Wooster, OH), 1970-05-22 Wooster Voice Editors
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Rock & Keyser Roll Final 3.13.21
ROCK and KEYSER ROLL Music In My Life My Life In Music Dedicated to all the venues, bookers, house and stage managers, sound and lighting techs, promoters, publicists, photographers and videographers and roadies who have supported me and the bands I have represented over the past four plus decades. It is an honor and a privilege to work with so many highly talented musicians. I am filled with gratitude for the road I have traveled, and look forward to many more years of helping to bring live music to the world! Cover photo J.C. Juanis Cover lettering Mike Dolgushkin © 2021 Music has always been my passion. As a young guy I remember riding the #37 bus downtown to stop at the record store to pick up the latest albums. From my hometown of Baltimore I listened to WCAO radio Top 40 hits, and watched The Buddy Deane Dance Party every day after school. My early musical heroes were Dion, Paul Anka, Neil Sedaka, Little Eva, Ray Charles, Chubby Checker, Gene Pitney, Roy Orbison, The Four Tops and, Stevie Wonder…. My parents were also music fans. Here are few photos from back in their day…. Debbie Reynolds ? My mom My dad (dark suit) watching Eddie Fisher at Grossinger’s Resort in the Catskills circa 1958 After dinner with Harpo Marx and his wife at their Hollywood home, Harpo serenaded circa 1963 My first foray into the music world happened on my last day of 4th grade at Liberty School #64. Dr. Carlin, the music teacher, came into our classroom. He told us that next year, in 5th grade, we could be in the school orchestra. -
Quicksilver Messenger Service - What About Me (1970)
Quicksilver Messenger Service - What About Me (1970) Written by bluesever Wednesday, 22 August 2012 16:39 - Last Updated Tuesday, 20 November 2018 20:07 Quicksilver Messenger Service - What About Me (1970) 1. "What About Me" (Jesse Oris Farrow) – 6:43 2. "Local Color" (John Cipollina) – 3:00 3. "Baby Baby" (Farrow) – 4:44 4. "Won't Kill Me" (David Freiberg) – 2:32 5. "Long Haired Lady" (Farrow) – 5:55 6. "Subway" (Gary Duncan-Farrow) – 4:29 7. "Spindrifter" (Nicky Hopkins) – 4:38 8. "Good Old Rock and Roll" (Farrow) – 2:30 9. "All in My Mind" (Duncan-Farrow) – 3:48 10. "Call on Me" (Farrow) – 7:36 Personnel Dino Valenti – vocals, guitar, flute, percussion Gary Duncan – vocals, guitar, bass, percussion, organ John Cipollina – guitar, percussion David Freiberg – vocals, bass, guitar Greg Elmore – drums, percussion Nicky Hopkins – piano, keyboards + Martin Fierro - flute, alto sax, tenor sax, winds Frank Morin - saxophone, tenor sax Mark Naftalin - piano Pat O'Hara - trombone Jose Reyes - percussion, conga, vocals Ron Taormina - saxophone, baritone sax, soprano sax Musically, there is little to delineate the fifth long-player from Quicksilver Messenger Service, What About Me, from their previous effort, Just for Love. Not surprisingly, material for both was initiated during a prolific two-month retreat to the Opaelua Lodge in Haleiwa, HI, during May and June of 1970. The quartet version of Quicksilver Messenger Service -- which had yielded the band's first two LPs -- expanded once again to include Dino Valenti (aka Chester A. Powers, Chet Powers, and most notably on this album, Jesse Oris Farrow) as well as British session keyboardist Nicky Hopkins. -
Ks5101-19730416.Pdf (16.95Mb)
