Vandals and Crusaders
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Crime, Law Enforcement, and Punishment
Shirley Papers 48 Research Materials, Crime Series Inventory Box Folder Folder Title Research Materials Crime, Law Enforcement, and Punishment Capital Punishment 152 1 Newspaper clippings, 1951-1988 2 Newspaper clippings, 1891-1938 3 Newspaper clippings, 1990-1993 4 Newspaper clippings, 1994 5 Newspaper clippings, 1995 6 Newspaper clippings, 1996 7 Newspaper clippings, 1997 153 1 Newspaper clippings, 1998 2 Newspaper clippings, 1999 3 Newspaper clippings, 2000 4 Newspaper clippings, 2001-2002 Crime Cases Arizona 154 1 Cochise County 2 Coconino County 3 Gila County 4 Graham County 5-7 Maricopa County 8 Mohave County 9 Navajo County 10 Pima County 11 Pinal County 12 Santa Cruz County 13 Yavapai County 14 Yuma County Arkansas 155 1 Arkansas County 2 Ashley County 3 Baxter County 4 Benton County 5 Boone County 6 Calhoun County 7 Carroll County 8 Clark County 9 Clay County 10 Cleveland County 11 Columbia County 12 Conway County 13 Craighead County 14 Crawford County 15 Crittendon County 16 Cross County 17 Dallas County 18 Faulkner County 19 Franklin County Shirley Papers 49 Research Materials, Crime Series Inventory Box Folder Folder Title 20 Fulton County 21 Garland County 22 Grant County 23 Greene County 24 Hot Springs County 25 Howard County 26 Independence County 27 Izard County 28 Jackson County 29 Jefferson County 30 Johnson County 31 Lafayette County 32 Lincoln County 33 Little River County 34 Logan County 35 Lonoke County 36 Madison County 37 Marion County 156 1 Miller County 2 Mississippi County 3 Monroe County 4 Montgomery County -
Exterior Exhibition MAP
Exterior299 NW 25th Exhibition St., Miami, FL MAP33127 786.580.4678 NW 26th St. 1. Abstrk and Entes 2. Ezo 3. Jules Muck 4. Zephyr 5. AMERICAN HISTORY 6. Slick The World’s 1st Museum 7. JonOne of Graffiti is now open! 8. Niels “Shoe” Meulman Tickets available at museumofgraffiti.com 9. Erni Vales 10. Quake, Bacon & Hiero @museumofgraffiti 11. Ticoe and Rasterms 12. Marvel 13. Ces, Doves, Mast, & Yes2 14. Reds 15. Lady Pink NW 3rd Ave. NW 3rd NW 25th St. Exterior Exhibition MAP 1. This wall is a collaboration between two Latin American artists, Abstrk from Miami and Entes from Peru. The artists combine fictional characters with portraits of locally and nationally renown graffiti writers like Lady Pink, Reds, Verse, and the curator of the Museum of Graffiti, Mare139. The faces are so cohesive that only a trained eye can differentiate between Abstrk’s vampire style and Entes’ signature characters. Be sure to grab a pamphlet inside the Museum so you can play “What’s the difference?”. 2. Artist Ezo has been painting aerosol art since 1979. His interest in documenting the ephemeral graffiti artform led him to founding one of the first internet graffiti directories in 1997. Fast forward to 2020, Ezo still focuses on preserving graffiti history as evidenced by him painting this portrait of Phase II who is considered to be a legend in the graffiti art movement and is generally credited with originating the "bubble letter" style of aerosol writing. Phase II passed away on December 20, 2019, two weeks after the opening of the Museum of Graffiti. -
P24-25 Layout 1
24 Friday Lifestyle | Feature Friday, May 11, 2018 People look at the art of the conceptual artist, graffiti artist, hip-hop pioneer, Rammellzee (RAMMSLLZSS), during a private preview at Red Bull Arts New York, in New York. — AFP photos From graffiti to gothic mythology, Rammellzee is remembered in New York early a decade after his death, a New NYork retrospective of the rapper, com- poser, graffiti artist, painter, sculptor and cosmic theorist Rammellzee hopes to re- veal to the world his multifaceted, iconoclastic work. While street art has worked its way into everyone’s living room, and a painting by Jean- Michel Basquiat can fetch more that $100 mil- lion, Rammellzee, although a key figure of 1980s New York, remains-as Sotheby’s put it- ”perhaps the