CURRICULUM VITAE Dr Michael Davis Education
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By Iain Mccalman
THE ANNUAL HISTORY LECTURE HISTORY COUNCIL OF NEW SOUTH WALES Historical Re-enactments. Should we take them seriously? By Iain Mccalman Sydney, 2007 I’ve had the fifteen minutes of fame that Andy Warhol promised all moderns: it was in August 2001 aboard a replica of Captain James Cook’s converted coal barque, the Endeavour, while sailing in what he called ‘the insane labyrinth’ of the Great Barrier Reef. I was engaged in a BBC Television and Discovery Channel re-enactment of Cook’s voyage of exploration up the east coast of Australia in 1770.i My high point as a TV historian consisted of a rant at the ship’s First Officer for preventing us from drying our clothes on the rigging. It’s appeared on all three versions of the subsequent TV series called The Ship, even though they were edited in very different forms for British, American and Australian audiences. My hissy-fit was exactly the sort of material our hairy-chested director hoped to generate when he outlined his vision of a new genre of ‘extreme history’ that we would pioneer. New or not, the formula was simple: assorted representatives of the twenty-first century pit themselves against some of the extreme physical and mental challenges of the past in order to entertain mass audiences. The latter are moved to laughter, awe or pity at our modern-day sufferings and failures. Some participants are ejected or fall by the wayside, the remainder join hands at the end to trill about how tough but rewarding it was to live in the past. -
The Australian National University
CURRICULUM VITAE Iain Duncan MCCALMAN AO, FRHS, FASSA, FAHA 13 Pleasant Avenue Erskineville NSW 2043 [email protected] Current Appointment: Professorial Research Fellow and Co-Director of the Sydney Environment Institute, University of Sydney, and Emeritus Professor at The Australian National University Academic Qualifications: 1970 BA (Hons) Australian National University 1975 MA Australian National University 1984 PhD Monash University Previous Appointments: April 2007-Dec 2013 Professorial Research Fellow, History Department, University of Sydney July 2003-April 2007 ARC Federation Fellow, Humanities Research Centre, ANU Aug 1995-June 2003 Professor and Director, Humanities Research Centre, ANU Jan-Sept 1998 Acting Director, Centre for Cross-Cultural Research, ANU Jan 1997-Jan 1998 Deputy Director and History Programme Convenor, Australian Research Council, Special Research Centre in Cross-Cultural Research, ANU Jan 1994-Jan 1995 Professor and Assoc. Director, Humanities Research Centre, ANU Jan 1993-Jan 1994 Senior Fellow, Division of Historical Studies, RSSS, ANU July 1992-Jan 1993 Reader in history, Faculty of Arts, ANU Jan 1990-July 1992 Senior Lecturer in history, Faculty of Arts, ANU Jan 1988-Jan 1990 Lecturer in history, Faculty of Arts, ANU June 1986-Dec 1987 Lecturer in communication, University of Canberra Jan 1985-June 1986 Research Fellow in history, Research School of Social Sciences, ANU Jan-Dec 1984 Postdoctoral Research Fellow in history, University of Melbourne Jan 1976-June 1980 Lecturer in Humanities, Riverina College of Advanced Education Jan 1974-Dec 1975 Senior Tutor in history, Monash University Jan-Dec 1973 Tutor in history, Macquarie University Grants, Endowments, and Fellowships: 2011-15 ARC Discovery Grant, ‘Redeeming the Great Barrier Reef. -
The Economic, Social and Icon Value of the Great Barrier Reef Acknowledgement
At what price? The economic, social and icon value of the Great Barrier Reef Acknowledgement Deloitte Access Economics acknowledges and thanks the Great Barrier Reef Foundation for commissioning the report with support from the National Australia Bank and the Great Barrier Reef Marine Park Authority. In particular, we would like to thank the report’s Steering Committee for their guidance: Andrew Fyffe Prof. Ove Hoegh-Guldberg Finance Officer Director of the Global Change Institute Great Barrier Reef Foundation and Professor of Marine Science The University of Queensland Anna Marsden Managing Director Prof. Robert Costanza Great Barrier Reef Foundation Professor and Chair in Public Policy Australian National