1300 1710-1742 Postdoctoral Una McIlvenna, Postdoctoral The reversed Research Research Fellow, Sydney The role of music for cross in Fellow, UWA Lent and Eastertide Pseudo in the Dresden Giotto’s ‘Crib Catholic court church, at Greccio’ Art Janice Stockigt, as a booster 1400-1690 AI 2012, Melbourne of liturgical The passions in early modern drama, Music Richard Read, art theory, Andrea Bubenik, 1600-1800 AI full term, AI full term, UQ UWA Space, music and emotion: architecture and the organ in early modern Spain, Opera Sing d’Arcy, AI 2013, UNSW 1400-1600 Singing death, Helen Dell, AI 2013, Melbourne The performance of affect in early modern opera, Drama Alan Maddox, AI 2012-2013, 1660-1750 Sydney Love and desire, stage and page: the love story in fiction and drama in Britain, Music Aleksondra Hultquist, AI 2012, Melbourne 1400-1600

Emotion and music in the Drama Counter-Reformation, 1600-1800 Denis Collins, AI 2013, UQ Jesuit emotions, Yasmin Haskell, CI, UWA, Singing death, Raphaële Garrod, Postdoctoral Research Fellow, UWA Helen Dell, AI 2013, Melbourne Opera 1600-1800

Art ‘Expressing the emotions of opera’s first bitches, witches and 1400-1600 women in britches’: The contemporary mezzo-soprano sings opera’s seventeenth-century repertoire, Trouble in heaven: emotions INSIGHTS Patricia Alessi, PhD candidate, UWA and the plague in Renaissance Singing death Italy, Louise Marshall, AI 2012, Sydney Music Contemporary reception

Academic (or intellectual) discourse is usually about Another way to put it might be to say that music, like My Life As a Playlist, Jane Davidson, CI, UWA, Sandra Garrido, something other than itself. It is ‘transitive’ in this poetry, enacts its meaning through its own particular Postdoctoral Research Fellow, UWA. Partnership with the ABC maverick sense of the word, that is it has a direct qualities. These may be formal, melodic, rhythmic, Drama object, a ‘what’ of which it speaks. It has an object and instrumental. In a song something speaks to us beyond 1400-1650 a purpose. It also considers causes. Its emphasis is thus what the words are saying. There is a surplus. So when Music, Opera Performing emotions in on transparency. It speaks of something beyond itself songs are juxtaposed with academic papers, as we 1600-1800 and invites the listener to look and listen through it to placed them in our ‘Singing Death’ symposium, they Shakespeare, its object. But music is something in its own right, apart speak from a different place. Music is its own object and Robert White, CI, UWA Rhythm, text, action: exploring emotional meaning and from any cause, object or purpose. Music can illustrate speaks itself, beyond what it may say about anything else. Othello’s ongoing affect, communication in sacred and theatrical musical performance something else (for instance how medieval people Rob Conkie, AI 2013, La Trobe settings working through a reflective historically-informed Emotion figures differently in musical discourse. thought about death) or be useful for something else performance-practice approach, Jane Davidson, CI, UWA, Academic discourse may be about emotion but it is not (for instance as a way to assuage grief in mourning Andrew Lawrence-King, Senior Research Fellow, UWA. necessarily emotional (although it can be). Music, like rituals). One can consider its causes, sociological, The use of instrumentation to represent emotions in theatrical poetry, enacts emotion rather than speaking about it. historical or neurological. Its evolutionary value can be music of the German Baroque, Samantha Owens, AI full term, UQ I think that is an important aspect of what CHE has to discussed. But music also operates on another level. It offer the study of emotion in its performance program. Glocal emotion: performative practices of Jesuit conversion may have many uses but on that other level it is ‘useless’ in early modern Japan, Makoto Takao, PhD candidate, UWA as Oscar Wilde said of all art. Dante also spoke of the Helen Dell, Performance quality of uselessness II Convivio, naming it onesto: AI 2013 The University of Melbourne Musical emotion in the sacred sphere, Timeline Alan Maddox, AI 2012- 2013, Sydney ‘That which without expediency and without any fruit, is to be praised for its own reason’. ARC Centre of Excellence History of Emotions Annual Report 2013 43 Giuseppe Arcimboldi, Fire, 1527 ca- 1593. © The British Library Board (11048399).

Shaping the Modern Program

Program Report

Alone among our Centre’s four research programs, emotions history into this field. We convened a number Shaping the Modern moves beyond CHE’s main of joint events with the Australian Centre at the University chronological range of 1100-1800. Some of our projects of Melbourne, whose research theme this year was – such as our work on the face as a vehicle for emotional environmental and ecological criticism. The symposium expression – simply extend beyond 1800 into the modern ‘Ecological Australia: Ecocriticism in the Arts’ opened period. Other projects foreground the profound social with a public lecture from the recently retired leader and cultural shifts in historical emotional trajectories of the Greens, Bob Brown. That attracted a very large in the context of colonial and settler culture. What audience, showcasing our Centre to a broader audience happens to emotional attachments to the idea of ‘home’, than usual. This was followed by the Fire Stories for example, in settler society? Or, how are European symposium in December, which featured presentations affective ideas of landscape and environment transformed from Danielle Clode, Bill Gammage and Ursula Heise, through encounter with Indigenous inhabitants? Other as well as papers from a range of historical, cultural and projects ask questions about emotional heritage: what creative fields, from theorists and historians, fire fighters, emotional practices structure the way we think about and fire survivors. the medieval and early modern past, especially in At Kalbarri, in Western Australia, CHE contributed some contemporary Australia? key dimensions in historical research and performance Our program’s annual collaboratory for 2013 was held to the 2013 Zest Festival. The festival, run over the in Hobart in September. Convened by Diana Barnes, weekend of 21-22 September, explored affective links Susan Broomhall, and Alicia Marchant, History of Heritage: across the ocean to South Africa, from our shared Emotions in Blood, Stone and Land ranged widely in maritime heritage from the Vereenigde Oost-Indische disciplinary and historical orientation from papers Compagnie (Dutch East India Company) to more recent on Petrarch’s letters to contemporary museum culture. experiences in war and sport. The conference included two contrasting site visits, one Another feature of the Shaping the Modern Program to the pretty, historic town of Richmond and one to the is its interest in the contemporary arts and emotions. grim and forbidding ‘female factory’ in suburban Hobart. For example, Angela Ndalianis (Cinema Studies, University We also heard from practitioners in museum and of Melbourne) convened a fascinating symposium jointly heritage culture: how do curators evoke emotions? with CHE on cinema: ‘Baroque to Neo-Baroque: Emotion And are those emotions ever specified? Or is it enough and the Seduction of the Senses.’ Penelope Lee, the simply to ‘feel emotional’ when we touch the past? Education and Outreach Officer at Melbourne, convened Two of the invited museum practitioners, Michael a series of seminars at the Centre for Contemporary McGinnes (Stirling Smith Museum and Art Gallery) and Photography based on True Self, the touring exhibition Lesley Botten (Dunfermline Art Gallery and Museum), of the photographic and video art of David Rosetzky. also led a packed workshop at UWA for students, Over three evenings, academics, curators, artists and researchers and industry personnel on the role of musicians used the exhibition as a point of inspiration emotions in modern museum curation and interpretation. to talk about the emotions in a range of artistic media, from medieval images of the face to contemporary With the appointment this year of Dr Grace Moore at art installations. Melbourne as Senior Research Fellow in CHE, the Shaping the Modern program has developed a strong Stephanie Trigg interest in the environmental and ecological humanities, Shaping the Modern and we are bringing the weight of our research into Program Leader

ARC Centre of Excellence History of Emotions Annual Report 2013 45 David Vinckboons, Boerenverdriet (Farmer Sorrow), after c. 1619. SK-A-1351. List of Research Projects © Rijksmuseum.

Shaping the Modern Penny Edmonds Dolly MacKinnon incorporates the following (AI 2013), Tasmania, (AI 2012), UQ, research projects: Conciliation, trust and violence: Emotional landscapes: English empire’s humanitarian handshake and and Scottish battlefield memorials Susan Broomhall the anatomy of a transcolonial idea, 1638-1936 (CI), UWA, 1788-1901 Alicia Marchant Medieval and early modern Sandra Garrido (Research Associate, AI 2013), UWA, colonialisms, objects and emotions (Postdoctoral Research Fellow), UWA, Medieval and early modern Deirdre Coleman (In partnership with the ABC), colonialisms, objects and emotions (AI full term), Melbourne, My Life As a Playlist Barry Spurr The family diaries of Katherine Kate Gregory (AI 2012), Sydney, Plymley (1758-1829) (AI 2013), National Trust of Australia (WA), ‘The bliss of solitude’: representations Catherine Czerw Emotions of encounter in North West of the idea, experience and emotion of (AI 2012), Art Matters, colonial heritage solitude in poetry in English from the Spotlight: Journey of emotions: Julie Dowling’s early modern period to today Alison Inglis Emotions in Blood, Stone and Land Stations of the Cross (AI 2013), Melbourne, Stephanie Trigg Louise D’Arcens The celebration of grief: the case (CI), Melbourne, (AI 2012-2016), Wollongong, of Lady Franklin and mourning Fire, rock, affect: shaping modern At first glance a title like ‘A History of Heritage: Emotions collecting habits of modern Australians, and the public Medievalist laughter: emotion practices in colonial Australia emotions in blood, stone and land’ immediately stirs the emotions, heritage of contemporary Scotland. and transformation Paul James Stephanie Trigg even more so when the event is in Tasmania, a place Aboriginal elder, Patsy Cameron, spoke about the Jane Davidson (AI 2012), RMIT, (CI), Melbourne, deeply marked by family bloodlines, monuments and a emotions of the past, present and future held in the (CI), UWA, Figures of emotion: a global history Speaking faces: describing the facial remarkable landscape, and it thus set a perfect context natural landscape, while others analysed recent literary Rhythm, text, action: exploring of the face expression of emotion (1400-2012) for a CHE Shaping the Modern Program collaboratory. expressions of aboriginal heritage. Early European emotional meaning and communication Heather Kerr Jacqueline Van Gent This collaboratory, coordinated by Susan Broomhall, settlers’ attempts to understand, preserve and often in sacred and theatrical musical (AI full term), Adelaide, (Research Fellow, AI full term), UWA, Alicia Marchant and Diana Barnes, explored the long exploit aboriginal peoples and their cultures were performance settings working through Melancholy sympathies: scaling up Medieval and early modern emotions affective history of heritage, from the medieval period to also discussed. a reflective historically-informed Beachy Head (Charlotte Turner Smith, and modern exhibition spaces the present. They were interested in how the meanings performance-practice approach Participants visited two colonial prisons in Tasmania, 1749-1806) and focus of the concept of heritage have changed Jacqueline Van Gent the Richmond Gaol, and the Cascades Female Factory in Jane Davidson over time - as it has been represented in families and Andrew Lawrence-King (Research Fellow, AI full term), UWA, Hobart, and a range of other historic and heritage sites. (CI), UWA, bloodlines, monuments and objects, and in landscape (Senior Research Fellow), UWA, Medieval and early modern The Richmond Gaol is still intact and uses soundscapes (In partnership with the ABC), and places imbued with memory. Rhythm, text, action: exploring colonialisms, objects and emotions and display boards to guide one through its history. In My Life As a Playlist emotional meaning and communication A strong theme was the emotional connection of and to contrast, Lucy Frost (The University of Tasmania) took in sacred and theatrical musical Britain, with discussions ranging from the meanings of the group through the bleak remains of the Female performance settings working through carved stone for medieval Orcadians and the classical Factory, where much is left to the imagination, affecting a reflective historically-informed traditions of early modern England to battlefields in the visitor in a very different manner. performance-practice approach Britain and Australia, the Scottish and English heritage of nineteenth-century settlers and convicts, the

ARC Centre of Excellence History of Emotions Annual Report 2013 47 1100 1200 1300 1400 1500 1600 1700 1800 1900 2000 2010

1400-2012

Medieval and early modern colonialisms, 1800-2012 objects and emotions, Susan Broomhall, CI, UWA; Jacqueline Van Gent, Research Fellow, Medieval and early modern emotions AI full term, UWA; Alicia Marchant, and modern exhibition spaces, Research Associate, AI 2013, UWA Jacqueline Van Gent, Research Fellow, AI full term, UWA Figures of emotion: a global history 1100-1800 of the face, Paul James, AI 2012, RMIT

Fire, rock, affect: shaping modern emotions, My Life As a Playlist, Stephanie Trigg, CI, Melbourne Jane Davidson, CI, UWA, Sandra Garrido, Postdoctoral Research Fellow, UWA. (In partnership with the ABC) 1600-1800 Journey of emotions: Julie Dowling’s Stations of the Cross, ‘The bliss of solitude’: Catherine Czerw, AI 2012, Art Matters representations of the Rhythm, text, action: exploring emotional idea, experience and meaning and communication in sacred and emotion of solitude in theatrical musical performance settings poetry in English from working through a reflective historically- the early modern period informed performance-practice approach, to today, Jane Davidson, CI, UWA, Andrew Barry Spurr, Lawrence-King, Senior Research AI 2012, Sydney Fellow, UWA The celebration of grief: the case of Lady Franklin and mourning practices in colonial Australia, Alison Inglis (AI 2013), Melbourne

1638-1936

Emotional landscapes: English and Scottish battlefield memorials, Dolly MacKinnon, AI 2012, UQ

1758-1829

The family diaries of Katherine Plymley, Deirdre Coleman, AI full term, Melbourne

1600-2012

Emotions of encounter in North West colonial heritage, Kate Gregory, AI 2013, National Trust of Australia (WA)

1100-2000 1400-2012 Medievalist laughter: emotion and transformation, Speaking faces: describing 1749-1806 Louise D’Arcens, AI 2012-2016, the facial expression of emotion, Wollongong Stephanie Trigg, CI, Melbourne Melancholy sympathies: scaling up Beachy Head (Charlotte Turner Smith), Heather Kerr, AI full term, Adelaide

1788-1901 Shaping Conciliation, trust and violence: the Modern empire’s humanitarian handshake and the anatomy of a transcolonial idea, Timeline Penny Edmonds, AI 2013, Tasmania

ARC Centre of Excellence History of Emotions Annual Report 2013 49 Fire, 2013 © Felix Robinson. Spotlight: Early Career Visitors: Emotions on the Other Side of the World

Two months ago, I boarded my first plane for Australia. After I’d settled into my seat, an Australian gentleman two seats away asked me about the purpose of my trip: ‘Is it your first visit? Are you going as a tourist?’ I explained that I’d been lucky enough to receive a coveted Visiting Early Career Research Fellowship at the ARC Centre of Excellence for the History of Emotions. ‘Oh, that’s good,’ he responded. ‘So you’ll see we have some culture!’ He wasn’t telling me anything I didn’t already know, but I had no idea just how rich and productive my Tim Carter © Lucy Burnett Visitors fellowship period would be. During my visit, I listened to and presented research at universities in Sydney, Melbourne, Hobart, and Perth. I discussed my own work on medieval literature and emotion, but I also participated in a collaboratory on the meaning of International Visitors heritage in Australia and elsewhere. I recorded a public lecture on ‘Getting Emotional About Shame in Middle English Literature’ (my current project) and In 2013 our nodes hosted extended Dr Katherine Ibbett Professor Peter Reynolds a brief interview about my perspective on the history research visits to six Distinguished Fellow of the Radcliffe Institute for Newcastle University, UK of emotions. I met with established and early-career International Visitors, an Early Career Advanced Studies in 2013, Harvard Project: Preparatory work and scholars, and with postgraduates. Research Visiting Fellow, two University, USA workshops with students from International Partner Investigators, The fellowship was particularly valuable to me because Project: ‘“Compassion’s edge”; Guildford Grammar School, WA one International Investigator and it was my first opportunity to consider my subject, compassion during the religious for a new production of Francis two externally funded visitors, who medieval shame and ‘shamefastness’ (overwhelming wars in 16th C France’. Beaumont’s experimental and worked on specific collaborative fear of disgrace), outside of the Middle Ages and within theatrically daring early modern research projects, and delivered Associate Professor Sarah a broad and evolving field dedicated to investigating what play, The Knight of the Burning public lectures and academic McNamer emotions are and what work they perform. My study Pestle (1607), to be staged in 2014. seminars on their research findings. Department of English, Georgetown has been immeasurably enriched by the feedback I have University, Washington DC, USA received at the CHE, which has also inspired me to look International Investigator for ways to connect my research to the concerns of Distinguished International Project: ‘How does literature contemporary culture. Visitors matter?’ (medieval literature Professor Louis Charland and emotion). University of Western Ontario, Two days ago, I boarded my first plane away from Professor Michael Braddick (FBA) Canada Australia. While I was sorry to leave it behind, I continue The University of Sheffield, UK Early Career International Project: ‘Intellectual, philosophical and to look forward to the new collaborations and projects Project: ‘John Lilburne’s sufferings: Research Visitor psychiatric history of the passions’. that have already developed out of my experiences there. political mobilisation in Mary C. Flannery revolutionary England’. Dr Mary Flannery International Externally Funded University of Lausanne, Switzerland University of Lausanne, Switzerland Professor Tim Carter Dr Erin Sullivan The University of North Carolina Project: ‘The reader ashamed: at Chapel Hill, USA emotion, gender, and the ethics The University of Birmingham, UK of reading in medieval England’ Project: ‘Musicology and Project: ‘The history of early modern performance of 17th C Italian opera’. melancholy, especially in England’. International Partner Associate Professor Professor Peter de Bolla Investigators Vivienne Westbrook Kings College, Cambridge, UK Jun. Prof. Dr Claudia Jarzebowski National Taiwan University Project: ‘Affect, intuition and the Friedrich-Meinecke-Institut, knowing blush (early modern Project: ‘Shark in art: creature Freie Universität Berlin, Germany) to modern)’. vs culture’. Project: to complete her book Dr Karen Harvey on children’s emotion in early The University of Sheffield, UK modern Europe. Project: ‘The kiss in early modern society: ritual practice and emotional experience’. Mary C. Flannery © Erika von Kaschke. ARC Centre of Excellence History of Emotions Annual Report 2013 51 Arts Industries Partnerships

