Using Twitter Data in Research Guidance for Researchers and Ethics Reviewers
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Twitter, Myspace and Facebook Demystified - by Ted Janusz
Twitter, MySpace and Facebook Demystified - by Ted Janusz Q: I hear people talking about Web sites like Twitter, MySpace and Facebook. What are they? And, even more importantly, should I be using them to promote oral implantology? First, you are not alone. A recent survey showed that 70 percent of American adults did not know enough about Twitter to even have an opinion. Tools like Twitter, Facebook and MySpace are components of something else you may have heard people talking about: Web 2.0 , a popular term for Internet applications in which the users are actively engaged in creating and distributing Web content. Web 1.0 probably consisted of the Web sites you saw back in the late 90s, which were nothing more than fancy electronic brochures. Web 1.5 would have been something like Amazon or eBay, sites on which one could buy, sell and leave reviews. What Web 3.0 will look like is anybody's guess! Let's look specifically at the three applications that you mentioned. Tweet, Tweet Twitter - "Twitter is like text messaging, only you can also do it from the Web," says Dan Tynan, the author of the Tynan on Technology blog. "Instead of sending a message to just one person, you can send it to thousands of people at once. You can choose to follow anyone's update (called "tweets") simply by clicking the Follow button on their profile, or vice-versa. The only rule is that each tweet can be no longer than 140 characters." Former CEO of Twitter Jack Dorsey once accepted an award for Twitter by saying, "We'd like to thank you in 140 characters or less. -
GOOGLE+ PRO TIPS Google+ Allows You to Connect with Your Audience in a Plethora of New Ways
GOOGLE+ PRO TIPS Google+ allows you to connect with your audience in a plethora of new ways. It combines features from some of the more popular platforms into one — supporting GIFs like Tumblr and, before Facebook jumped on board, supporting hashtags like Twitter — but Google+ truly shines with Hangouts and Events. As part of our Google Apps for Education agreement, NYU students can easily opt-in to Google+ using their NYU emails, creating a huge potential audience. KEEP YOUR POSTS TIDY While there isn’t a 140-character limit, keep posts brief, sharp, and to the point. Having more space than Twitter doesn’t mean you should post multiple paragraphs; use Twitter’s character limit as a good rule of thumb for how much your followers are used to consuming at a glance. When we have a lot to say, we create a Tumblr post, then share a link to it on Google+. REMOVE LINKS AFTER LINK PREVIEW Sharing a link on Google+ automatically creates a visually appealing link preview, which means you don’t need to keep the link in your text. There may be times when you don’t want a link preview, in which case you can remove the preview but keep the link. Whichever you prefer, don’t keep both. We keep link previews because they are more interactive than a simple text link. OTHER RESOURCES Google+ Training Video USE HASHTAgs — but be sTRATEGIC BY GROVO Hashtags can put you into already-existing conversations and make your Learn More BY GOOGLE posts easier to find by people following specific tags, such as incoming How Google+ Works freshmen following — or constantly searching — the #NYU tag. -
A Content Analysis of Ethical Statements Within Journalistic Codes of Conduct
A Content Analysis of Ethical Statements within Journalistic Codes of Conduct A thesis presented to the faculty of the Scripps College of Communication of Ohio University and the Institute for Communication and Media Studies of Leipzig University In partial fulfillment of the requirements for the degrees Master of Science in Journalism (Ohio University), Master of Arts in Global Mass Communication (Leipzig University) David B. D. Neri August 2020 © 2020 David B. D. Neri. All Rights Reserved. This thesis titled A Content Analysis of Ethical Statements within Journalistic Codes of Conduct by DAVID B. D. NERI has been approved for the E.W. Scripps School of Journalism, the Scripps College of Communication, and the Institute for Communication and Media Studies by Bernhard S. Debatin Professor of Journalism of The E.W. Scripps School of Journalism Scott Titsworth Dean, Scripps College of Communication, Ohio University Christian Pieter Hoffman Director, Institute for Communication and Media Studies, Leipzig University ii Abstract NERI, DAVID B. D., M.S., Journalism; M.A., Global Mass Communication, August 2020 3755338 A Content Analysis of Ethical Statements within Journalistic Codes of Ethics Director of Thesis: Bernhard S. Debatin Committee Members: Bill Reader, Rosanna Planer Although previous research has been targeted at the aspects of journalistic cultures within nations through the views of their population, such as the multinational Worlds of Journalism Study (2019), other avenues of study can offer a new perspective on these differences. To this end, the study provides a comparison of journalistic codes of ethics. Such codes (while differing in structure, implementation, and reach) share a common purpose in providing and defining standards of ethical action within the field of journalism. -
Effectiveness of Dismantling Strategies on Moderated Vs. Unmoderated
www.nature.com/scientificreports OPEN Efectiveness of dismantling strategies on moderated vs. unmoderated online social platforms Oriol Artime1*, Valeria d’Andrea1, Riccardo Gallotti1, Pier Luigi Sacco2,3,4 & Manlio De Domenico 1 Online social networks are the perfect test bed to better understand large-scale human behavior in interacting contexts. Although they are broadly used and studied, little is known about how their terms of service and posting rules afect the way users interact and information spreads. Acknowledging the relation between network connectivity and functionality, we compare the robustness of two diferent online social platforms, Twitter and Gab, with respect to banning, or dismantling, strategies based on the recursive censor of users characterized by social prominence (degree) or intensity of infammatory content (sentiment). We fnd that the moderated (Twitter) vs. unmoderated (Gab) character of the network is not a discriminating factor for intervention efectiveness. We fnd, however, that more complex strategies based upon the combination of topological and content features may be efective for network dismantling. Our results provide useful indications to design better strategies for countervailing the production and dissemination of anti- social content in online social platforms. Online social networks provide a rich laboratory for the analysis of large-scale social interaction and of their social efects1–4. Tey facilitate the inclusive engagement of new actors by removing most barriers to participate in content-sharing platforms characteristic of the pre-digital era5. For this reason, they can be regarded as a social arena for public debate and opinion formation, with potentially positive efects on individual and collective empowerment6. -
What Is Gab? a Bastion of Free Speech Or an Alt-Right Echo Chamber?