For Students and Faculty uu Amtiml•of K.J.C. isKinmeow Junior College/Marietta .Georgia The Sentinel Kennesaw Junior College April 16, 1973 Student Government Holds Election QUICKSILVER TO PERFORM AT KJC Quicksilver To Appear at Kennesaw Jr. College By Marshall Trawick Quicksilver Messenger several groups before QMS. QUICKSILVER MES Service was released in Lead quitar is played by SENGER SERVICE will May of 68. Since their first Gary Duncan, who was with perform here on Thursday, album, QMS has toured the QMS at the start, but left April 19, at 8:00 country with success. Their for a while. When Duncan P.M. in the gym. Ap second album, Happy came back, he brought with pearing with themwill Trails, was released in him, Dino Balenti. A long be LYNYRD SKYRD. March of 69. This is in time legend among both QMS, a four-man folk- general, their most highly folkies and rockers, Valenti rock group has been regarded album to date. is the possessor of one of together since 1964. They They have released four the most compelling and started in San Francisco other albums, their latest. individual vocal styles playing all the local Quicksilver, in 72. around. In 1972, Chuck nightclubs and concert QMS has changed Steaks replaced Mark Ryan halls. They decided to bide personnel several times on organ and sometimes their time, letting them since its conception. Of the bass. selves become a close original members of the Lynyrd Skynrd, a Florida- family. They became known group, only Greg Elmore, a based group will open the around the city as one of t he super-outrageous drummer, concert. -
David Freiberg an Oral History Interview Conducted by Debra
Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library David Freiberg An Oral History Interview Conducted by Debra Schwartz in 2019 © 2019 by the Mill Valley Public Library TITLE: Oral History of David Freiberg INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 47 pages INTERVIEW DATE: January 24, 2019 In this oral history, David Freiberg, a key figure in the Bay Area music scene from the 1960s onward, recounts his life, career, friends, and family. Born in Boston in 1938 and raised in Cincinnati, David moved out to California in 1959 where he first took up playing the guitar. Touching down in Oakland, he moved to San Francisco in the early 1960s and then over to Mill Valley a few years later. David gives a detailed account of his time playing guitar with Quicksilver Messenger Service in the ’60s and subsequently with Jefferson Airplane/Starship beginning in the ’70s. He discusses many of his friends from that legendary milieu — well-known musicians from the Bay Area rock scene like Marty Balin, John Cipollina, and Paul Kantner — and reminisces about what Mill Valley was like in that era. He also discusses his current life with his wife Linda, also a musician, and his relationship with his daughters, Jessica and Polly. 80 years old and actively touring at the time this oral history was conducted, David concludes by offering advice to up-and-coming musicians. © All materials copyright Mill Valley Public Library. Transcript made available for research purposes only. All rights are reserved to the Mill Valley Library. -
ANTONIA CIPOLLINA an Oral History Interview Conducted by Robin
Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library ANTONIA CIPOLLINA An Oral History Interview Conducted by Robin Fisher and Stella Perone in 2013 © 2013 by the Mill Valley Public Library TITLE: Oral History of Antonia Cipollina INTERVIEWER: Robin Fisher and Stella Perone DESCRIPTION: Transcript, 29 pages INTERVIEW DATE: October 8th, 2013 Born to residents of Mill Valley in 1952, Antonia Cipollina grew up in Mill Valley and experienced life as a member of a well-known musical family. Her mother was a concert pianist, and her brothers John and Mario Cipollina were famous rock and roll musicians from their youths. A musician herself, Antonia began teaching piano at the age of 16, and was still teaching students in Mill Valley at the time of this interview. In her oral history, Antonia describes growing up in an Italian family, attending Tamalpais High and Marin Catholic, and going with her parents Evelyn and Gino (a beloved local realtor) to watch her brothers play in rock shows. Antonia recounts the lively family home of her youth, a home where musicians and friends of hers and her brothers frequently spent time. She paints a vivid picture of life in Mill Valley in the 1950s and 1960s, a slower time when you could ride your horse downtown and park it right at the meters. © All materials copyright Mill Valley Library. Transcript made available for research purposes only. All rights are reserved to the Mill Valley Library. Requests for permission to quote for publication -