University James Bentley Manager Natural Value, Corporate Responsibility Dr Russell Reichelt National Australia Bank Limited Chairman and Chief Executive Great Barrier Reef Marine Park Authority Keith Tuffley Director Stephen Fitzgerald Great Barrier Reef Foundation Director Great Barrier Reef Foundation Dr Margaret Gooch Manager, Social and Economic Sciences Stephen Roberts Great Barrier Reef Marine Park Authority Director Great Barrier Reef Foundation Thank you to Associate Professor Henrietta Marrie from the Office of Indigenous Engagement at CQUniversity Cairns for her significant contribution and assistance in articulating the Aboriginal and Torres Strait Islander value of the Great Barrier Reef. Thank you to Ipsos Public Affairs Australia for their assistance in conducting the primary research for this study. We would also like -
Sea Time: Tales, Temporalities, and Anthropocene Oceans
Sea Time: Tales, Temporalities, and Anthropocene Oceans Image by Le gray, 'Brig on the Water' from the MET DAY ONE: Public Talk Tuesday 12 June 2018 | 5.00 – 6.30PM Venue New Law School LT 104 Eastern Ave | University of Sydney DAY TWO: Workshop Wednesday 13 June 2018 | 9.00 – 5.00PM Cullen Room, Holme Building Science Road | University of Sydney CONVENORS: CHAIR Professor Iain Duncan McCalman AO, FRHistS, FASSA, FAHA, FRNSW, was born in Nyasaland (Malawi), Africa, was schooled in Zimbabwe, and earned his BA, MA and PhD in Canberra and Melbourne, Australia. He was awarded the Inaugural Vice Chancellor’s Prize for Teaching Excellence at the Australian National University in 1994, and was made an Officer of the Order of Australia in 2007 for services to history and the humanities. He is a Fellow of four Learned Academies and is a former President of the Australian Academy of the Humanities. He was Director of the Humanities Research Centre, ANU, from 1995-2002. Iain has written numerous books, including The Last Alchemist: Count Cagliostro, Master of Magic in the Age of Reason (Harper Collins, New York, 2003), which was translated into twelve languages and Darwin’s Armada: how four voyagers to Australasia won the battle for evolution and changed the world, which was published in separate editions in the USA, UK and Australia, won three book prizes, and was the basis of a TV Series (ABC, Canada, Germany, NZ ) and an exhibition at the Australian National Maritime Museum. Iain, a former Federation Fellow, is currently a Research Professor in history at the University of Sydney and co-Director of the Sydney Environment Institute. -
Darkemu-Program.Pdf
1 Bringing the connection to the arts “Broadcast Australia is proud to partner with one of Australia’s most recognised and iconic performing arts companies, Bangarra Dance Theatre. We are committed to supporting the Bangarra community on their journey to create inspiring experiences that change society and bring cultures together. The strength of our partnership is defined by our shared passion of Photo: Daniel Boud Photo: SYDNEY | Sydney Opera House, 14 June – 14 July connecting people across Australia’s CANBERRA | Canberra Theatre Centre, 26 – 28 July vast landscape in metropolitan, PERTH | State Theatre Centre of WA, 2 – 5 August regional and remote communities.” BRISBANE | QPAC, 24 August – 1 September PETER LAMBOURNE MELBOURNE | Arts Centre Melbourne, 6 – 15 September CEO, BROADCAST AUSTRALIA broadcastaustralia.com.au Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national in our 29th year, but our dance technique is tour of a world premiere work, performed in forged from more than 65,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra; and represent the pinnacle of Australian dance. an international tour to maintain our global WE ARE BANGARRA Each has a proud Aboriginal and/or Torres reputation for excellence. Strait Islander background, from various BANGARRA DANCE THEATRE IS AN ABORIGINAL Complementing Bangarra’s touring roster are locations across the country. AND TORRES STRAIT ISLANDER ORGANISATION AND ONE OF education programs, workshops and special AUSTRALIA’S LEADING PERFORMING ARTS COMPANIES, WIDELY Our relationships with Aboriginal and Torres performances and projects, planting the seeds for ACCLAIMED NATIONALLY AND AROUND THE WORLD FOR OUR Strait Islander communities are the heart of the next generation of performers and storytellers. -