CHE is committed to forging Artists of WAO have been engaged In 2013, Black Swan State Theatre two-day festival, celebrating cultural For more information visit unaccompanied voices, which the arts partnerships with a range in a training project with CHE that Company, WA, participated in the contact between Europeans and zestfest.experiencekalbarri.com composer viewed as his final legacy. of institutions. We have firmly explored the ways in which Frontier Shakespeare Roundtable, Indigenous Australians since the The event explored how the music Industry links continue with the established relationships, Shakespeare’s poetry has been but in 2014 and 2015 the relationship seventeenth century, was launched does much more than narrate the WA branch of The National Trust growing collaborations and are used in song. will be cemented in a formal in 2012 and will continue through to Passion of Christ, investigating how of Australia, and new collaborations about to undertake exciting work partnership through an extensive 2016. Working alongside Zest’s major the Tenebrae Responsoria responded Our most significant arts project to began with the WA Maritime Museum with new partners. professional development workshop sponsor, the Kalbarri Development to Gesualdo’s unbelievable personal date came to fruition in 2013 with our and the WA State Library. Developed with CHE in a co-sponsored visiting Association, CHE has been able to history of religious conflict, power, Our established links include The third major arts industry partner, the across 2013, a major research and fellowship with acclaimed voice coach work with the Shire of Northampton, corruption, murder and intrigue. National Gallery of Victoria (NGV), Australian Broadcasting Corporation. outreach initiative has been the Professor Kristin Linklater of Columbia WA Museum, Kalbarri District High with an exhibition planned for 2017 This collaboration has been developing Freycinet Exhibition launched at Towards the end of 2013, international University, New York which will result School, The Kingdom of the on works held in Australia but since 2011, building the website the Library in October. The Freycinet guitarist Craig Ogden entered into a in the production of a Shakespeare Netherlands, West Australian Regional originating from Europe; and The ‘My Life As a Playlist’. This project Collection includes maps and performing arts partnership with CHE, play. Ongoing negotiations in 2013 Newspapers and the Rijksmuseum West Australian Opera Company was a major cross-platform project drawings from the French voyages delivering a recital of emotion-based have led to the development of a major of Amsterdam. CHE outputs included (WAO) on work allied to opera produced by ABC Arts in Spring 2013 of exploration and materials from the repertoire focusing on composers collaborative project between CHE, an historically informed exhibition and productions. Both partnerships are abc.net.au/arts/playlist voyage of Nicolas Baudin 1800-1804 such as Dowland and Scarlatti. Musica Viva and Vic Opera, to run associated talks, music and drama devoted to History of Emotions topics and that of Louis de Freycinet The work highlighted elements of The project has received mass 2014-2016 inclusive. workshops and performances, as well that resonate with our study period 1817-1820. CHE’s role has been the Shaping the Modern Program exposure through advertising on Radio as supporting information to an art 1100-1800. Preliminary work has Perth Baroque comprises to collaborate with the Library in as Ogden displayed the music National including feature items on exhibition, a ‘tasting tent’, and an already built capacity towards these international musicians playing producing an outreach program compositional and performance four specific radio shows: The Music evening of entertainment in the major outputs. For example, in historical musical instruments of arts activities for the community. techniques used to translate the Show, Encounter, Life Matters and form of a ‘Chamber of Rhetoric’ 2012-13 CHE collaborated with the and taking active roles in preparing timbres and meanings of the early All in the Mind. A major scholarly set on the beach with thousands of A new partnership with the Perth NGV on the The Four Horsemen: Death historically-informed performances. modern lute and harpsichord onto output has been the book entitled participants. CHE’s involvement will International Arts Festival produced and Disaster in Early Modern Europe In 2013, this expert ensemble the modern guitar. ‘My Life As a Playlist’ which is to grow further in the coming years. In a pre-performance event around exhibition. This amazing collaboration undertook a number of projects with be published in 2014. 2013, amongst other partners, CHE Tenebrae et lux, an extraordinary Nationally, a new partnership was resulted in a series of academic and CHE, from community outreach to recruited the services of international Festival commission, where founded with the Australian Chamber schools programs that will lead to Our collaborations continue to develop the development of the schools and opera singer and scholar, Professor contemporary French visual artist Orchestra and the Sydney Dance scholarly publications and has brought with Shakespeare WA, which provides professional reflective practice project, Michael Halliwell, who presented a Benjamin Bergery responded to and Company, with CHE offering talks for about the development of educational high quality, professional early modern John Blow’s opera of 1683, Venus and program of ‘Songs of the Sea’, which heightened the emotion of Gesualdo’s the national tour of Project Rameau, resources for teachers and schools drama in the outdoor setting of Perth’s Adonis, that was performed in Perth included Dutch sea shanties of the Tenebrae, a responsorial cycle, a collaboration based on a meeting that explore themes of disaster, spectacular Kings Park, and continues and Denmark in WA in August. seventeenth century. We shall be composed for Holy Week in 1611. between baroque dance music and witches, war and death. The Young to work with CHE in a range of theatre The Zest Festival partnership goes building on such artistic The CHE event offered historical contemporary movement language. and outreach-based projects. from strength to strength. This annual collaborations into 2014. insight to the Tenebrae, created for

Image by Wendell Teodoro.

ARC Centre of Excellence History of Emotions Annual Report 2013 53 Musica Viva is the largest chamber a number of workshops to the Studio In Queensland, an industry music entrepreneur in the world and and was joined by world-renowned partnership was started with the UQ prides itself in presenting the finest viola da gamba player, Jordi Savall, Art Museum in a CHE-led production performers in classical, jazz, world, and Carl Villis from the NGV to offer of Johann Christoph Pepusch’s folk and a capella music in order to an intriguing study event on Lucrezia masque, Venus and Adonis, with bring the experience of live music Borgia. In addition, CHE worked with a libretto by Colley Cibber, 1715. to Australian audiences. Throughout the Melbourne Conservatorium of This work foreshadows a major 2013 we have been building on our Music and Newman College Chapel collaboration with the upcoming partnership established in 2012 and Choir at The University of ‘Five centuries of Melancholia’ when we presented a series of talks Melbourne to deliver the stunning Dürer Exhibition, scheduled for to support nationwide touring artists. program Resurrexit, a performance 30 August to 30 November 2014. Plans include a major project with involving the research project by 2012 In Tasmania, a first for CHE, we ran a range of national and international AI Janice Stockigt, featuring music by our Shaping the Modern collaboratory partners in an innovative national Bach and Zelenka. with guests including representatives tour in 2016. Senior Research Fellow Lawrence- from the Queen Victoria Museum and In Melbourne, we partnered with King continues to forefront CHE work Art Gallery, Launceston; the National the Dax Centre to deliver a range through his own ensembles The Harp Trust of Australia (WA); Dunfermline of education and outreach events; Consort and Il Corago, working in Museum & Art Gallery and Stirling also, the Centre for Contemporary international performance venues Smith Museum (Scotland). Photography provided an amazing across the globe. Partnerships have These incredibly strong and diverse opportunity to collaborate on a project been forged by him through his work partnerships continue to build, with ‘True Self’ which involved CHE in with The Guildhall School of Music and exciting projects ahead. In early a series of lectures and support Drama, London; The Wallace 2014, the innovative UK-based vocal seminars by artists and scholars Collection, London; the ensembles Ars ensemble Solomon’s Knot works as diverse as the internationally Nova and Concerto Copenhagen, with CHE in Cambridge, England to renowned Australian composer Denmark; Theatre Natalya Satz, produce and perform a Jesuit music Elena Kats-Chernin and co-director Moscow and St Petersburg Academy performance. Major innovations of the Performance Space in Sydney, of Early Music, Russia; also, Festival for 2014 include Arts Education Jeff Kahn. CHE also worked on a Portico de Paraíso, Spain. This year, as Partnerships to produce reflective number of music concerts with the Continuo director, he collaborated with practice performances of Beaumont’s vocal ensemble e21, featuring the acclaimed opera director Peter satire The Knight of the Burning Pestle, Spotlight: composer Heinrich Schütz, and in Sellars, working at both Perm Opera a play for boy actors written in 1607; partnership with the Early Music House, Russia and Teatro Real, and Purcell’s opera Dido and Aeneas, My Life As a Playlist Studio. Andrew Lawrence-King offered Madrid, Spain on a production of originally performed by school girls Purcell’s The Indian Queen. in 1688. CHE and its industry partner, the Australian Broadcasting Music possesses a wonderful capacity to boost our spirits Corporation (ABC), launched My Life As a Playlist, a major in celebration and bolster our moods in commiseration. cross-platform project produced by ABC Arts in Spring Most people can attest to the emotional rush of hearing a 2013. abc.net.au/arts/playlist piece of music that’s closely attached to a major point in your life, even many years later. It’s this aspect of My Life Presented by ABC Radio National’s The Inside Sleeve host As a Playlist that’s so exciting, along with its ability to Robbie Buck, My Life As a Playlist offers an interactive share those experiences with others. website where participants can curate a personal soundtrack to their life. Users can create music playlists Professor Jane Davidson and Postdoctoral Research for major life events - births, childhood, falling in love, Fellow Dr Sandra Garrido’s book based on their research heartbreak, weddings and funerals. They can share their and entitled ‘My Life as a Playlist’ will be available early selections, explore other people’s playlists and discuss 2014 through UWA Publishing. the reasons behind their choices. Quizzes that produce instant results reveal to participants how and why they like the music they choose.

Image by Wendell Teodoro.

ARC Centre of Excellence History of Emotions Annual Report 2013 55 Academic Engagement

De Bolla, Peter Public Lecture: ‘The Blush of the World: Bonnard’s Nudes and the Disembodied Look’, (The University of Cambridge) UMelb, 31 July 2013; UAdel, 2 August 2013; UWA, 7 August 2013.

Denney, Peter* Presentation: ‘Seeing Nature as a Dumb Machine: Sound, Civility and the English (Griffith University) Landscape Garden, c. 1700-1750’, The University of Queensland (UQ), 27 September 2013.

Ditchfield, Simon* Public Lecture: ‘Thinking with Rome: Space, Place and Emotion in the Making of the First (The University of York) World Religion’, UMelb, 23 May 2013.

Donaldson, Ian Public Lecture: ‘Noli me tangere: interpreting a taboo’ at ‘The Early Modern Hand on Stage and in Art’ lectures at ‘The Hand: Gesture, Touch and Emotion’ Symposium UWA, 13 August 2013.

Downes, Stephanie Public Lecture: ‘Did Poetry Invent Desire?’, Melbourne Free University, Some Velvet Selected Public Morning, Clifton Hill, Victoria, 8 October 2013. Engagements Dursteler, Eric Public Lecture: ‘”Worshipers of the Cross and Eaters of Pork”: Food, Conversion and (Brigham Young University) Religious Identity in the Early Modern Mediterranean’, Institute of Advanced Studies (IAS), UWA, 3 July 2013.

Flannery, Mary Public Lecture: ‘Getting Emotional About Shame in Middle English Literature’, (University of Lausanne) The University of Sydney (USyd), 14 August 2013.

Research Presentation: ‘Maiden Shamefastness: Emotionality and Gender in Middle English Literature’, UMelb, 2 September 2013.

Public Lecture: ‘Shame and Emotionality in Later Medieval England’, UWA, 18 September 2013.

Baltussen, Johannes (Han) Public Lecture: ‘New Light on Cicero’s Self-Consolation?: Fumerton, Patricia* Public Lecture: ‘Broadside Ballads and Tactical Publics: “The Lady and the Blackmoor”, The 1583 Edition and a Letter-Book from the Bodleian Library (Rawl. D 985)’, (University of California, 1570-1789’, USyd, 29 July 2013. The University of Adelaide (UAdel), 23 August 2013. Santa Barbara)

Broomhall, Susan Public Lecture: ‘Body of Evidence: The Affective History of Robert Fairbairn’, State Library of Western Australia, 13 May 2013. Garrido, Sandra Public panel talk: ‘Music and Space’ in the ‘How to Feel: The Promise of Emotion’ Seminar Series, in association with the exhibition ‘True Self: David Rosetzky Selected Works’, Bubenik, Andrea Public Lecture: ‘Apocalypse Now! Albrecht Dürer’s 1498 Apocalypse series’, Centre for Contemporary Photography, Melbourne, 21 August 2013. Queensland Art Gallery Foundation Appeal, Queensland Art Gallery, 9 June 2013. Ghose, Indira Public Lecture: ‘Shame and Honour in Messina: Much Ado About Nothing and The Culture Carr, Rosalind * Public Lecture: ‘Calm Violence: Enlightenment, Refinement and the Duel in 18th Century of Courtesy’, UMelb, 21 November 2013. (University of East London) Scotland’, CHE Seminar Series, UAdel, 21 June 2013. Harvey, Karen, Public Lecture: ‘Expression and Experience: Mary Toft’s Feelings and her Rabbit Births of (University of Sheffield) 1726’, USyd, 22 November 2013. Charland, Louis Public Lecture: ‘Psychiatry and the Passions’, The University of Melbourne (UMelb), (University of Western Ontario) 15 August 2013. Haskell, Yasmin Public Lecture: ‘Child’s Play and Child Murder: The Emotions of Children in Jesuit Jacob Bidermann’s Latin epic on the Massacre of the Innocents (1622)’, Centre of Medieval and Czerw, Catherine Public Panel Talk: ‘In Public Space’ in the ‘How to Feel: The Promise of Emotion’ Seminar Early Modern Studies/ Perth Medieval and Renaissance Group (PMRG), UWA, Series, in association with the exhibition ‘True Self: David Rosetzky Selected Works’, 26 March 2013. Centre for Contemporary Photography, Melbourne, 14 August 2013. Public Presentation: ‘Science and poetry... with a Latin salsa’, at the Intellectual Tapas - Workshop: ‘Emotional Rescue: Guiding Emotion’ to the gallery guides, UWA Tasting Night, IAS, UWA, 28 August 2013. The Art Gallery of Western Australia, 13 December 2013. Ibbett, Katherine Public Lecture: ‘Compassion’s Edge: War and Marriage in Seventeenth-Century French Davidson, Jane Pre-concert talk: ‘Gesualdo Tenebrae et Lux (Darkness and Light)’, Perth International Arts (University College, London) Fiction’, UAdel, 5 August 2013. Festival, The University of Western Australia (UWA), 12 February 2013. Research Seminar Presentation: ‘Pitiful Violence: The Marital Misunderstanding Plot in Pre-concert talks: ‘Baroque Emotions, Contemporary Dance’, for Australian Chamber Seventeenth-Century French Fiction’, UMelb, 8 August 2013. Orchestra and Sydney Dance Theatre touring program, The Rameau Project, Queensland Performing Arts Centre, 12-13 July 2013; Canberra Theatre Centre, 13-14 September 2013. Inglis, Alison Public Lecture: ‘Fame, death and redemption: the case of Lady Franklin’, NGV Women’s Association Annual Lecture, National Gallery of Victoria, 14 March 2013. Performance: An Early Baroque Opera Venus and Adonis, Musical Direction: Georg Corall; Chorus Masters: Robert Faulkner and Rhiannon Taylor; Karim-Cooper, Farah* Public Lecture: ‘Reading Tactility in the Early Modern Playhouse’ at ‘The Early Modern Instrumental Ensemble: The Venus and Adonis Workshop Baroque Orchestra (a student (Shakespeare’s Globe) Hand on Stage and in Art’ lectures at ‘The Hand: Gesture, Touch and Emotion’ Symposium, orchestra tutored by Perth Baroque); Stage Direction and Production: Jane Davidson; UWA, 13 August 2013. Baroque Dance Coach – Steven Player; Dance Choreography: Seanne Kinsey. Methodist Ladies’ College, Perth, Western Australia, 30 August 2013; Kerr, Heather Public Lecture: ‘J.M.W. Turner and the “Sister Arts” – the relationships between poetry The Butter Factory, Denmark, Western Australia, 31 August 2013. and painting in his work’, for the ‘Turner from the Tate’ exhibition, Art Gallery of South Australia, 4 May 2013. Public Lecture: ‘For richer and poorer, singing for wellbeing impact’, Lawrence Wilson Art Gallery, UWA, 5 December 2013. Konstan, David Public Lecture: ‘Lucretius the Physicist and Modern Science’, IAS, UWA, 7 August 2013.

ARC Centre of Excellence History of Emotions Annual Report 2013 57 Lawrence-King, Andrew Public Lecture: ‘The Harmony of Three Worlds’, Philharmonie, Novosibirsk, Russia, Ruys, Juanita Feros Panel Presentation: ‘Medieval approaches to sexuality’ for panel ‘Sex and Representation’, 25 February 2013. Sydney Writers’ Festival, Sydney, 24 May 2013.

Public Lecture: ‘A Baroque History of Time: Hearts, Stars and the First Operas’, Panel facilitator: ‘Stories that Last’, Sydney Writers’ Festival, Sydney, 25 May 2013. UAdel, 8 March 2013. Sharpe, Will* Public Lecture: ‘Shakespeare, Authorship, and Emotionality in the Hand D section of Public Panel Discussion with Jordi Savall, chaired by Jane Davidson: (Independent Scholar) Sir Thomas More’, UQ, 31 May 2013. ‘Emotions in Performance’, Early Music Studio, Melbourne Conservatorium of Music, UMelb, 13 March 2013. Sullivan, Erin* Public Lecture: ‘Beyond Melancholy: Sadness and Selfhood in Renaissance England’, (Shakespeare Institute, USyd, 15 May 2013; UQ Art Museum, 23 May 2013. Public Lecture: ‘Tis Master’s Voice: A 17th-century Shakespearian soundfile?’, University of Birmingham) Moscow Music Conservatory, Russia, 4 June 2013. Tarantino, Giovanni Public Lecture: ‘A Sinophile on Grub Street: Thomas Gordon on China and England’, Public Lectures: ‘Early Italian Violin: bowing, ornamentation’, ‘Early Italian Continuo: School of Historical and Philosophical Studies, UMelb, 16 May 2013. Text & Rhythm’, ‘Early Italian Singing: Text, Rhythm, Action’, Etagi, St Petersburg, Russia, 29 November 2013. Public Lecture: ‘Mapping Religion (and Emotions) in the Protestant Valleys of Piedmont, 1655-1689’, UAdel, 25 October 2013. McIlvenna, Una Public Presentation: ‘Ballads in the Age of Public Execution’, at ‘Death(cha) Kucha’, for Performance Space’s ‘Matters of Life and Death’ public research showcase, Trigg, Stephanie Public Lecture: ‘Weeping Like a Beaten Child: Figurative Language and Emotion in Carriageworks, Sydney, 8 March 2013. Chaucer and Malory’, Queen Mary, University of London, 25 March 2013.

Public Lecture: ‘Body of Evidence: Delving into the Social and Emotional Life Public Lecture: ‘The Talking Face’ in ‘How to Feel: The Promise of Emotion’ Seminar of a Colonial Magistrate’, State Library of Western Australia, 13 May 2013. Series, in association with the exhibition ‘True Self: David Rosetzky Selected Works’, Centre for Contemporary Photography, Melbourne, 7 August 2013. Symposium/concert presentation: ‘Singing the Death of Criminals’ at the ‘Singing Death’ symposium, UMelb, 17 August 2013. Westbrook, Vivenne Public Lecture: ‘Shark in Art: creature vs culture’, UWA, 27 May 2013. (National Taiwan University) McNamara, Rebecca Public Pecha Kucha Presentation: ‘Emotions related to suicide in the Middle Ages’, at ‘Death(cha) Kucha’ for ‘Matters of Life and Death’ Program, Carriage Works, Sydney, Woods, Penelope Host of Public Post-Show Q&A: ‘Two Gents Theatre Productions’, New Fortune Theatre, 8 March 2013. UWA, 27 February 2013.