greatest street artist you’ve never heard of.” Like many aspiring artists of his time, a teenage Rammellzee in 1970s Queens, New York, started out spraying on subway trains. But as time passed, his letters transformed into abstract figures-compositions that by the start of the 1980s could be found in galleries, even Rotterdam’s prestigious Boijmans Van Beunin- gen museum in 1983. He also rapped-and Basquiat produced-his single “Beat Bop,” which would go on to be sampled by the Beastie Boys and Cypress Hill. Next, he made a stealthy cameo in Jim Jarmusch’s cult film “Stranger Than Paradise.” But instead of being propelled to the same heights as Basquiat, Rammellzee changed course-inventing the concept of gothic futur- rative arch that could convey his intentions,” ism, creating his own mythology based on a explained Max Wolf of Red Bull Arts New York, manifesto. -
Niels SHOE Meulman Artist Portfolio
NIELS „SHOE“ MEULMAN (1967, THE NETHERLANDS) Niels Shoe Meulman (a.k.a. Shoe) is an internationally known artist and graphic designer. He is born, raised and based in Amsterdam, the Netherlands. Meulman began tagging ‘Shoe’ in 1979 and became a graffiti legend by the time he was 18. In the eighties, he met New York artists like Dondi, Rammellzee, Haze, Quik and Keith Haring. He then formed the Crime Time Kings with Bando from Paris and Mode2 from London. To get h er they gave graffiti in Europe its own distinctive style. In the nineties, he furthered his technique by apprenticing under the Dutch graphic design master Anthon Beeke. In the years after, he ran his own design company, Caulfield & Ten s i n g and was partner in advertising agency Unruly, which he later turned into a brand for silk scarves and a gallery. Niels Shoe Meulman revolutionized the art of writing with Calligraffiti, an art form that fuses calligraphy and graffiti. He launched this movement in 2007 with a successful solo exhibition in Amsterdam. Since then, his Calligraffiti pieces (signed NSM) have been shown in various international exhibitions and are part of several museum collections. His recent painting style can be described as abstract expressionism with a calligraphic origin. Homepage: http://nielsshoemeulman.com (SELECTED) SOLO EXHIBITIONS 2017 Unidenticals and Reverse Paintings, Galerie Droste, Wuppertal, DE 2016 Uncontrolled Substances, Galerie Gabriel Rolt, Amsterdam, NL Nissa la Bella, GCA gallery, Nice, FR 2014 Shoe at Flow, Make Your Mark gallery, Helsinki, -
Writing the Future: Basquiat and the Hip-Hop Generation, Museum of Fine Arts, Boston, Panorama: Journal of the Association of Historians of American Art 7, No
ISSN: 2471-6839 Cite this article: Peter R. Kalb, review of Writing the Future: Basquiat and the Hip-Hop Generation, Museum of Fine Arts, Boston, Panorama: Journal of the Association of Historians of American Art 7, no. 1 (Spring 2021), doi.org/10.24926/24716839.11870. Writing the Future: Basquiat and the Hip-Hop Generation Curated by: Liz Munsell, The Lorraine and Alan Bressler Curator of Contemporary Art, and Greg Tate Exhibition schedule: Museum of Fine Arts, Boston, October 18, 2020–July 25, 2021 Exhibition catalogue: Liz Munsell and Greg Tate, eds., Writing the Future: Basquiat and the Hip-Hop Generation, exh. cat. Boston: Museum of Fine Arts, Boston, 2020. 199 pp.; 134 color illus. Cloth: $50.00 (ISBN: 9780878468713) Reviewed by: Peter R. Kalb, Cynthia L. and Theodore S. Berenson Chair of Contemporary Art, Department of Fine Arts, Brandeis University It may be argued that no artist has carried more weight for the art world’s reckoning with racial politics than Jean-Michel Basquiat (1960–1988). In the 1980s and 1990s, his work was enlisted to reflect on the Black experience and art history; in the 2000 and 2010s his work diversified, often single-handedly, galleries, museums, and art history surveys. Writing the Future: Basquiat and the Hip-Hop Generation attempts to share in these tasks. Basquiat’s artwork first appeared in lower Manhattan in exhibitions that poet and critic Rene Ricard explained, “made us accustomed to looking at art in a group, so much so that an exhibit of an individual’s work seems almost antisocial.”1 The earliest efforts to historicize the East Village art world shared this spirit of sociability. -
