Lata Traders

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+91-8048372558 Lata Traders https://www.indiamart.com/lataapparel/ Lata Apparel is foremost name in the market, highly affianced in manufacturing, supplying, trading and exporting an inclusive array of Fabric. Our offered array consists of Cambric Fabric, Dyed Fabric and Moral Fabric. About Us Incorporated in the year 1970, we Lata Apparel are recommended names in the market, highly involved in exporting, supplying, trading and manufacturing a broad array of Fabric. Our provided range comprises of Cambric Fabric, Dyed Fabric, Moral Fabric, Poplin Fabric, Yarn Dyed Fabric and Yarn Dyed Cotton Fabric. These offered products are highly recognized among our customers for their smooth finish, durability, elegant patterns and attractive looks. Under these categories we offer Cambric Fabric, Dyed Fabric, Moral Fabric, Poplin Fabric, Yarn Dyed Fabric and Yarn Dyed Cotton Fabric. These offered products are manufactured using premium quality threads and yarns in tune with industry set norms. The yarns and threads which we use are purchased from the authentic and reliable sources of the market. Our offered range is available in varied designs, patterns, colors and stipulations as per the exact demands of our customers. Moreover, these products are available in the market at very affordable prices within stipulated time frame. We have a highly established and progressive infrastructure facility that enables us in offering quality products to the patrons punctually. Our organization severely follows national as well as international quality standards in the procedure of delivering the products. All the products we offer can also be customized as per the customers’requirements and needs. Contemporary quality test units... For more information, please visit https://www.indiamart.com/lataapparel/about-us.html YARN DYED FABRIC O u r P r o d u c t s Yarn Dyed Fabric Yarn Dyed Fabric Yarn Dyed Fabric Yarn Dyed Fabric YARN DYED COTTON FABRIC O u r P r o d u c t s Yarn Dyed Cotton Fabric Yarn Dyed Cotton Fabric Yarn Dyed Cotton Fabric Yarn Dyed Cotton Fabric POPLIN FABRIC O u r P r o d u c t s Poplin Fabric Poplin Fabric Dyed Poplin Fabric Poplin Fabric DYED FABRIC O u r P r o d u c t s Dyed Fabric Neoprene/ Scuba Dyed Fabric Dyed Cambric Fabric Piece Dyed Fabric MORAL FABRIC O u r P r o d u c t s Moral Fabric Moral Fabric Moral Fabric CAMBRIC FABRIC O u r P r o d u c t s Cambric Fabric Printed Cotton Cambric Fabric Printed Cambric Fabric OTHER PRODUCTS: O u r P r o d u c t s Yarn Dyed Check Fabric Yarn Dyed Cotton Fabric Poplin Fabric F a c t s h e e t Year of Establishment : 1970 Nature of Business : Exporter Total Number of Employees : 26 to 50 People CONTACT US Lata Traders Contact Person: Paresh Shah 453, 4th Floor, Kewal Industrial Estate, S B Marg, Lower Parel Mumbai - 400013, Maharashtra, India +91-8048372558 https://www.indiamart.com/lataapparel/.

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Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs.
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Fabric ESSENTIALS
Fabric ESSENTIALS COTTON-RICH POPLIN POLY-WOOL NYLON TASLON • Moisture-wicking – dries quickly • Uniform shirts of 67% cotton/33%polyester • Easy-care, wrinkle-resistant, and durable • Antimicrobial – resists bacteria, fights odor • Comfort with easy machine-wash care • Wool makes fabric more substantial and • Durable, lightweight, easy-care fabric • Khaki and navy shirts offer UPF 40+ comfortable for year ’round use sun-protective rating • Excellent UPF 40+ sun-protective rating MICRO POLY • Khaki shirts and uniform-green pants ® in lightweight, polyester microfiber SUPPLEX NYLON COTTON-RICH CANVAS • Aegis™ antimicrobial technology • Moisture management • Extra-durable and stain-resistant— • Superior moisture control • Lightweight and quick-drying ideal for active Scouts • Excellent UPF 40+ sun-protective rating • Excellent UPF 50+ sun-protective rating • Excellent UPF 40+ sun-protective rating The Skin Cancer Moisture Management (Wicking) A specially Foundation Seal of engineered, high-performance fabric in which the inner layer Recommendation draws moisture away from the body to the outer layer where To earn this distinguished it quickly evaporates, keeping you cooler in hot weather and seal, a product must warmer in cold. be proven to aid in the prevention of sun-induced Advanced antimicrobial fabric treatment damage to the skin, and Commonly used to fight bacteria, this treatment features a must earn a UPF (Ultraviolet positively charged polymer that bonds molecularly to the fabric Protection Factor) of 30 to fight the growth of bacteria and fungi, reduce odors, and or above. In keeping with protect against stains and deterioration. Also helps to wick safety as the top priority for away moisture so fabric dries quickly and keeps Scouts drier.
