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Voice02 Build A3.qxd 24.2.2005 23:22 StrÆnka 1 HIS Voice 2/2005 2 Glos·¯ 4 Od pohansk˝ch ritu·l˘ k sovÏtsk˝m uniform·m Rozhovor s Broniusem KutaviËiusem [VÌtÏzslav Mikeö] 7 DuchovnÌ hudba v tvorbÏ skladatel˘ 20. stoletÌ [Miroslav Pudl·k] 10 Pavel Nov·k-Zemek aneb o kr·se spoleËenstvÌ [Jaroslav äùastn˝] 12 Spiritualita v podtextu [Peter Niklas Wilson] 14 Qawwali TanËÌcÌ most mezi n·mi [Ji¯Ì MoravËÌk] 18 Current 93 V deöti a boûÌch zubech [Petr Ferenc] 22 VesmÌr je Ëern˝ FantastickÈ kosmologie afro-futurismu [Karel Vesel˝] 24 Staubgold Profil vydavatelstvÌ [Hynek Dedecius] 26 Europ‰ische Meridiane Reakce na knihu [ OBSAH ] 27 Roderik de Man a Malle Maltis Rozhovor s vÌtÏzi soutÏûe Musica Nova [Lenka Dohnalov·] 28 VzpomÌnky na hudebnÌ budoucnost Recenze knihy [Karel Vesel˝] 29 recenze CD HIS VOICE 6/2004, »asopis pro souËasnou hudbu, Vyd·v· HudebnÌ informa»nÌ st¯edisko o.p.s ï Redakce: MatÏj KratochvÌl: [email protected] (öÈfredaktor) ï Tereza Havelkov·: [email protected] ï VÌtÏzslav Mikeö ïIvo Medek: [email protected] ï Petr Ferenc: [email protected] ï Adam Jav˘rek: [email protected] ï Hynek Dedecius: [email protected] ï Luk·ö Ji¯iËka (redakto¯i) ï Jan V·vra: [email protected] (produkce a PR) ï Grafick· ˙prava: Daniela Kramerov· a Tom·ö Sedl·Ëek ï Tisk: PrvnÌ dobr· s.r.o. ï Adresa redakce: BesednÌ 3, 118 00 Praha 1, tel.: 257 312 422, fax: 257 317 424, e-mail: [email protected], www.hisvoice.cz ï Cena jednoho v˝tisku: 49,- K» ï P¯edplatnÈ öesti ËÌsel vËetnÏ poö- tovnÈho: 280,- K», studenti a d˘chodci: 180,- K» ï »asopis lze objednat telefonicky, poötou nebo prost¯ednictvÌm naöich webov˝ch str·nek. ï ISSN: 1213-2438 ï »asopis vych·zÌ s podporou Ministerstva kultury »R, Nadace »esk˝ hudebnÌ fond a HudebnÌ nadace OSA. ProdejnÌ mÌsta: PRAHA: HudebnÌ informaËnÌ st¯edisko, BesednÌ 3, Praha 1 ï Divadlo Archa (pokladna), Na po¯ÌËÌ 26, Praha 1 ï Roxy, NoD, Dlouh· 33, Praha 1 ï Tamizdat Record shop, Jind¯iösk· 5, Praha 1 ï KnihkupectvÌ Prospero, DivadelnÌ ˙stav, Celetn· 17, Praha 1 ï KnihkupectvÌ Frakt·ly, BetlÈmskÈ n·m. 5a, Praha 1 ï Centrum pro souËasnÈ umÏnÌ, JelenÌ 9, Praha 1 ï KnihkupectvÌ Maùa - Aurora, Opletalova 8, Praha 1 ï KnihkupectvÌ Kosmas, Perlov· 3, Praha 1 ï Jazzcentrum Agharta, Krakovsk· 5, Praha 1 ï Volvox Globator, Opatovick· 26, Praha 1 ï CafÈ RYBKA, Opatovick· 7, Praha 1 ï PJ Music, Dittrichova 11, Praha 2 ï Black Point music, VacÌnova 5, Praha 8 ï BRNO: KnihkupectvÌ BarviË-Novotn˝, »esk· 13, Brno ï Indies, Kobliûn· 2, Brno ï KulturnÌ a informaËnÌ centrum mÏsta Brna, Radnick· 12, Brno ï OSTRAVA: KnihkupectvÌ Artforum, Puchmajerova 8, Ostrava ï PLZE“: HOUDEK - hudebnÌ n·stroje, DivadelnÌ 1, PlzeÚ ï OLOMOUC: KnihkupectvÌ Velehrad, Wurmova 6, Olomouc ï HRADEC KR¡LOV…: VH Gramo, H·lkova 309, Hradec Kr·lovÈ ï Antikvari·t ÑNa Rynkuì, MalÈ n·m. 129, Hradec Kr·lovÈ ï »ESK… BUDÃJOVICE: KnihkupectvÌ a antikvari·t TYCH…, »esk· 7, »eskÈ BudÏjovice ï PARDUBICE: Kamala, D˘m techniky, n·m. Republiky 2686, Pardubice ï HRANICE: Knihy HonzÌk, Jir·skova 429, Hranice ï LITOMYäL: Muzika KALIB¡N, Smetanovo n·m. 16, Litomyöl Voice02 Build A3.qxd 24.2.2005 23:22 StrÆnka 2 ze všech stran [Str·nku p¯ipravuje Adam Jav˘rek] úvodník MilÌ Ëten·¯i, hudbu a n·boûenstvÌ spojuje pevnÈ pouto od »eötÌ hudebnÌ publicistÈ dostali drobnou lekci jist˝, zda v˘bec existujÌ publicistÈ, kte¯Ì by nepamÏti, nejspÌöe od jejich poË·tku. Snad v tom, ûe uû jim nepat¯Ì monopol na informace. pro ÇËesk˝ Pitchforkë mohli ps·t,ì vyslovil svÈ vöechna zn·m· n·boûenstvÌ nÏjak˝m zp˘sobem HudebnÌk ze skupiny Living Room Petr Pliska pochyby o öancÌch projektu n·ö p¯ispÏvatel vyuûÌvajÌ schopnostÌ hudby p˘sobit na lidskou vloûil na sv˘j blog cbcek.blogspot.com znÏnÌ Karel Vesel˝. ÑJsem zvÏdav˝, jakÈ blanickÈ psychiku. Pro hudebnÌky je naopak n·boûenstvÌ e-mailu, kter˝ dostal od p¯ispÏvatelky hudeb- ryt̯e ËeskÈ hudebnÌ publicistiky Pliska zdrojem inspirace a nÏkdy hlavnÌm motivem nÌho Ëasopisu Report. ZaËÌnajÌcÌ novin·¯ka mu vyt·hne, a jak to celÈ nakonec dopadne.ì tvorby. napsala, ûe nedorazÌ na koncert, z nÏjû mÏla A jsme tam, kde jsme byli ñ u chybÏjÌcÌch AËkoliv se zd·, ûe ve dvac·tÈm stoletÌ se hudba ps·t report·û, ale p¯esto hodl· Ël·nek odevz- talent˘. st·v· buÔ Ëistou z·bavou nebo produktem datÖ Recenzi vyhotovÌ podle informacÌ od tÈmϯ vÏdeck˝ch spekulacÌ a jejÌ vztah k n·bo- skupiny a svÈ kamar·dky. ÑZvuk se tentokr·t ûenstvÌ se v˝raznÏ oslabuje, nenÌ tomu tak. povedl?ì pt· se nap¯Ìklad samotnÈ kapely. Na Stejnou fraökou, jakou m˘ûe b˝t Ëesk· hudeb- Texty v tomto ËÌsle se snaûÌ naznaËit, jakÈ podo- z·vÏr dod·v·: ÑKdyby v·s jeötÏ nÏco napadlo, nÌ publicistika, umÌ b˝t i dom·cÌ muzikantskÈ by m˘ûe vztah hudby a n·boûenstvÌ mÌt. co byste v tom Ël·nku chtÏli zd˘raznit, sem cenÏnÌ. S kr·sn˝m p¯Ìkladem p¯iöel na svÈm Miroslav Pudl·k ve svÈm p¯ehledovÈm Ël·nku s tÌm.