DOCSLIB.ORG

Eight New Disney Legends to Be Honored During D23 Expo 2015 in Anaheim

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Eight New Disney Legends to Be Honored During D23 Expo 2015 in Anaheim EIGHT NEW DISNEY LEGENDS TO BE HONORED DURING D23 EXPO 2015 IN ANAHEIM George Lucas, Danny Elfman, Susan Lucci, Andreas Deja and Other Remarkable Contributors To Be Celebrated In A Special Awards Ceremony Hosted By Disney Chairman and CEO Bob Iger On Friday, August 14. BURBANK, Calif. – July 14, 2015 – Star Wars creator George Lucas, composer Danny Elfman, All My Children star Susan Lucci, Disney Animator Andreas Deja and other beloved contributors to the Disney legacy will be named and honored as official Disney Legends during D23 EXPO 2015 at 10 a.m. on Friday, August 14, in Hall D23 at the Anaheim Convention Center. The ceremony will be hosted by Disney Chairman and CEO Bob Iger, and will include special musical performances. The Disney Legends Awards program is a 28-year tradition of The Walt Disney Company, and the first Disney Legend was Fred MacMurray (The Shaggy Dog, The Absent-Minded Professor, The Happiest Millionaire), who was honored in 1987. The three-day EXPO provides the opportunity for Disney fans to be a part of the memorable and prestigious event. “The Disney Legend Award is our highest honor, and we are incredibly proud to recognize these eight talented individuals who have contributed so much to the world of entertainment and the Disney legacy,” said Bob Iger, chairman and CEO, The Walt Disney Company. “Their vision and dedication to their work have brought joy to audiences around the globe and earned them a place in Disney history.” The 2015 Disney Legend Award honorees (listed alphabetically) are: GEORGE BODENHEIMER, who retired from his role as Executive Chairman of ESPN in May 2014, enjoyed a remarkable 33-year career that began in the company’s mailroom in 1981. Working his way through the ranks, he became executive vice president of sales and marketing in 1996, before being named the network’s fifth president in 1998. He held that role until 2012, when he stepped down from day-to-day operations. ANDREAS DEJA is a link to Disney’s past and one of the greatest animators of its modern era. Deja is known for his rich portraits of villainy, having animated Gaston for Beauty and the Beast, Jafar for Aladdin, and Scar for The Lion King. He has also brought life to heroes such as mighty Hercules, the precocious Lilo (Lilo & Stitch), regal King Triton (The Little Mermaid), wise Mama Odie (The Princess and the Frog), and loveable Tigger (Winnie the Pooh). In 2007, he was awarded the prestigious Winsor McCay Award for his contributions to the art of animation. EYVIND EARLE, one of the greatest of Disney artists, brought his unique style to a number of memorable projects but perhaps the purest realization of his vision remains the visual styling and backgrounds for the Disney classic Sleeping Beauty. Earle’s career with Disney began in 1951, working on background artwork for Peter Pan. He created the look of the 1953 animated short Toot, Whistle, Plunk and Boom, which won an Academy Award® for Best Short Subject, Cartoons in 1954. His most noticeable contribution, however, remains his work on Sleeping Beauty. The film’s eye-catching look, in its design and backgrounds, are the perfect representation of his unique style. DANNY ELFMAN provided the songs and score for The Nightmare Before Christmas, for which he also provided the singing voice of Jack Skellington. He also scored several Disney films including Alice in Wonderland, Avengers: Age of Ultron, Dick Tracy, Dead Presidents, Flubber, Good Will Hunting (Oscar® Nomination: Best Score), A Civil Action, Instinct, Frankenweenie, and Oz the Great and Powerful. Elfman also wrote the theme for ABC’s Desperate Housewives and penned the music for the Mystic Manor attraction at Hong Kong Disneyland. His music is featured in Disneyland’s annual Haunted Mansion Holiday. His upcoming Disney projects include Alice in Wonderland: Through the Looking Glass. GEORGE LUCAS, whose Star Wars films made him one of the most successful filmmakers of all time, is also a longtime Disney fan who has left an indelible impression on Disney parks. His first project with Disney was Captain EO, the 1986 3-D spectacular starring Michael Jackson and directed by Francis Ford Coppola. Star Tours and Indiana Jones Adventure at Disneyland, as well as Indiana Jones Epic Stunt Spectacular at Disney’s Hollywood Studios, Indiana Jones et le Temple du Péril in Disneyland Paris, and two blockbuster Indiana Jones Adventure attractions at Disneyland and Tokyo DisneySea round out Lucas’ timeless work in conjunction with Disney. SUSAN LUCCI portrayed Erica Kane on ABC’s fabled soap opera All