Beanie Brigade Howdied-Ln with Events Ranging from a Watermelon Feast- to a Welcome from the Mayor to the Comic Ob- Dions of Pat Paulsen
*r Full Forums Slate Volume 69, Number 1 Set This Year Tuesday, (See page 10) I The Skiff I Texas Christian University • • • • Fort Worth. Texas 76129 September 1, 1970 Beanie Brigade Howdied-ln With events ranging from a watermelon feast- to a welcome from the mayor to the comic ob- dions of Pat Paulsen. TCI Howdy Week 1970 kicked off the new academic decade to the theme of "Blazing the Trail of the 70 The week of friendly confusion .■i with the freshman re ind cap sales on 1 day. Later that evening a free watermelon feast was held with new freshmen and returning itu- dents gorging themselves on the melons. On Wednesday cap sales con- tinued, and the movie "Camelot" was shown with Gary Marshall, who sang in the film, making a live appearance during the even ing showing. Ice Cream Social Later Wednesday the dining service had a picnic box supper followed by the AWS Ice Cream Social. Then the students re- turned to their residence halls for their orientation into dormitory life. Fort Worth Mayor R M "Sharkey" Stovall was on campus Thursday in conjunction with the Howdy Week Welcome and Fort GARY MARSHALL presents rosei to Howdy Week Queen, Retha Ann Rudolph, is 1969 Queen Sara La* Wcrth Orientation. Mayor Stovall looks on. welcomed all new students to Fort Worth and TCU making Howdy Week a city-wide event Howdy Queen Returning students and town stu- Betty To Be Honored dents also informed newcomers of recreation facilities and activities Is Selected Hetty Buckley, a TCU graduate frequent appearances at Casa offered in Fort Worth. -
Dr. Sheinbaum Responds to Dean Bodi
..1 PANDORA'S BOX Volume 15, Number 14 YORK COLLEGE OF THE CITY UNIVERSITY OF NEW YORK JAMAICA, QUEENS Monday, February 9, 1976 Administrative Fat? Bodi, No! Faculty Union Says No To Kelley, Yes! Payless Furloughs! by Craig Robertson The Professional Staff public funds by the BHE to Congress, the union representing promote enrollment at private in- Are non-vital administrative the 17,000-member instructional stitutions. posts being maintained at York staff of City University, has in- This month, the Board mailed while faculty members are being structed its members to withhold notices to CUNY applicants non-reappo: nted? services equivalent to salary suggesting that they apply to "If they are, I'm not aware oi withheld through payless Long Island University and five them [non-vital posts]," said furloughs as part of an 11-point technical institutes. Dr. Zeller Lewis Bodi, Dean of Academic program of action. said, "It is unconscionable for a Affairs. However, one of this The four-week furloughs, on public institution to offer free ad- year's 24 non-reappointees, Dr. dates not yet announced, were vertising, out of public funds, to private institutions, and thus John Kelley (Anthropology), • •?.• '? adopted December 15 by the stated that two administrative Board of Higher Education as discourage enrollment at City posts wen; created since he part of a $55-million budget University." arrived at York three years ago, reduction program. The 11-point program, which while faculty were cut. Dean of Professional Responsibilities Wallace Schoenberg (above ad- Union President Belle Zeller the PSC's Delegate Assembly These two added posts are: dresses incoming transfer students in November. -
The Rock Report
The Rock Report "PRESS TO PLAY" is the name of PAUL McCARTNEY'S newrecord coming next month from Capitol and, as we told TRUE". you, the first single is called"PRESS". The B-side of that song is a tune called "IT'S NOT McCartney, as you know, worked with77Yriad of producers onthis Lp, including JULIAN MENDELSSON, BURT single, which is BEVANS, HUGH PAUGHAM and TONY VISCONTI. Not to be forgotten is LINDA McCARTNEY'S new aTiTiTly a re-release, called "SEASIDE WOMAN". Penned by Linda, who goes under the moniker of SUZY AND ETTE75T- THL RED STRIPES (named after her favoritelager), the song was originally released in 1977 via reached 059 on the Billboard charts. ********** "FORE" (the golf HUEY LEWIS AND THE NEWS return August 20thwith a new disc via Chrysalis Records titled Produced by the band, the record will feature thefirst single "STUCK WITH YOU". Huey begins a term). the Bahamas to shoot the 14 month tour beginning in August. In the meantime, Huey And The News will fly to 'N video to "Stuck With You" with director ED GRILES,who is responsible for the group's "HEART OF ROCK future ROLL" clip as well as CYNDI LAUPER'S"SHE-130P"video. Lewis also has plans to show off his style on a cover of the men's magazine "GO". ********** forth- In more Chrysalis news, BILLY IDOL has onceagain changed the first single to be released from his coming album"WHIPLASH SMILE." The first song to seethe light of day will be called "TO BE A LOVER". Idol and band are still mixing this long awaitedalbum in New York. -
Fillmore West Closing Week (30Th Anniversary Tree)
Fillmore West Closing Week (30th Anniversary Tree) Fillmore West South Van Ness Avenue & 1545 Market Street San Francisco, California, USA (Opened) July 5, 1968 (Closed) July 4, 1971 --aired on FM radio, KSAN & KSFX San Francisco PRESENTED BY THE ARCHIVAL GROUP ********** NEVER FOR SALE *********** Share It & Keep The Legacy Alive ***Dedicated to Kwane & The Kwanditos (lost but not forgotten)*** ========================================================================== NOTE: the bands performed in reverse order of what's listed, i.e. the first band listed (top of the bill) played last that night, the last band listed played first (opening act). *** Night 1 *** JUNE 30, 1971 (Wed.) BOZ SCAGGS COLD BLOOD FLAMIN' GROOVIES --omitted! STONEGROUND *** Night 2 *** JULY 1, 1971 (Thu.) IT'S A BEAUTIFUL DAY ELVIN BISHOP GROUP GROOTNA LAMB *** Night 3 *** JULY 2, 1971 (Fri.) GRATEFUL DEAD NEW RIDERS OF THE PURPLE SAGE w/Jerry Garcia ROWAN BROTHERS w/Jerry Garcia *** Night 4 *** JULY 3, 1971 (Sat.) HOT TUNA QUICKSILVER MESSENGER SERVICE YOGI PHLEGM [The Sons Of Champlin] *** Night 5 *** CLOSING NIGHT JULY 4, 1971 (Sun.) [SAN FRANCISCO MUSICIANS JAM] SANTANA CREEDENCE CLEARWATER REVIVAL TOWER OF POWER ========================================================================== The history of The Fillmore is well known. Constructed as a dance hall in post-earthquake San Francisco in 1912, it served as a host venue for musical acts and local events for decades before impresario Bill Graham scouted it out as a location to hold the SF Mime Troupe show in November 1965. Under the ownership of Graham, The Fillmore quickly became established as the hub around which the SF underground surfaced and took the main stage. By 1968 following the assassination of MLK, however, the neighborhood around the original Fillmore auditorium at Geary and Fillmore had become unstable, and Graham moved operations across town to the Carousel Ballroom. -
Syllabus for San Francisco Rock of the 1960S Instructor: Richie Unterberger, [email protected] OLLI Berkeley at Lafayette