ì blogu novin·¯ vystupujÌcÌ pod pseudonymem mapuje tendence v evropskÈ v·ûnÈ hudbÏ 20. Zeptali jsme se kreativnÌho ¯editele Ëasopisu, Gotcha. ProbÌr· se jmÈny porotc˘ soutÏûe stoletÌ a ukazuje, ûe racionalizace kompoziËnÌch jak se mu lÌbÌ origin·lnÌ reportÈrsk· pr·ce jeho Ceny Akademie popul·rnÌ hudby a pÌöe: technik m˘ûe s n·boûensk˝m myölenÌm souvi- svϯenkynÏ. ÑMusÌm se p¯iznat, ûe mÏ dopo- ÑBohumila Rameöov·, produkËnÌ z MF Dnes ñ set vÌce, neû by se mohlo zd·t. TÌmto smÏrem sud nÏco podobnÈho ani nenapadlo,ì tvrdÌ to kr·snÈ dÏvËe zn·m a spolehlivÏ vÌm, ûe mÌ¯Ì takÈ ˙vaha Petera Niklase Wilsona Radek Lacina z Reportu. ÑKaûdop·dnÏ si d·m muziku nen·vidÌ. Kohopak asi zvolÌ Lenka o reduktivnÌch tendencÌch v hudbÏ. Ji¯Ì mnohem vÏtöÌ pozor. Je mi to opravdu lÌto Hataöov· ze Story? A koho Michaela MoravËÌk p¯ibliûuje jeden z proud˘ isl·mu, a Ël·nek se samoz¯ejmÏ v û·dnÈm p¯ÌpadÏ Remeöov· z Blesku? A co Prokop Siostrzonek, s˙fismus, pro nÏjû je hudba jednou z hlavnÌch v Ëasopise neobjevÌ. TakovÈto praktiky jsou kdyû Lucka B. nic nevydala?ì Nakonec p¯iöel souË·stÌ n·boûenskÈho ûivota. ovöem absolutnÏ nep¯ijatelnÈ a samoz¯ejmÏ se svÈr·zn˝m ¯eöenÌm: ÑPodÌvejte, j· to vzd·- Hudba jako prost¯edek vyjad¯ov·nÌ n·boûen- z toho vyvodÌm d˘sledky.ì D˘sledky nakonec v·m. Ta soutÏû je tak nesmysln·, ûe d·m pro- sk˝ch p¯edstav m˘ûe mÌt r˘znÈ podoby. M˘ûe jÌt opravdu vyvodil a s provinilou publicistkou stor v·m, mÌ Ëten·¯i. Koho si vyberete, toho o vÏc vysoce individu·lnÌ, jako tomu je nap¯Ì- (kter· se n·slednÏ ve¯ejnÏ omluvila) ukonËil zvolÌm.ì PozdÏji nabÌdl Ëten·¯˘m dokonce klad u skupiny Current 93, s nÌû v·s sezn·mÌ spolupr·ci. o hlas vÌce, neboù zmÌnÏn· produkËnÌ mu lÌstek Petr Ferenc, nebo naopak o tvorbu obracejÌcÌ Zd· se, ûe podobnÈ praktiky nejsou v ËeskÈm p¯edala s tÌm, ûe Ñj· ani nevÌm, koho bych se k öirok˝m vrstv·m. To je t¯eba p¯Ìpad nÏkte- tisku ojedinÏlÈ. Nap¯Ìklad hudebnÌ publicista zaökrtla.ì r˝ch afroamerick˝ch hudebnÌk˘, o jejichû vizÌch Martin Zoul p¯iöel s dalöÌ historkou na svÈm se doËtete v textu Karla VeselÈho. ée i v nejate- blogu: ÑTak se nap¯Ìklad stalo, ûe nep¯edvÌda- istiËtÏjöÌ zemi Evropy, kterou je podle nÏkter˝ telnÈ okolnosti zabr·nily jednomu pomÏrnÏ O v˝roËnÌ cenu jinÈho typu se pokusil Pal·c pr˘zkum˘ »esk· republika, m˘ûe b˝t n·boûen- zn·mÈmu publicistovi navötÌvit poslednÌ praû- Akropolis. Jeho Akropolis Live Music Awards stvÌ siln˝m pramenem inspirace, potvrzuje por- sk˝ koncert Davida Bowieho, kter˝ musel p·trajÌ po nejlepöÌch koncertech loÚskÈho trÈt skladatele Pavla Zemka-Nov·ka. umÏlec p¯edËasnÏ ukonËit kv˘li jist˝m srdeË- roku. VÌtÏzem v pro n·s zajÌmavÈ kategorii U tohoto ËÌsla najdete p¯iloûenÈ CD. Jsme veli- nÌm potÌûÌm. Publicistu o nich ovöem nikdo world music se stala skupina Gulo Ëar (rovnÏû ce r·di, ûe m˘ûeme formou sampleru p¯iblÌûit nezpravil a tento napsal do svÈho domovskÈho dÏlen˝ vÌtÏz v absolutnÌm po¯adÌ vöech kate- ËeskÈmu publiku produkci nÏmeckÈho vydava- listu recenzi, v nÌû pochopitelnÏ nebylo goriÌ) p¯ed Al-Yaman a Trabandem. NejlepöÌ telstvÌ Staubgold. Jak se doËtete v Ël·nku uvnit¯ o Bowieho nemoci ani slovo. NaötÏstÌ se na to hudebnÌ akcÌ roku je dle porotc˘ Colours of ËÌsla a jak takÈ pozn·te z poslechu, nabÌzÌ tato p¯iölo a dotyËn· recenze byla z listu na posled- Ostrava. znaËka pestrou smÏs hudby, jejÌmû spoleËn˝m nÌ chvÌli odstranÏna.