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Bärenreiter · Alkor KASSELER ORCHESTERKATALOG Kassel Orchestral Catalogue · Catalogue Kassel d'œuvres symphoniques 2005/06 Auswahlverzeichnis · Catalogue of Selected Titles · Extrait du catalogue INHALT · CONTENTS · CONTENU Hinweise zur Benutzung Fagott · Bassoon · Basson ................................. 159 How to use this catalogue ................................ 4 Horn · Horn · Cor ............................................... 160 Renseignements concernant ............................. 5 Trompete · Trumpet · Trompette ...................... 160 l’utilisation du catalogue................................... 6 Posaune · Trombone · Trombone ..................... 160 Harfe · Harp · Harpe .......................................... 160 Über Alkor Sonstige Soloinstrumente About Alkor Other solo instruments Concernant Alkor .............................................. 2 Autres instruments solistes ........................... 160 2 Soloinstrumente Auslandsvertretungen 2 Solo instruments Foreign Representatives 2 Instruments solistes .................................... 161 Représentants à l’étranger ................................ 7 3 Soloinstrumente 3 Solo instruments Alkor-Verlagsvertretungen 3 Instruments solistes .................................... 161 Publishers represented by Alkor 4 Soloinstrumente Maisons d’éditions représentées 4 Solo instruments par Alkor ............................................................ 9 4 Instruments solistes .................................... 162 5 und mehr Soloinstrumente Abkürzungen 5 and more solo instruments Abbreviations 5 et plusieurs instruments solistes................ 162 Abréviations ..................................................... 10 Ensemble Komponisten-Register Ensemble · Ensemble ..................................... 162 Composers Register Bläser-Ensemble Compositeurs register ..................................... 14 Ensemble for wind instruments Ensemble pour des instruments à vent ........ 163 Komponisten und Werke A – Z Solostimmen, Chor und Orchester Composers and works from A – Z Solo Voices, Choir and Orchestra Compositeurs et Œuvres A – Z ....................... 18 Voix solistes, chœur et orchestre.................. 163 Solostimmen, Chor und Ensemble Index nach Besetzungen Solo Voices, Choir and Ensemble Index according to instrumentation Voix solistes, chœur et ensemble ................. 166 Index selon l’instrumentation ....................... 145 Chor und Orchester Orchester Choir and Orchestra Orchestra Chœur et orchestre ....................................... 166 Orchestre ........................................................ 145 Chor und Ensemble Streichorchester Choir and Ensemble String Orchestra Chœur et ensemble ....................................... 167 Orchestre à cordes ......................................... 153 Chor und Bläser Blasorchester Choir and Wind Instruments Wind Orchestra Chœur et ensemble d’instruments à vent.... 168 Orchestre d’instruments à vent .................... 154 Solostimmen und Orchester Soloinstrument und Orchester/Ensemble Solo Voices and Orchestra Solo instrument and orchestra/ensemble Voix solistes et orchestre............................... 168 Instrument solist et orchestre/ensemble ...... 154 Solostimmen und Ensemble Klavier · Piano · Piano........................................ 154 Solo Voices and Ensemble Cembalo · Harpsichord · Clavecin .................... 155 Voix solistes et ensemble .............................. 169 Orgel · Organ · Orgue ....................................... 156 Violine · Violin · Violon ...................................... 