McNamer, Sarah Public Lecture: ‘Playing with Doubt’, UMelb, 1 July 2013. Public Lecture: ‘Original Practices at Shakespeare’s Globe’, Paradiso Cinema, Perth, 23 June 2013. McPhee, Peter* Public Lecture: ‘The Emotional History of Maximilien Robespierre, 1758-94’, (UMelb) CHE Seminar Series, UAdel, 17 May 2013. Wyatt, Michael* Public Lecture: ‘Aretino in Albion: Pietro Aretino in Thomas Nashe’s “Unfortunate Traveler”’, UQ Art Museum, 30 August 2013. Millar, Rebecca Merise Morning Tea, ‘Zest Festival 2013 Far From Home’, African Reef Hotel, Geraldton, 10 August 2013. Young, Spencer Public Lecture: ‘Faith, Favour and Fervour: Emotions and Conversion in the Thirteenth Century’, Centre for Medieval and Renaissance Studies, Monash University, Melbourne, 3 Opening of Zest Festival, ‘Zest Festival 2013 Far From Home’, Kalbarri Foreshore, May 2013. 21 September 2013. Charles Zika Talk: ‘The Witch of Endor and witchcraft iconography of the 17th & 18th centuries’, in Moore, Grace Public Lecture: ‘The Heavens were on Fire: Incendiarism and the Defence of the Home’, the exhibition, ‘Witches and Wicked Bodies’, Scottish National Gallery of Modern Art, The University of New England, Armidale, NSW, 27 September 2013. Edinburgh, Scotland, 3 September 2013.

O’Loughlin, Katrina Public Lecture: ‘Salons, Baths and Spas: Spaces of Sociability and Feeling in the Talk: ‘The European Witch-hunt and Vilification’, to members of the Federal Court, Eighteenth Century’, UAdel, 7 June 2013. William St, Melbourne, 18 October 2013.

Orgel, Stephen* Public Lecture: ‘Real Places in Imaginary Spaces’, UQ Art Museum, 30 August 2013. (Stanford University) *CHE Invited Speaker (not directly affiliated to CHE).

Pettigrove, Glen* Public Lecture: ‘Passions, Judgments and Motives: Fault Lines in (Not Just) Hutcheson’s (The University of Auckland) Account of Moral Sentiments’, CHE Seminar Series, UAdel, 13 September 2013.

Potter, Ursula Public Presentation: ‘Green sickness in Romeo and Juliet: considerations on the disease of virgins in sixteenth-century England’, for the Australian & New Zealand Society of the History of Medicine, New South Wales Inc. event, ‘Sickness and fear in early modern England’, USyd, 7 April 2013.

Randles, Sarah Public Seminar Paper: ‘“The pattern of all patience”: Gender and Agency in Early-Modern Model Books and Embroidery’, Early Modern Circle Seminar Series, UMelb, 15 April 2013.

Randolph, Adrian* Public Lecture: ‘Before the Reclining Nude’, UQ Art Museum, 18 June 2013. (Dartmouth College) Public Lecture: ‘Art and Intimacy in Fifteenth-Century Italy’, UMelb, 24 June 2013.

Read, Richard Public Lecture: ‘Self and World: Paintings of Paintings in Studios from the Renaissance to the Twentieth Century’, School of Art, University of Aberystwith, Wales, United Kingdom, 22 January 2013.

Reddy, William (Bill)* Public Lecture: ‘Do Emotions have a History? The Example of Romantic Love’, (Duke University) UAdel, 8 March 2013; UMelb, 14 March 2013.

ARC Centre of Excellence History of Emotions Annual Report 2013 59 INSIGHTS

Media, Moral Panics and Grief My work explores how the press used emotion to shape Selected Training public opinion during the eighteenth century. There and Development has been considerable work on the role of the press in creating social change, but by putting emotions back into the picture, we have learned that there was greater continuity in social values over the century than previously expected, so that the ‘moral panic’ of the 1790s wasn’t as 15-16 March 2013 CHE Methods Collaboratory, with Prof. Dr Volker Kirchberg (Leuphana University, Lüeneberg), unexpected as is sometimes seems. This is important as Professor William M. Reddy (Duke University) it provides us with a better idea of what motivated people to demand change in the past and so a more sophisticated 21 April 2013 Masterclass: ‘Loving the Text’, with Stephanie Trigg, for the University of Lausanne English understanding of how change happens. graduate students, Switzerland. A final discovery of the year is the interesting expectation 22 April 2013 Invited Masterclass: ‘Weeping in Medieval Literature’, by Stephanie Trigg for the Programme amongst a group of eighteenth-century English non- Doctoral en Etudes Médiévales, Conférence Universitaire de Suisse Occidentale (CUSO), conformists that people should feel joy on the death of Switzerland. a relative. They believed this because they had faith that Christians went to a better place and that we should 30 April 2013 Lecture: ‘The Reversed Canvas and the Amplified Meaning of Painting’, by Richard Read, be glad that our family members got to experience the at the Masterclass ‘Veiling the Body and Clothing the Image’, with Paul Hills (The Courtauld pleasures of heaven. However, joy was often difficult to Institute of Art) at the Institute of Advanced Studies, The University of Western Australia. maintain in the face of death, leading to spiritual anxiety amongst the faithful. This research provides us with a 23 May 2013 Masterclass: ‘Scholars’ Masterclass’, with Jennifer Post, Mary Broughton (UQ), better understanding of how norms around grief are Tim Carter and Annegret Fauser (The University of North Carolina at Chapel Hill) shaped by our wider cultural values and beliefs. and Robert Faulkner at the School of Music, The University of Western Australia. Katie Barclay 19 July 2013 Masterclass: ‘Pierre Bonnard and the Blush’, led by Peter de Bolla (King’s College, The University of Adelaide Cambridge) at The University of Queensland Art Museum.

16-17 August 2013 Postgraduate Advanced Training Seminar: ‘The Literary Biography of Emotion: The Passion of Authorial Possession’, with Gordon Turnbull (General Editor, Emotions and Decisions: Yale Editions of the Private Papers of James Boswell), at The University of Queensland. The Dutch East India 20 September 2013 Workshop: ‘Multimedia Lydgate’ with Mary Flannery, (The University of Lausanne) Company and why it at The University of Western Australia never settled Australia 24 September 2013 Postgraduate Advanced Training Seminar: ‘Interpreting Historical Medical Texts’, with Daniel Anlezark (USyd), Judith Bonzol (USyd), Rhodri Lewis (University of Oxford), Part of my research has included examination of Dutch Ursula Potter (USyd CHE), Anik Waldow (USyd CHE), at The University of Sydney. East India archives. Close analysis of these documents produced in relation to interactions in the Cape Colony, 16 October 2013 Masterclass: ‘Literary Discipline/Labour of Love’, with Deidre Shauna Lynch Batavia and on the Australian continent has revealed (University of Toronto), at The University of Queensland. just how fundamental a shared emotional culture was to the functioning of the Company. This culture produced 27-28 November Postgraduate Advanced Training Seminar: ‘Understanding and using Medieval and and was reflected in a hierarchy of affective expression Early Modern Manuscripts’, with Professor Michelle Brown (University of London), which allowed different members to articulate certain at The University of Western Australia. sentiments depending on their status and position within 28 November 2013 Masterclass: ‘Italian 16th-century sung/danced ballo’, with Andrew Lawrence-King, the Company. Moreover, this same emotional culture at the School of Academic Photography, St Petersburg, Russia. was influential in the responses of the Company to their experiences with the Australian peoples and landscapes, and ultimately, to its decisions not to establish a settlement on the Australian continent. Susan Broomhall The University of Western Australia

61 Education and Outreach

In Western Australia, special arts education partnerships were developed with schools that researched, prepared and presented historically informed performances of excerpts from early modern dramas. These included a special opportunity for students to test their Shakespearean skills in the New Fortune Theatre, a replica of the Fortune Theatre built in London c1600. The highlight of these research and performance explorations was a full production of England’s first opera by John Blow, Venus and Adonis c1683, which had performances in metropolitan and rural WA. In the production students collaborated with professional singers and musicians. In addition to in-school work, pre-tertiary students The Education and Outreach Schools and Community were involved in projects with Arts Education Victoria and Program offered by CHE has developed exponentially since The Dax Centre at The University of Melbourne, the Art the Centre began in 2011. The focus has been to introduce Gallery of South Australia, the National Trust of Australia, History of Emotions topics to schools, interest groups and and the Zest Festival in Kalbarri (WA). the general public. Through the development of strategic These projects produced significant educational resources, partnerships and the growth of research outputs, the with an on-line and hard copy national multidisciplinary/ work has flourished, developing alongside our research multi curriculum educational resource being created in programs, often including new research opportunities Melbourne to accompany the national touring exhibition for our Chief Investigators and Research Associates. (2013-15) True Self by Australian artist David Rosetzy. In 2013, over 1500 school children participated in special The resource, a collaboration with the Centre of CHE workshops across the country, from Derby in the Contemporary Photography (CCP), targets secondary Kimberley region of WA to Liverpool in Western Sydney. students of visual arts, psychology and English, and is Nationally, more than 500 school teachers attended available on the CCP and CHE websites. professional development workshops exploring History of In Adelaide, worksheets and other resources were Emotions themes through history, literature, psychology, developed to meet new Australian Curriculum, Assessment music, art and drama. Well over 2500 members of the and Reporting Authority (ACARA) standards, which were Spotlight: general public enjoyed performances and presentations then delivered in a range of nodes across the country. on centre-related work. The CHE Education and Outreach program in Western Zest Festival 2013 School engagement involved collaborations with the Office Australia supported the Zest Festival in schools, with a Education Program Music Workshops of Student Equity at The University of Melbourne, the 70-page educational resource pack and workshops in Social Inclusion Unit at The University of Sydney, the Smith Geraldton and Kalbarri schools. Teacher development workshops in Perth, Brisbane, Melbourne and Adelaide Family, the Aspire program and UniDiscovery program at Leading up to the 2013 Zest Festival, CHE Outreach Workshops explored the emotional impact of the were warmly received and groups such as the School of The University of Western Australia, and the Compass Associate Kate Page conducted African music workshops VOC’s activities on the people of West and South Africa, Instrumental Music for the Department of Education in Program at The University of Adelaide, all focused on with schools participating in the Zest Festival Education culminating in a performance event tracing this Western Australia, and the Secondary School History raising aspirations for tertiary education. The programs Program, developed by CHE to provide teachers with historical narrative. Teachers of Queensland welcomed History of Emotions encourage students who would not normally consider classroom activities and planning resources. Kate is a ideas and insights. After the successful school-based performance, university as an option to see the benefits and opportunities musician with a diverse practice including creative music students of Kalbarri District High School shared that university study offers. In Sydney, for example, The general public was engaged in presentations to facilitation, performance, arts management, research their newfound skills with festival-goers when they Education and Outreach Officer Gabriel Watts collaborated The University of the Third Age, The Lawrence Wilson Art and tuition. participated in the Zest Festival’s Saturday night event, with young indigenous poet Lorna Munro to produce a Gallery of Western Australia, The Dax Centre in Melbourne, These CHE-sponsored musical incursions facilitated the ‘Chamber of Rhetoric’. ‘Pride and Poetry’ workshop, in which indigenous high the Zest Festival in Kalbarri, The University of Queensland an understanding of the powerfully communicative school students considered the history of the passion Art Museum, and Sydney Ideas. In Sydney, CHE postdoctoral Following the festival, a workshop investigating the arts performance traditions of Africa, and the way song, pride and employed poetic techniques to investigate what researchers partnered with Performance Space at same themes was held at Guildford Grammar School dance, music and drama are performed in deeply it means to be a proud Aboriginal person. Carriageworks contemporary arts centre to put on in Perth. Year 6 students were able to benefit from the ritualised expressions of emotion. In Adelaide, CHE forged links with the newly emerging ‘Death(cha) Kucha’, a night where researchers presented research undertaken for the Festival, learning about the Children’s University, an educational trust originally their work to theatre audiences. In Brisbane, a fully Students were introduced to the vibrant polyrhythms VOC voyages, the interaction of European and African developed in the UK, that is now offering young Australians researched professional production of Christoph Pepusch’s of the Susu people of West Africa, alongside a rich cultures, and deepening their understanding of the 7 to 14 years old exciting and innovative learning activities opera of 1715 was produced by Chief Investigator repertoire of South and West African songs. Workshops emotional power of African forms of musical expression. and experiences outside normal school hours. A series of Jane Davidson and Associate Investigator Samantha included opportunities to play instruments, compose and classes and workshops were delivered, with more in store Owens and performed to the general public at the UQ sing, and hands-on learning about specific traditions and as we move into 2014. Art Museum to critical success. techniques associated with Susu djembe ensembles.

Students at the Kalbarri District High School Moses Nii Odartei playing the thumb-harp at the bonfire and chamber of rhetoric at the Zest Festival. © Erika von Kaschke. taking part in a drumming workshop. ARC Centre of Excellence History of Emotions Annual Report 2013 63 Media HIGHLIGHTS

YouTube Other websites/media 16 September 2013: UWA University News. ‘A song for every big moment of your life’, 28 August 2013: Short Presentation by Yasmin Haskell: 21 February 2013: Concrete Playground website, news.uwa.edu.au/201309166064/arts-and-culture/song- ‘Science and Poetry with a Latin salsa’, Institute of event profile of ‘Death(cha) Kucha’, by G.Watts. every-big-moment-your-life Advanced Studies’ ‘UWA Research Tasting night – fb.concreteplayground.com.au/news/105204/seven- Intellectual Tapas’. positive-ways-to-think-about-death-at-perfor.htm 24 October 2013: LiveScience, New York. Interview with youtube.com/watch?v=D80MtsDYSco C.Zika by News Editor Megan Gannon, ‘A Bewitching 1 March 2013: The Thousands website, event profile History. Why Witches ride Broomsticks’, published 30 of ‘Death(cha) Kucha’, by G.Watts. October 2013. Blogs thethousands.com.au/sydney/calendar/death-cha-kucha livescience.com/40828-why-witches-ride-broomsticks.html 7 January 2013: Australasian Centre for Italian Studies 9 May 2013: The University of Sydney website, Media 1 November 2013: Merise Magazine, ‘Far From Home: Blog, ‘Pleasure, Desire and Greed in the Renaissance’, Report on the Year Three Discover University Event. 2012, by C.Kovesi. Adventures, Treks, Exiles and Migration’. The ARC Centre of Excellence for the History of Emotions sydney.edu.au/news/84. acis.org.au/2013/01/07/hard-boiled-ladies-beware-the- merisemag.com/eng/far-from-home-adventures-treks- was well represented across all media platforms during html?newscategoryid=8&newsstoryid=11520&utm_ chicken-caponised-or-otherwise/#more-1599 exiles-and-migration/ 2013. Our focus on academic dissemination through source=console&utm_medium=news&utm_ Twitter and Facebook saw the Centre’s following grow 20 April 2013: Stirling Council – Provost’s blog, campaign=cws from 95 to 580 on Twitter and more than double from 268 ‘Art link with Australia’, S.Broomhall. 25 May 2013: The University of Sydney website, to 624 ‘likes’ on Facebook by the end of 2013. stirling.gov.uk/services/council-and-government/ ‘Sydney Writers’ Festival: Sex and Representation’ politicians-elections-and-democracy/council-general- Please see selected media highlights below. by Emma O’Brien about J.F.Ruys. information/provost-lord-provost-general-information/ sydney.edu.au/news/arts/2228.html?newsstoryid=11630 INSIGHTS provosts-blog/provost-blog-april-20-2013 Links 20 August 2013: The History Channel website, Othello, 11 May 2013: Voces de Cuenca Digital news article on interview with J.F.Ruys on ‘Medieval Sex and Sexuality’. Facebook S.d’Arcy’s concert. historychannel.com.au/articles/details.aspx?id=28#. Painted Passions facebook.com/ThinkEmotions vocesdecuenca.com/frontend/voces/La-Catedral-De- UhMiHz-2-8D Twitter Cuenca-Acoge-Desde-Este-Sabado-Los-Conciertos- vn27654-vst83 23 August 2013: ABC Science – ‘Australian music twitter.com/ThinkEmotions listeners like to impress’ by Anna Salleh, ABC, 5 July 2013: Blog Graduate Historical Exchange – This staged reading of Othello deployed Vimeo: interviewing Dr Adrian North, Curtin University about his ‘original practices’. These practices included: History of Emotions ‘RECAP: ARC Biennial Sourcing Emotions Conference’, research with J.W.Davidson, The University of Western by Matthew Sparacio. an all-male cast; all actors, including Othello vimeo.com/user16393044 Australia (UWA), (played by a white actor), in make-up; 2 hour graduatehistoricalexchange.blogspot.com.au/2013/07/ abc.net.au/science/articles/2013/08/23/3818540.htm YouTube: recap-arc-biennial-sourcing-emotions.html?spref=tw playing time without interval; doubling of ARC History of Emotions Channel 27 August 2013: Music Feeds – ‘Aussies Listen roles; audience and actors in the same light; youtube.com/user/historyofemotions 20 August 2013: ‘Appearances matter most in musical to Music To Impress Others, New Study Finds’, actors directly addressing the audience; performance’, J.W.Davidson interviewed by Philip Ball. by Greg Moskovitch, about research by Adrian North, period costumes; and the use of only 2 Flickr: philipball.blogspot.co.uk/2013/08/appearances-matter- Curtin University and J.W.Davidson, UWA. entrance/exit points. History of Emotions’ photostream most-in-musical.html musicfeeds.com.au/news/aussies-listen-to-music-to- flickr.com/photos/89150570@N02/ This production discovered the affective 3 September 2013: ‘Witches and Wicked Bodies: Professor impress-others-new-study-finds/ potential of ‘original practices’ staging, Blog: Charles Zika on the Witch of Endor and much else’. 27 August 2013: ToneDeaf - ‘Study Finds Aussies particularly of all-male and all-painted CHE ‘Histories of Emotion’ textline.wordpress.com/2013/09/03/professor-charles- Are Most Likely to Listen To Music To Show Off’, actors. Despite the several obstacles to historiesofemotion.com zika-on-the-witch-of-endor-images-of-witchcraft-and- by Al Newstead, about research by Adrian North, psychological verisimilitude – such as men much-else/ Curtin University and J.W.Davidson, UWA. with painted faces in puffy shirts and a The Conversation 13 September 2013: Bookish Girl blog: ‘When worlds tonedeaf.com.au/news/local-news/338168/study-finds- 400 year old pot-holed narrative – the play maintained its trans-historical capacity to 31 May 2013: ‘Ecocriticism: environment, emotions collide and you’ll never see in the same way again - or aussies-are-most-likely-to-listen-to-music-to-show-off. affectively incapacitate its audience, and and education’, by G.Moore (with T.Bristow, UNE). EMOTIONS’, by Janet Gleeson-White. htm revealed that, in this all-male production, theconversation.com/ecocriticism-environment- bookishgirl.com.au/2013/09/13/when-worlds-collide- August 2013: History Australia, Volume 10, Number Desdemona became the affective focus of emotions-and-education-13989 and-youll-never-see-in-the-same-way-again-or- 2 August 2013, pp. 243-245, Review ‘A world turned emotions/ the narrative and action. 22 November 2013: ‘Australians might speak Dutch if not upside-down’, by Sally Fisher of the exhibition, ‘The Four Rob Conkie for strong Emotions’, by S. Broomhall. Horsemen: Apocalypse, Death and Disaster’, curated La Trobe University theconversation.com/australians-might-speak-dutch-if- by C.Leahy, P.Kayser, J.Spinks, C.Zika, at The National not-for-strong-emotions-20080 Gallery of Victoria (NGV) 31 August 2012–28 January 2013. journals.publishing.monash.edu/ojs/index.php/ha/ article/view/1030

