Niels SHOE Meulman Artist Portfolio
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Crime, Law Enforcement, and Punishment
Shirley Papers 48 Research Materials, Crime Series Inventory Box Folder Folder Title Research Materials Crime, Law Enforcement, and Punishment Capital Punishment 152 1 Newspaper clippings, 1951-1988 2 Newspaper clippings, 1891-1938 3 Newspaper clippings, 1990-1993 4 Newspaper clippings, 1994 5 Newspaper clippings, 1995 6 Newspaper clippings, 1996 7 Newspaper clippings, 1997 153 1 Newspaper clippings, 1998 2 Newspaper clippings, 1999 3 Newspaper clippings, 2000 4 Newspaper clippings, 2001-2002 Crime Cases Arizona 154 1 Cochise County 2 Coconino County 3 Gila County 4 Graham County 5-7 Maricopa County 8 Mohave County 9 Navajo County 10 Pima County 11 Pinal County 12 Santa Cruz County 13 Yavapai County 14 Yuma County Arkansas 155 1 Arkansas County 2 Ashley County 3 Baxter County 4 Benton County 5 Boone County 6 Calhoun County 7 Carroll County 8 Clark County 9 Clay County 10 Cleveland County 11 Columbia County 12 Conway County 13 Craighead County 14 Crawford County 15 Crittendon County 16 Cross County 17 Dallas County 18 Faulkner County 19 Franklin County Shirley Papers 49 Research Materials, Crime Series Inventory Box Folder Folder Title 20 Fulton County 21 Garland County 22 Grant County 23 Greene County 24 Hot Springs County 25 Howard County 26 Independence County 27 Izard County 28 Jackson County 29 Jefferson County 30 Johnson County 31 Lafayette County 32 Lincoln County 33 Little River County 34 Logan County 35 Lonoke County 36 Madison County 37 Marion County 156 1 Miller County 2 Mississippi County 3 Monroe County 4 Montgomery County -
Exterior Exhibition MAP
Exterior299 NW 25th Exhibition St., Miami, FL MAP33127 786.580.4678 NW 26th St. 1. Abstrk and Entes 2. Ezo 3. Jules Muck 4. Zephyr 5. AMERICAN HISTORY 6. Slick The World’s 1st Museum 7. JonOne of Graffiti is now open! 8. Niels “Shoe” Meulman Tickets available at museumofgraffiti.com 9. Erni Vales 10. Quake, Bacon & Hiero @museumofgraffiti 11. Ticoe and Rasterms 12. Marvel 13. Ces, Doves, Mast, & Yes2 14. Reds 15. Lady Pink NW 3rd Ave. NW 3rd NW 25th St. Exterior Exhibition MAP 1. This wall is a collaboration between two Latin American artists, Abstrk from Miami and Entes from Peru. The artists combine fictional characters with portraits of locally and nationally renown graffiti writers like Lady Pink, Reds, Verse, and the curator of the Museum of Graffiti, Mare139. The faces are so cohesive that only a trained eye can differentiate between Abstrk’s vampire style and Entes’ signature characters. Be sure to grab a pamphlet inside the Museum so you can play “What’s the difference?”. 2. Artist Ezo has been painting aerosol art since 1979. His interest in documenting the ephemeral graffiti artform led him to founding one of the first internet graffiti directories in 1997. Fast forward to 2020, Ezo still focuses on preserving graffiti history as evidenced by him painting this portrait of Phase II who is considered to be a legend in the graffiti art movement and is generally credited with originating the "bubble letter" style of aerosol writing. Phase II passed away on December 20, 2019, two weeks after the opening of the Museum of Graffiti. -
Jury Convicts Man in Killing
Project1:Layout 1 6/10/2014 1:13 PM Page 1 Olympics: USA men’s boxing has revival in Tokyo /B1 THURSDAY T O D A Y C I T R U S C O U N T Y & n e x t m o r n i n g HIGH 84 Numerous LOW storms. Localized flooding possible. 