ì jmenovatelem je chuù zkouöet novÈ postupy. Na tradiËnÌm poslechovÈm veËeru HIS Voice In Koncem loÚskÈho roku se v Austr·lii konala Sound, kter˝ se uskuteËnÌ v pondÏlÌ 14. 3. v pro- ⁄let zp˘sobila zaËÌnajÌcÌ publicistka, takûe by konference o v˝hledu mÈdia, kterÈ by storu NoD v DlouhÈ ulici v Praze 1, uslyöÌte kro- se daly p¯imhou¯it oËi, ale ukazuje to na dalöÌ spr·vnÏ mÏlo b˝t nejp¯irozenÏjöÌm zp˘so- mÏ uk·zek k novÈmu ËÌslu takÈ vz·cnÈ hosty, moralistnÌ tÈma: jsou nÏjacÌ mladÌ publicistÈ? bem, jak pozn·vat novou hudbu ñ o rozhla- kte¯Ì p¯edstavÌ hudbu zmÌnÏnÈho vydavatelstvÌ: Tuto ot·zku si poloûil Jan Baluöek z main- su.
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    DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes.
  • The History of Rock Music - the 2000S

    The History of Rock Music - the 2000S

    The History of Rock Music - The 2000s The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Bards and Dreamers (These are excerpts from my book "A History of Rock and Dance Music") Bards of the old world order TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Traditionally, the purposefulness and relevance of a singer-songwriter were defined by something unique in their lyrical acumen, vocal skills and/or guitar or piano accompaniment. In the 1990s this paradigm was tested by the trend towards larger orchestrastion and towards electronic orchestration. In the 2000s it became harder and harder to give purpose and meaning to a body of work mostly relying on the message. Many singer-songwriters of the 2000s belonged to "Generation X" but sang and wrote for members of "Generation Y". Since "Generation Y" was inherently different from all the generations that had preceeded it, it was no surprise that the audience for these singer-songwriters declined. Since the members of "Generation X" were generally desperate to talk about themselves, it was not surprising that the number of such singer- songwriters increased. The net result was an odd disconnect between the musician and her or his target audience. The singer-songwriters of the 2000s generally sounded more "adult" because... they were.
  • Carlton Barrett

    Carlton Barrett

    ! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures.