ARC Centre of Excellence History of Emotions Annual Report 2013 65 VIMEO History of Emotions 3 May 2013: Stirling Observer (UK Newspaper). Article 25 September 2013: The West Australian newspaper. ‘Stirling Smith Greeting Card Project’, S.Broomhall. Interview with C.Zika by Bill Yeoman on the book ‘Bodies in Distress’ - Short Documentary by C.Charlton Celebrating Word and Image 1250-1600: Illuminated INSIGHTS tracking collaboration between Sydney CHE and artists. 4 May 2013: ABC Saturday Arts with presenter Manuscripts from the Kerry Stokes Collection, for an article vimeo.com/60215240 Sarah Kanowski. Live radio interview with Dr Erin (Re)-enacted emotions which appeared on 2 October, ‘Ancient works a window to Sullivan (Visitor to CHE UQ node from U. Birmingham, ‘Message Stick project’ – Interview of artist Colleen History’ (pp. 8-9). Shakespeare Institute), ‘Beyond Melancholy: Sadness and produce legal decisions Drage by R.Millar, Artistic Director, Zest Festival Selfhood in Renaissance England’. 2 October 2013: The West Australian, ‘Guitar Hero Home by ABC Open, July 2013. abc.net.au/radionational/programs/weekendarts/erin- in Harmony’, by William Yeoman. vimeo.com/70304937 sullivan/4663060 au.news.yahoo.com/thewest/entertainment/a/-/ ‘Interview on Zest Festival’ - Interview with R.Millar, entertainment/19195896/guitar-hero-home-in-harmony/ My research this year on workings of 12 May 2013: ABC 6PR ‘The Way We Were’ (Perth Radio). Artistic Director, Zest Festival, ABC Open, August 2013. emotions in English medieval law courts Interview with J.McEwan, ‘The Robert Fairbairn Archive’. 7 October 2013: The West Australian, ‘Physical mastery vimeo.com/71078287 shows that medieval law was by no means reveals essence’, by Neville Cohn about Craig Ogden’s May 2013: The Chung Wah Magazine, Issue 12, May 2013, the rational, unimpassioned venue we ‘Zest Festival’ - Short montage of the Zest Festival, performance with J.W.Davidson’s linking commentary at pp. 42-3. Article, ‘The Political Power of Porcelain: How might expect. Instead, in some instances ABC Open, September 2013. UWA on 4 October 2013. Chinese Products made the Dutch the most powerful – especially church court cases dealing vimeo.com/75110342 nation in Europe’, by S.Broomhall. 13 October 2013: ABC Radio National ‘All In The Mind’. with disputed marriages, domestic violence, Interview with J.W.Davidson by Lynne Malcolm on ‘The and suspected infanticide - witnesses and 16 June 2013: 101.5FM Radio Adelaide, ‘Orbit’. Interview Television, Radio and Print Media Power of Music’. participants were expected to recount, or by Ewart Shaw with K.O’Loughlin on ‘The Secrets of even to display, strong emotions in the court. 14 February 2013: ‘News at 6’, Channel 9, Adelaide (TV). abc.net.au/radionational/programs/allinthemind/the- the Harem Revealed’, Podcast on 18 June 2013. radio. Parents suspected of infanticide had to Interview with K.Barclay, ‘ The History of Valentine’s Day’. power-of-music/4994272 adelaide.edu.au/the-secrets-of-the-harem-revealed/ produce, in court, ‘a flood of tears’ to convince 30 October 2013: ABC Radio National, AM. CHE’s 14 February 2013: ‘Afternoons with Belinda Heggen’, 18 Jun 2013: ABC Radio National, ‘Books and Arts Daily’. judges of their true remorse and, and ‘move Smith Family Experience Day workshop. Five AA Radio, Adelaide. Interview with K.Barclay, Interview with Professor Adrian Randolph them to mercy and pity’. Witnesses of forced abc.net.au/am/content/2013/s3879819.htm ‘The History of Valentine’s Day’. (Visiting Scholar, Dartmouth College) on ‘Kissing Arts’. marriages or alleged domestic violence recounted evocative tales of the tears, fears, 15 February 2013: TV Broadcast of ‘Spanish Oratorio’, abc.net.au/radionational/programs/booksandartsdaily/ 22 November 2013: SBS Radio. Interview with pain or happiness of the participants in directed by A.Lawrence-King at the Ourense Cathedral, kissing-arts/4761700. G.Tarantino, ‘Reporting massacres in Early Modern England: emotional and rhetorical strategies’. the case. Grief, contrition, anger, fear, joy, Festival Portico del Paraiso, Spain. 27 June 2013: Radio Fremantle 107.9FM. Interview with sbs.com.au/yourlanguage/italian/home and remorse, were all vividly presented. 16 April 2013: TV show Golden Mask Award Ceremony. Tim Carter and A.Lawrence-King by Dita Jevons on CHE Furthermore, the intensity of emotion felt Award for A.Lawrence-King, Moscow, Russia. research ‘Test Rhythm, Action: Early Opera’. 7 December 2013: ABC Radio National, ‘Encounter’, by the participants actively influenced the by Margaret Coffey. ‘Re-Creation’, extracts from talks 25 July 2013: Five AA Radio, ‘Afternoons with Belinda eventual decisions of the judges. So in the 21 April 2013: 3MBS Melbourne, Radio Broadcast of and interviews of Lawrence Carroll, Dr Simon Ditchfield, Heggen’ Adelaide. Interview with K.Barclay about royal middle ages at least, emotions could bring ‘Zelenka. Missa Paschalis (ZWV 7)’ & ‘Regina coeli Dr Dee Dyas, Dr Felicity Harley-McGowan and Professor naming practices. about real legal outcomes!’ (ZWV 134)’ by Newman College Choir and orchestra cond. Susan Karant-Nunn (speakers at the Sacred Space, Gary Ekkel, supervised by J.B.Stockigt. 27 August 2013: ABC Local Radio, ‘Regional Afternoons Pilgrimage and Emotions collaboratory at The University Philippa Maddern with Rebecca McLaren’ Queensland. Interview with of Melbourne in May 2013). The University of Western Australia K.Barclay about marriage customs across the world. 14 December 2013: ABC Radio National Encounter, INSIGHTS 9 September-20 October 2013: The Voice (distributed ‘The Limitless Mystery’ featuring J.W.Davidson, exploring as part of The Age newspaper), Volume 9, Number 9. the emotional meaning of music. Broadcast Saturday 14 Emotions and Interview by Laura Soderlind with G.Moore, ‘Blazing December 2013, repeated Wednesday 18 December 2013. Tales: Australia’s Relationship with Bushfires’. abc.net.au/radionational/programs/encounter/ anti-Semitism voice.unimelb.edu.au/volume-9/number-9/blazing- search/?query=the+limitless+mystery tales-australia’s-relationship-bushfire 17 December 2013: Cockburn Gazette Community, 14 September 2013: ABC Radio National, ‘The Music Perth General News, page 28. Article ‘Celebration in My work on the seventeenth-century anti- Show’. Interview by Andrew Ford with S.Garrido and Print: Rare Artefacts Available to the Public’, concerning Semitic polemic Centinela contra judíos J.W.Davidson about ‘My Life As a Playlist’. C.Zika’s recent publication Celebrating Word and Image (Sentinel against the Jews) of Fray Francisco 1250-1600: Illuminated Manuscripts from the Kerry Stokes de Torrejoncillo show how it weaved together 16 September 2013: ABC Radio National ‘Life Matters’. Live Collection. the existing racial, theological, social and interview with J.W.Davidson featuring ‘My Life As a Playlist’. historyofemotions.org.au/news-media economic strands within Spanish anti- 18 September 2013: ABC Radio National, ‘Life Matters’. Semitism to demonize the Jews and their ‘If music be the food of love, play on’. converted descendants in Spain in a manner abc.net.au/radionational/programs/lifematters/my-life- designed to provoke strong emotional as-a-playlist3a-if-music-be-the-food-of-love/4963408 responses from its readership. François Soyer The University of Adelaide

ARC Centre of Excellence History of Emotions Annual Report 2013 67 Events and Publications

Craig Ogden performing at the Callaway Auditorium, the UWA School of Music. Selected Centre Events © Erika von Kaschke.

Conferences Collaboratories Symposia Study Days/Workshops/ Title: ‘Teaching the Fear’ Public Exhibitions/Festivals/ Research Seminars/ On-line workshop Outreach Events/Performances Title: ‘Sourcing Emotions in the Title: ‘Methods Collaboratory’ Title: ‘Feeling Things: A Symposium Roundtables Date: Nov 2013 – Apr 2014 Medieval and Early Modern World’, Closed collaboratory on Objects and Emotions in History’ Venue: www.cromohs.unifi.it Title: ‘Stations of the Cross’ The Second International Conference Date: 15-16 March 2013 Date: 14 March 2013 Title: ‘Frontier Shakespeare: Africa, Convened by: Giovanni Tarantino Exhibition of the ARC Centre of Excellence for Venue: The University of Melbourne Venue: The University of Melbourne the UK and Western Australia’ Participants: 10 Date: 22 March – 1 April 2013 the History of Emotions Convened by: Philippa Maddern Convened by: Stephanie Downes, Roundtable Venue: Wesley Uniting Church in the Date: 27-29 June 2013 Participants: 40 Sarah Randles Date: 26 February 2013 Title: ‘Literary Emotion City, Perth Venue: The University of Participants: 48 Venue: Octagon Theatre, The Methodologies’ Convened by: Catherine Czerw Title: ‘Sacred Places, Pilgrimage Western Australia University of Western Australia Study Day Participants: 2300 and Emotions’ Title: ‘The Hand: Gesture, Convened by: Susan Broomhall, Convened by: Penelope Woods Date: 11 October 2013 Date: 23-25 May 2013 Touch and Emotion’ Title: Jane Davidson, Philippa Maddern, Participants: 12 (plus 6 international Venue: The University of Melbourne ‘Death(cha) Kutcha’ Venue: The University of Melbourne Date: 13 August 2013 Una McIlvenna, Jacqueline Van Gent participants who joined through Convened by: Aleksondra Hultquist Outreach Event Convened by: Sarah Randles, Venue: The University of Western Date: Participants: 130 livestream technology) Participants: 25 8 March 2013 Charles Zika Australia Venue: Carriageworks Theatre, Title: ‘Teaching to Hate in Early Participants: 90 Convened by: Penelope Woods Title: ‘The History of Emotions’ Title: ‘Pierre Bonnard and the Blush’ Redfern, Sydney Modern Europe’ Participants: 25 Roundtable Discussion Research Seminar with Peter de Bolla Convened by: Gabriel Watts Title: ‘A History of Heritage: Date: 13 September 2013 Date: 25 March 2013 Date: 19 July 2013 Participants: 40 Emotions in Blood, Stone and Land’ Title: ‘Singing Death’ Venue: Queen Mary, University Venue: School of History and Venue: The University of Queensland Date: 9-10 September 2013 Symposium and Concert Title: of London Politics, The University of Adelaide Art Museum ‘Performing Shakespeare’, Venue: Lenna Hotel, Battery Point, Date: 17 August 2013 Convened by: François Soyer Convened by: Merridee Bailey, Convened by: Peter Holbrook CPD Workshop for English and Hobart, Tasmania Venue: Graduate House, Participants: 25 David Lemmings, Katie Barclay, Participants: 20 Drama Teachers Convened by: Susan Broomhall, The University of Melbourne Date: François Soyer 8 August 2013 Title: ‘”Criminal” Justice during Alicia Marchant, Diana Barnes Convened by: Helen Dell, Title: ‘Sense, Sentiment, Venue: Participants: 20 The University of Queensland the Long Eighteenth Century: Participants: 27 Helen Hickey Compassion: The Conceptual Convened by: Brandon Chua Theatre, Representation and Participants: 40 Title: ‘The Witches in Macbeth, Architecture of Emotion’ Study Day Participants: 35 Title: ‘Arts and Rhetorics of Emotion Emotion in the Courtroom and the Fear and the History of Emotions’ Date: 26 July 2013 in Early Modern Europe’ Title: ‘Violence and Emotions in Title: Public Sphere’ Workshop Venue: The University of Melbourne ‘Far from Home: Adventures, Date: 25-27 November 2013 Europe 1400-1800’ Date: 1-2 November 2013 Date: 9 May 2013 Convened by: Stephanie Trigg Treks, Exiles, Migration’ Venue: The University of Queensland Date: 2 October 2013 Venue: The Huntington Library, Venue: Bradley Studio and New Participants: 22 The Zest Festival Convened by: Peter Holbrook Venue: The University of Date: California, USA Fortune Theatre, The University 21-22 September 2013 Participants: 65 Western Australia Title: ‘Emotions in Curation’ Venue: Convened by: David Lemmings of Western Australia Kalbarri Foreshore Convened by: Susan Broomhall Practitioner-in-Residence Seminar Convened by: Participants: Approx. 35 Convened by: Penelope Woods, Rebecca Millar, Participants: 32 Date: 16 September 2013 Melissa Kirkham Susan Broomhall, Jane Davidson, Title: ‘Fire Stories’ Venue: The University of Western Sarah Finn Title: Participants: 35 Date: 4 December 2013 ‘Children’s Literature, Australia Participants: 2000 Childhood Death, and the Venue: The University of Melbourne Title: ‘Emotions and Conversion’ Convened by: Susan Broomhall Emotions 1500-1800’ Title: Convened by: Grace Moore Workshop Participants: 22 Craig Ogden (Guitar) Date: 5-6 December 2013 Date: Participants: 92 Date: 1-2 July 2013 4 October 2013 Venue: The University of Venue: Venue: The University Callaway Music Auditorium, Western Australia (and by videolink of Western Australia The University of Western Australia with Newcastle University, United Convened by: Convened by: Jacqueline Van Gent, Jane Davidson Kingdom) Participants: Spencer Young 180 Convened by: Bob White, Participants: 15 Kim Reynolds Participants: 25

