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INTERNATIONAL LAW and "STAR TREK: THE: NEXT Generationn
THE INTERSTELLAR RELATIONS OF THE FEDERATION: INTERNATIONAL LAW AND "STAR TREK: THE: NEXT GENERATIONn - - Michael P. Schatf ' and Lawrence D. Roberts " I. INTRODUCTION recent University of Toledo Law Review article concerning the legal issues dealt with in the television series Star Trek: The Next Generation (STAG)' became an overnight national sensati~n.~Given that, during its seven seasons of first-run episodes; SllVG had been the most popular syndicated series on American television: it is perhaps not surprising that the article should engender so much public attention. The article, written by law professors Paul Joseph and 91994 by Michael Scharf and Lawrence Roberts. 1\11 rights reserved. * Assistant Professor of Law, New England School of Law; J.D., Duke University School of Law. From 1989 to 1993, Professor Scharf served as Attorney-Adviser in the Office of the Legal Adviser, U.S. Department of State. Professor Scharf teaches Public Internatlonai Law and International Criminal Law. ** Visiting Assistant Professor of Law, New England School of Law; J.D., Cornell Law School; LL.M. (International Legal Studies), New York University School of Law. Professor Roberts is Chair of the American Bar Association's Committee on International A,erospace Law. The authors would like to thank Debbie Mirek for her invaluable assistance in providing source material for this article and editorial advice to conform to the style and spelling guidelines established by Paramount Pictures Corporation. We also wish to acknowledge the spirited contributions of the members of Compusme's Science Fiction and Fantasy Forura. Their efforts made what would othenvise have been an arduous process a true pleaswe. -
Star Trek: the Next Generation the Ron Jones Project Supplemental Liner Notes
FSM Box 05 Star Trek: The Next Generation The Ron Jones Project Supplemental Liner Notes Contents The Defector . 28 The High Ground . 29 Foreword 1 A Matter of Perspective . 29 The Offspring . 30 Season One 2 Allegiance . 31 The Naked Now . 3 Menage´ a` Troi . 32 Where No One Has Gone Before . 4 Lonely Among Us . 6 Season Four 33 The Battle . 6 Brothers . 36 Datalore . 7 Reunion . 37 11001001 . 8 Final Mission . 38 When the Bough Breaks . 9 Data’s Day . 39 Heart of Glory . 10 Devil’s Due . 40 Skin of Evil . 11 First Contact . 40 We’ll Always Have Paris . 12 Night Terrors . 41 The Neutral Zone . 12 The Nth Degree . 42 Season Two 13 The Drumhead . 43 Where Silence Has Lease . 14 The Best of Both Worlds . 43 The Outrageous Okona . 15 Afterword 44 Loud as a Whisper . 16 A Matter of Honor . 17 Additional and Alternate Cues 45 The Royale . 18 The Icarus Factor . 19 Data and Statistics 46 Q Who . 19 Up the Long Ladder . 21 Interplay Computer Games 48 The Emissary . 22 Starfleet Academy . 48 Shades of Gray . 23 Starfleet Command . 48 Season Three 24 1992 Ron Jones Interview 49 Evolution . 25 Who Watches the Watchers . 26 1996 Ron Jones Interview 55 Booby Trap . 26 The Price . 27 2010 Rob Bowman Interview 58 Liner notes ©2010 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com Star Trek: The Next Generation P 2010, ©1987–1991, 2010 CBS Studios Inc. -
DOCUMENT RESUME ED 358 491 CS 503 190 AUTHOR Allen, Sheilah TITLE the World According to Gene Rodenberry. PUB DATE NOTE PUB TYPE