156 Solostimmen und Bläser Viola · Viola · Alto.............................................. 157 Solo Voices and Wind Instruments Violoncello · Violoncello · Violoncelle .............. 157 Voix solistes et ensemble d’instruments à vent .. 170 Kontrabass · Double Bass · Contrebasse .......... 158 Flöte · Flute · Flûte ............................................. 158 Sprecher und Orchester Oboe · Oboe · Hautbois .................................... 159 Speaker and Orchestra Klarinette · Clarinet · Clarinette ....................... 159 Récitant et orchestre ..................................... 170 1 ÜBER ALKOR · ABOUT ALKOR · CONCERNANT ALKOR Die Geschichte der Alkor-Edition war anfangs eng mit dem Werk Anton Bruck- ners verknüpft: Die Verlagsgründung erfolgte 1934 in Leipzig, und zwar zunächst als Tochtergesellschaft der Fa. Oscar Brandstetter, die 1944 in Bruckner-Verlag Leipzig umbenannt wurde. Der Verlagszweck war die gemeinsam mit dem Musik- wissenschaftlichen Verlag Wien betriebene Publikation der von der Internationalen Bruckner-Gesellschaft herausgegebenen Kritischen Bruckner-Gesamtausgabe. 1945, kurz vor Kriegsende, wurden bei einem Bombenangriff auf Leipzig die Verlagsbe- stände vernichtet. Mit der Neugründung als Bruckner-Verlag Wiesbaden (mit Dr. Fritz Oeser als Geschäftsführer) wurde 1948 der Firmensitz zunächst dorthin ver- legt, 1955 dann nach Kassel. Der Verlag gehört seitdem unter dem Namen Alkor- Edition Kassel GmbH zur Bärenreiter-Verlagsgruppe, Geschäftsführerin ist heute die Tochter des Bärenreiter-Gründers Karl Vötterle, Barbara Scheuch-Vötterle. Als eine der heute führenden Agenturen für Bühne und Orchester vertreibt die Alkor-Edition neben den eigenen Publikationen, die vor allem im Bereich des französischen Musiktheaters des 19. Jahrhunderts liegen, die Aufführungsmateria- le des Bärenreiter-Verlages und seiner angeschlossenen Verlage. Dazu gehören unter anderem die weltweit bekannten Ausgaben der Werke von Bach, Händel, Mozart, Beethoven, Schubert, Berlioz, Dvoøák und Janáèek. Ebenso vertreten sind zeitgenössische Komponisten wie Manfred Trojahn, Matthias Pintscher und Beat Furrer. Darüber hinaus vertritt die Alkor-Edition zahlreiche weitere ausländische Verlage. *** The history of the Alkor-Edition is closely connected to the works of Anton Bruckner. The Alkor-Edition was founded in Leipzig in 1934 and was first a subsidiary of the company Oscar Brandstetter. In 1944 it was renamed as the Bruckner-Verlag Leipzig. The company’s aim was the publication of the Critical Bruckner Gesamtausgabe, edited by the International Bruckner Society, in close collaboration with the Musikwissenschaftlicher Verlag Wien. The publishing house and its stock was destroyed in 1945, just before the end of the Second World War during the bombing of Leipzig. With the new foundation of the Bruckner-Verlag Wiesbaden in 1948 (with Dr. Fritz Oeser as Managing Director) the company’s headquarters were moved to Wiesbaden, and then in 1955 to Kassel. Since that time the Alkor- Edition, as the company was then named, has been an integral part of the Bärenreiter-Group with Mrs. Barbara Scheuch-Vötterle, the daughter of the Bärenreiter founder Karl Vötterle as Managing Director. 2 ÜBER ALKOR · ABOUT ALKOR · CONCERNANT ALKOR As one of today’s leading agencies for rental material, the Alkor-Edition distributes not only its own publications (predominantly works of the 19th century French music theatre) but also the performance materials of the Bärenreiter-Verlag and its affiliated companies. These include the internationally acclaimed critical editions of the works by Bach, Handel, Mozart, Beethoven, Schubert, Berlioz, Dvoøák and Janáèek. Also included are the works by contemporary composers such as Manfred Trojahn, Matthias Pintscher und Beat Furrer. Furthermore, the Alkor-Edition represents