Dark Emu ‘Hoax’: Takedown Reveals the Emperor Has No Clothes
_________________________________________________________________________________________________________________ Dark Emu ‘hoax’: takedown reveals the emperor has no clothes Author Bruce Pascoe. • Victoria Grieve-Williams • July 2, 2021 There is much terrible irony in Dark Emu’s struggle to shoehorn classical Aboriginal Australia into the supposedly advanced world of agriculture.” - Peter Sutton Can the Dark Emu scandal be explained by the fact that Australians seem inordinately susceptible to a good old-fashioned literary hoax? From the infamous Ern Malley affair through to Norma Khouri and Helen Demidenko, we seem to have an appetite for being misled. There are examples in the Aboriginal world, too. Ian Carmen, a white taxidriver from Adelaide, posed as a Pitjantjatjara survivor of the Stolen Generation, Wanda Koolmatrie, to write an “autobiography” called My Own Sweet Time. This book was used as a text for the NSW Higher Schools certificate curriculum. In 2014, Bruce Pascoe, exhibiting zeal and showmanship, produced a book that has now sold more than 260,000 copies. Surprise, it says that we Indigenous Australians are more like white people, and therefore, somehow, more sophisticated than “mere” hunter-gatherers. Well thanks, but no thanks. Pascoe’s thesis went entirely against my lived experience, learning as a child to the “summer” and “winter” camps of my mother’s people. They moved to the Barrington 2 Mountains, even in snow, for fatter game and thicker furs, and returned to the coast for the mullet runs in spring, feasting and meeting with other groups. The bunya bunya from the giant cones in the bunya tree, and the huge mulloway my grandfather caught, kept the family alive during the Depression. -
Suggested Reading
SUGGESTED READING SOUTH PACIFIC We are pleased to bring you reading materials to support your onboard experience and complement your moments ashore. The Smithsonian Collection by Smithsonian Journeys is an engaging enrichment program led by a wide range of experts who are eager to share their first-hand knowledge and expertise. As part of the program, Smithsonian Journeys and our Smithsonian Journeys Experts are pleased to share the below reading lists. HIGHLY RECOMMENDED HISTORY, CULTURE & EXPLORATION These 5 items are available as a set for $89 including shipping, 15% Robert Hughes. The Fatal Shore. Vintage Books, 1988. In this off the retail price (Item EXAUS164). Any additional books ordered celebrated social history, both scholarly and entertaining, will be shipped free of charge. See page 4 for ordering details. Hughes traces the fate of those who were transported to the penal colonies of Australia between 1787 and 1868. It’s an engaging popular account, drawn from the experiences Bill Bryson. In a Sunburned Country. Broadway Books, 2001. of the colonists themselves. (PAPER, 752 Pp., $21.95, The intrepid, ever-resourceful Bryson revels in Australia’s Item AUS04) eccentric characters, dangerous flora and fauna and other oddities in this wildly funny, effortlessly informative Keith Sinclair (Editor). The Oxford Illustrated History of New travelogue. (PAPER, 335 Pp., $16.99, Item AUS83) Zealand. Oxford University Press, 1998. An illustrated history of New Zealand up through the 1990s. (PAPER, 408 Pp., $65.00, Item NZL40) Eyewitness Guides. Eyewitness Guide Australia. DK Publishing, 2016. Featuring hundreds of innovative maps, color photographs and choice recommendations for Iain McCalman. -
The Australian Dictionary of Biography’S Genealogy