73 PAGE A4 www.chronicleonline.com AUGUST 5, 2021 Florida’s Best Community Newspaper Serving Florida’s Best Community $1 VOL. 126 ISSUE 302 SO YOU KNOW I The Florida Depart- ment of Health Jury convicts man in killing has ceased the daily COVID-19 re- ports that have been used to track Michael Ball, 64, faces possibility of life in prison for shooting of neighbor changes in the MIKE WRIGHT It’s as simple as prison. Sentenc- video recording of an in- video. “I hate it but he number of corona- Staff writer that,” Ball said. ing was set for terview detectives con- didn’t give me no virus cases and A four-man, Sept. 15. ducted with Ball at the choice.” deaths in the state. A Beverly Hills man on two-woman jury Ball, 64, was county jail after the Ball said he had just trial for second-degree held Ball respon- charged in the shooting. finished cleaning the murder in the shooting sible, convicting March 25, 2020, During the interview, handgun when he stuffed NEWS death of a neighbor said him as charged death of 32-year- Ball repeatedly states he it in his waistband, cov- he was afraid for his life Wednesday eve- old Tyler Dorbert shot Dorbert out of fear ered with a sweatshirt, BRIEFS when he pulled the ning at the conclu- Michael on a street outside based on an assault that and went outside to get trigger. -
FUTURA2000 (Born Leonard Hilton Mcgurr in New York City) Is a Graffiti Pioneer Who Began Painting Subways in the Late 1970S
FUTURA2000 (born Leonard Hilton McGurr in New York City) is a graffiti pioneer who began painting subways in the late 1970s. In 1980 he painted the iconic whole car titled “Break,” which was recognized for its abstraction, rather than a focus on lettering. This painting established some of the enduring aesthetic motifs and approaches FUTURA2000 would explore over the decades that followed. FUTURA2000 was among the first graffiti artists to be shown in contemporary art galleries in the early 1980s. His paintings were shown at Patti Astor’s Fun Gallery and Tony Shafrazi, alongside those of his friends Keith Haring, Jean-Michel Basquiat, Rammellzee, DONDI, and Kenny Scharf. MoMA PS1 brought the artists together in their landmark 1981 exhibition, “New York / New Wave.” In this period, FUTURA2000 illustrated the sleeve cover for The Clash’s ‘This is Radio Clash’ seven-inch single. He accompanied The Clash on their Combat Rock tour, spray painting in the background while the band played. He painted as an accompaniment to demonstrations of break dance by the Rock Steady Crew, and concerts by Grand Master Flash and Afrika Bombataa. With the Clash, he recorded the vinyl “The Escapades of Futura 2000,” a manifesto for graffiti. By the 1990s, as the commercialization of global street culture in the 1990s inspired collaborations with fashion and lifestyle brands, FUTURA2000’s work moved toward a more refined expression of his abstract style. Commissions from brands such as Supreme, A Bathing Ape, Stüssy, and Mo' Wax saw his artwork canonized as an elemental component of cross-genre street aesthetic. He has collaborated with Nike, BMW, Comme des Garçons, Louis Vuitton, and Off-White. -
Catalog 2018 General.Pdf
TERRY’S COMICS Welcome to Catalog number twenty-one. Thank you to everyone who ordered from one or more of our previous catalogs and especially Gold and Platinum customers. Please be patient when you call if we are not here, we promise to get back to you as soon as possible. Our normal hours are Monday through Friday 8:00AM-4:00PM Pacific Time. You can always send e-mail requests and we will reply as soon as we are able. This catalog has been expanded to include a large DC selection of comics that were purchased with Jamie Graham of Gram Crackers. All comics that are stickered below $10 have been omitted as well as paperbacks, Digests, Posters and Artwork and many Magazines. I also removed the mid-grade/priced issue if there were more than two copies, if you don't see a middle grade of an issue number, just ask for it. They are available on the regular web-site www.terryscomics.com. If you are looking for non-key comics from the 1980's to present, please send us your want list as we have most every issue from the past 35 years in our warehouse. Over the past two years we have finally been able to process the bulk of the very large DC collection known as the Jerome Wenker Collection. He started collecting comic books in 1983 and has assembled one of the most complete collections of DC comics that were known to exist. He had regular ("newsstand" up until the 1990's) issues, direct afterwards, the collection was only 22 short of being complete (with only 84 incomplete.) This collection is a piece of Comic book history. -