My Children for 41 years, a role that TV Guide deemed unequivocally the most famous character in the history of daytime television, earning Lucci 21 Daytime Emmy® nominations to which she won the prestigious Emmy for Best Actress to an industry-wide standing ovation on her 19th nomination. Shortly thereafter, she received her Star on the Hollywood Walk of Fame, presented to her by Bob Iger, Chairman and CEO of The Walt Disney Company. The iconic actress has also appeared on ABC’s Dancing with the Stars and Hope & Faith, as well as Disney Channel’s That’s So Raven. Lucci currently stars in the international hit Lifetime series, Devious Maids, produced by ABC Studios, as the wealthy and effervescent socialite, Genevieve Delatour. JULIE REIHM CASALETTO, who began her Disney career as a tour guide, became Disneyland’s first Ambassador in 1965—a role created to help Walt, who found it increasingly difficult to attend all the events to which he was invited. As Disneyland’s first Ambassador, she was chosen “as a personification of Disneyland’s world-famous spirit of friendliness and happiness.” She became the template upon which decades of Ambassadors would pattern themselves. CARSON VAN OSTEN helped bring Disney characters to life in a variety of media, all around the world, for three decades. During Van Osten’s tenure, he oversaw creative content for motion picture tie-in advertising, many Disney publications, and also established some of the first licensing style guides for Disney Consumer Products. The talented artist designed logos for Mickey Mouse’s 50th and 60th birthdays, the Walt Disney Studios logo and water tower design, and the Disneyland Hotel clock tower “Mickey” logo in Paris. Each honoree receives a two-foot-tall bronze Disney Legends sculpture that signifies the imagination, creativity, and magic they have brought to the Company. Disney Legends Award recipients will also participate in a handprint ceremony at the end of the event, and their bronzed prints will be displayed in the Disney Legends Plaza at the Company’s Burbank headquarters. Admission to the ceremony will be on a first-come, first-served basis and is included in the price of a ticket to D23 EXPO 2015. Including this year’s honorees, a total of 257 Disney Legends have been named. Past Disney Legends include Tim Allen, Robin Williams, Julie Andrews, Howard Ashman, Regis Philbin, Annette Funicello, Peter Jennings, Angela Lansbury, Steve Martin, Alan Menken, Hayley Mills, Fess Parker, Sir Tim Rice, Dick Van Dyke and Barbara Walters. With the inaugural D23 EXPO in 2009, thousands of Disney fans were able to enjoy the Legends Awards ceremony for the first time. Honorees that year included Robin Williams, Beatrice Arthur, Estelle Getty, Rue McClanahan, Betty White, Tony Anselmo, Bill Farmer, Harry Archinal, Don Iwerks, and Leota Toombs Thomas. Tickets for D23 EXPO 2015 are $74 for a one-day adult admission and $54 for children 3–12. Tickets for members of D23: The Official Disney Fan Club are $65 for a one-day adult admission and $48 for children. Multi-day money-saving tickets are also available. D23 Members can save as much as $112 off the price of admission, based on the purchase of four three-day tickets at the D23 Member rate. For more information on tickets and the ticket pricing structure for D23 Members and general admission, visit D23EXPO.com. NOT FOR PRINT: For images, press releases, and the official media credential application, please visit D23EXPOPress.com. About D23 EXPO 2015 D23 EXPO—The Ultimate Disney Fan Event—brings together all the worlds of Disney under one roof for three packed days of presentations, pavilions, experiences, concerts, sneak peeks, shopping, and more. The event provides fans with unprecedented access to Disney films, television, games, theme parks, and celebrities. For the latest D23 EXPO 2015 news, visit D23EXPO.com. To join the D23 EXPO conversation, make sure to follow @DisneyD23 on Twitter and use #D23EXPO About D23 The name “D23” pays homage to the exciting journey that began in 1923 when Walt Disney opened his first studio in Hollywood. D23 is the first official club for fans in Disney’s 90-plus-year history. It gives its members a greater connection to the entire world of Disney by placing them in the middle of the magic through its quarterly publication, Disney twenty-three; a rich website at D23.com with members-only content; member-exclusive discounts; and special events for D23 Members throughout the year. Fans can join D23 at Gold and General Membership levels at D23.com and at DisneyStore.com/D23. To keep up with all the latest D23 news and events, follow DisneyD23 on Twitter, Facebook, Pinterest, and YouTube. # # # Contact: Jeffrey Epstein The Walt Disney Company (818) 526-4444 [email protected] .