DOCUMENT RESUME ED 358 491 CS 503 190 AUTHOR Allen, Sheilah TITLE The World according to Gene Rodenberry. PUB DATE [93] NOTE 20p. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MFO1 /PCO1 Plus Postage. DESCRIPTORS English Instruction; Higher Education; Instructional Innovation; *Mass Media Role; Mathematics Instruction; *Popular Culture; Science Instruction; Secondary Education; Time IDENTIFIERS Deep Space 9; *Star Trek; Star Trek the Next Generation; Story Concepts ABSTRACT A teacher of reading across the curriculum uses stories, many based on the television show "Star Trek"or its derivatives "Star Trek: The Next Generation" (STNG) and "Deep Space 9," to illustrate educational theories and practice,. Theteacher began a discussion of the nature of language, meaning and the significance of literacy by discussing an episode of STNG entitled "Darmok" in which an alien race spoke only in metaphor. Humor is present in many episodes of "Star Trek," as wellas concepts like the power of fear. Cultural differences are explored in a number of episodes of STNG. The teacher uses "Star Trek"as an introduction to a lesson and as an impetus for story writing. One of the most enduring qualities of the three series is their focuson problem solving, which can serve as demonstrations for students. The series are also used for teaching the technique of role playing. Episodes of STNG and of "Deep Space 9" can be used to teach contentareas such as English, mathematics, history, physics, chemistry, and biology: "Clues" involves an examination ofspace and time; "Drumhead" involves a Joe McCarthy-like investigator; "Cause and Effect" involves a time loop; "Time's Arrow," involving backward timetravel and Mark Twain; "Emissary" deals with guilt, responsibility,and explaining the nature of time to an immortal-ace; and "The Forsaken" which involves a "shape-shifting" character. -
STAR TREK: the NEXT GENERATION "Too Short a Season"
STAR TREK: THE NEXT GENERATION "Too Short A Season" #40271-112 Story by Michael Michaelian Teleplay by Michael Michaelian and D. C. Fontana Directed by Rob Bowman Copyright 1987 Paramount Pictures Corporation. All Rights Reserved. This script is not for publication or reproduction. No one is authorized to dispose of same. If lost or destroyed, please notify the Script Department. REV. FINAL DRAFT OCTOBER 6, 1987 STAR TREK: "Too Short... " - 10/6/87 - CAST STAR TREK: THE NEXT GENERATION "Too Short A Season" CAST PICARD ADMIRAL MARK JAMESON RIKER ANNE JAMESON DATA JAMESON (BOY) TROI KARNAS BEVERLY BEVERLY TASHA TASHA GEORDI Non-Speaking Roles: WORF TRANSPORTER CHIEF MORDANITE SOLDIERS OLD MORDANITE VETERANS ENTERPRISE CREW MEMBERS STAR TREK: "Too Short... " - 10/6/87 - SETS STAR TREK: THE NEXT GENERATION "Too Short A Season" SETS INTERIORS EXTERIORS USS ENTERPRISE USS ENTERPRISE MAIN BRIDGE IN SPACE TRANSPORTER ROOM ORBITING PERSEPHONE V SICKBAY ORBITING MORDAN IV CONFERENCE LOUNGE PICARD'S READY ROOM JAMESON QUARTERS CRUSHER'S OFFICE OBSERVATION LOUNGE MORDAN TUNNEL #1 TUNNEL #2 TUNNEL #3 KARNAS' OFFICE STAR TREK: "Too Short... " - 10/6/87 - TEASER 1. STAR TREK: THE NEXT GENERATION "Too Short A Season" TEASER FADE IN: 1 EXT. SPACE - ENTERPRISE IN ORBIT (OPTICAL) The great ship circles a reddish planet. Behind both is the backdrop of a sparkling splash of stars against black space. PICARD (V. O.) Captain's log, stardate 41309.5. We are in orbit around Persephone V where I have been sent to confer with Admiral Mark Jameson in regard to an extraordinary situation.... 2 INT. MAIN BRIDGE - ANGLE ON PICARD All other bridge personnel are in place at their usual stations. -
Star Trek's Picard
Victor Grech Star Trek’s Picard: Humanity’s Conscience * Introduction Enterprise with a sagely wisdom” (Ghosh 63). Picard carries out Star Trek is a rolling and seemingly endless adventure, a continual actions irrespective of consequences, because he “thought it was the reaffirmation of the Campbellian monomyth, a right thing to do” (Lynch, “A Matter of Time”). Picard also believes in justice, preferably in trial by jury of universe in which Captains Kirk, Picard, Janeway, Sisko, and one’s peers, since “the courtroom is a crucible. In it we burn away Archer are still one with Jason, Odysseus, Sinbad, Columbus, irrelevancies until we are left with a pure product, the truth for all Cook, Ahab, Armstrong, and every other sea- or spacefarer, time” (Scheerer, “The Measure of a Man”). real or fictional, that has ever left (or will ever leave) the Picard scoffs at the usual excuses that are