1. ‘Insufficiently Engineered’: A Dictionary Designed to Stand the Test of Time? Melanie Nolan The Australian Dictionary of Biography’s genealogy In May 1962 Sir Keith Hancock, Professor of History and Director of the Research School of Social Sciences (RSSS), appeared before the ANU Council to put the case for funding the Australian Dictionary of Biography (ADB). The ADB Editorial Board had appointed Douglas Pike as general editor of the dictionary in January 1962 but there was no provision in Hancock’s budget for the position. Boldly, Hancock went to the council to convince it to cover Pike’s appointment. He hoped to also convince council members to release funds for the appointment of research staff.1 Hancock began by discussing the ADB’s ‘prehistory’: how the idea for an Australian dictionary had ‘been in the minds of historians in various parts of Australia for ten years or more’; how Laurie Fitzhardinge had started a National Register (later called the Biographical Register) in the history department in 1954; how a conference of Australian historians, held at The Australian National University (ANU) in 1957, gave their general support for the dictionary project and how, after wide consultation, an editorial board, headed by Hancock, had met for the first time in 1960.2 1 W. K. Hancock, ‘The Australian Dictionary of Biography’ (12 April 1962), Minutes, ANU Council meeting (11 May 1962), 567/1962, box 1, series 245, ANU Archives [hereinafter ANUA], p. 3 [reprinted here as Document 1]. Separately, Hancock also had to request the council to make Pike’s a professorial appointment, which then had to be subject to an electoral committee process: Minutes, ANU Council meeting (30 April 1962), 639/1962, box 1, series 245, ANUA. -
SEI Magazine
Issue The2, 2019Great Barrier Reef Collection ___ SEI magazine Sydney Environment Institute Magazine The Great Barrier Reef Collection 10 Stars in the Sand: Climate Change 20 Saving Turtles and Respecting 25 Great Barrier Reef Stories: & The Great Barrier Reef Culture…It’s Complicated Let’s Talk About Coral Sex Sydney Environment Institute 1 TheFrom Greatthe Magazine Barrier Editor Reef Collection In the edition ___ ___ Since the Sydney Environment Institute was established in 2013, 04 The Return of the Repressed: 19 Public lecture: Coral Bleaching 34 Bleach-hot Reality: The Great The First Reef War and its in the Great Barrier Reef with Barrier Reef of your childhood the Institute has worked to foster a multidisciplinary network of Significance Today screening of ‘Chasing Coral’ is gone, what are you going to researchers, activists and community leaders who are working to Iain McCalman, Ana Vila Concejo, do about it? explore environmental problems faced by the Great Barrier Reef Sydney Environment Institute Geocoastal Research Group Jodie Pall, (GBR), including: loss of place and cultural heritage; biodiversity Sydney Environment Institute 09 Reef and Rainforest: Mission 20 Saving Turtles and Respecting loss; depletion oceanic resources; and declining health of coral Beach Conference & Project Culture… It’s Complicated 37 Film Screening: Global Warming and marine environments. Iain McCalman, Leah Lui-Chivizhe, and the Mass Bleaching of Corals SEI Co-Director University of Sydney Terry Hughes, Director of the ARC Centre of Excellence for Coral Reef Studies Over the past five years, SEI’s GBR research What follows is a collection of selected 10 Stars in the Sand: Climate 25 Great Barrier Reef Stories: projects, blog posts and public facing events articles on the GBR which were originally Change, the Great Barrier Reef Let’s Talk About Coral Sex have communicated that the GBR is in published on the SEI’s website. -
Saving the Nation's Memory Bank an Open Letter to the Prime Minister
Saving the Nation’s Memory Bank An Open Letter to the Prime Minister We write as friends and supporters of the National Archives of Australia. Some of us are historians, including multiple winners of Prime Minister’s Awards, some are independent writers and researchers, and some are former members of the National Archives Advisory Council. We have differing political viewpoints but share a deep love for the knowledge of Australia’s past embodied in its archives and libraries. We are writing to you because we fear that the integrity of the nation’s premier memory bank, the National Archives of Australia, is in jeopardy and to urge you to secure its future. As the institution created by parliament to maintain the official records of the Commonwealth, the National Archives is one of the pillars of our democracy. It makes decision-making more transparent. It holds governments, past and present, to account. And in the words of Justice Michael Kirby, it ‘holds up a mirror to the people of Australia’. In this respect, the National Archives is not like other cultural institutions, such as museums, galleries and opera houses. Its most important users have yet to be born. The value of many items in its collection may not become apparent for many years because we simply do not know what questions future inquirers may ask. Only in recent years, for example, have researchers begun to tap the riches of the National Archives’ repatriation records, the largest continuous record of the health of any people anywhere, for medical as well as historical research. -