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West India Textile Mills Private Limited
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Bachelor of Textile Science Syllabus 2016-17
RASHTRASANT TUKADOJI MAHARAJ NAGPUR UNIVERSITY NAGPUR (Established by Government of Central Provinces Education Department by Notification No. 513 dated the 1st of August, 1923 & presently a State University governed by Maharashtra Universities Act, 1994) FACULTY OF HOME SCIENCE DIRECTION NO. 70 OF 2016 DIRECTION GOVERNING THE EXAMINATION LEADING TO THE DEGREE OF BACHELOR OF TEXTILE SCIENCE (SEMESTER PATTERN) (Issued under section 14(8) of the Maharashtra University Act 1994) Whereas the Maharashtra Universities act No. XXXV of 1994 has come into force with effect from 22nd July, 1994 and was amended from time to time. AND WHEREAS, the University Grants Commission, New Delhi vide letter No.D.O.No.F-2/2008/(XI Plan), dated 31st January 2008 regarding new initiatives under the XI Plan – Academic reforms in the University has suggested for improving quality of higher education and to initiate the academic reform at the earliest, AND Whereas the Task Force in BFD/BTS/BPD in the Faculty of Home Science at its meeting held on 25/08/2016, have recommended for starting of semester pattern and prepared the syllabus and scheme of examination for Bachelor of Textile Science, commensurate with the governing guidelines. AND Whereas the Coordinator, Faculty of Home Science concurred with the recommendations of the Task Force in BFD/BTS/BPD in the Faculty of Home science vide his observations dated 25/08/2016, AND Whereas, the new draft direction and scheme of examination as per semester pattern is to be implemented from the academic session 2016-2017 for Bachelor of Textile Science which is to be regulated by this direction and as such there is no existence and framing of an ordinance for the above examination, AND WHEREAS the Hon’ble Vice-Chancellor has accepted the syllabus along with draft direction on the behalf of Academic Council on 7-10- 2016 under section 14(7) of Maharashtra University Act 1994.
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40 A-3 Bld Voile Cambr
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Graded-In Textiles
Graded-In Textiles For a list of each of our partner commpany’s patterns with Boss • Indicate GRADED-IN TEXTILE on your order and Boss Design Design Grades visit www.bossdesign.com. To order memo will order the fabric and produce the specified furniture. samples visit the websites or call the numbers listed below. • Boss Design reserves the right to adjust grades to accommodate price changes received from our suppliers. • Refer to our website www.bossdesign.com for complete pattern memo samples: www.arc-com.com or 800-223-5466 lists with corresponding Boss Design grades. Fabrics priced above our grade levels and those with exceptionally large repeats are indicated with “CALL”. Please contact Customer Service for pricing. • Orders are subject to availability of the fabric from the supplier . • Furniture specified using multi-fabric applications or contrasting welts be up charged. memo samples: www.architex-ljh.com or 800-621-0827 may • Textiles offered in the Graded-in Textiles program are non- standard materials and are considered Customer’s Own Materials (COM). Because COMs are selected by and used at the request of a user, they are not warranted. It is the responsibility of the purchaser to determine the suitability of a fabric for its end use. memos: www.paulbraytondesigns.com or 800-882-4720 • In the absence of specific application instructions, Boss Design will apply the fabric as it is sampled by the source and as it is displayed on their website. memo samples: www.camirafabrics.com or 616 288 0655 • MEMO SAMPLES MUST BE ORDERED DIRECTLY FROM THE FABRIC SUPPLIER.