employed for the sake comfort and safety of home port in search of what’s lurking of tyrannical convenience: “‘[m]atter of internal security,’ the age old “out there” and waiting to be discovered. (Pilkington 54) cry of the oppressor” (Bole, “The Hunted”). Indeed, when an inquiry Several captains have led in Star Trek but arguably none have degenerates into a witch hunt on board the Enterprise, with overtones been imbued with more integrity and authority than Captain Jean- of a drumhead, he defends his crew, with escalating levels of emphasis: Luc Picard, the epitome of a twenty-fourth century Starfleet captain “Admiral, what you’re doing here is unethical. It’s immoral. -
Heteroglossia in the Ensemble Programme
Heteroglossia in the Ensemble Programme By Roberta Pearson We asked Rick Berman whether Trek’s message shows tended to be on the liberal side of the spectrum. “I would say that they do. I think they certainly did with Gene, and I think there’s a bit more of a liberal bent. But we’ve tried to examine issues from both sides.”i Berman’s answer underestimates television and Trek’s capacity for a remarkably complex engagement with the public sphere; the multiple narrative voices of a series with an ensemble cast enable the presentation of many more than two sides. The ambiguities resulting from this polysemy make it difficult to identify the “truth” within the textual actual world or, by extension, in the real world upon which it comments. Says Marie-Laure Ryan, Though the text should be regarded as the highest authority in establishing the facts of the fictional world, this authority does not derive from a monolithic power but is distributed – in accordance with Mikhail Bakhtin’s idea of dialogism – among a plurality of narrative voices. Since these voices may contradict each other, fictional truths cannot automatically be derived from textual statements. ii A television programme with an ensemble cast resembles in many respects the novel from which Bakhtin derived his concepts of heteroglossia and the dialogism to which it gives rise. According to Bakhtin The novel can be defined as a diversity of social speech types … and a diversity of individual voices, artistically organized…. The novel orchestrates all its themes, the totality of the world of objects and ideas depicted and expressed in it, by means of the social diversity of speech types and by the differing individual voices that flourish under such conditions. -
Trouble with Tribbles
The Trouble With Tribbles the birth, sale, and final production of one episode of STAR TREK David Gerrold Illustrations by Tim Kirk BenBella Books Dallas, TX Copyright © 1973 by David Gerold All rights reserved. First BenBella Edition 2004 BenBella Books 6440 N Central Expy Suite 617 Dallas, TX 75206 2 “David Gerrold knows Star Trek better than anyone, and here’s his take at how it really should have been; the Star Wolf series is Star Trek done right—moral conundrums, fascinating characters, and pulse-pounding action. Highly recommended.” Robert J Sawyer, author of Hominids Also by David Gerrold FICTION The Star Wolf Series The Voyage of the Star Wolf The Middle of Nowhere Blood and Fire The War Against the Chtorr Series The Dingilliad Trilogy The Man Who Folded Himself The Flying Sorcerers (with Larry Niven) When HARLIE Was One The Martian Child NON-FICTION The World of Star Trek The Trouble With Tribbles Worlds of Wonder 3 The Trouble With Tribbles the birth, sale, and final production of one episode of STAR TREK David Gerrold A Word to the Fore— This book is the story of a television script, where it came from, how it was written, how it was eventually filmed and finally got onto the air as an episode of STAR TREK. It’s a peek into the techniques of writing for television, and it’s a piece of lore about a popular TV show. But more than that, it’s the story of how I began my career as a writer. And what I learned in the process. -
Filmfreunde! Sound