Jury Convicts Man in Killing
Project1:Layout 1 6/10/2014 1:13 PM Page 1 Olympics: USA men’s boxing has revival in Tokyo /B1 THURSDAY T O D A Y C I T R U S C O U N T Y & n e x t m o r n i n g HIGH 84 Numerous LOW storms. Localized flooding possible. 73 PAGE A4 www.chronicleonline.com AUGUST 5, 2021 Florida’s Best Community Newspaper Serving Florida’s Best Community $1 VOL. 126 ISSUE 302 SO YOU KNOW I The Florida Depart- ment of Health Jury convicts man in killing has ceased the daily COVID-19 re- ports that have been used to track Michael Ball, 64, faces possibility of life in prison for shooting of neighbor changes in the MIKE WRIGHT It’s as simple as prison. Sentenc- video recording of an in- video. “I hate it but he number of corona- Staff writer that,” Ball said. ing was set for terview detectives con- didn’t give me no virus cases and A four-man, Sept. 15. ducted with Ball at the choice.” deaths in the state. A Beverly Hills man on two-woman jury Ball, 64, was county jail after the Ball said he had just trial for second-degree held Ball respon- charged in the shooting. finished cleaning the murder in the shooting sible, convicting March 25, 2020, During the interview, handgun when he stuffed NEWS death of a neighbor said him as charged death of 32-year- Ball repeatedly states he it in his waistband, cov- he was afraid for his life Wednesday eve- old Tyler Dorbert shot Dorbert out of fear ered with a sweatshirt, BRIEFS when he pulled the ning at the conclu- Michael on a street outside based on an assault that and went outside to get trigger. -
FUTURA2000 (Born Leonard Hilton Mcgurr in New York City) Is a Graffiti Pioneer Who Began Painting Subways in the Late 1970S
FUTURA2000 (born Leonard Hilton McGurr in New York City) is a graffiti pioneer who began painting subways in the late 1970s. In 1980 he painted the iconic whole car titled “Break,” which was recognized for its abstraction, rather than a focus on lettering. This painting established some of the enduring aesthetic motifs and approaches FUTURA2000 would explore over the decades that followed. FUTURA2000 was among the first graffiti artists to be shown in contemporary art galleries in the early 1980s. His paintings were shown at Patti Astor’s Fun Gallery and Tony Shafrazi, alongside those of his friends Keith Haring, Jean-Michel Basquiat, Rammellzee, DONDI, and Kenny Scharf. MoMA PS1 brought the artists together in their landmark 1981 exhibition, “New York / New Wave.” In this period, FUTURA2000 illustrated the sleeve cover for The Clash’s ‘This is Radio Clash’ seven-inch single. He accompanied The Clash on their Combat Rock tour, spray painting in the background while the band played. He painted as an accompaniment to demonstrations of break dance by the Rock Steady Crew, and concerts by Grand Master Flash and Afrika Bombataa. With the Clash, he recorded the vinyl “The Escapades of Futura 2000,” a manifesto for graffiti. By the 1990s, as the commercialization of global street culture in the 1990s inspired collaborations with fashion and lifestyle brands, FUTURA2000’s work moved toward a more refined expression of his abstract style. Commissions from brands such as Supreme, A Bathing Ape, Stüssy, and Mo' Wax saw his artwork canonized as an elemental component of cross-genre street aesthetic. He has collaborated with Nike, BMW, Comme des Garçons, Louis Vuitton, and Off-White. -
Reading Sample