ARC Centre of Excellence History of Emotions Annual Report 2013 69 Book Chapters N.Starbuck, ‘Neither Civilized nor Savage: The Aborigines of Colonial Port Jackson, Through French K.Barclay, ‘From Rape to Marriage: Questions of Eyes, 1802’, in Representing Humanity in the Age of Consent in the Eighteenth-Century United Kingdom’, in Enlightenment, eds A.Cook, N.Curthoys, S.Konishi, Interpreting Sexual Violence: 1660-1800, ed. A.Greenfield, [London: Pickering and Chatto, 2013], pp. 123-33. [London: Pickering and Chatto, 2013], pp. 35-44. ISBN: 9781848933736. ISBN: 9781848934399. A.Waldow, ‘Back to the Facts- Herder on the normative K.Barclay, ‘Love and Courtship in Eighteenth-Century role of sensibility and imagination’ in Contemporary Scotland’, in Women in Eighteenth-Century Scotland: Perspectives on Early Modern Philosophy: Nature and Intimate, Intellectual and Public Lives, eds K.Barclay, Norms in Thought, eds, M.Lenz, A.Waldow, [New York: D.Simonton, [Farnham: Ashgate, 2013], pp. 37-54. Springer, 2013], pp. 115-133. ISBN: 9789400762411. Selected Publications ISBN: 9781409450467. A.Waldow with M.Lenz, ‘Nature and Norms in Thought’ K.Barclay, D.Simonton, ‘Introduction’, in Women in in Contemporary Perspectives on Early Modern Philosophy: Eighteenth-Century Scotland: Intimate, Intellectual and Nature and Norms in Thought, eds M.Lenz, A.Waldow, Public Lives, eds K.Barclay, D.Simonton, [Farnham: [New York: Springer, 2013], pp. 1-10. Ashgate, 2013], pp. 1-13. ISBN: 9781409450467. ISBN 9789400762411. J.W.Davidson, R.Faulkner, ‘Music in our Lives’, in The Books R.S.White, ‘Some Reflections on Shakespeare and Complexity of Greatness: Beyond Talent or Practice, ed. Feminism’, in Women in Shakespeare: A Post-Feminist D.Barnes, Epistolary Community in Print, 1580-1664, S.B.Kaufmann, [Oxford: Oxford University Press, 2013], Review, ed. BS.Dahiya, [New Delhi: Viva Books, 2013], [Farnham: Ashgate, 2013]. ISBN: 9781409445373 (hbk), pp. 367-390. ISBN: 9780199794003. 9781409445364 (ebk), 9781409473145 (epub). pp. 22-45. ISBN: 9788130924885. S.Downes, ‘Manuscript and Print: The Livre du Corps R.S.White, ‘Twelfth Night: The Backstory’, in Twelfth A.Bubenik, Reframing Albrecht Durer, [Farnham: de Policie in Sixteenth-Century England’, in Christine de Night: A Critical Reader: Arden Early Modern Drama Guide, Ashgate,2013]. ISBN: 9781409438472. Pizan. La scrittrice e la città. Christine de Pizan: L’ Ecrivaine eds A.Findlay, L.Oakley-Brown, [London: Bloomsbury, la ville. Christine de Pizan. The Woman Writer and the City, D.Derrin, Rhetoric and the Familiar in Francis Bacon and 2013], pp. 27–51. ISBN: 9781472503312. ed.) P.Caraffi, [Florence: Alinea, 2013], pp. 141-51. John Donne, [Madison: Fairleigh Dickinson University ISBN: 9788860557957. P.Woods, Press, 2013]. ISBN: 9781611476033. ‘The Two Gentlemen of Verona: directed by Arne Pohlmeier for the Two Gents Theatre Company (Harare, S.Ferber, ‘Demonic possession, exorcism and Y.Haskell, Prescribing Ovid: The Latin Works and Networks Zimbabwe and London, UK)’, in A Year of Shakespeare: witchcraft’, in The Oxford Handbook of Witchcraft in Early of the Enlightened Dr Heerkens, [London: Bloomsbury, Re-living the World Shakespeare Festival, eds Modern Europe and Colonial America, ed. B.Levack, 2013]. ISBN: 9780715637234. P.Edmondsen, P.Prescott, E.Sullivan, [London: [Oxford, New York: Oxford University Press, 2013], Bloomsbury, 2013], pp. 223-26. ISBN: 9781408188149. F.Soyer, A Perseguição aos Judeus e Muçulmanos de pp. 575-592. ISBN: 9780199578160. Portugal - D.Manuel I e o Fim da Tolerância Religiosa (1496- P.Woods, ‘Pocket Henry V: A Collaborative Debate’, U.McIlvenna, ‘A Stable of Whores? The “Flying 1497), [Lisbon: Edições 70, 2013]. ISBN: 9789724417097. in Shakespeare and Audience in Practice, ed. S.Purcell, Squadron” of Catherine de Medici’, in The Politics of [Basingstoke: Palgrave Macmillan, 2013], pp. 157-172. N.Starbuck, Baudin, Napoleon & the Exploration of Female Households: Ladies-in-Waiting across Early ISBN: 9780230364042. Australia, [London: Pickering and Chatto, 2013]. Modern Europe, eds N.Akkerman, B.Houben, [Brill: ISBN: 9781848932104. Leiden, 2013], pp. 181-208. ISBN: 9789004236066. C.Zika, ‘The witch in early modern art’, in Handbook of E-ISBN: 9789004258396. C.Zika, M.Manion, Celebrating Word and Image 1250-1600. Witchcraft in Early Modern Europe and Colonial America, ed. B.P.Levack, [Oxford: Oxford University Press, 2013], Illuminated Manuscripts from the Kerry Stokes Collection, A.Maddox, ‘Recitative and the Rhetoric of Speech and pp. 141-156. ISBN: 9780199578160. [Perth: Australian Capital Equity & Fremantle Press, Song in Andrea Perrucci’s Dell’arte rappresentativa 2013]. ISBN: 9781922089595 (1699)’, in A Musicological Gift: Libro Homenaje for Jane Edited Journal Issue Morlet Hardie, eds K.Nelson, M.Gomez, [Ottawa: Institute Edited Books of Medieval Music, 2013], pp. 167-184. K.Barclay, S.Richardson (eds), Women’s History Review ISBN: 9781926664248. K.Barclay, D.Simonton (eds), Women in Eighteenth- 22(2), April 2013. Special Edition: ‘Performing the Self: Century Scotland: Intimate, Intellectual and Public Lives, A.Marchant, ‘A narrative approach to chronicles’, Women’s Lives in Historical Perspective’. [Farnham: Ashgate, 2013]. ISBN: 9781409450467. in Owain Glyndw^r : A Casebook, eds M.Livingston, K.Barclay et al (eds), Women’s History Magazine, 73, J.K.Bollard, [Liverpool: University of Liverpool Press, A.Waldow, M.Lenz (eds), Contemporary Perspectives on Autumn (September) 2013. ‘Abortion Special Issue’. 2013], pp. 551-565. ISBN: 9780859898843. Early Modern Philosophy: Nature and Norms in Thought, P.Holbrook, R.Butler (eds), History of European Ideas, [New York: Springer, 2013]. ISBN: 9789400762404. online April 2013 (print forthcoming 2014). Special Issue: ‘Ian Hunter and the Humanities in Australia’.

ARC Centre of Excellence History of Emotions Annual Report 2013 71 Journal Article L.Marshall, ‘Plague in the City: Identifying the Subject Encyclopedia Entries Project Books & Booklets of Giovanni di Paolo’s Vienna Miracle of Saint Nicholas of K.Barclay, R.Carr, ‘Rewriting the Scottish Canon: F.Soyer, ‘Blood Purity Laws’, Encyclopaedia of Race S.Broomhall, R.Millar (eds), Far From Home: Adventures, Tolentino’, Renaissance Studies, 27(5), November 2013, the Contribution of Women’s and Gender History to a and Racism, 2013, ISBN: 9780028661957. Treks, Exiles, Migrations: The Zest Festival, September pp. 654-80. Redefinition ofS ocial Classes’, in Etudes écossaises, 16, 2013, [Perth, WA: UWA, 2013]. ISBN 9781740522786. C.Zika, ‘En-Dor, Medium of. IV. Visual Arts’, Encyclopedia March 2013, pp. 11-28. G.Moore, ‘Fires, Literature, Politics and Mateship in the of the Bible and its Reception, Vol. 7, 2013, Cols 875-877. J.W.Davidson (ed.), Resurrexit, [Perth, WA: UWA, 2013]. Bush’, AGORA, 4:48, 2013, pp. 51-56. K.Barclay, S.Richardson, ‘Introduction: Performing ISBN: 9781740522449. the Self: Women’s Lives in Historical Perspectives’, in F.Soyer, ‘Faith, culture and fear: comparing Conference Proceedings Women’s History Review, 22(2), April 2013, pp. 177-81. Islamophobia in early modern Spain and twenty-first- Created or Produced Substantial Public century Europe’, Ethnic and Racial Studies, 36(3), 2013, S.Garrido, S.Bernard, J.Davidson, ‘The creative K.Barclay, Review Article: ‘Emotion, Identity and Family Exhibitions or Events 2013 pp. 399-416. personality: Composers of music, their inspirations Life’, in Women’s History Magazine, 72, Summer 2013, and working methods’. Proceedings of ACM Creativity C.Czerw (Curator): 22 March – 1 April 2013, ‘Stations pp. 30-34. G.Tarantino, ‘The Library of Gerard Nicholas Heerkens and Cognition Conference, June 2013, University of of the Cross’, Wesley Uniting Church in the City, Perth. (1726–1801), Dutch physician, traveller, and Latin poet’ J.W.Davidson, A.C.North, ‘Musical taste, employment, Technology, Sydney. Participating Artists: Toby Bell, Robert Birch, Victor Cromohs, 18 (2013), pp. 83-86 education, and global region’, Scandinavian Journal of P.Holbrook, ‘Shakespeare Against Universalism’. France, Marie Hobbs, Peggy Lyon, Anne McCaughey, Psychology, July 2013, FirstOnline: DOI 10.1111/sjop.12065. S.Trigg, J.Cohen, ‘Fire’, in Postmedieval, Special Proceedings of Shakespeare in Global/Local Contexts, Brian McKay, Peter Saxon, Annette Seeman, Cathy issue on Ecomaterialism, 4, 2013, pp. 80-92. Swioklo, John Teschendorff, Natalia Triviño Lozano, Jane S.Downes, ‘Chaucer’s French Readers: Copies in the International Conference of the Shakespeare Association (DOI:10.1057/pmed.2012.40). Whiteley, Lauren Wilhelm and Andrea Vinkovic. Partner: Bibliothèque Nationale’, in Notes and Queries, 60 (4), of Korea, 1-2 November 2013. Wesley Uniting Church in the City. This visually powerful, 2013, p. 3. S.Trigg, ‘Langland’s Tears: Poetry, Emotion, and D.Kambaskovic, ‘Shakespeare’s Women: Tamora and and often emotionally moving, exhibition comprised Mouvance’, Yearbook of Langland Studies, 26, carries 2012 S.Garrido, E.Schubert, ‘Adaptive and maladaptive The Dark Lady’, Proceedings of the Love and Devotion a fascinating collection of visual interpretations that publication date, but hard copy printed and published attraction to negative emotions in music’, conference, State Library of Victoria and Bodleian Library, tackle some of the most complex aspects of the human online in August 2013, pp. 27-48. Musicae Scientiae, Epub before print, 2013, Oxford, Special edition of La Trobe Journal, August 2013. condition; namely the journey of life and death that lies at DOI: 10.1.177/1029864913478305. A.Waldow, ‘Mirroring Minds: Hume on Sympathy’, A.Maddox, ‘The rhetorical Virtues of Delivery and the heart of Easter. The European Legacy, Special Edition to Celebrate Hume’s S.Garrido, E.Schubert, ‘Moody melodies: Do they cheer the performance of Italian recitative’, in re-Visions: R.Millar, S.Broomhall, J.W.Davidson: 21-22 September 300th Birthday, (ed.) Stanley Tweyman, (2013), 18(5), us up? An experiment on the effect of sad music on Proceedings of the New Zealand Musicological Society and 2013, ‘The Zest Festival: Far From Home: Adventures, pp. 540-51. mood’, Psychology of Music, Epub before print, 2013, the Musicological Society of Australia Joint Conference Treks, Exiles, Migration’. Curated art, performance, 10. 1177/0305735613501938. R.S.White, ‘Making Something Out of “Nothing” in hosted by the University of Otago, Dunedin, New Zealand cultural festival in Kalbarri, Western Australia. Visual Shakespeare’, Shakespeare Survey 66 (2013), pp. 232–45. between 2nd and 4th December 2010, (Ed.) Marian Poole, Artists: Mauretta Drage, Colleen Drage, Anne Taylor, S.Garrido, J.W.Davidson, ‘A history of music and [Dunedin: New Zealand Music Industry Centre, University Damon Chalmers, Miriam Shilling, Marianne Penberthy, mood regulation: Individual differences and musical R.S.White, ‘Emotional Landscapes: Romantic Travels in of Otago, 2013]. ISBN: 9780473242213. Meli Dane, Shirley Gerard, Marina Baker, Eggy Arthurs, prescriptions through the ages’, Australian Journal of Scotland’, Keats-Shelley Review 27. (August, 2013). Sietske Hunn. Music performers: Georg Corall, Michael Music Therapy, 24, 2013, pp. 89-109. C.J.Williams, ‘Vision and revision: Gui of St Denis and R.S.White, ‘Shakespearean Subtexts in Riturpano MS Harley 281’, in re-Visions: Proceedings of the New Halliwell, Jane Davidson, Moses Nii Ordartei. R.Garrod, ‘Idolatry and Accommodation: Histoires and Ghosh’s The Last Lear’, Journal of Drama Studies: An Zealand Musicological Society and the Musicological Society Their Natural-Philosophical Interpretations in Simon International Journal of Research on World Drama in of Australia Joint Conference hosted by the University Goulart’s Commentaires et annotations sur la Sepmaine English (Including Translation). Vol. 7 ( 2013), pp.119-29. of Otago, Dunedin, New Zealand between 2nd and 4th de Du Bartas (1583)’, Journal of the History of Ideas, 74 (3), P.Woods, ‘A Midsummer Night’s Dream Theatre Rehearsal December 2010, (Ed.) Marian Poole, [Dunedin: New 2013, pp. 361-80. Review’, Shakespeare Bulletin, 30.4, 2013, pp. 565-72. Zealand Music Industry Centre, University of Otago, Y.Haskell, ‘Child Murder and Child’s Play: The Emotions 2013]. ISBN: 9780473242213. INSIGHTS P.Woods, ‘Two Gentlemen of Zimbabwe and their of Children in Jakob Bidermann’s epic on the Massacre Diaspora Audience at the Globe to Globe Festival 2012’, of the Innocents (Herodiados libri iii, 1622)’, International Portraits and Emotional African Theatre Journal, 12, 2013, pp. 13-28. Journal of the Classical Tradition, 20 (3) 2013, pp. 83-100. Communities DOI: 10.1007/s12138-013-0323-x. Y.Haskell, ‘In the Vineyard of Verse: The State of Scholarship on Latin Poetry of the Old Society of Jesus’, In my research on Rembrandt and Descartes Journal of Jesuit Studies, 1.1, 2013, pp. 26-36. I discovered how a painting can evoke a R.F.McNamara, ‘”Diversity in setting of words makes sense of community and shared selfhood diversity in understanding”: Bureaucratic and Political across the ages for painters engaging with Language in Thomas Usk’s Testament of Love’, New portraits by their predecessors. Medieval Literatures, 14, carries 2012 publication date, but Richard Read hard copy printed and published online late May 2013, The University of Western Australia pp. 165-199.

ARC Centre of Excellence History of Emotions Annual Report 2013 73 Spotlight: Palgrave Studies in the History of Emotions Live Performance of Creative Works 2013 J.W.Davidson, S.Owens, G.Corall, D.MacKinnon, performance of Johann Christoph Pepusch/Colley Cibber, R.Conkie, P.Woods, Hamlet: Remember Me, Venus & Adonis: a masque (London, 1715), a small-scale CHE Change Program Leader, as a means ‘to explore the 27 September 2013. Small cast adaptation of Hamlet, opera with baroque instrumentalists, The University David Lemmings (The University phenomenon of self-collective the first act, exploring the issues of cultural memory and of Queensland (UQ) Art Museum, 23 and 26 November of Adelaide) and William R. Reddy self-identification through geographic place by situating production in the context of 2013. Lotte Betts-Dean (Venus), Vivien Hamilton (Adonis), (Laprade Professor of History and supposedly “negative” feelings’. Australian indigenous and settler relations. Cast: Justin Professor of Cultural Anthropology Stephen Grant (Mars), Donald Nicolson (musical director/ Forthcoming books also include Grant and Greg Fryer with student actors. Director: Rob at Duke University) are the editors harpsichordist), Jane Davidson (producer), the Badinerie two collections of scholarly essays. Conkie, Dramaturg: Penelope Woods, at The Playroom, of a new series of books dedicated Players with guest artists (Georg Corall, Simon Rickard, Emotions and War: Medieval to La Trobe University, Melbourne. to studies in the history of emotions. Samantha Owens, Dolly MacKinnon, Gillian Rankine, Romantic Literature (edited by the This series of monographs and edited R.Conkie, P.Woods, Othello, 4 October 2013. An all-male Daniel Curro, and Louise Cottone), UQ School of Music CHE scholars Stephanie Downes, collections will include work that production of Othello – cut to two hours, no interval, in a Vocal Students. Andrew Lynch and Katrina re-evaluates past definitions of small thrust-stage theatre. It followed some of the broad O’Loughlin), considers literary A.Lawrence-King, Anima e Corpo opera performances, emotions, and also aspires to principles of early modern staging in terms of casting, representations of reactions to war directed by Andrew Lawrence-King, at Theatre Natalya re-conceptualize theories about staging, costuming and cosmetics which produced a in European history. The essays Satz, Moscow, Russia, 9-10 February, 12-13 April, 11-12 emotional development in the very different set of effects. Cast: Andre Jewson as range across a broad historical October, 15-16 November 2013. longue durée. Desdemona, Trent Barker as Iago, Tom Considine as canvas of iconic writers, and Othello. Director: Rob Conkie; Dramaturg: Penelope A.Lawrence-King, Spanish Oratorio concert, performed The editors are interested in consider texts produced in and about Woods, at The Playroom, La Trobe University, Melbourne. by The Harp Consort directed by Andrew Lawrence-King, the constitution and historical various countries across Europe at Ourense Cathedral, Festival Portico del Paraiso, Spain, S.d’Arcy, Espacio, Música y Emoción: La Arquitectura y el consequences of collective emotions, and the American colonies. The 15 February 2013; and at Philharmonie, Novosibirsk, Órgano en la España Barroca (Space, Music and emotion: as well as the unfolding practices introduction includes a critical Russia, 26 February 2013. architecture and baroque organ in Spain), 6 September of individuals’ everyday lives that discussion of continuity and change 2013. Concert following a workshop on architecture and A.Lawrence-King, Favola in Musica, performed by embody emotional norms and ideals. in emotional responses to war, music, focusing especially on the construction of the The Harp Consort directed by Andrew Lawrence-King, Ideally, books in the series will and also addresses the connections architectural monuments that are the baroque organs, at Amthof, Feldkirchen, Austria, 17 May 2013; and with employ a variety of humanities between the representation of at The Cathedral of St. Mary and St Julian, Cuenca, Spain. Marco Beasley and Steven Player at Hamburg Bucerius disciplines and methodologies to individual and collective emotions. Gallery, Germany, 30 October 2013. produce a new interdisciplinary In addition the volume aims to J.W.Davidson, G.Corall, P.Alessi, Venus and Adonis history of the emotions in Europe contribute critically to discussions by John Blow. Methodist Ladies’ College, Claremont WA, A.Lawrence-King, La Morte d’Orfeo, Stage Show (first between 1100 and 2000. about ‘the normal scholarly Friday 30 August; The Buttery, Denmark WA, Saturday staged production in modern times), directed by Andrew periodization and methodological Four books are scheduled for 31 August 2013. Musical Direction: Georg Corall; Chorus Lawrence-King, Baroque Opera Studio, St Petersburg appraisal of the texts’. Finally, the publication in 2014. Erika Kuijpers Masters: Robert Faulkner and Rhiannon Taylor; Instrumental Philharmonic Hall, Russia, 7 December 2013. series’ 2014 list will also include of Leiden University is the author Ensemble: The Venus and Adonis Workshop Baroque Hurt Feelings: Experiencing Pain A.Maddox, Songs for voice & guitar by G.B. Contiero of Coping with Traumatic Memories Orchestra (a student orchestra tutored by Perth Baroque); in Modern History, edited by Rob (fl. 1775-1809), Pietro Generali (1773-1832) and Mauro in Early Modern Europe. This study Stage Direction and Production: Jane Davidson; Baroque Boddice of the Freie Universität Giuliani (1781- 1829), Sydney Conservatorium of Music, deploys insights from cultural Dance Coach: Steven Player; Dance Choreography: Seanne Berlin. This book is a thoroughly Recital Hall West. Alan Maddox (tenor), Giuseppe Zangari psychology to discuss the experience Kinsey and Samuel Maxted; Cast: Linda Barcan, Stephen interdisciplinary collection of fifteen (guitar). First modern performance of three songs of of the Dutch people in the aftermath Grant, Patricia Alessi, Andrew O’Connor; Chorus and essays by scholars who are working c. 1800: of their revolt against the Hapsburg Dancers from Methodist Ladies’ College and Christ Church at the forefront of the history of pain, Contiero, Che ti giova, amabil Fille’ and ‘M’appressai Empire (1566-1648). Drawing Grammar School, Claremont, WA. and whose subject matter is d’amore al regno from VI Canzoni per Chittara Francese. attention to the insights of modern genuinely global. It is conceptually J.W.Davidson, Broadside Ballads: News and Emotion in Generali, Canzona bernesca in lode dell’evirato Monreale, neuroscience, Kuijpers hypothesizes sophisticated in its approach, which Song. Written, directed and performed by Jane Davidson. demonstrating historically informed methods of emotional that ‘early modern war victims had combines insights from the history Zest Festival, Kalbarri, 21 September 2013. expression through semi-improvised variation of pitch, more narrative templates at their of emotions with experience derived rhythm, volume and timbre. Contextualised in other disposal to give meaning to their G.Corall, Dutch Music of the Seventeenth and Eighteenth from the medical humanities. In the songs & instrumental pieces by Giuliani, 20 August 2013. experiences’. Kyra Giorgi (La Trobe Centuries and its Dissemination throughout the World. words of its editor, ‘Hurt Feelings University) has written Melancholic Created and performed by Perth Baroque, director Georg R.Millar (artistic coordination), Chamber of Rhetoric investigates both the emotional Fatalism: Identity and Nostalgia on Corall. Lecture Recital: Music by Jacob van Eyck, Jan Far From Home, The Zest Festival, Kalbarri Foreshore, context of different kinds of pain, the Margins of Europe. This is a study Pieterszoon Sweelinck and Johann Christian Schickhardt. Western Australia, 21 September 2013. Arealists: as well as developing an emerging which considers critically national Exploration of Dutch composers and of the importance Theaker von Ziarno and Ty Fitzsimons; Actress: Ningali concept of physical pain as sentiment in the cultural contexts of of sheet music distribution by Amsterdam-based music Lawford-Wolf; Opera singer: Michael Halliwell; African intrinsically emotional/affective’. publisher Estienne Roger. The Zest Festival, Kalbarri, Drummer: Moses Nii Ordartei; Dancers: Melinda Leo, Portugal, the Czech homelands and Western Australia, 21 September 2013. Hannah Leo, Tom Leo, Kaila Chalmers, Damon Chalmers, Turkey, via word concepts which In addition to the books described, Katie Marshall. appear to signify feelings of nostalgia the series has received a steady or melancholic fatalism associated stream of exciting publication J.B.Stockigt, J.W.Davidson: Resurrexit, Concert in with living on the margins of Europe. proposals, including several derived association with Newman College, The University of Locating several key twentieth- from CHE’s Collaboratories. The Melbourne, with a performance of unpublished music century texts in their specific cultural editors are always happy to consider by Jan Dismas Zelenka; program notes together with Eglon van der Neer, The Reader. © Metropolitan Museum of Art, environments, Giorgi discusses these the outcomes of CHE research essay on Holy Week in Dresden (3000 words); pre-concert The Friedsam Collection, concepts’ chronological development projects for publication. talk in association with Robert Gribben. Chaired by Jane Bequest of Michael Friedsam, 1931. Davidson, 21 April 2013.