Load more

Recommended publications
  • Celebrations Press PO BOX 584 Uwchland, PA 19480
    Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 1 year for only $29.99* *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. Subscribe online at www.celebrationspress.com, or send a check or money order to: Celebrations Press PO BOX 584 Uwchland, PA 19480 Be sure to include your name, mailing address, and email address! If you have any questions about subscribing, you can contact us at [email protected] or visit us online! Cover Photography © Garry Rollins Issue 67 Fall 2019 Welcome to Galaxy’s Edge: 64 A Travellers Guide to Batuu Contents Disney News ............................................................................ 8 Calendar of Events ...........................................................17 The Spooky Side MOUSE VIEWS .........................................................19 74 Guide to the Magic of Walt Disney World by Tim Foster...........................................................................20 Hidden Mickeys by Steve Barrett .....................................................................24 Shutters and Lenses by Mike Billick .........................................................................26 Travel Tips Grrrr! 82 by Michael Renfrow ............................................................36 Hangin’ With the Disney Legends by Jamie Hecker ....................................................................38 Bears of Disney Disney Cuisine by Erik Johnson ....................................................................40
    [Show full text]
  • The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
    The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968.
    [Show full text]
  • Historical Society of the Upper Mojave Desert Re- Ceived the Honor Because of the Successful Work Our Volunteers Did to Renovate Our Historic USO Building
    Upper Mojave Desert 230 W. Ridgecrest Blvd. • P. O. Box 2001, Ridgecrest, CA 93556 • 760-375-8456 Vol. 29 No. 6 June 2014 To see our schedule of events, visit us at www.hsumd.org or on Facebook at hsumd Bring Photos, Share Stories on June 17 ome enjoy an evening of nostalgia on Tuesday, June 17, at 7 p.m. at the Historic USO Building, 230 W. Ridgecrest Blvd. C The meeting will feature an ice cream social and viewing of historic local pictures. HSUMD members and the public are invited to bring their own pictures to share. We last had a similar social in 2010, and it brought forth many interest- ing pictures, includ- ing those shown here from Don Snyder Volunteers help at the opening of and Gene Schnei- the new Maturango Museum in der. So please look Ridgecrest, 1986. Gene Schneider colllection Don Snyder is the little blonde boy astride a pony, circa in your collection of 1954. In the background you can see B Mountain, com- photos and bring those showing interesting people, events plete with “B.” Don Snyder collection and buildings of the local area. See p. 3 Field Trip to Cerro Gordo — June 14 For the last field trip before summer, we’ll return to Cerro Gordo on June 14. Lots of exciting things have been happening up on “Fat Hill,” and it’s time to get caught up. The Hoist House has been rebuilt and is functional again! — we’ve been promised a tour. Robert, the caretaker, has been busy restoring other buildings and the Crapo House is now open as a small gift shop, visitors center, and antique shop, which has both of Cecile Vargo’s books for sale if you don’t already have them.
    [Show full text]
  • SPRING 2009 Vol. 18 No. 1
    SPRING 2009 vol. 18 no. 1 Mickey Mouse and Minnie Mouse, honorary Disney Vacation Club Members since 1991, walk the beach near the site of the new Disney Resort development in Hawai‘i. Disney Files Magazine is published Illustration by Keelan Parham by the good people at Disney Vacation Club Never before have I abused the power of the pen for personal gain. Strong in my editorial P.O. Box 10350 convictions, I’ve taken the high road past self-fulfilling temptation, never pulling over to push Lake Buena Vista, FL 32830 my own agenda. But now our company is building a resort in Hawai‘i (pages 2-6) and, frankly, I want to go. So if you’ll excuse my ethical detour, I present this edition’s key stories All dates, times, events and prices with a little “strategic flattery” along the way. printed herein are subject to It all starts on page 2, where Disney Vacation Club President Jim Lewis (both a change without notice. (Our lawyers gentleman and a scholar) shares new details about the Hawai‘i project and highlights do a happy dance when we say that.) enhancements to our Member Getaways program. MOVING? Page 7 features brilliant Imagineer John Mauro’s perspectives about our first resort Update your mailing address project in California, while page 8 takes you behind the scenes of ABC’s “America’s Funniest online at www.dvcmember.com Home Videos,” a show that, thanks to my leaders’ impressive approach to relationship- building, is once again featuring a grand prize from Disney Vacation Club.