BASQUIAT BOOM FOR REAL 191115_Basquiat_Book_Spreads.indd 1 20.11.19 14:31 EDITED BY DIETER BUCHHART AND ELEANOR NAIRNE WITH LOTTE JOHNSON 191115_Basquiat_Book_Spreads.indd 2 20.11.19 14:31 BASQUIAT BOOM FOR REAL PRESTEL MUNICH · LONDON · NEW YORK 191115_Basquiat_Book_Spreads.indd 3 20.11.19 14:31 191115_Basquiat_Book_Spreads.indd 4 20.11.19 14:31 191115_Basquiat_Book_Spreads.indd 5 20.11.19 14:31 191115_Basquiat_Book_Spreads.indd 6 20.11.19 14:31 8 FOREWORD JANE ALISON 4. JAZZ 12 BOOM, BOOM, BOOM FOR REAL 156 INTRODUCTION DIETER BUCHHART 158 BASQUIAT, BIRD, BEAT AND BOP 20 THE PERFORMANCE OF FRANCESCO MARTINELLI JEAN-MICHEL BASQUIAT ELEANOR NAIRNE 162 WORKS 178 ARCHIVE 1. SAMO© 5. ENCYCLOPAEDIA 28 INTRODUCTION 188 INTRODUCTION 30 THE SHADOWS 190 BASQUIAT’S BOOKS CHRISTIAN CAMPBELL ELEANOR NAIRNE 33 WORKS 194 WORKS 58 ARCHIVE 224 ARCHIVE 2. NEW YORK/ 6. THE SCREEN NEW WAVE 232 INTRODUCTION 66 INTRODUCTION 234 SCREENS, STEREOTYPES, SUBJECTS JORDANA MOORE SAGGESE 68 EXHIBITIONISM CARLO MCCORMICK 242 WORKS 72 WORKS 252 ARCHIVE 90 ARCHIVE 262 INTERVIEW BETWEEN 3. THE SCENE JEAN-MICHEL BASQUIAT, GEOFF DUNLOP AND SANDY NAIRNE 98 INTRODUCTION 268 CHRONOLOGY 100 SAMO©’S NEW YORK LOTTE JOHNSON GLENN O’BRIEN 280 ENDNOTES 104 WORKS 288 INDEX 146 ARCHIVE 294 AUTHOR BIOGRAPHIES 295 IMAGE CREDITS 191115_Basquiat_Book_Spreads.indd 7 20.11.19 14:31 Edo Bertoglio. Jean-Michel Basquiat wearing an American football helmet, 1981. 8 191115_Basquiat_Book_Spreads.indd 8 20.11.19 14:31 FOREWORD JANE ALISON Jean-Michel Basquiat is one of the most significant painters This is therefore a timely presentation of a formidable talent of the 20th century; his name has become synonymous with and builds on an important history of Basquiat exhibitions notions of cool. -
Saving Basquiat: Seeing the Art Through the Myth-Making at
Saving Basquiat: Seeing the Art Through the Myth-Making at ... http://www.blouinartinfo.com/news/story/886916/saving-basqui... Search All, Venues, Artists Submit Saving Basquiat: Seeing the Art Through the Myth-Making at Gagosian by Ben Davis Published: April 5, 2013 With over 50 Jean-Michel Basquiat / Courtesy of ITVS / Lee Jaffe paintings, “museum-quality” is probably the © The Estate of Jean-Michel Basquiat/ADAGP, Paris, ARS, New York 2013. Courtesy Gagosian Gallery. Photography by Robert term you'd use to describe Gagosian’s Jean-Michel McKeever Basquiat show, which has been drawing rock-star Installation view of the Jean-Michel Basquiat exhibition at Gagasion, West 24th Street, New York crowds to West 24th street since it opened. But really, it might be better to call it “warehouse-quality.” The show is overwhelming and difficult to write about, partly because there doesn’t seem to be any idea behind it at all; the works are hung neither by chronology nor by theme. They are merely a spectacularly impressive collection of largish Basquiats from a number of private collections. In this way, the show replicates the tragedy of this artist’s short and chaotic life, where the feverish buzz of celebrity came to overpower any assessment of the works as individual objects. Basquiat’s art is brimming with life — he worked fast, and painted everywhere, on everything around him — and it owes much of his continued cachet to the enduring legend of its unfiltered immediacy. But if you look closely, what you will see is that they are records, almost every one, of an almost crippling self-consciousness. -
Catalog 2018 General.Pdf
TERRY’S COMICS Welcome to Catalog number twenty-one. Thank you to everyone who ordered from one or more of our previous catalogs and especially Gold and Platinum customers. Please be patient when you call if we are not here, we promise to get back to you as soon as possible. Our normal hours are Monday through Friday 8:00AM-4:00PM Pacific Time. You can always send e-mail requests and we will reply as soon as we are able. This catalog has been expanded to include a large DC selection of comics that were purchased with Jamie Graham of Gram Crackers. All comics that are stickered below $10 have been omitted as well as paperbacks, Digests, Posters and Artwork and many Magazines. I also removed the mid-grade/priced issue if there were more than two copies, if you don't see a middle grade of an issue number, just ask for it. They are available on the regular web-site www.terryscomics.com. If you are looking for non-key comics from the 1980's to present, please send us your want list as we have most every issue from the past 35 years in our warehouse. Over the past two years we have finally been able to process the bulk of the very large DC collection known as the Jerome Wenker Collection. He started collecting comic books in 1983 and has assembled one of the most complete collections of DC comics that were known to exist. He had regular ("newsstand" up until the 1990's) issues, direct afterwards, the collection was only 22 short of being complete (with only 84 incomplete.) This collection is a piece of Comic book history. -