ARC Centre of Excellence History of Emotions Annual Report 2013 75 Carle (Antoine Charles Horace) Vernet, The Triumph of Aemilius Paulus, 1789. © Metropolitan Museum of Art, Awards and Research Grants Gift of Darius O. Mills, 1906

K.Barclay: Discovery Early Career Researcher Award D.Coleman: ARC Discovery Project: ‘Romantic India Y.Haskell: Election to Fellow of the Australian Academy U.McIlvenna: Newberry Library Short-Term Fellowship (DECRA), awarded by the Australian Research Council and Indian Romantics: British Romanticism and colonial of the Humanities, one of the highest honours available for Individual Research, awarded 17 April 2013, by (ARC), for project ‘A History of Intimate Relationships in modernity in India, 1780-1840’. This project turns to for achievement in the humanities in Australia. Newberry Library, Chicago, for ‘Singing the News of Death: Execution Ballads in Pre-Modern Europe Scotland: Emotion and Family among the Lower Orders, British Romanticism and to Anglophone texts of early- Y.Haskell: Invited Visiting Fellow Commoner (1500-1900)’. This is a one-month residential fellowship, 1661-1830’. This project will provide a comprehensive 19th century Bengal to arrive at a deeper understanding Research Fellowship, Trinity College, Cambridge grant for US $2,000. and novel analysis of intimate relationships amongst of the complex intertwining of literature with the histories (October 2013 – March 2014). the Scottish lower orders between 1661 and 1830, of colonialism, of Indian modernity, and an emergent R.Read: Institute of Advanced Studies, Invited Fellowship L.Hill & H.Baltussen: ARC Discovery Project: ‘The First filling a gap in the European/Anglophone research on Indian nationalism. In giving Romantic literature awarded by The University of Durham, UK. Three month “Liberals”: Stoicism in the Enlightenment’. This project the emotional lives of the poor. It will use an innovative an Indian dimension, the project also rethinks the fellowship to work on theme of ‘Emergence’ on topics will provide the first systematic study of the profound yet methodology to access emotions amongst a group who Englishness of Romanticism in a new context. Texts to including Giotto, Rembrandt and the contemporary hitherto under-appreciated influence of classical did not leave traditional ‘feeling’ sources, such as letters be highlighted are those which traverse national borders forgetting of ancient art with departments of Philosophy, Stoicism on the political thought of the European and diaries, to create a picture of their emotional and in imaginative acts of sympathy and dialogue, including Literature, History and Art History, University of Durham. Enlightenment, particularly liberal thought. It will show familial world. Its novel methodology will supply a model exchanges between the Christian West and the Muslim/ Grant for all travel including UK-Australia airfares, that the Stoics provided the first properly developed for doing similar work in other contexts, while its insights Hindu East. Outcomes will include a higher profile for accommodation and board, honorarium £2,500 theory of personal rights and were the first to successfully into how this group formed families, and used emotions Indian studies through innovative scholarship and public (Jan-March, 2015). in that process, will provide historical data that can engagement. Grant for $171,000 (2014-2016). promulgate the values of universalism, impartiality, inform social policy and strengthen Australia’s social egalitarianism, tolerance and cosmopolitanism. It will G.Tarantino: Nomination by Brepols Publishers J.W.Davidson (with A.North, K.S.McFerran): and economic fabric. Grant for $373,329 (2014-2016). then trace the transmission and interpretation of such for the Leo Gershoy Award through the American ARC Discovery Project: ‘Musical investment: assessing values in early modern thought and demonstrate the Historical Association, for Dr Tarantino’s recent book D.Barnes: James M. Osborne Fellowship in English and enabling musical participation for well being impact manner in which Enlightenment figures like Locke, Republicanism, Sinophilia and Historical Writing: Thomas Literature and History, awarded April 2013 by Yale across the lifespan’. This project tests a growing belief Smith, Wollstonecraft, Kant and Jefferson were directly Gordon (c.1691-1750) and his History of England. University, Beinecke Rare Books and Manuscript that by investing in opportunity for musical participation influenced by the emancipatory political thought of the Library, for research project ‘The Politics of Emotion we may develop the capacity to improve individual, Stoics. Grant for $300,000 (2014-2016). and Stoicism in the Writings of Sir William Temple’. family and community well being. The work advances Grant for US $4,000 plus travel costs (2013-2014). the knowledge base by generating theories and evidence P.Holbrook: Election to Fellow of the Australian Academy about why we should invest in music-making in order of the Humanities, one of the highest honours available S.Broomhall: ARC Future Fellowship, for project to promote well being across the lifespan. It undertakes for achievement in the humanities in Australia. ‘Emotions of Power: Strategic affection in the systematic investigations to identify specific variables correspondence of Catherine de Medici’. This project A.Lawrence-King: Golden Mask Award, by the Theatre that promote well being in music activities. It develops investigates the hitherto under-researched Union of the Russian Federation in conjunction with the best practice guidelines for music practitioners across correspondence of Catherine de Medici. Taking into Ministry of Culture of the Russian Federation and the a range of disciplines using a variety of modalities and account emerging trends in scholarship on women Moscow Government. Special Award of Musical Theatre offers potential to inform policy development. Grant for and on elite correspondence, it will provide new insights Jury, the highest award for all genres of music-drama $261,000 (2014-2016). into early modern female political participation and (opera, operetta, ballet, musicals etc), for Emilio de power, and a new view of Catherine’s own activities. S.Downes: Bloomfield Fellowship, awarded 23 April 2013 Cavalieri’s Rappresentatione di Anima et di Corpo (Drama The project promises an exciting new analysis of a by Department of English, Harvard University. This is a of the Soul & Body) directed by Andrew Lawrence-King. leading individual at the heart of early modern history. month long award for archival research in the Houghton Awarded 16 April 2013. Grant for $850,784 (2013-2017). manuscript collection, and Dr Downes will be the invited A.Lynch: National Science Council of Taiwan Visiting speaker at the Harvard Medieval Colloquium, paper titled Scholar Travel Grant for NT $38,000 and airfare (2013). ‘Tears of Troy: War, Literature and Diplomacy in the Fifteenth Century’. Grant for US $3,000 travel and expenses, plus oncosts for further overseas travel (2014).

ARC Centre of Excellence History of Emotions Annual Report 2013 77 Charles Zika speaking at The University of Melbourne. © Penelope Lee.

Selected Talks and Presentations

Alessi, Patricia Barclay, Katie Brewer, Keagan Chua, Brandon Davidson, J.W. (Jane) Paper Presentation: Paper Presentation: Paper Presentation: Paper Presentation: Keynote Paper: INSIGHTS ‘Odd (Wo)Man Out’: Translating the Sex and the City: Urban Desire and Marvels by the Fireside: Should The Return to Allegory in Dryden’s Staging Emotions in Vocal Early English Female Opera Singer, the Eighteenth-Century British Family, medieval marvels be considered The Hind and the Panther (1687), Performance, Hamlet, ANZAMEMS Inc. 9th Biennial ‘Gender in the European Town: a form of entertainment?, ‘Genre, Affect and Authority in Third International Conference Remember Me Conference ‘Cultures in Translation’, from Medieval to Modern’ International Medieval Congress, Early Modern Europe on Music and Emotion, Monash University, Melbourne, Conference, University of Southern University of Leeds, United Kingdom, (1517-1688)’ Conference, University of Jyväskylä, Finland, 12-16 February 2013. Denmark, Odense, Denmark, 1-4 July 2013. The University of Melbourne, 11-15 June 2013. 22-25 May 2013. 11-12 July 2013. This staged reading of the Paper Presentation: Paper Presentation (with S.Garrido): first act of Hamlet re- Performing as one of the metamorphic Paper Presentation: Brooks, Ann Music and Mood Regulation: imagined the play within ‘…King’s Whore[s]’: Translating the Greed, Gambling and Family Collins, Denis Musical Prescriptions in the Panel Presentation: an Australian Indigenous emotive performance practices of Ties: Eighteenth-Century Medieval and Early Modern World, ‘California Dreamin’: Gender, Paper Presentation: context. In it, Hamlet and Mary “Moll” Davis, 2013 Joint Inheritance Disputes, CHE ‘Sourcing Emotions’ Violence and Heteronormativity Emotion, text and counterpoint in his parents – the Ghost of Conference of the Musicological CHE ‘Sourcing Emotions’ Conference, UWA, in Immigration Narratives for music of the counter-reformation, his murdered father and Society of Australia and the New Conference, UWA, 27-29 June 2013. Migrants into California, CHE ‘Sourcing Emotions’ his mother Gertrude – are Zealand Musicological Society: 27-29 June 2013. Sociology of Rights, Violence and Conference, UWA, Paper Presentation: all Indigenous Australians. ‘Music and Metamorphosis’, Paper Presentation: Crime Panel, British Sociological 27-29 June 2013. Appraising the sustained effects The story of the play is thus Queensland Conservatorium, Finding a Space for Free Association Conference 2013, of group singing on seniors, focused by local narratives Griffith University, Brisbane, Speech: Masculinity, Political London, United Kingdom, Czerw, Catherine Australian Music Psychology Society of dispossession, usurpation 18-21 November 2013. Resistance and the Court in 3-5 April 2013. First International Conference, and payback. Paper Presentation: Early Nineteenth-Century Ireland, The University of Melbourne, Museums and Emotions: The workshop made Amelang, James (Universidad ‘Subversion and Censorship from Broomhall, Susan 27-30 November 2013. Connecting audiences with numerous local discoveries Autónoma de Madrid) Plato to WikiLeaks’ Conference, Paper Presentation: collections in public spaces, Conference Poster (with S.Garrido): about the implications of The University of Adelaide, Conference Plenary Paper: The Emotional Currents in the Indian Museums Australia (WA) State From black bile to depression: analogising the play via 2-4 October 2013. Sources of Mourning: Autobiography, Ocean: VOC Correspondence and Conference 2013, Notre Dame An anatomy of melancholia and collaborative engagement Ritual, Sincerity, Second International Paper Presentation: Shipwrecks on Australian Shores, University, Fremantle, music’s role in its treatment, with the Indigenous artists. CHE ‘Sourcing Emotions in the Playing on Emotion: the Family and CHE ‘Sourcing Emotions’ 3-4 October 2013. Australian Music Psychology Society Rob Conkie Medieval and Early Modern World’ the Press in the Eighteenth Century, Conference, UWA, First International Conference, La Trobe University Conference, UWA, 27-29 June 2013. ‘Law and Governance in Britain’ 27-29 June 2013. d’Arcy, Sing The University of Melbourne, Symposium, University of Western 27-30 November 2013. Paper Presentation: Ontario, London, Ontario, Canada, Keynote Paper: Bailey, Merridee Dead Good: Itemising Possessions Paper Presentation 25-26 October 2013. Espacio, Música y Emoción: Paper Presentation: of the Dying Poor in 1530s Nantes, La Arquitectura y el Órgano en la (with M.Broughton): ‘drede of his seid unlawful corrections’: Symposium Paper: PMRG/CMEMS Annual España Barroca (Space, Music and Do others perceive my Emotional Turns of Phrase in 16th Sexual Scandal and Family Conference 2013, UWA, Emotion: The Architecture and performance as I do?, Chancery proceedings, Values: Emotions and the 28-30 November 2013. Baroque Organ in Spain), Australian Music Psychology Society ANZAMEMS ‘Cultures in Eighteenth-Century British Press, III Academia de Organo ‘Julian de la First International Conference, Translation’ Conference, ‘“Criminal” Justice during the Carter, Tim (The University of Orden’, Cuenca Cathedral, Spain, The University of Melbourne, Monash University, Melbourne, Long Eighteenth Century: Theatre, North Carolina at Chapel Hill) 6 September 2013. 27-30 November 2013. 12-16 February 2013. Representation and Emotion in the Courtroom and the Public Sphere’ Conference Plenary Paper: Derrin, Daniel Paper Presentation: Conference, Huntington Library, From Conception to Delivery: Reading emotions in merchant California, USA, Sourcing (Musical) Emotions Paper Presentation: practices in late medieval and early 1-2 November 2013. in Early Baroque Italy What’s So Funny about Humour?: modern England, c. 1450-1650, CHE ‘Sourcing Emotions’ Historical Sources of Humour in CHE ‘Sourcing Emotions’ Conference, UWA, Chapman’s A Humorous Day’s Mirth, Conference, UWA, 27-29 June 2013. CHE ‘Sourcing Emotions’ 27-29 June 2013. Conference, UWA, 27-29 June 2013.