    [Show full text]
  • The Walt Disney Silly Symphony Cartoons and American Animation in the 1930S
    Exploration in Imagination: The Walt Disney Silly Symphony Cartoons and American Animation in the 1930s By Kendall Wagner In the 1930s, Americans experienced major changes in their lifestyles when the Great Depression took hold. A feeling of malaise gripped the country, as unemployment rose, and money became scarce. However, despite the economic situation, movie attendance remained strong during the decade.1 Americans attended films to escape from their everyday lives. While many notable live-action feature-length films like The Public Enemy (1931) and It Happened One Night (1934) delighted Depression-era audiences, animated cartoon shorts also grew in popularity. The most important contributor to the evolution of animated cartoons in this era was Walt Disney, who innovated and perfected ideas that drastically changed cartoon production.2 Disney expanded on the simple gag-based cartoon by implementing film technologies like synchronized sound and music, full-spectrum color, and the multiplane camera. With his contributions, cartoons sharply advanced in maturity and professionalism. The ultimate proof came with the release of 1937’s Snow White and the Seven Dwarfs, the culmination of the technical and talent development that had taken place at the studio. The massive success of Snow White showed that animation could not only hold feature-length attention but tell a captivating story backed by impressive imagery that could rival any live-action film. However, it would take nearly a decade of experimentation at the Disney Studios before a project of this size and scope could be feasibly produced. While Mickey Mouse is often solely associated with 1930s-era Disney animation, many are unaware that alongside Mickey, ran another popular series of shorts, the Silly Symphony cartoons.
    [Show full text]
  • Creating an Inclusive Community
    Spring 2018 l No. 39 No. Sergio Rebia leads a drawing demonstration on Application Day at Cal State Fullerton. 51 students from 45 high schools attended, and 75% of them later applied to Ryman Arts Creating an Inclusive Community “I encourage my students to apply [to Ryman Arts] because it forces them out of their bubble of comfort and complacency. Students are exposed to quality art supplies and instruction they may not be able to afford on their own,” says L’lia Thomas (Ms. T) from La Tijera K-8 Academy of Excellence Charter School. Every year, Ryman Arts connects with over 2,000 Ms. T is an exemplary model of the community students through school presentations, community champions we count on to learn about student fairs, and Application Days. These efforts combat needs in our communities. Because of her the challenges that some students experience in initiative, we have continued to build our learning about and completing the application to relationship with La Tijera Charter School and Ms. T (second from left) and students from La Tijera our highly competitive program. Through strong recently added a special in-school workshop for Charter School relationships with public school teachers like her students. Ms. T, we have made great strides in “It was incredible having Miss Robin come out increasing access to Ryman Arts. to my classroom to facilitate a two-day workshop Application Days have been successful for students who are applying. Her approach in in creating a supportive environment my classroom gave students a real taste of what it where prospective students can take an would be like [at Ryman Arts].” introductory drawing class led by one of Ensuring broad access to Ryman Arts remains our faculty and work on a still life that an important part of our efforts because of the can be included in their application.
    [Show full text]
  • Winter 2009 Vol. 18 No. 4 Disney Files Magazine Is Published by the Good People at I Look at This Edition of Disney Files Magazine, and I See a World of Laughter
    Winter 2009 vol. 18 no. 4 Disney Files Magazine is published by the good people at I look at this edition of Disney Files Magazine, and I see a world of laughter. A world of Disney Vacation Club tears. A world of hope. A world of fears. (Well maybe not tears or fears, but stay with me.) P.O. Box 10350 I’m reminded that there’s so much that we share. That it’s time we’re aware. Sing it with me Lake Buena Vista, FL 32830 now. “It’s a small world after all.” To help celebrate the debut of Disney Vacation Club’s first California resort (cover and All dates, times, events and prices pages 2-4), we’ve reached beyond our home state of Florida to deliver a broader mix of news printed herein are subject to change without notice. (Our lawyers and perspectives than ever. This puppy’s so global and happy that it should’ve been delivered do a happy dance when we say that.) by a pack of singing dolls. (Stupid budget constraints.) Let’s begin our journey in the aforementioned Golden State, where D23, the official MOVING? community for Disney fans, recently hosted the first D23 Expo. Fans gathered. News broke. Update your mailing address Films premiered. Legends were crowned. (Or inducted. But we think there should’ve been online at www.dvcmember.com crowns.) And your Disney Files staff recorded the highlights for those unable to attend (pages 5-6). Perhaps you were too busy sailing on the S.S. Member Cruise to attend the MEMBERSHIP QUESTIONS? Expo.