Title: Writing the Future: Basquiat and the Hip-Hop Generation
Title: Writing the Future: Basquiat and the Hip-Hop Generation Type: Segment Subject(s): Museum Exhibit Project Contact: Name: Robert Judge Company: WGBH Email: [email protected] Original Broadcast/Publish Date: 10/23/2020 Runtime: 00:04:56 Main Asset File Size: 1.9 GB Short Description: A look at the exhibition, “Writing the Future: Basquiat and the Hip-Hop Generation” at the MFA Long Description: A look at the exhibition, “Writing the Future: Basquiat and the Hip-Hop Generation” at the MFA Rights Information Media Rights: Please refer to the MMG Arts Initiative Agreement for full rights information. Sensitive Material: N/A Special Instructions: N/A File Clean of Graphics: Yes Language English Embed Code: WWW.MFA.ORG Lower Thirds TC In Lower Third In Cue 00:00:27 Liz Munsell He often gets Contemporary Art Curator, MFA 00:01:50 Greg Tate There's a lot of chaos... Co-curator, Writing the Future Production Credits: Executive Editor/Arts: Jared Bowen Executive Producer: Delores Edwards Associate Producer: Rory Sheil Production Manager: Bob Judge Videographer: Howard Powell Editor: Rob Fagnant Photo credits: The Museum of Fine Arts, Boston The Trust for African Rock Art William Coupon Cold Open ARTIST JEAN-MICHEL BASQUIAT AND THE HIP HOP GENERATION THAT GRABBED HOLD OF THE ART WORLD. 1 / 4 Lead IN THE LATE 1970S AND EARLY 80S, A GROUP OF ARTISTS MOVED FROM THE STREETS OF NEW YORK, WHERE THEIR CANVASES WERE SUBWAY CARS AND BRICK WALLS, TO THE TONY CONFINES OF EXCLUSIVE ART GALLERIES. IN A NEW EXHIBITION, THE MUSEUM OF FINE ARTS CHARTS THE COURSE OF ARTIST JEAN- MICHEL BASQUIAT AND THE HIP-HOP GENERATION. -
RAMMELLZEE: the Private Collection of The
Ayn Foundation presents: Inside each of The Private Collection’s ten cases is one letter of the word magistrate, written in Rammellzee’s own script. The artist describes these letters as having RAMMELLZEE: The been “dropped from hell—the one place God cannot go.” Located in the hallway outside the gallery is Private Collection Rammellzee’s Mettropposttsizzer Gothicure 107 Hits Light Speed to Break it Down (1982), which was first exhibited in Future Futurism at New York’s Barbara of the Magistrate Braathen Gallery in 1986. ABOUT MANA CONTEMPORARY Founded in 2011, Mana Contemporary is dedicated to providing a platform for contemporary art and artists through exhibitions, studio programs, and public programs. Mana’s community network began in New Jersey and has since expanded to include Mana Chicago and Mana Miami. Mana Contemporary con- tinues to create new partnership opportunities that explore the intersection of contemporary art, design, new technologies, and music. For more information, visit manacontemporary.com. Rammellzee, The Private Collection of the Magistrate (detail), 1982. Acrylic, CONTACT spray paint, epoxy resin, and ink on wood. Ten parts: five parts 32 x 82 x 4 Alison L. Roberts in. each; five parts 32 x 42 x 4 in. each. Photo: Courtesy of Ayn Foundation [email protected] FOLLOW US Ongoing @manacontemporary Floor 1 #ManaContemporary “I am not an artist. Rammellzee is an equation, and I Mana Contemporary come to the art scene as a gangster.” —Rammellzee 888 Newark Avenue Jersey City, NJ 07306 JERSEY CITY, April 28—Mana Contemporary and the Ayn Foundation are pleased to present Rammellzee’s ten-part “resin fresco” installation The Private Collection of the Magistrate (1982).