ARC Centre of Excellence History of Emotions Annual Report 2013 79 Donaldson, Ian Garrod, Raphaële Keynote Paper: Lawrence-King, Andrew Paper Presentation: Shakespeare Against Universalism War and the Medieval in Keynote Paper: Paper Presentation: Paper Presentation: for Shakespeare Association Children’s Histories of England, INSIGHTS Finding it all ridiculous: Subverting The King’s Heart: The Jesuit Opera at the cutting edge: of Korea Conference, Seoul, Medievalism in the Modern World genre in early modern England, Rhetoric of the Relic and Its Political Tasso’s text, Monteverdi’s music, Affettuoso South Korea, Conference, University of St ‘Genre, Affect and Authority in Implications in the In Anniversarium Agrippa’s action, 1-5 November 2013. Andrews, Scotland, United Kingdom, ANCora Early Modern Europe obitus diei Henrici Magni Performance Studies Network 25-28 June 2013. (1517-1688)’ Conference, (La Flèche: J. Rezé, 1611), Second International Conference, The University of Melbourne, ANZAMEMS ‘Cultures in Translation’ Inglis, Alison Centre for Musical Performance as Paper Presentation: 11-12 July 2013. Conference, Monash University, Paper Presentation: Creative Practice (CMPCP) University ‘For peace is good’: the structures This year I was able to Melbourne, The Expedition of Female Mourning: of Cambridge, United Kingdom, of a feeling in Layamon’s Brut, demonstrate that the Downes, Stephanie 12-16 February 2013. fictionalising Jane Franklin as 4-7 April 2013. Representing War and Violence in previously unstudied the Pre-Modern World Conference, manuscript of F.A. Calegari’s celebrity colonial mourner, Paper Presentation: Panel Paper: Pembroke College, Cambridge, Passion recitatives of 1718 Gregory, Kate Association for the Study of Redefining Recitative (Arianna), Academic Border Crossing’ United Kingdom, represents an otherwise Australian Literature (ASAL) at the ‘Sourcing Emotions in the ANZAMEMS ‘Cultures in Translation Invited Presentation: 24-25 September 2013. unknown type of Passion Conference, ‘Country’, Charles Medieval and Early Modern World’, Conference, Monash University, Commemorating the colonial Pilbara: setting using unusually Sturt University, Wagga Wagga, CHE ‘Sourcing Emotions’ Melbourne, beyond memorials into difficult history, distinct emotional expression. 3-5 July 2013. Conference, UWA, McEwan, Joanne 12-16 February 2013. International Workshop The unusual inclusion of ‘Investigating Catastrophe: 27-29 June 2013 Panel Presentation: Paper Presentation: ‘ instructions for emotional Commemoration, Accountability and Kilpatrick, Hannah ‘Returning to her Mother’s House’: Conflicting Emotions: the expression such as affettuoso the Public Record of Disaster’, UWA, Lemmings, David Representations of Family and fifteenth-century Debate of the Paper Presentation: (emotionally expressively) 6 June 2013. Emotion in Eighteenth-Century Eye and the Heart, Patron, priory, and problems Paper Presentation: and then affettuoso ancora Scottish Infanticide Cases, ANZAMEMS ‘Cultures in Translation’ Conference Presentation: with apostrophes: emotional Compassion, Authenticity and the (even more emotionally) CHE ‘Sourcing Emotions’ Conference, Monash University, Emotions of Encounter in North impact and failures of meaning Offender: Emotional Representations at the climax of the drama Conference, UWA, Melbourne, West Colonial Heritage, in the Fineshade chronicle, of the Family in Eighteenth-Century suggests a connection with 27-29 June 2013. 12-16 February 2013. CHE ‘Sourcing Emotions’ CHE ‘Sourcing Emotions’ Criminal Trials, the affective Franciscan Conference, UWA, Conference, UWA, CHE ‘Sourcing Emotions’ spirituality of the Passion. Paper Presentation: 27-29 June 2013. 27-29 June 2013 Conference, UWA, McIlvenna, Una Fake Tears and Faux Semblance? Alan Maddox 27-29 June 2013. Panel Presentation: The University of Sydney Reading French Verse in England, Knecht, Ross in session on ‘Reading in Late Haskell, Yasmin Introductory Presentation: Shame in Early Modern Public Execution Medieval England’, 48th Keynote Paper: Panel Paper: Theatre, Representation and in Panel ‘Emotions of Crime and International Congress on Medieval The Emotions of Learning in The Irreducibility of Emotional Emotion in the Courtroom and Death in Medieval and Early Modern Studies, Kalamazoo, Michigan, USA, Early Modern Didactic Poetry, Discourse: Adorno on Feeling the Public Sphere, Europe: After the Verdict’, 9-12 May 2013. The 7th Annual International and Convention ‘“Criminal” Justice during the CHE ‘Sourcing Emotions’ Long Eighteenth Century: Theatre, ANZAMEMS ‘Cultures in Translation’ Paper Presentation: Conference of the Taiwan Conference, UWA, Representation and Emotion in the Conference, Monash University, Giving Pleasure: The Book as Gift in Association of Classical, Medieval 27-29 June 2013. Courtroom and the Public Sphere’ Melbourne, Late Medieval England and France, and Renaissance Studies, College of Conference, Huntington Library, 12-16 February 2013. CHE-sponsored session ‘Eat, read Arts, National Changhua University Panel Paper: California, USA, and be merry? Social pleasure and of Education (NCUE), Taipei, Taiwan, Love and Learning in Sidney’s Panel Presentation: 1-2 November 2013. its implications in late-medieval 25-26 October 2013. Astrophil and Stella, The Highs and Lows of England and France’, International ‘Genre, Affect and Authority in Paper Presentation: Performing Early Modern Ballads Medieval Congress, University of Holbrook, Peter Early Modern Europe (1517-1688)’ Thomas Erskine and the Performance CHE ‘Sourcing Emotions’ Leeds, United Kingdom, Conference, The University of of Moral Sentiments: The Emotional Conference, UWA, Paper Presentation: 1-4 July 2013. Melbourne, Reportage of Trials for ‘criminal 27-29 June 2013. Shakespeare, Aristotle, Rationalism, 11-12 July 2013. conversation’ and treason in the 1790s, Shakespeare Association of America Paper Presentation: ‘“Criminal” Justice during the Long Garrido, Sandra Conference, Toronto, Canada, Singing Songs of Execution Knight, Stephen Eighteenth Century: Theatre, in Early Modern Italy Paper Presentation 28-30 March 2013. Representation and Emotion in the ‘Oral and Written Cultures in Early (with S.Bernard & J.W.Davidson): Keynote Paper: Keynote Paper: Courtroom and the Public Sphere’ Modern Italy’ Conference, University The creative personality: History and the Heroic in Early Britain, Tradition, Authority, and Innovation Conference, Huntington Library, of Leeds, United Kingdom, Composers of music, their Australian Early Medieval in Literary Teaching and Learning, California, USA, 5-6 September 2013. inspirations and working methods, Australian Association for the Conference, Monash University, 1-2 November 2013. ACM Creativity and Cognition Teaching of English National Melbourne, Roundtable Presentation: Cantastorie-cantimbanchi-street Conference, University of Conference: ‘Brave New World: 11 February 2013. Lynch, Andrew Technology, Sydney, performers at ‘Oral and Written English and Literacy Teaching for Paper Presentation: ‘ 17-20 June 2013. Paper Presentation: Cultures in Early Modern Italy’ the Twenty-First Century’, Brisbane, The Social Integration of Emotion ‘… igon is al mi blisse’: Emotion and Conference, University of Leeds, Paper Presentation 4-7 July 2013. in Early Arthurian Romance, Action in Layamon’s Arthur story, United Kingdom, (with J.W.Davidson): ANZAMEMS ‘Cultures in Translation’ Paper Presentation: ANZAMEMS ‘Cultures in Translation’ 5-6 September 2013. Music and Mourning in Modern Conference, Monash University, Affect, Irrationality, and Authority Conference, Monash University, Australia, Melbourne, in English Renaissance Literature, Melbourne, Australian Music Psychology Society 12-16 February 2013. ‘Genre, Affect and Authority in 12-16 February 2013. First International Conference, Early Modern Europe (1517-1688)’ Paper Presentation: The University of Melbourne, Conference, The University of Arthur the Historic Hero, 27-30 November 2013. Melbourne, for The Eighth Australian 11-12 July 2013. Conference of Celtic Studies, The University of Sydney, 15 June 2013. ARC Centre of Excellence History of Emotions Annual Report 2013 81 MacKinnon, Dolly Paper Presentation: Paper Presentation Moore, Grace Potter, Ursula A Lesser Evil? The Violence of War (with D.R.M.Irving): Panel Presentation: ‘ Paper Presentation: Paper Presentation: and Suicide in the Middle Ages, Towards a Reflexive Paradigm for INSIGHTS ‘So to Naseby Field I went’: early By the Blazing Firelight: Campfires Starving for salvation in the ‘Representing War & Violence in the Study of Music in Australian modern battlefield tourism and the and Portable Domesticity in seventeenth century and slimming Treason, the Pre-Modern World’ Conference, Colonial Societies, English Civil Wars battle of Naseby, Nineteenth-Century Australia, for God in the twenty-first century. University of Cambridge, 2013 Joint Conference of the Passion and 14 June 1645 ‘Ecological Australia: Ecocriticism Considering the historical role United Kingdom, Musicological Society of Australia ANZAMEMS ‘Cultures in in the Arts’ Symposium, of religious anxiety in the onset 23-24 September 2013. and the New Zealand Musicological Power in Translation’ Conference, The University of Melbourne, of eating disorders within the Society: ‘Music and Metamorphosis’, Monash University, Melbourne, 4 October 2013. Australian context, England, Queensland Conservatorium, 12-16 February 2013. McNamer, Sarah (Georgetown 13th Biennial Conference of the Griffith University, Brisbane, 1660-1685 University) Australian and New Zealand Panel Presentation: 18-21 November 2013. Neuendorf, Mark Society of the History of Medicine, Emotional landscapes: Battlefield Conference Plenary Paper: Paper Presentation: ‘Antipodean Health: people, memorials to seventeenth-century civil Literature as Source for the Marchant, Alicia Manhood, Morality and Emotional places, perceptions’, Darwin, General rejoicing greeted war conflicts in England and Scotland, History of Emotion, Despair: Debating Suicide in Panel Presentation 2-5 July 2013. the Restoration of Charles Fourth International and CHE ‘Sourcing Emotions’ Late-Stuart England, (with S.Broomhall): II to the English throne in Interdisciplinary Conference Conference, UWA, ANZAMEMS ‘Cultures in Translation’ Family ties?: The Emotional Ramsey, Neil 1660; however the twenty- on Emotional Geographies, 27-29 June 2013. Conference, Monash University, Tourism of Medieval and Early five year reign of the ‘merry The University of Groningen, Melbourne, Panel Presentation: Modern Scottish Battlefields monarch’ was to become The Netherlands, Maddern, Philippa 12-16 February 2013. Orientalist Violence in ‘Visiting Pasts, Developing Futures’ one characterised by division 1-3 July 2013. Romantic Era Travel Writing, Paper Presentation: Conference, Taipei, Taiwan, and dissent. My research ‘Romantic Imports and Exports’: Reading Faces: How did Late 5-9 April 2013. O’Loughlin, Katrina demonstrates that the McLeod, Shane 2013 British Association for passions not only defined Medieval Europeans Interpret Panel Presentation: Romantic Studies International individual and national Paper Presentation: Emotions in Faces?, Millar, Charlotte-Rose Sites of feeling: Space and Emotions, Biennial Conference, University identity, but also framed Growing Pride: The Memorial Centre for Medieval and CHE ‘Sourcing Emotions’ Paper Presentation: of Southampton, United Kingdom, the bond between subject Runestones Dedicated to the Warriors Early Modern Studies, Conference, UWA, Sleeping with Devils: The Sexual Witch 25-28 July 2013. and sovereign. My work who Helped Knutr Conquer England, Chia-Yi University, Taiwan, 27-29 June 2013. Australian Early Medieval 20 June 2013. in Seventeenth-Century England, illuminates the foundation of Association Conference, ANZAMEMS ‘Cultures in Panel Presentation: Randles, Sarah this relationship by tracing Paper Presentation: Translation’ Conference, ‘Très singulière’: Women public expression of the Monash University, Melbourne, Paper Presentation: ‘Be mery…and eate your mete lyke a Monash University, Melbourne, Writing History, passions in political and 11 February 2013. Signs of Emotion: Pilgrimage woman’; merriment, health and 12-16 February 2013. ‘Pride and Prejudices: Women’s print culture surrounding Badges from The Cathedral Paper Presentation: salvation in late-medieval English texts, Writing of the Long Eighteenth treason trials, from the first Paper Presentation: of Notre Dame of Chartres, Sourcing Emotions: Runic Inscriptions, International Medieval Congress, Century’ Conference, Chawton decade of the king’s reign The Emotional Imperatives ANZAMEMS ‘Cultures in Emotions, and Landscape, University of Leeds, United Kingdom, House Library, Hampshire to the infamous plots of the Behind the Witch’s Pact, Translation’ Conference, CHE ‘Sourcing Emotions’ 1-4 July 2013. United Kingdom, Exclusion period. Through XI Gustav Vasa Seminar on Monash University, Melbourne, Conference, UWA, 4-6 July 2013. the passions, I contend that ‘Witchcraft, Magic and Popular 12-16 February 2013. 27-29 June 2013. Maddox, Alan one can see the connection Belief’, University of Jyväskylä, Paper Presentation: Paper Presentation: between the king and his Paper Presentation: Finland, Conduits of feeling: ports, ships McNamara, Rebecca The Virgin’s Clothing: Marian Textile people becoming increasingly ‘The affecting Manner of those who 11-12 June 2013. and sea voyages in women’s travel Relics and Their Emotional Resonance, fraught as a result of a Panel Presentation: devoutly dedicate their Voices to the of the eighteenth century, Paper Presentation: International Medieval Congress, decline in deference towards Pro Timore: Criminal Suicide Service of God’: emotional expression ‘Romantic Imports and Exports’: The Devil’s Victims: University of Leeds, United Kingdom, traditional authority, in in the Middle Ages, in the musical service of St Anthony 2013 British Association for Emotionally Vulnerable Witches 1-4 July 2013. conjunction with a changing ANZAMEMS ‘Cultures in of Padua around 1700, Romantic Studies International in Seventeenth-Century England, concept of the English Translation’ Conference, CHE ‘Sourcing Emotions’ Biennial Conference, University CHE ‘Sourcing Emotions’ nation, in which the person Monash University, Melbourne, Conference, UWA, of Southampton, United Kingdom, Randolph, Adrian Conference, UWA, of the monarch was reduced 12-16 February 2013. 27-29 June 2013. 25-28 July 2013. (Dartmouth College) 27-29 June 2013. to a supporting role. My Paper Presentation: Paper Presentation: Paper Presentation: Conference Plenary Paper: research demonstrates Paper Presentation: Dying on the Edge: The Suicide Francesco Antonio Calegari’s ‘Strolling Roxanas’: sexual in/ Art and Askesis: Donatello’s Magdalen that seventeenth-century Sources of Fear and Objects of of Criminals in Medieval England, passion music, Padua, 1718, continence, travel and scandal, as an Emotional Source, individuals and communities Disgust: Witches as Co-Conspirators Medieval Academy of America XVI International Conference ‘Politeness and Prurience: Situating CHE ‘Sourcing Emotions’ revealed themselves to be in Early English Pamphlets, Annual Conference, Knoxville, on Baroque Padano (XVII - XVIII), Transgressive Sexualities in Conference, UWA, more than capable of using Sixteenth Century Society Tennessee, USA, Centro Studi Antoniani, Padua, Italy, the Long Eighteenth Century’ 27-29 June 2013. emotion to both communicate Conference 2013, San Juan, 4-6 April 2013. 1-3 July 2013. Conference, University of political desires and to Puerto Rico, Edinburgh, United Kingdom, renegotiate the balance of Paper Presentation: Paper Presentation: 24-27 October 2013. Read, Richard 2-3 September 2013. power between the state and The Law on Feeling: Finding Emotions An unreported solo motet of the Paper Presentation: opposition groups. in Medieval English Legal Texts, eighteenth century: a ‘new’ work Millar, Rebecca Samuel Morse and the Electrical CHE ‘Sourcing Emotions’ by Nicolo Porpora?, Imaginary: Art and Science in 19thC Elsa Reuter Panel Presentation (with S. Conference, UWA, 2013 Joint Conference of the Britain and America, The University of Adelaide Broomhall and J.Van Gent): 27-29 June 2013. Musicological Society of Australia RSAA 2013 Conference – The Zest Festival: Emotional labour, and the New Zealand Musicological ‘Global Romanticism’, connections, stories and dividends, Society: ‘Music and Metamorphosis’, The University of Sydney, ‘Visiting Pasts, Developing Futures’ Queensland Conservatorium, 3-5 July 2013. Griffith University, Brisbane, Conference, Taipei, Taiwan, 18-21 November 2013. 5-9 April 2013.

ARC Centre of Excellence History of Emotions Annual Report 2013 83 Reuter, Elsa Stockigt, Janice Waldow, Anik Williams, Carol Paper Presentation: A Workshop of Wisdom or the Paper Presentation: Panel Presentation: Paper Presentation: Paper Presentation (with C.Mews): Pomp of Satan? Education, Status INSIGHTS Treacherous Words and Perfidious Reformation vs Counter Reformation: ‘Descartes’ Dreamers and Music is the … ‘exaltation of the mind and Social Reform at the Early Passions: Subverting the State The Establishment of a Catholic the Awakening of the Human derived from things eternal bursting Arthurian Emotions: University of Paris, in Restoration England, Cemetery in Dresden 1724, Animal Machine, forth in sound’, Universität-Reform. Ein Public and Private, ‘Subversion and Censorship from ANZAMEMS ‘Cultures in Translation’ 2nd Arctic Circle Seminar CHE ‘Sourcing Emotions’ Spannungsverhältnis langer Dauer Plato to WikiLeaks’ Conference, Conference, Monash University, in Early Modern Philosophy, Conference, UWA, (12.-21. Jahrhundert), (Universities Positive and Negative The University of Adelaide, Melbourne, Kilpisjärvi, Finland, 27-29 June 2013. and Reform: A Long History of a 2-4 October 2013. 12-16 February 2013. 1-4 August 2013. Tense Relationship (From the 12th to Paper Presentation: Woods, Penelope the 21st centuries) Herzog August My research has examined Russell, Sarah Takao, Makoto Natural History and the Bibliothek, Wolfenbüttel, Germany, Paper Presentation: the Welsh Culhwch ac Formation of the Human Being, 18-20 September 2013. Paper Presentation: Paper Presentation: Audience Skill: An exploration of Olwen, French Erec et Enide, ‘The Enlightenment and the The Skill of Clergy as The Performance of Memory and the the habitus of being audience in a romances by Chrétien de Emergence of Philosophical Emotion-Managers, Memory of Performance: Kabuki as reconstructed early modern theatre, Zika, Charles Troyes, English popular Ninth Oxford Medieval Graduate Commemorative Practice of Jesuit Anthropology’ Conference, for ‘Skill’ at the Shakespeare Keynote Paper: ‘ romances Sir Orfeo and Conference ‘Skill’, Ionnaou Centre, Aesthetic in Sixteenth-Century Japan’, The University of Sydney, Association of America Conference, Translating ‘Witchcraft’ in Early Sir Launfal, Sir Gawain and Oxford, United Kingdom, Sixteenth Century Society 4-6 November 2013. Toronto, Canada, Modern Europe: Universality and the the Green Knight, Malory’s 4-5 April 2013. Conference 2013, San Juan, 28-30 March 2013. Biblical Witch of Endor, Arthuriad and the late Puerto Rico, Walker, Claire Panel Presentation: ANZAMEMS ‘Cultures in medieval ballads about Robin 24-27 October 2013. Ruys, Juanita Paper Presentation: Emotions Backstage: the literal Translation’ Conference, Hood. Through this material the consistent thread is that Paper Presentation: Craving appetites, impetuous lusts and and imaginary space of the Monash University, Melbourne, Tarantino, Giovanni emotionality has two modes, The Lap of Minerva: Childhood headstrong passions: Emotion seventeenth century Tiring House, 12-16 February 2013. and Justice in Seventeenth and CHE ‘Sourcing Emotions’ the public, shared and often Passions for Learning in Paper Presentation: Paper Presentation: Eighteenth-Century Assize Sermons, Conference, UWA, restrained or formalised Twelfth-Century Autobiographies, Teaching the Fear: Gilbert Burnet’s Transformations of Sabbath Imagery ANZAMEMS ‘Cultures in Translation’ 27-29 June 2013. emotionality which operates 2013 Taiwan Association of Classical, Accounts of Catholic Violence against in the 17th Century: Visual Lineages Conference, Monash University, as a form of social consent Medieval, and Renaissance Studies Waldensians (1688), Panel Presentation: and Religious Discourse, Melbourne, and collective identification, International Conference: ‘Passions CHE ‘Sourcing Emotions’ ‘Globe to Globe’ and its International Conference on 12-16 February 2013. and, the alternative, a for Learning: Forms of Knowledge, Conference, UWA, Audiences, London 2012, ‘Hexensabbat. Fantasien der Nacht personalised emotionality, Forms of Acquisition’, National 27-29 June 2013. International Federation of Theatre und die Erkundung des Imaginären’, usually focused on love or White, Robert (Bob) Changhua University of Education, Research Conference, Institut del organised by the Arbeitskreis revenge, but sometimes on Changhua, Taiwan, Trigg, Stephanie Paper Presentation: Teatre, Barcelona, Spain, Internationaler Hexenforschung, disdain or affiliation of some 25-26 October 2013. 22-26 July 2013. at Akademie der Diözese Keynote Paper: Describing Emotions in Drama: other origin, which effectively Rasas; or Why do Indians get more Rottenburg-Stuttgart, Weingarten, separates its activator from Soyer, François ‘Exquisitely tender’: Chaucer, 28 June 2013. Coleridge, and the History of Emotions, out of Shakespeare than Westerners?, Young, Spencer the social whole, generates CHE ‘Sourcing Emotions’ tensions and conflicts at both Panel Presentation: SAUTE (Swiss Association of Paper Presentation: Paper Presentation: Conference, UWA, a social and personal level Hatred through Print: the crafting University Teachers of English) Lecturers, Debaters, Preachers: The Witches of Jacques de Gheyn II: of a bestselling antisemitic book in Conference, University of 27-29 June 2013. cruelty and lack of compassion, and may well have disastrous Theologians and the Theological outcomes on the person and seventeenth-century Spain Lausanne, Switzerland, Paper Presentation: Sixteenth Century Society Endeavour at the Early University conceivably the social fabric. in Panel ‘Education and Jewish 19-20 April 2013. The Global Keats Circle, of Paris, Conference 2013, San Juan, Christian Contact’ ANZAMEMS Puerto Rico, The texts explore the force, Panel Presentation RSAA 2013 Conference ANZAMEMS ‘Cultures in ‘Cultures in Translation’ Conference, 24-27 October 2013. etiology and currency of these (with J.Scott and P. Lee): ‘Global Romanticism’, Translation’ Conference, Monash University, Melbourne, two discourses of emotion Making Faces, The University of Sydney, Monash University, Melbourne, and offer widely varying 12-16 February 2013. 3-5 July 2013. 12-16 February 2013. CHE ‘Sourcing Emotions’ For a complete list of talks and outcomes to their conflict. Paper Presentation: Conference, UWA, Plenary Opening Address: Paper Presentation: presentations please visit Was anti-Semitic Literature and 27-29 June 2013. Stephen Knight Shakespeare’s Republic Avarice and the Emotions in historyofemotions.org.au/ The University of Melbourne Propaganda in the Early Modern of Little People, Thirteenth-Century Moral and publications-resources/academic- Iberian World Special: assessing the Van Gent, Jacqueline Shakespeare Association of Pastoral Discourses, publications-and-resources.aspx impact of the converso element?, India Conference ‘Shakespeare Canadian Society of Medievalists Panel Presentation: 2nd International Symposium On and Republicanism’, Annual Meeting, University Malacca - cultural tourism, Inquisition Studies: religion and Jammu University, India, of Victoria, Victoria, colonial narratives and emotions, power, Universidade Federal 16-18 October 2013. British Columbia, Canada, ‘Visiting Pasts, Developing Futures’ da Bahia, Brazil, 2-4 June 2013. 3-6 September 2013. Conference, Taipei, Taiwan, 5-9 April 2013. Paper Presentation: Looking for Love in All the Wrong Starbuck, Nicole Keynote Paper: Place: Avarice and the Emotions in Emotions in witchcraft, Paper Presentation: Thirteenth and Fourteenth Century magic and popular culture, From Sentimentalism to Science?: Pastoral Sources, XI Gustav Vasa Seminar on Navigating Feeling in the Encounters CHE ‘Sourcing Emotions’ ‘Witchcraft, Magic and and Ethnographies of French Conference, UWA, Popular Religion’, University Revolutionary Voyagers, 27-29 June 2013. of Jyväskylä, Finland, CHE ‘Sourcing Emotions’ 11-12 June 2013. Conference, UWA, 27-29 June 2013.