    [Show full text]
  • December 2018
    LearnAboutMoviePosters.com December 2018 EWBANK’S AUCTIONS VINTAGE POSTER AUCTION DECEMBER 14 Ewbank's Auctions will present their Entertainment Memorabilia Auction on December 13 and Vintage Posters Auction on December 14. Star Wars and James Bond movie posters are just some of the highlights of this great auction featuring over 360 lots. See page 3. PART III ENDING TODAY - 12/13 PART IV ENDS 12/16 UPCOMING EVENTS/DEADLINES eMovieposter.com’s December Major Auction - Dec. 9-16 Part IV Dec. 13 Ewbank’s Entertainment & Memorabilia Auction Dec. 14 Ewbank’s Vintage Poster Auction Jan. 17, 2019 Aston’s Entertainment and Memorabilia Auction Feb. 28, 2019 Ewbank’s Entertainment & Memorabilia Auction Feb. 28, 2019 Ewbank’s Movie Props Auction March 1, 2019 Ewbank’s Vintage Poster Auction March 23, 2019 Heritage Auction LAMP’s LAMP POST Film Accessory Newsletter features industry news as well as product and services provided by Sponsors and Dealers of Learn About Movie Posters and the Movie Poster Data Base. To learn more about becoming a LAMP sponsor, click HERE! Add your name to our Newsletter Mailing List HERE! Visit the LAMP POST Archive to see early editions from 2001-PRESENT. The link can be found on the home page nav bar under “General” or click HERE. The LAMPPOST is a publication of LearnAboutMoviePosters.com Telephone: (504) 298-LAMP email: [email protected] Copyright 20178- Learn About Network L.L.C. 2 EWBANK’S AUCTIONS PRESENTS … ENTERTAINMENT & MEMORABILIA AUCTION - DECEMBER 13 & VINTAGE POSTER AUCTION - DECEMBER 14 Ewbank’s Auction will present their Entertainment & Memorabilia Auction on December 13 and their Vintage Poster Auction on December 14.
    [Show full text]
  • Westfield Scotch Plains Fanwood
    Westfield High girls track squad takes county championship. Please see Sports, page C-1 WESTFIELD SCOTCH PLAINS FANWOOD Friday, January 28, 2000 50 cents Working in a winter wonderland Town talk will listen to Westfield youths Intrepid public works crews help region WESTFIELD survive first major snowstorm of 2000 "Listening to Our Youlh" is the theme of a town meeting BY TERRENCE DOPP blanketing the town. 7:30 p.m. Wednesday at TMK l'HKSS Kelly said Tuesday's storm, Westfield High School. coming right on the heals of the This program will The first snowstorm of the Jan. 20 snowstorm, has not put include the official release of year '2000 brought I ho area to u too much of a strain on the town's a survey of nearly 650 standstill almost, resources, although he said pupils in the Westfield Many people and most stu- another snow event in the nol- school system. Students sur- dents took the day off as the snow tno distant future would nut bo veyed were juniors at began piling up Tuesday morn very good for the town. "With the Westfield High School and ing, hut other intrepid souls lctt two storms, we're not over- home early to trek through thi> stressed," he s:ud. "If we gt»t into eighth grade pupils in the 1 town's intermediate schools. snow at a snail's pact . Koad a third one, we'll star! In wear a The survey was devel- news throughout the area did little thin." oped by a steering commit- their best to keep people safe us In Scotch Plains, where the tee which "sought to find the precipitation chunked from snow forced municipal offices to ways in which the school snow to hail to freo/.ing rain and shut down at 'A.'M) p.m.