numerous other foreign publishers. *** L’histoire des éditions Alkor fut au début étroitement liée à l’œuvre d’Anton Bruckner : la maison d’édition fut fondée en 1934 à Leipzig, étant au début une filiale de la maison Oscar Brandstetter, elle-même rebaptisée « Bruckner-Verlag- Leipzig » en 1944. Le but de cette maison d’édition fut de publier, en commun avec la maison « Musikwissenschaftlicher-Verlag Wien », l’édition critique de l’intégrale des œuvres de Bruckner éditée par la « Internationale Bruckner- Gesellschaft ». En 1945, peu avant la fin de la guerre, les stocks de la maison d’édition furent détruits lors d’un bombardement de Leipzig. A l’occasion de la recréation de la maison d’édition, sous le nom de « Bruckner-Verlag Wiesbaden » (avec Dr. Fritz Oeser comme gérant), le siège de la maison fut transféré en 1948 à Wiesbaden, puis définitivement à Kassel en 1955. La maison d’édition fait depuis partie, sous le nom d’«Alkor-Edition Kassel GmbH», du groupe Bärenreiter et elle est aujourd’hui gérée par Barbara Scheuch-Vötterle, la fille du fondateur de la maison Bärenreiter. En plus de ses propres publications, qui se situent avant tout dans le domaine de l’opéra français du 19ème siècle, la maison d’édition Alkor, aujourd’hui une des agences les plus renommées dans le domaine de la musique de scène et orchestrale, distribue les matériels d’exécution des Editions Bärenreiter et des maisons d’édition qui lui sont rattachées. Parmi ce matériel figurent les éditions mondialement célèbres des œuvres de Bach, Händel, Mozart, Beethoven, Schubert, Berlioz, Dvoøák et Janáèek. Des compositeurs contemporains tels que Manfred Trojahn, Matthias Pintscher et Beat Furrer figurent également dans son catalogue. Les éditions Alkor représentent de plus de nombreuses autres maisons d’édition étrangères. 3 HINWEISE ZUR BENUTZUNG DES KATALOGS Der vorliegende Katalog enthält eine Auswahl der Orchesterwerke, Vokalmusik mit Orchester und der größer besetzten Werke für Kammerensemble (mindestens 9 Spieler), die von der Alkor-Edition Kassel leihweise vertrieben werden, sowie die käuflich lieferbaren
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  • Siegfried Matthus

    Siegfried Matthus

    Blow Out Org;Orch (1995) 30’ | Konzert Siegfried für Flöte, Harfe und Orchester „Ich sah dein Licht mit hellem Glanze strahlen durch die Nacht“ (1998) 25’ | Capriccio Matthus Kraft-Variationen nach Paganini Vl;Orch (1999) 17’ | Konzert für Trompete und Streichorchester (2000) 22’ | Die Sehnsucht nach der verlorenen Melodie Klav;Orch (2001) 16’ | Concerto for Two Trp(Càp).Pos;Orch (2001/02) 25’ Singstimme(n) mit Orchester Kantate von den Beiden SBar Spr;Orch (1969) 15’ | Vokalsinfonie aus „Der letzte Schuss“ SBar;2Chöre;Orch (1972) 20’ | Laudate pacem Oratorium SSTAB; 2Chöre;Kinderchor;Org;Orch (1973/74) 75’ | Unter dem Holunderstrauch aus Kleists „Käthchen von Heilbronn“ ST;Orch (1976) 12’ | Hyperion-Fragmente B;Orch (1979) 25’ | Holofernes Bar;Orch (1981) 20’ | Sarmatische Lieder S(T);Orch (1990) 20’ | Sinfonie (Gewandhaus-Sinfonie) „Unser Mund soll von Weisheit reden und unser Herz in Liebe sein“ S;Knabenchor;Orch Biografie Werke im Deutschen Verlag für Musik (1992/93) 46’’ 1934 geboren am 13. April in (DVfM) * Mallenuppen/Ostpreußen | 1948–52 Singstimme(n) mit Instrumenten Schulbesuch und Abitur in Rheinsberg | Musiktheater Kammermusik 65 A;Frauenchor;Ens 1952–58 Studium an der Deutschen Der letzte Schuss (1966/67) | Noch (1965) 21’ | Galilei Sti;Quintett; Elektronik Hochschule für Musik in Berlin, Kompo- einen Löffel Gift, Liebling? (1971) | (1966) 12’ | Die Liebesqualen des sition bei Rudolf Wagner-Régeny | Omphale (1972–74) | Judith (1982–84) Catull SB(Bar);Chor;Ens (1985/86) 38’ 1958–60 Meisterschüler Hanns Eislers | Die Weise