Doze Green: a Volta
82 Gansevoort Street New York, NY 10014 Doze Green: A Volta Opening reception: Thursday, November 14, 6–9 PM New York, NY – Allouche Gallery presents new works by legendary New York artist Doze Green. A Volta, opening on Thursday November 14th, marks the return to the city that inspired and defined Green’s long standing career. Concurrently, this show offers a comprehensive look into the evolution of the artist's style leading up to his present creative departure, which is deeply influenced by the raw nature of Alto Paraíso de Goiás, Brazil, where Doze Green lives now. A Voltar, 2019, acrylic on canvas, 56 x 74 inches Artist Statement: "This collection marks the evolution of my 30 plus years of studio work, originating from the explosively creative liminal space I found myself early in my career, both as a writer and breakdancer, heavily influenced by Dondi White, Rammellzee and other mid 70s graffiti luminaries, pulling from this time the essence and energy of New York street art. A Volta simultaneously deconstructs and interrogates the transition towards the figurative and abstract within my personal oeuvre and contemporary graffiti. Transcendental archetypes and neoclassical themes are reconfigured by my current expressive relationship to the world. Moving to Brazil shaped a new, deeper understanding of my visual language, catalyzing a new relationship to color, compositions and figures relating to the mythical, the astrological and the powerful energy of our Afro-Caribbean visual legacy." Foundation, 2019, acrylic on canvas, 78.5 x 150.5 inches For more information please contact Allouche Gallery at [email protected] or visit our website www.allouchegallery.com Press Contact: [email protected] . -
Name That Pet! / Naomi Jones
Cousin Alice’s Press 14925 Magnolia Blvd., Suite 311 Sherman Oaks, CA 91403-1331 Copyright © 2004 by Naomi Jones All rights reserved. No part of this book may be reproduced or utilized in whole or in part, or transmitted in any form or by any means, electronically or mechanically including photocopying, recording, or by any information storage and retrieval system now known or hereafter invented, without the express written permission of the Publisher. ISBN: 0-9719786-3-8 Cover graphics and book design by Syzygy Design Group, Inc. Cover illustration by Susan Gal Illustration Interior illustrations by Tanya Stewart Illustration Printed by United Graphics Inc. Printed in the United States of America First Printing: October 2004 Publisher’s Cataloging-in-Publication Jones, Naomi Name that pet! / Naomi Jones. -- 1st ed. p. cm. ISBN 0-9719786-3-8 1. Pets--Names. I. Title. SF411.3.L54 2004 929.9’7 QBI02-200487 10 9 8 7 6 5 4 3 2 WHAT PEOPLE ARE SAYING ABOUT “NAME THAT PET!” “ ‘Name That Pet!’ is one of those funny, uncategorizable books that are just for pet lovers. It is really a great book!” Lisa Ann D’Angelo, Managing Editor, Book Review Café “Pet naming has become one of the first emotional connections we make with our new friend. The author has included humorous, and both contemporary and historical names–along with defini- tions and references. This is a fun book to read and useful in its own way.” Susan J. Richey, Librarian, Santa Monica Public Library “My wife and I were amazed at the scope, details and fun in reading Ms. -
Cultural History and Comics Auteurs: Cartoon Collections at Syracuse University Library