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Materialising Cultures: West African Diasporan En- Gagement with African Print in Britain
Oboh, Ehinomen (2018)Materialising cultures: West African diasporan en- gagement with African print in Britain. Doctoral thesis (PhD), Manchester Metropolitan University. Downloaded from: http://e-space.mmu.ac.uk/622448/ Usage rights: Creative Commons: Attribution-Noncommercial-No Deriva- tive Works 4.0 Please cite the published version http://e-space.mmu.ac.uk Materialising Cultures: West African diasporan engagement with African print in Britain A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy; Ehinomen Oboh Manchester School of Art Manchester Metropolitan University October 2018 Abstract This thesis addresses a gap in our knowledge about the shifting meanings and practices associated with dress as it moves into diasporic cultural surroundings. Specifically, it looks at West African diasporans living in Britain (WADIB) and their engagements with African print. It does so by gathering stories of WADIB clothing experiences, alongside images of how they acquire, make, wear and keep their clothes. Academic research until recently has focused on dress in Africa, but largely ignored the contemporary use of African prints among diasporan communities. By moving beyond the African setting into a diaspora setting, this research expands our understanding of how meaning in dress is shaped, re-shaped, and more generally, the interrelationship of people and clothes, thus, contributing towards scholarship on contemporary dress in changing cultural contexts. This research also adds the African dress perspective to studies of transnational lives from the standpoint of other diasporans. This study reveals African print as largely a special occasion dress within the British diaspora unlike how it is used on the African continent.
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African Lace
Introduction Does changing an original material destroy its traditional context? If a material assumes new meaning or significance in a new context, is this inherently an appropriation of the object? What loss does this cause, and is it a positive change, a negative one, or neither? This lexicon revolves around African Lace. Through an analysis of this particular material, I broadly explain, craftsmanship, authenticity and reasons behind an object’s creation, including why and how it is made, from which materials, and how the object translates into a specific environment. Various kinds of objects are created in and relate to specific places and time periods. If situated in an environment in which it did not originate, the meaning of an object changes. In fact, the object is used from a new perspective. Although it is possible to reuse an object as a source of inspiration or research, it cannot be used as it was in its previous context. Thus, it is necessary to rethink the authenticity of an object when it is removed from its past context. History is important and can explain a materials origin, and it therefore warrants further attention. A lack of knowledge results in a loss of authenticity and originality of a historical material. In view of this, I develop this Lexicon to elaborate on the importance of this historical attention. It is interesting to consider how an object can influence a user in relation to emotional or even material value. The extent of this influence is uncertain, but it is a crucial aspect since any situation could diminish the value and the meaning of an object.
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FABRICS/ DYING Dictionary
FABRICS/ DYING dictionary ACRYLIC BABYCORD Acrylic fabric is a manufactured fiber with a soft wool-like feel and Babycord is a ribcord fabric with a very small and thin rib line. The an uneven finish. It is used widely in knits as the fabric has the same fabric is often lighter and softer than normal or corduroy fabric. It is cozy look as wool. Acrylic fabric is favored for a variety of reasons very soft and comfortable, and is often made in a stretch quality. it is warm, quite soft, holds color well, is both stain and wrinkle resistant and it doesn’t itch. These qualities make acrylic a great BLEND substitute for wool. A blend fabric or yarn is made up of more than one fibre. In the yarn, two or more different types of fibres are used to form the yarn. ALPACA Blends are used to create a more comfortable fabric with a softer Alpaca wool comes from a South American animal that roams the feel. A good example is a cotton/wool blend; the mixture of cotton mountain slopes of Ecuador, Peru, Bolivia and Chile. The fleece and wool will prevent the fabric from being excessively warm and from an alpaca is similar to wool or mohair, but is softer, silkier, and will make the fabric softer to the skin. warmer. Because alpaca wool takes much longer to grow it is often more expensive and exclusive. However, garments made from this BOUCLE fabric are stronger and more comfortable. The term boucle is derived from the French word boucle, which literally means “to curl”.