ISSN 1610-2606 ISSN 1610-2606 newsletterDIGITAL EDITION Nr. 366 - 06/17Oktober 2017 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 06/17 (Nr. 366) Oktober 2017 editorial Hallo Laserdisc- und DVD-Fans, lich in allerfeinstem “Dolby Atmos”- uns. Es war alles zusammen eine unge- liebe Filmfreunde! Sound. Und klingeln jetzt noch die Oh- heuer schöne und aufregende Zeit – ren! Damit dieses Event ohne Probleme aber trotzdem waren wir erleichtert, als Spätestens wenn Sie den neuen Text über die Bühne ging, bedurfte es einem das alles dann vorüber war. Denn mit unserer Kolumnistin Anna lesen, wer- gewissen Zeitaufand, der natürlich zu zunehmendem Alter steckt man eine den Sie merken, mit welch großer Ver- Lasten des Newsletters ging. Alsdann solche Durststrecke nicht mehr so ein- spätung wir mit Ausgabe 366 unseres folgte das “Fantasy Filmfest”, das uns fach weg! Und die Arbeit, die sich wäh- Newsletters an den Start gehen. Da ist wie jedes Jahr zum Dauergucken ver- rend dieser Festival-Season im Büro die Rede von anstehenden Wahlen in pflichtete. Was uns wiederum daran anhäuft, wird leider auch nicht weniger. deutschen Landen. Und die sind mitt- erinnert, dass wir nach wie vor unseren Aber wir haben es geschafft und dür- lerweile längst schon wieder Geschich- Bericht vom Vorjahresfestival schuldig fen uns jetzt auf ein recht entspanntes te. Nichtsdetotrotz hat sich an der Ak- sind. Immerhin haben wir die Online- Jahresende freuen. -
THE NEXT GENERATION® on DVD
Star Trek: THE NEXT GENERATION® on DVD Prod. Season/ Box/ Prod. Season/ Box/ Title Title # Year Disc # Year Disc 11001001 116 1/1988 1/4 Elementary, Dear Data 129 2/1988 2/1 All Good Things..., Part I 277 7/1994 Emergence 275 7/1994 7/6 747 M/5, 7/7 All Good Things..., Part II 278 7/1994 Emissary, The 146 2/1989 2/5 Allegiance 166 3/1990 3/5 Encounter at Farpoint, Part I 101 1/1987 721 M/1, 1/1 Angel One 115 1/1998 1/4 Encounter at Farpoint, Part II 102 1/1987 Aquiel 239 6/1993 6/4 Enemy, The 155 3/1989 3/2 Arsenal of Freedom, The 121 1/1998 1/6 Ensign Ro 203 5/1991 5/1 Attached 260 7/1993 7/2 Ensigns of Command, The 149 3/1989 3/1 Battle, The 110 1/1987 1/3 Ethics 216 5/1992 5/4 Best of Both Worlds, The, Part I 174 3/1990 3/7 Evolution 150 3/1989 3/1 M/1 Best of Both Worlds, The, Part II 175 4/1990 4/1 Eye of the Beholder 270 7/1994 7/5 Big Goodbye, The 113 1/1988 1/3 Face of the Enemy 240 6/1993 6/4 Birthright, Part I 242 6/1993 6/4 Family 178 4/1990 4/1 M/4 Birthright, Part II 243 6/1993 6/5 Final Mission 183 4/1990 4/3 Bloodlines 274 7/1994 7/6 First Contact 189 4/1991 4/4 Bonding, The 153 3/1989 3/2 First Duty, The 219 5/1992 5/5 Booby Trap 154 3/1989 3/2 Firstborn 273 7/1994 7/6 Brothers 177 4/1990 4/1 Fistful of Datas, A 234 6/1992 6/2 Captain's Holiday 167 3/1990 3/5 Force of Nature 261 7/1993 7/3 Cause and Effect 218 5/1992 5/5 Frame of Mind 247 6/1993 6/6 Chain of Command, Part I 236 6/1992 6/3 Future Imperfect 182 4/1990 4/2 M/3 Chain of Command, Part II 237 6/1992 6/3 Galaxy's Child 190 4/1991 4/4 Chase, The 246 6/1993 6/5 -
The STAR TREK® Series on DVD
The STAR TREK® series on DVD Production Season/ Box/ Production Season/ Box/ Title Title # Year Disc # Year Disc 11:59 VOY:217 5/19995/6 Battle Lines DS9:413 1/1993 1/4 11001001 TNG:116 1/19881/4 Before and After VOY:163 3/1997 3/6 37's, The VOY:120 2/1995 2/1 Begotten, The DS9:510 5/1997 5/3 Abandoned, The DS9:452 3/1994 3/2 Behind the Lines DS9:528 6/1997 6/1 Accession DS9:489 4/19964/5 Bem TAS:22018 2/1974 1/5 Acquisition ENT:019 1/20021/5 Best of Both Worlds, The, Part I TNG:174 3/1990 3/7 TNG:??? M/1 Adversary, The DS9:472 3/1995 3/7 Best of Both Worlds, The, Part II TNG:175 4/1990 4/1 Aenar, The ENT:090 4/2005 4/4 Beyond the Farthest Star TAS:22004 1/1973 1/1 Affliction ENT:091 4/20054/4 Big Goodbye, The TNG:113 1/1988 1/3 Afterimage DS9:553 7/19987/1 Birthright, Part I TNG:242 6/1993 6/4 TNG:??? M/4 Albatross TAS:22019 2/19741/5 Birthright, Part II TNG:243 6/1993 6/5 Alice VOY:226 6/19996/2 