Syracuse University SURFACE The Courier Libraries 2001 Cultural History and Comics Auteurs: Cartoon Collections at Syracuse University Library Chad Wheaton Syracuse University Carolyn A. Davis Syracuse University Follow this and additional works at: https://surface.syr.edu/libassoc Part of the Arts and Humanities Commons Recommended Citation Wheaton, Chad and Davis, Carolyn A., "Cultural History and Comics Auteurs: Cartoon Collections at Syracuse University Library" (2001). The Courier. 337. https://surface.syr.edu/libassoc/337 This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. SYRACUSE UNIVERSITY LIB RA RY ASS 0 CI ATE S c o URI E R VOLUME XXXIII . 1998-2001 SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VO LU ME XXXIII 1998-2001 Franz Leopold Ranke, the Ranke Library at Syracuse, and the Open Future ofScientific History By Siegfried Baur, Post-Doctoral Fellow 7 Thyssen Foundation ofCologne, Germany Baur pays tribute to "the father ofmodern history," whose twenty-ton library crossed the Atlantic in 1888, arriving safely at Syracuse University. Mter describ ing various myths about Ranke, Baur recounts the historian's struggle to devise, in the face ofaccepted fictions about the past, a source-based approach to the study ofhistory. Librarianship in the Twenty-First Century By Patricia M. Battin, Former Vice President and 43 University Librarian, Columbia University Battin urges academic libraries to "imagine the future from a twenty-first cen tury perspective." To flourish in a digital society, libraries must transform them selves, intentionally and continuously, through managing information resources, redefining roles ofinformation professionals, and nourishing future leaders. -
Vandals and Crusaders
COLOFON Vandal And Crusaders The Liberation of I By Henk Pijnenburg & Frank Essink For www.historyofgraffitiart.com Copyright © Henk Pijnenburg/Frank Essink 2007 All rights reserved 1 TABLE OF CONTENT Graffiti, Jung, Martin Luther King & Synchronicity 3 The Birth Of Graffiti Art 4 The 1980’s 6 Graffiti Artists 9 Blade 9 Crash 10 Dondi White 11 Futura 12 Koor 13 Phase 2 14 Rammellzee 15 Seen 16 Quik 17 2 GRAFFITI, JUNG, MARTIN LUTHER KING & SYNCHRONICITY Is there a relationship between events in the sixties, the fight for freedom of the black people as symbolised by Martin Luther King with his motto “I have a dream”, and young people “decorating” the interior and exterior of subway cars with their tags? Jung’s concept of “synchronicity” means: the coincidence of multiple events which seemingly have no causal link but show many similarities. Graffiti artists tagging their names on the interior of subway carriages are born from the grave of King. “Tags” as the expression of identity play the same role as once the prehistoric artist praising the imprint of his own hand on the rock face. Blade, The Names Enclosed Died Before 23, marker on paper, 27,5x37,5cm, 1985 (front)Private Collection 3 To understand the graffiti movement we have to look back to the sixties of the past cen- tury. This period is known as a Graffiti History - Vandals & Crusaders, The Liberation of I reaction to the continental society, hippies as “Homo Ludens” with student riots, and experiments with soft drugs. All over the world minorities started protest movements against many years of suppression. -
Franklin County Auditor Real Property Delinquent Land Tax Notice This Notice Is Required by Law (Ohio Revised Code Section 5721.03)
October 5 & 6, 2017 Page 1 FRANKLIN COUNTY AUDITOR REAL PROPERTY DELINQUENT LAND TAX NOTICE THIS NOTICE IS REQUIRED BY LAW (OHIO REVISED CODE SECTION 5721.03) OWNER NAME LOCATION TOTAL DELINQUENT OWNER NAME LOCATION TOTAL DELINQUENT Clarence E. Mingo, II ABDON ROSE M ERICKSON AVE GLENCOE 346 $178.84 ALLS MYRLAND LYNN ARGYLE DR AMVET HOMESTD SUB 1 LOT 28 BLK D $806.66 ABDON ROSE M 667 ERICKSON AVE GLENCOE 347 $651.64 ALLUVIAL ACQUISITIONS LLC 34 MEEK AVE S1/2 COTTAGE PLC LOT 56 $1.09 Franklin County Auditor ABDOU FADI THE VILLAS ON THE BOULEVARD CONDO 1AMD BLDG 8 UNIT 6802 $2,845.36 ALLUVIAL ACQUISITIONS LLC 36-38 MEEK AVE COTTAGE PLACE PT LOTS 55-56 $2.04 ABDOU RANA ULSTER DRIVE KILDAIRE PART 2 LOT 27 $5,006.84 ALLUVIAL ACQUISITIONS LLC 30-32 MEEK AVE COTTAGE PLACE LOT 57 $2.04 ABDOU RANA TR 465 HILLTONIA AVE HILLTONIA ANNEX LOT 10 BLK 1 $1,384.59 ALLUVIAL ACQUISITIONS LLC 24-26 MEEK AVE COTTAGE PLACE LOT 58 $2.04 The lands, lots and parts of lots returned delinquent by the County Treasurer of ABDUL AHMED M& DIRIYE FARHIYO A DOLOMITE CT VIL TANAGER WOODS 2 LOT 42 $45.21 ALLWEIN DONALD E ET AL 2 FIAR AVE BROADLEIGH EXT LOT 18 $72.70 Franklin County, with the taxes, assessments, interest, and penalties charged there- ABEBE AFEWERKI G 179 WOODCLIFF DR BLDG 105 UNIT 1-B WOODCLIFF CONDO $233.56 ALMOMANI SULEIMAN 3826 CLEVELAND AVE COURT SUB 1 0.933 ACRE $4,750.28 upon agreeable to law, are contained and described in the following list. -