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The Silk Industry in Dublin by John Joseph Webb in VI.B.8
GENETIC JOYCE STUDIES – Issue 19 (Spring 2019) The Silk Industry in Dublin by John Joseph Webb in VI.B.8 Ian MacArthur and Viviana-Mirela Braslasu Industrial Dublin Since 1698 & The Silk Industry in Dublin - Two Essays by J. J. Webb, published in 1913, can be found online1. The major question as to whether this was Joyce’s source is a difficult one and may never be resolved unless an alternative is found. It seems possible, from the sparing use that Joyce made of J. J. Webb’s book (he only used material from the second essay), that it may be just the source of his source. Perhaps Joyce found an abstract or digest version published later in a magazine or elsewhere. Still, there is an exact correspondence between the notebook entries below, the order recorded, and the text of the above essay. Dublin was at one time famous for its silk industry which had been transplanted from France by Huguenots in the seventeenth century. From a historic point of view, this new enterprise had a major impact on the city itself and on the lives of the people living there. It also brought about a change in costume when silk and poplin became the main fabrics for clothes and ties. Such an important step in the development of the city and in the evolution of the Irish dress could not have been overlooked by Joyce. For the early drafts of Anna Livia Plurabelle, Joyce read and harvested new material related to Dublin’s former booming industry. Entries such as ‘creases of silk’ (JJA 48:064), ‘poplin ties’ (JJA 48:070) or ‘every warp’ and ‘weaver’s year’ (JJA 48:094) suggest Joyce’s interest in the subject.
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Identifying Textile Types and Weaves 1750-1950 DATS in Partnership with the V&A
Identifying Textile Types and Weaves 1750-1950 DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Textile Types and Weaves 1750-1950 Text copyright © DATS, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name taught by Sue Kerry and held at Birmingham Museum and Art Gallery Collections Centre on 29th November 2007. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Printed Textiles in Dress 1740 -1890 Identifying Handmade and Machine Lace Front Cover - English silk tissue, 1875, Spitalfields. T.147-1972 , Image © V&A Images / Victoria and Albert Museum 2 Identifying Textile Types and Weaves Contents Page 2. List of Illustrations 1 3. Introduction and identification checklist 3 4. Identifying Textile Types - Fibres and Yarns 4 5. Weaving and Woven Cloth Historical Framework - Looms 8 6. Identifying Basic Weave Structures – Plain Cloths 12 7. Identifying Basic Weave Structures – Figured / Ornate Cloths 17 8.
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Cloth Mask Breathability and Filtration Efficiency Technical Report 1
N95Decon Research Document. Not Peer Reviewed. Version 1.0, 8/6/2020 Cloth Mask Breathability and Filtration Efficiency Technical Report 1. Executive Summary The present scientific evidence indicates that mask-wearing by the public is an effective measure for reducing transmission of SARS-CoV-2 due to a combination of droplet (>5 um) and aerosol protection (<5 um). Given that many varieties of cloth mask are effective at reducing transmission via large droplets, any mask is better than no mask. Mask use should be strongly encouraged to be used in conjunction with measures such as physical distancing. This report focuses primarily on the material considerations for designing cloth masks which protect against transmission via smaller droplets and aerosols in addition to protecting against transmission via larger droplets. Better understanding the respective risks of aerosol transmission compared to large droplet transmission for SARS-CoV-2 is an area of developing study. In this report, we compare studies of different materials that could be used to make homemade masks, with the goal of (1) summarizing both qualitative findings for what materials may provide a greater degree of aerosol protection for homemade masks and (2) identifying gaps in the scientific literature for future study. We consider all literature that evaluated the breathability and filtration efficiency of materials that could be used for homemade masks. It should be noted that the studies reviewed only evaluated the material and did not study leakage that can occur at the side of the mask once it is on a person’s face. Mask fit is a critical element in the overall effectiveness of any mask and masks should be designed to minimize leakage around the sides and by the nose.
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