ARC Centre of Excellence History of Emotions Annual Report 2013 85 Research Training and Professional Education

Performance Measure Outcome 2011 Outcome 2012 Target 2013 Outcome 2013

Number of attended professional 6 collabs 6 collabs 5 4 collabs training courses for staff and 6 masterclasses 5 Masterclasses 2 PATS postgraduate students (include collaboratories and PATS) 5 Study Days/ 8 Masterclasses Workshops/ 10 Study Days/ Research Workshops/ Meetings Research Meetings

Number of Centre Attendees at all >35 >40 32 >50 professional training courses

Number of new postgraduate 3 3 continuing, 2 3 7 students working on core Centre commenced in research and supervised by Centre 2012 staff ( including PhD, Masters and Masters by coursework)

Number of new postdoctoral 5 started plus 5 continuing, 0 14 continuing, researchers recruited to the Centre 6 appointed to 8 commenced in 2 commenced in working on core Centre research start in 2012 2012 (one senior 2013 research fellow) 3 appointed in Key 2 appointed in 2013 to start in Performance 2012 to start in 2014 Indicators 2013 Number of new Honours students 2 7 14 1 working on core Centre research supervised by Centre staff

Number of postgraduate 0 0 0 1 Research Findings completions and completion times by students working on core Centre Performance Measure Outcome 2011 Outcome 2012 Target 2013 Outcome 2013 research and supervised by Centre staff Books (published) 1 7 1 7 Number of Early Career 5 13 16 14 Edited books 1 6 1 2 Researchers (within 5 years of completing PhD) working on core Book chapters 8 24 20 17 Centre research

Journal articles 10 16 20 24 Number of students mentored Outcome 2011 Outcome 2012 Target 2013 Outcome 2013

Other (Refereed conference 1 4 8 5 Centre postgraduate students 3 5 8 11 proceedings or papers) Centre Honours students 2 7 14 1 Major performance practice 7 28 0 34 research event Postgraduates not supervised 60 25 12 36 within the Centre but receiving Number and nature of mentoring through attendance at commentaries about the Outcome 2011 Outcome 2012 Target 2013 Outcome 2013 PATS and collaboratories Centre’s achievements Number of mentoring programs 6 6 collaboratories 5 4 collaboratories Media releases 13 8 3 3 (collaboratories plus PATS) 2 PATS

Articles 11 30 4 8 print articles 11 website articles 20 radio/ television programs

ARC Centre of Excellence History of Emotions Annual Report 2013 87 End-user links Organisational support

Performance Measure Outcome 2011 Outcome 2012 Target 2013 Outcome 2013 Performance Measure Institution Outcome 2011 Outcome 2012 Target 2013 Outcome 2013 Annual cash contributions Number of government, >10 >10 6 28 from Collaborating UWA $462,985 $437,352 $369,091 $464,230 industry and business (1 Advisory Board; (1 Advisory Board; Organisations community briefings 2 State Culture 3 State Culture UAdel $130,000 $130,000 $130,000 $130,000 and Heritage and Heritage bodies; bodies; UMelb $175,852 $229,310 $216,112 $187,362 1 State Theatre / 12 Arts Industries; UQ $90,226 $364,215 $86,173 $347,090 Opera Company; 5 Teacher PD days; USyd $91,695 $45,113 $90,226 $135,339 2 State Education) 7 State Education) Annual in-kind contributions Number and nature of from Collaborating UWA $341,290 $194,977 $200,782 $206,763 public awareness programs Organisations UAdel $43,690 $43,690 $43,690 $43,690 Public lectures 7 54 3 50 UMelb $69,876 $69,876 $69,876 $125,085 School outreach events 11 96 5 41 UQ $45,170 $45,170 $45,170 $45,170 (WA, SA, Vic, NSW, Qld) USyd $9,000 $49,019 $49,019 $49,019 Currency of information on Established Updated weekly Updated weekly Updated weekly Annual in-kind contributions Umea $21,369 $21,369 $21,369 $21,369 Centre’s website Updated weekly from Partner Organisations

Number of public talks 3 40 15 27 Freie $25,000 $25,000 $25,000 $25,000 given by Centre staff Newcastle $45,072 $45,072 $46,264 $46,264 (UK) Number of website hits (3 websites will be Outcome 2011 Outcome 2012 Target 2013 Outcome 2013 Fribourg $29,527 $29,527 $29,527 $29,527 monitored) Queen Mary, $20,276 $20,276 $20,276 $20,276 Uni of London CHE website 31,000 page from Oct to Dec 3000 page views 116,110 page Other research income views, approx. on new website (approx. 1500 views (35,896 Outcome 2011 Outcome 2012 Target 2013 Outcome 2013 8,353 visits 21,000 page visits) visits with 19,432 secured by Centre Staff views, approx. new visits in 2013) ARC DP $725,487 $893,474 $531,000 $913,000 6,200 visits ARC DECRA - - - $122,824 Confluence (CHE members - - 15,000 page views - ARC Future Fellowship - $81,024 - $163,502 networking site) (approx. 5,000 ARC QEII $118,313 - - - visits) It was decided that this site Gottingen Visiting Fellowship $16,000 - - - was unnecessary because ANZ Bank/Wicking Trust visits to the CHE website $36,000 $36,000 - - have exceeded the targets Research Grant set for the two websites Humanities in Europe Area This grant was together (HERA) grant with E.Welch who was a PI CHE-built wiki site In process of In process of 1000 page views It is anticipated at the time of being set up being set up (approx. 500 that this target award, but has €333,000 €333,000 €333,000 visits) has been subsequently exceeded. At the left the QMUL, end of 2013, there and a new were 147 entries, PI has been which have been appointed. promoted via email, Facebook Number of new organisations collaborating and Twitter, and - 6 3 3 have been viewed with, or involved in, the multiple times. Centre

ARC Centre of Excellence History of Emotions Annual Report 2013 89 National benefits International, national and regional links and networks

Contribution to the National Outcome 2013 Performance Measure Outcome 2011 Outcome 2012 Target 2013 Outcome 2013 Research Priorities and the National Innovation Priorities Number of international and 22 28 11 76 visiting fellows Research outputs enhance Books and papers published, plus conference papers delivered, provide understanding of social emotions new knowledge on social emotions and how they work in both European Number of national and 7 15 5 13 and Australian societies. For instance, papers delivered at the symposium international workshops held/ ‘Teaching to Hate’, held at Queen Mary, University of London (September organised by the Centre 2013) examined the rise of anti-semitic and anti-muslim literature in early (collaboratories plus major modern Europe, and the consequent creation of social in-groups and out- Conference) groups. A publication is expected to arise from this conference. Papers delivered at the ‘Violence and Emotions in Europe 1400-1800’ symposium Number of visits to overseas 30 94 23 112 (UWA, October 2013) likewise examined the social emotions created and scholarly departments, centres and sustained by such phenomena as war, riots and public executions. As archives. Note: Many of these were regards publications, papers such as Postdoctoral Research Fellow Katie co-funded or host-funded, and Barclay’s on ‘Love and Courtship in Eighteenth-Century Scotland’ or AI multiple institutions visited in one Anik Waldow’s on ‘Back to the Facts- Herder on the normative role of trip. sensibility and imagination’ strongly enhance our knowledge of the concepts, Examples of relevant understandings, formulations and practices of emotion in the past. interdisciplinary research Outcome 2011 Outcome 2012 Target 2013 Outcome 2013 Policy papers directed to enhancing Education and Outreach Officers continue to compile curriculum materials supported by the Centre social and cultural well-being which may be developed into recommendations for desirable curricula in Collaboratories 6 6 4 4 Australian schools. Work has also started on Centre contributions to the online Children’s University, which again may result in recommendations on Industry interns - - 2 1 curriculum enhancements in Australian schools.

New postdoctoral appointments In 2013 the Centre hosted seventeen Postdoctoral and Senior Research enhance base of skilled researchers Fellows, distributed across the five participating Centre universities. Financial Statement Independently of the Centre, most Australian universities would house, Income 2011 2012 2013 at most, only 7-10 experts in Medieval and Early Modern Studies. The addition of (on average) over three staff members at each of five universities ARC Centre Grant $3,809,063 $3,955,617 $3,998,263 therefore constitutes a very significant enhancement of expertise in the field. The outstanding quality of these researchers (internationally recognised) Host Institutions cash support $950,798 $1,205,990 $1,264,021 is evident from awards granted to, for instance, Dr Stephanie Downes (Bloomfield Fellowship at Harvard University) and Dr Giovanni Tarantino (judged to be of Associate-Professor status in the Italian university system by Expenditure the Italian National Scientific Qualifications board). 2011 Expenditure 2012 2013 Collaboratories and overseas visits Overseas visits and collaboratories have undoubtedly enhanced (from 17 July 2011) enhance collaboration collaboration. To name only four examples out of many, the ‘Teaching to Hate’ symposium was jointly run by the Centre and Queen Mary, University of Salaries $456,824 $1,774,962 $2,532,354 London. CI Lemmings was invited to the USA to direct the Huntington Library Equipment $2,344 $38 $2,907 Conference ‘Criminal Justice in the Long 18th C: Theatre, Representation and Emotion’ (November 2013), thus promoting collaboration with such Travel $177,832 $513,175 $769,188 international luminaries as Dr Steve Hindle (Huntington Library) and Prof Robert Shoemaker (University of Sheffield). The Director’s attendance at the Scholarships $21,161 $39,882 $39,621 2013 Leeds International Medieval Congress was directly responsible for the ongoing recruitment of Prof. Piroska Nagy (Université de Quebec, Montreal), Other $106,711 $279,688 $242,805 one of the world’s leading historians of emotions, to Partner Investigator Total $772,597 $2,607,745 $3,586,875 status with the Centre. Finally, the Director and CI Zika attended the inaugural meeting of the Early Modern Conversions project, leading directly to a planned joint symposium with the ARC Centre of Excellence in Cognition and its Disorders at Macquarie University, 2015.

Industry interns enhance In 2013, CI Davidson continued to supervise the work of Dr Sandra Garrido researcher-industry collaborations with the ABC, in setting up the ‘My Life As a Playlist’ interactive website for public discussion of the emotive power of music in Australia.

Collaborative publication with To give two examples only: In 2013, ARC CHE members contributed scholarly industry partners essays in the 2013 Zest Festival booklet, which was jointly edited by CI Broomhall and the Zest Festival Organiser, (S.Broomhall, R.Millar (eds), Far From Home: Adventures, Treks, Exiles, Migrations: The Zest Festival, 2013, [Crawley: Uniprint 2013], ISBN 9781740522786. CI Davidson edited the scholarly program/analysis of the Resurrexit performance, jointly organised by Newman College (Melbourne) and AI Jan Stockigt (J.W.Davidson (eds), Resurrexit. [Perth, WA: ARC Centre of Excellence for History of Emotions]. ISBN: 9781740522449).

ARC Centre of Excellence History of Emotions Annual Report 2013 91 Raphaële Garrod Rebecca McNamara Elsa Reuter Postdoctoral Research Fellow Postdoctoral Research Fellow PhD Candidate Indira Ghose Philippa Maddern Peter Reynolds International Partner Investigator Director; International Partner Investigator Chief Investigator Kate Gregory Sarah Russell Associate Investigator Alan Maddox PhD Candidate Associate Investigator Janet Hart Juanita Ruys Program Administrator/PA Alicia Marchant Chief Investigator Associate Investigator; Yasmin Haskell Alison Scott Research Associate Chief Investigator Associate Investigator (Full term) Constant Mews Lisa Hill Jessica Scott Associate Investigator Associate Investigator (Full term) Administrative Officer Charlotte Millar Peter Holbrook François Soyer PhD Candidate Chief Investigator Postdoctoral Research Fellow Rebecca Millar Alison Inglis Nicole Starbuck Zest Festival Project Officer Associate Investigator Associate Investigator Clare Monagle Claudia Jarzebowski Rebecca Strachan Associate Investigator International Partner Investigator Administrative Officer Grace Moore Danijela Kambaskovic Makoto Takao Senior Research Fellow © Erika von Kaschke. Associate Investigator (Full term) PhD Candidate Mark Neuendorf Susan Karant-Nunn Katrina Tap PhD Candidate International Investigator Administrative Officer Lisa O’Connell Heather Kerr Giovanni Tarantino Associate Investigator (Full term) Personnel Associate Investigator (Full term) Postdoctoral Research Fellow Katrina O’Loughlin Hannah Kilpatrick Stephanie Trigg Associate Investigator; PhD Candidate Program Leader - Postdoctoral Research Fellow Shaping the Modern; Melissa Kirkham Carly Osborn Chief Investigator Education and Outreach Officer Education and Outreach Officer Tanya Tuffrey Ross Knecht Samantha Owens Centre Manager Postdoctoral Research Fellow Patricia Alessi Andrea Bubenik Sing d’Arcy Associate Investigator (Full term) Jacqueline Van Gent PhD Candidate Associate Investigator (Full term) Associate Investigator Stephen Knight Kate Page Associate Investigator (Full term); Associate Investigator Merridee Bailey Lucy Burnett Jane Davidson Outreach Associate Senior Research Fellow Postdoctoral Research Fellow Web Officer Deputy Director; Andrew Lawrence-King Program Leader - Performance; Robert Phiddian Erika von Kaschke Katie Barclay Hamish Carr Senior Research Fellow Chief Investigator Associate Investigator National Communications Officer Postdoctoral Research Fellow Event Co-ordinator Penelope Lee Helen Dell Ursula Potter Anik Waldow Steven Barclay Louis Charland Education and Outreach Officer Associate Investigator Associate Investigator Associate Investigator Education and Outreach Officer International Investigator David Lemmings Daniel Derrin Rebekah Prince Claire Walker Diana Barnes Cassandra Charlton Program Leader - Change; Associate Investigator Research Officer Associate Investigator (Full term) Research Associate 2013 Administrative Officer Chief Investigator Thomas Dixon Neil Ramsey Gabriel Watts Marina Bollinger Brandon Chua Jonas Liliequist International Partner Investigator Associate Investigator Education and Outreach Officer Associate Investigator (Full term) Postdoctoral Research Fellow International Partner Investigator Sarah Randles Robert (Bob) White Stephanie Downes Andrew Lynch Pam Bond Deirdre Coleman Postdoctoral Research Fellow Program Leader - Meanings; Postdoctoral Research Fellow Associate Investigator (Full term) Administrative Officer Associate Investigator (Full term) Chief Investigator Adrian Randolph Penny Edmonds Claire McIlroy Penny Boys Denis Collins International Investigator Penelope Woods Associate Investigator International Research Liaison Education and Outreach Officer Associate Investigator Postdoctoral Research Fellow Sarah Finn Officer Ciara Rawnsley Keagan Brewer Rob Conkie PhD Candidate; Colin Yeo Administrative Officer Una McIlvenna PhD Candidate Associate Investigator Research Assistant PhD Candidate Sandra Garrido Postdoctoral Research Fellow Ann Brooks Georg Corall Richard Read Spencer Young Research Officer; Shane McLeod Associate Investigator (Full term) Outreach Associate Associate Investigator (Full term) Postdoctoral Research Fellow Postdoctoral Research Fellow Associate Investigator Susan Broomhall Louise D’Arcens Bronwyn Reddan Charles Zika Chief Investigator Associate Investigator PhD Candidate Chief Investigator

ARC Centre of Excellence History of Emotions Annual Report 2013 93 ‘Our visions when we started in 2011 were large-scale and blue-sky, and I think that when we were granted our funding in 2010 some onlookers doubted we could achieve them! Yet looking back over the period 2011-2013, I can truthfully say that we are well on our way to meeting our goals. And when I look forward, I see clear plans to make our visions realities.’

Philippa Maddern Director

Albrecht Dürer, Self-portrait, Study of a Hand and a Pillow (recto); Six Studies of Pillows (verso), 1493. © The Metropolitan Museum of Art. ARC Centre of Excellence History of Emotions Annual Report 2013 95 ARC Centre of Excellence for the History of Emotions, Europe 1100-1800 Faculty of Arts The University of Western Australia M201, 35 Stirling Highway, CRAWLEY, WA 6009, Australia Tel: +61 86488 3858, Fax: +61 8 6488 1069 Email: [email protected] historyofemotions.org.au