Crime Prevention Project $353, I REPORT IS SUBMITTED for the PERIOD October 1 1980 THROUGH December 31, 1980
If you have issues viewing or accessing this file contact us at NCJRS.gov. " ,.-"~-.. ~-.>-<. .. -,, .t - _ •. "'_;oj~ __.' _ ..••~. _k •• _., .. ____~.__''''''"'._ I National Criminal Justice Reference Service -----------------~~--------------------------------------------------~i I nCJrs I ' I This microfiche was produced from documents received for inclusion in the NCJRS data base. Since NCJRS cannot exercise control over the physical condition of the documents submitted, .1:,1- the individual frame quality will vary. The resolution chart on I this frame may be used to evaluate the document quality. I ' 1 I r h 2 5 1.0 11111 . b 2.2 I I :! I " I II~ I 3, 1I 11111 1.25 111111.4 .111111.6 .1 ,;. MICROCOPY RESOLUTION TEST CHART NATIONAL BUREAU OF STANDARDS-1963-A \ Microfilming procedures used to create this fiche comply with the standards set forth in 41CFR 101-11.504. Points of view or opinions stated in this document are those of the author(s) and do not represent the official I position or policies of the U. S. Department of Justice. DATE "FtLMED \.~ \ I . 'JuLy 21, 1981 Natio}~allnstifu~-oflJ~si:ice ,1, __ .. _ ..._ . .~,~ ____--l United States Department of Justice I Washington, D. C. 20531 .1 I .. - , c 1\ OMs APPROVAL. NO. 43.R0829 I t - \I U. S. DEPARTMENT OF JUSTICE CATEGORICAL GRANT e'0. ~'- • LAW ENFORCEMENT ASSIHANCE ADMINISTRATION wattez p. ")(Zeltthel< Sniez OentezJ, inc., detl':eit PROGRESS REPORT 8731 EAST JEFFERSON AVENUE \J GRANTEE LEAA GRANT NO. DATE OF REPORT REPORT NO. DETROIT, MICHIGAN 48214 Walter P. Reuthel" Senior Centers CA-AX-0104 12-19-80 9 313-926-5365 1\"'; ! IMPL.EMENTING SUBGRANTEE TYPE OF REPORT o REGUL.AR o SPECIA L REQUEST [Xl FINAL REPORT \ SHORT TITL.E OF PROJECT GRANT AMOUNT 727 \ Crime Prevention Project $353, I REPORT IS SUBMITTED FOR THE PERIOD October 1 1980 THROUGH December 31, 1980 December 16, 1980 \ '1(rx:o,"c, o'",c,o, IJ. -
The Life and Art of Jean-Michel Basquiat
PERFORMING BLACKNESS AT THE HEART OF WHITENESS: THE LIFE AND ART OF JEAN-MICHEL BASQUIAT Christopher F. Johnston A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2008 Committee: Andrew Hershberger, Advisor Irina Stakhanova Graduate Faculty Representative Ellen Berry Khani Begum © 2008 Christopher F. Johnston All Rights Reserved iii ABSTRACT Andrew Hershberger, Advisor Born in Brooklyn, New York in 1960 to a Haitian father and a Puerto Rican mother, Jean-Michel Basquiat rose to prominence as a painter in the 1980s art world. When he died in 1988 at age twenty-seven from a drug overdose, he had achieved more fame and wealth than any black artist in history; he remains today the world’s most recognizable black painter. This study seeks to show how Basquiat’s racial and cultural background shaped his life and art. In its first three chapters, this study examines Basquiat’s experiences in New York City in the 1960s, 70s, and 80s in a variety of contexts including his neighborhoods, schools, the graffiti movement, avant-gardism, and the art world. This study finds that the artist’s blackness often made him racially hyper-visible and the target of racism and stereotyping. It also finds that of all the artistic traditions that Basquiat was exposed to and involved in, his experiences with performance art had the most enduring impact on him artistically. In its final two chapters, this study looks at Basquiat’s public persona and art. Chapter Four covers the way the artist walked, talked, dressed, wore his hair, acted in interviews, posed for photographs, and behaved in public in general.