    [Show full text]
  • Crossroads Film and Television Program List
    Crossroads Film and Television Program List This resource list will help expand your programmatic options for the Crossroads exhibition. Work with your local library, schools, and daycare centers to introduce age-appropriate books that focus on themes featured in the exhibition. Help libraries and bookstores to host book clubs, discussion programs or other learning opportunities, or develop a display with books on the subject. This list is not exhaustive or even all encompassing – it will simply get you started. Rural themes appeared in feature-length films from the beginning of silent movies. The subject matter appealed to audiences, many of whom had relatives or direct experience with life in rural America. Historian Hal Barron explores rural melodrama in “Rural America on the Silent Screen,” Agricultural History 80 (Fall 2006), pp. 383-410. Over the decades, film and television series dramatized, romanticized, sensationalized, and even trivialized rural life, landscapes and experiences. Audiences remained loyal, tuning in to series syndicated on non-network channels. Rural themes still appear in films and series, and treatments of the subject matter range from realistic to sensational. FEATURE LENGTH FILMS The following films are listed alphabetically and by Crossroads exhibit theme. Each film can be a basis for discussions of topics relevant to your state or community. Selected films are those that critics found compelling and that remain accessible. Identity Bridges of Madison County (1995) In rural Iowa in 1965, Italian war-bride Francesca Johnson begins to question her future when National Geographic photographer Robert Kincaid pulls into her farm while her husband and children are away at the state fair, asking for directions to Roseman Bridge.
    [Show full text]
  • Dept Web Forsythe Act-Dir
    Eric Forsythe Acting Experience (See Key, below). Julius Caesar (Shakespeare) Brutus DC: 1966 (w/Charles Morey) Julius Caesar (Shakespeare) Trebonius PL&T: 1984 (Murphy Guyer) King Lear (Shakespeare) Lear DC: 1975 (Errol Hill) Henry V (Shakespeare) Exeter DC: 1967 Comedy of Errors (Shakespeare) Aegeon DC: 1968 (Don Marcus) Macbeth (Shakespeare) Banquo PL&T: 1985 (Murphy Guyer) Macbeth (Shakespeare) MacD’s Son/Bl. Child CSF: 1958 (Jason Robards) The Tempest (Shakespeare) Trinculo PL&T: 1980 Pericles (Shakespeare) Gower CMU: 1971 (Larry Carra) A Midsummer Night’s Dream (Shakes.) Oberon/Theseus MWVT: 1978 (Karen Trott) Twelfth Night (Shakespeare) Antonio PDG: 1980 (Paxton Whitehead) The Miser (Moliere) Harpagon DC: 1969 Tartuffe (Moliere) Tartuffe MWV: 1979 (David Strathairn) Tartuffe (Moliere) Tartuffe PL&T: 1982 Les Precieuses Ridicules (Moliere) Mascarille DC: 1969 Scapino! (Moliere/Dale/Dunlop) Geronte MWVT: 1978 (Marisa Smith) Prometheus Bound (Lowell) Prometheus PPC: 1972 Dennis Boutsikaris) An Enemy of the People (Ibsen) Mr. Vik DC: 1967 (Richmond Hoxie) The Seagull (Chekhov) Trigorin FT: 1981 Anatol (Schnitzler) Max CC: 1971 La Ronde (Schnitzler) Young Gent TLD: 1970 (Keith Michael) Arms and the Man (Shaw) Russian Officer. MWVT: 1979 (Mandy Carlin) St. Joan (Shaw) Polly/Courcelles McT: 1984 (Nagle Jackson) Augustus Does His Bit (Shaw) Augustus PL&T: 1980 Slasher and Crasher (Morton) Slasher DC: 1968 Charley’s Aunt (Thomas) Spettigue MWVT: 1976 (Jean Passanante) Eric Forsythe 1 The Pirates of Penzance (Gilbert/Sullivan) Major General UI: 1987 Patience (Gilbert/Sullivan) Bunthorne DC: 1968 The Sorceror (Gilbert/Sullivan) J.W. Wells DC: 1967 Yeoman of the Guard (G&S) Sgt. Meryll CMU: 1970 Cox and Box (Burnand & Sullivan) Cox DC: 1967 Cox and Box (Burnand/Sullivan) Sgt.
    [Show full text]
  • Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
    UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body.
    [Show full text]