Blaze of Glory DS9:521 5/1997 5/6 All Good Things..., Part I TNG:277 7/1994 Blink of an Eye VOY:233 6/2000 6/3 TNG:747 M/5, 7/7 All Good Things..., Part II TNG:278 7/1994 Bliss VOY:209 5/1999 5/4 All Our Yesterdays TOS:78 3/1969 3/6, 39 Blood Fever VOY:157 3/1997 3/4 Allegiance TNG:166 3/19903/5 Blood Oath DS9:439 2/1994 2/5 Alliances VOY:131 2/19962/4 Bloodlines TNG:274 7/1994 7/6 Alter Ego VOY:155 3/1997 3/4 Body and Soul VOY:255 7/2000 7/2 Alternate, The DS9:432 2/1994 2/3 Body Parts DS9:497 4/1996 4/7 Alternative Factor, The TOS:20 1/1967 1/7, 10 Bonding, The TNG:153 3/1989 3/2 Ambergris Element, The TAS:22013 1/1973 1/4 Booby Trap TNG:154 -
The Trouble with Tribbles (Episode) | Memory Alpha | FANDOM Powered
The Trouble with Tribbles (episode) | Memory Alpha | FANDOM power... http://memory-alpha.wikia.com/wiki/The_Trouble_with_Tribbles_(episode) The Trouble with Tribbles (episode) R W ( P ) A dispute over control of a planet brings the Enterprise to a space station, where they must deal with Klingons, edgy Federation officials, and a previously-unknown species of small, unbearably cute, voraciously "The Trouble with Tribbles" hungry, and rapidly-multiplying furry creatures. TOS , Episode 2x13 Production number: 60342 First aired: 29 December 1967 Contents [hide ] Remastered version aired: 4 November 2006 1 Summary ← 43rd of 80 produced in TOS → → 1.1 Teaser → 1.2 Act One → 1.3 Act Two 1.4 Act Three 1.5 Act Four 2 Log entries 3 Memorable quotes 4 Background information 4.1 Story and script 4.2 Cast and characters 4.3 Production 4.4 Effects Written by 4.5 Sets David Gerrold 4.6 Continuity Directed by Joseph Pevney 4.7 Apocrypha 4523.3 ( 2268 ) 4.8 Reception Arc : Cyrano Jones and Tribbles (1 of 2) → 4.9 Remastered information Arc : Arne Darvin (1 of 2) → 4.10 Production timeline 4.11 Video and DVD releases 5 Links and references 5.1 Starring 5.2 Also starring 5.3 Co-starring 5.4 Featuring 5.5 Uncredited co-stars 5.6 Stunt doubles 5.7 References 5.8 External links Summary Edit Teaser Edit The USS Enterprise is en route to Deep Space Station K-7 for assistance with an important assignment regarding a disputed planet . One parsec from the nearest Klingon outpost (" Close enough to smell them ," as Chekov puts it), the post is near Sherman's Planet , which is claimed by both sides. -
Proving Intelligent Design by Examining Unconscious Decision Processes
Proving Intelligent Design by examining unconscious decision processes Martin K. Dubreuil 1, Sergii Koliada April 14, 2014 Abstract: Prompted by previous research results we analysed human decision processes for unconscious patterns. Like former studies [1, 2] we were able to find law-like patterns that were not consciously created. We calculated the residual uncertainty about the pattern to 1 : 10 13 and proved a high correlation ratio for the data source related to the found pattern through an intra class correlation test (3.2). We showed that conscious human behaviour and natural selection (3.3) are not able to explain this result. We showed that the found patterns content support Intelligent Design (3.4). This gives Intelligent Design a testable and verifiable hypotheses for the first time. Contents 1 Introduction . 1 2 Defining the data source and the shape of the pattern . 2 3 Results . 4 3.1 The pattern itself . 4 3.2 Proving the pattern . 7 3.3 Origin . 10 3.4 Intelligent Design . 11 4 Appendix A – E . 12 References . 31 About the authors . 32 1 Int roduction Some time ago we initiated a contest between students, about who was able to create the most random data, with a price to win. We first used the gained data set for intraclass and interclass analysis. Then we searched for other unusual characteristics. There were 318 bit strings entered with an average length of 80 digits. We discovered, that not a single time „00000000“ or „11111111“ were entered. For a row of 318*80 = 25440 digits it is very unlikely that there is no row of 8 equal digits.