Control and Conservation of Abundant Kangaroo Species
animals Review The Perils of Being Populous: Control and Conservation of Abundant Kangaroo Species David Benjamin Croft 1,* and Ingrid Witte 2 1 School of Biological Earth & Environmental Sciences, UNSW Sydney, Sydney, NSW 2052, Australia 2 Rooseach@RootourismTM, Adelaide River, NT 0846, Australia; [email protected] * Correspondence: [email protected] Simple Summary: Kangaroos likely prospered for most of the last 65,000 years under the landscape management of Australia’s first people. From the arrival of British colonists in 1788, European agricultural practices, crops and livestock transformed the landscape to one less favourable to indigenous flora and fauna. However, the six species of large kangaroos persisted and came into conflict with cropping and pastoral enterprises, leading to controls on their abundance. After mass killing for bounties, a commercial industry emerged in the 1970s to sell meat and hides into domestic and international markets. The further intention was to constrain kangaroo abundance while sustaining kangaroos in the landscape. Human–human conflict has emerged about the necessity and means of this lethal control. Further control of the abundance of four of the six species is promoted. Their abundance is considered by some as a threat to biodiversity in conservation reserves, removing these as a haven. We therefore propose returning the kangaroos’ stewardship to the current and future generations of Aboriginal Australians. We envisage that a marriage of localised consumptive (bush tucker) and non-consumptive (wildlife tourism) uses in the indigenous-protected-area estate can better sustain abundant kangaroo populations into the future. Citation: Croft, D.B.; Witte, I. The Abstract: Australia’s first people managed landscapes for kangaroo species as important elements Perils of Being Populous: Control and of their diet, accoutrements and ceremony. -
Dark-Emu Studyguide.Pdf
BANGARRA DANCE THEATRE STUDY GUIDE FOR TEACHERS AND STUDENTS ACKNOWLEDGEMENT OF COUNTRY Bangarra Dance Theatre pays respect and acknowledges the traditional custodians of the land on which we meet, create, and perform. We also wish to acknowledge the Aboriginal and Torres Strait Islander peoples whose customs and cultures inspire our work. INDIGENOUS CULTURAL AND INTELLECTUAL PROPERTY (ICIP) Bangarra acknowledges the industry standards and protocols set by the Australia Council for the Arts Protocols for Working with Indigenous Artists (2007). Those protocols have been widely adopted in the Australian arts to respect ICIP and to develop practices and processes for working with Aboriginal and Torres Strait Islander people and cultural heritage. Bangarra incorporates ICIP into the very heart of our projects, from storytelling, to dance, to set design, language and music. © Bangarra Dance Theatre 2019 Last updated September 2019 WARNING Aboriginal and Torres Strait Islander people should be aware that this Study Guide contains names and images of, and quotes from, deceased persons. Photo Credits Front Cover: Bangarra ensemble, photo by Daniel Boud Back Cover: Yolanda Lowatta, photo by Daniel Boud 2 INTRODUCTION CONTENTS Inspired by Bruce Pascoe’s award-winning book of the same name, Dark Emu explores the vital life force 03 of flora and fauna in a series of dance stories. Directed Introduction by Stephen Page, Dark Emu is a dramatic and evocative dance response to the assault on land, people and spirit. We celebrate this sharing of knowledge, the heritage 04 of careful custodianship, and the beauty that Bruce Using this Study Guide Pascoe’s vision urges us to leave to the children.