  • 17-06-27 Full Stock List Drone

    17-06-27 Full Stock List Drone

    DRONE RECORDS FULL STOCK LIST - JUNE 2017 (FALLEN) BLACK DEER Requiem (CD-EP, 2008, Latitudes GMT 0:15, €10.5) *AR (RICHARD SKELTON & AUTUMN RICHARDSON) Wolf Notes (LP, 2011, Type Records TYPE093V, €16.5) 1000SCHOEN Yoshiwara (do-CD, 2011, Nitkie label patch seven, €17) Amish Glamour (do-CD, 2012, Nitkie Records Patch ten, €17) 1000SCHOEN / AB INTRA Untitled (do-CD, 2014, Zoharum ZOHAR 070-2, €15.5) 15 DEGREES BELOW ZERO Under a Morphine Sky (CD, 2007, Force of Nature FON07, €8) Between Checks and Artillery. Between Work and Image (10inch, 2007, Angle Records A.R.10.03, €10) Morphine Dawn (maxi-CD, 2004, Crunch Pod CRUNCH 32, €7) 21 GRAMMS Water-Membrane (CD, 2012, Greytone grey009, €12) 23 SKIDOO Seven Songs (do-LP, 2012, LTM Publishing LTMLP 2528, €29.5) 2:13 PM Anus Dei (CD, 2012, 213Records 213cd07, €10) 2KILOS & MORE 9,21 (mCD-R, 2006, Taalem alm 37, €5) 8floors lower (CD, 2007, Jeans Records 04, €13) 3/4HADBEENELIMINATED Theology (CD, 2007, Soleilmoon Recordings SOL 148, €19.5) Oblivion (CD, 2010, Die Schachtel DSZeit11, €14) Speak to me (LP, 2016, Black Truffle BT023, €17.5) 300 BASSES Sei Ritornelli (CD, 2012, Potlatch P212, €15) 400 LONELY THINGS same (LP, 2003, Bronsonunlimited BRO 000 LP, €12) 5IVE Hesperus (CD, 2008, Tortuga TR-037, €16) 5UU'S Crisis in Clay (CD, 1997, ReR Megacorp ReR 5uu2, €14) Hunger's Teeth (CD, 1994, ReR Megacorp ReR 5uu1, €14) 7JK (SIEBEN & JOB KARMA) Anthems Flesh (CD, 2012, Redroom Records REDROOM 010 CD , €13) 87 CENTRAL Formation (CD, 2003, Staalplaat STCD 187, €8) @C 0° - 100° (CD, 2010, Monochrome
  • Bibliography of Occult and Fantastic Beliefs Vol.4: S - Z

    Bibliography of Occult and Fantastic Beliefs Vol.4: S - Z

    Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs vol.4: S - Z © Neuss / Germany: Bruno Buike 2017 Buike Music and Science [email protected] BBWV E30 Bruno Antonio Buike, editor / undercover-collective „Paul Smith“, alias University of Melbourne, Australia Bibliography of Occult and Fantastic Beliefs - vol.4: S - Z Neuss: Bruno Buike 2017 CONTENT Vol. 1 A-D 273 p. Vol. 2 E-K 271 p. Vol. 3 L-R 263 p. Vol. 4 S-Z 239 p. Appr. 21.000 title entries - total 1046 p. ---xxx--- 1. Dies ist ein wissenschaftliches Projekt ohne kommerzielle Interessen. 2. Wer finanzielle Forderungen gegen dieses Projekt erhebt, dessen Beitrag und Name werden in der nächsten Auflage gelöscht. 3. Das Projekt wurde gefördert von der Bundesrepublik Deutschland, Sozialamt Neuss. 4. Rechtschreibfehler zu unterlassen, konnte ich meinem Computer trotz jahrelanger Versuche nicht beibringen. Im Gegenteil: Das Biest fügt immer wieder neue Fehler ein, wo vorher keine waren! 1. This is a scientific project without commercial interests, that is not in bookstores, but free in Internet. 2. Financial and legal claims against this project, will result in the contribution and the name of contributor in the next edition canceled. 3. This project has been sponsored by the Federal Republic of Germany, Department for Social Benefits, city of Neuss. 4. Correct spelling and orthography is subject of a constant fight between me and my computer – AND THE SOFTWARE in use – and normally the other side is the winning party! Editor`s note – Vorwort des Herausgebers preface 1 ENGLISH SHORT PREFACE „Paul Smith“ is a FAKE-IDENTY behind which very probably is a COLLCETIVE of writers and researchers, using a more RATIONAL and SOBER approach towards the complex of Rennes-le-Chateau and to related complex of „Priory of Sion“ (Prieure de Sion of Pierre Plantard, Geradrd de Sede, Phlippe de Cherisey, Jean-Luc Chaumeil and others).