Syllabus for San Francisco Rock of the 1960s Instructor: Richie Unterberger, [email protected] OLLI Berkeley at Lafayette Week 1 I. The Roots of the San Francisco Sound A. Blues, soul, rock'n'roll, jazz, and folk are recorded in the Bay Area throughout the 1940s and 1950s, without establishing a strong regional identity for San Francisco popular music. Key artists include: Lowell Fulson, Jimmy McCracklin, Vince Guaraldi, Bobby Freeman, Barbara Dane, and the Kingston Trio. B. San Francisco radio DJ Tom Donahue helps establish a rock label, Autumn Records, that gets one of the first Beatles-styled national hits by an American group with the Beau Brummels. Key artists: The Beau Brummels, the Mojo Men, the Vejtables. C. Kingston Trio manager Frank Werber handles We Five, who have one of the first folk-rock hits with "You Were on My Mind" in 1965. Meanwhile, the Beau Brummels mature from British Invasion imitators into a folk-rock sound of their own. Key artists: We Five, the Beau Brummels. Other themes: the growth of independent record labels and studios in the Bay Area; the power of local radio DJs and AM radio stations. II. The Birth of Underground San Francisco Rock A. Young adults and students start to populate the Haight-Ashbury neighborhood, bringing with them a new counterculture and a hunger to create art without commercial restrictions. Key artists: the Charlatans, the Great Society, Big Brother & the Holding Company. B. Jefferson Airplane's founder and singer, Marty Balin, opens the Matrix Club in the Marina for the band to play in summer 1965. -
T H E M O N T E R E Y C O U N T Y H E R a L D • S U N D a Y , J U N E
T H E M O N T E R E Y C O U N T Y H E R A L D • S U N D A Y , J U N E 1 0 , 2 0 0 7 MONTEREY INTERNATIONAL POP FESTIVAL ♥ 1967-2007 ♥ THE SUMMER OF LOVE T H E F E S T I V A L “The Pop Festival was an event that altered our world from the inside out. The Monterey International Pop Festival was a seminal event in rock ’n’ roll history — and defined Through our ears, eyes and minds, a new culture redirected the future.” a generation that embraced peace, love and — John Bassett McCleary, author change. The unprecedented bill of musically diverse acts showed rock’s power to change the world. Preceding Woodstock by two years, it was the first major rock festival, the first ever rock charity event and spawned the first ever rock concert movie. For one weekend, June 16-18, 1967, the harsh 40 YEARS AGO realities of the Vietnam War — student unrest, the Cold B y J O H N B A S S E T T M c C L E A R Y War, racism, urban riots, Herald Correspondent poverty and domestic he sun was shining on 30,000 politics — were forgotten music lovers. Even the and even transcended. morning fog sparkled. The artists performed for Harmonica notes flowed Poster by Tom Wilkes free, with all revenue between the oaks and pines. donated to charity through the nonprofit Monterey Festival Foundation. TGuitar riffs tore through leaves. -
DUANE ALLMAN and AMERICAN MUSIC by Bob Beatty A
“YOU WANNA PLAY IN MY BAND, YOU’D BETTER COME TO PICK”: DUANE ALLMAN AND AMERICAN MUSIC by Bob Beatty A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Public History Department of History Middle Tennessee State University August 2018 Doctoral Committee: Carroll Van West, Ph.D., Chair John Dougan, Ph.D. C. Brendan Martin, Ph.D. Kristine M. McCusker, Ph.D. Dedicated to Suzi and Pat Beatty. Thank you, Mom and Dad, for the unwavering support of all of my various interests and in my pursuit of my life and career goals. I am sorry you aren't here to celebrate this moment with me. ii ACKNOWLEDGMENTS All acknowledgments begin with my family: my wife Candy and daughters Ryan and Tyler, who lived this journey with me. Thanks to each of you for the role you play in my life and my life's work. Thank you to Dr. Carroll Van West, whose careful shepherding of this project and this phase of my graduate career is so appreciated. Thank you also to my dissertation committee, Drs. John Dougan, C. Brendan Martin, and Kristine M. McCusker, whose insights into this process were invaluable. To Troy Wilson, Brandon Munson, and Steve Marshall: a man is blessed to have one friend as good as each of you, my cup overflows that I have three. The same is true of my first best friend, my cousin Brad Beatty. I am forever grateful to my friends in the Allman Brothers Band world who encouraged and inspired me to dig deeper into this band and its meaning: most notably: Andy Beichler; Jules Fothergill; Gary Barrett;