What is Gab? A Bastion of Free Speech or an Alt-Right Echo Chamber? Savvas Zannettou Barry Bradlyn Emiliano De Cristofaro Cyprus University of Technology Princeton Center for Theoretical Science University College London [email protected] [email protected] [email protected] Haewoon Kwak Michael Sirivianos Gianluca Stringhini Qatar Computing Research Institute Cyprus University of Technology University College London & Hamad Bin Khalifa University [email protected] [email protected] [email protected] Jeremy Blackburn University of Alabama at Birmingham [email protected] ABSTRACT ACM Reference Format: Over the past few years, a number of new “fringe” communities, Savvas Zannettou, Barry Bradlyn, Emiliano De Cristofaro, Haewoon Kwak, like 4chan or certain subreddits, have gained traction on the Web Michael Sirivianos, Gianluca Stringhini, and Jeremy Blackburn. 2018. What is Gab? A Bastion of Free Speech or an Alt-Right Echo Chamber?. In WWW at a rapid pace. However, more often than not, little is known about ’18 Companion: The 2018 Web Conference Companion, April 23–27, 2018, Lyon, how they evolve or what kind of activities they attract, despite France. ACM, New York, NY, USA, 8 pages. https://doi.org/10.1145/3184558. recent research has shown that they influence how false informa- 3191531 tion reaches mainstream communities. This motivates the need to monitor these communities and analyze their impact on the Web’s information ecosystem. 1 INTRODUCTION In August 2016, a new social network called Gab was created The Web’s information ecosystem is composed of multiple com- as an alternative to Twitter. -
Journalistic Ethics and the Right-Wing Media Jason Mccoy University of Nebraska-Lincoln, [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Professional Projects from the College of Journalism Journalism and Mass Communications, College of and Mass Communications Spring 4-18-2019 Journalistic Ethics and the Right-Wing Media Jason McCoy University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/journalismprojects Part of the Broadcast and Video Studies Commons, Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Journalism Studies Commons, Mass Communication Commons, and the Other Communication Commons McCoy, Jason, "Journalistic Ethics and the Right-Wing Media" (2019). Professional Projects from the College of Journalism and Mass Communications. 20. https://digitalcommons.unl.edu/journalismprojects/20 This Thesis is brought to you for free and open access by the Journalism and Mass Communications, College of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Professional Projects from the College of Journalism and Mass Communications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Journalistic Ethics and the Right-Wing Media Jason Mccoy University of Nebraska-Lincoln This paper will examine the development of modern media ethics and will show that this set of guidelines can and perhaps should be revised and improved to match the challenges of an economic and political system that has taken advantage of guidelines such as “objective reporting” by creating too many false equivalencies. This paper will end by providing a few reforms that can create a better media environment and keep the public better informed. As it was important for journalism to improve from partisan media to objective reporting in the past, it is important today that journalism improves its practices to address the right-wing media’s attack on journalism and avoid too many false equivalencies. -
Ethics and Its Relation to the Media Sean Mcgowan College of Dupage
ESSAI Volume 7 Article 34 4-1-2010 Ethics and Its Relation to the Media Sean McGowan College of DuPage Follow this and additional works at: http://dc.cod.edu/essai Recommended Citation McGowan, Sean (2009) "Ethics and Its Relation to the Media," ESSAI: Vol. 7, Article 34. Available at: http://dc.cod.edu/essai/vol7/iss1/34 This Selection is brought to you for free and open access by the College Publications at [email protected].. It has been accepted for inclusion in ESSAI by an authorized administrator of [email protected].. For more information, please contact [email protected]. McGowan: Ethics and Its Relation to the Media Ethics and Its Relation to the Media by Sean McGowan (Philosophy 1110) oday in the media, there is a deep urgency with most reporters to dive into a story and develop as much detail as possible. However, what other factors are important to consider in Tjournalism? If taking an ethical approach, one could see where a career in journalism can be accompanied by certain moral obligations. How can the media today be certain that it is holding to its ethical responsibilities; however, without first having those responsibilities identified? As stated in The Media and Morality, by Robert M. Baird, William E. Loges, and Stuart E. Rosenbaum, “Lawyers and architects have their clients, doctors their patients, and teachers their students. But to whom are the media’s professionals obligated?” (Baird, Loges, and Rosenbaum 11). One can see from this explanation where ethics can be a complex subject in the media. -
Media Ethics at IIMC
“Media Ethics” * G.N. Ray “ Let noble thoughts come to us from every side” is the eternal message of the Rigveda given several millennia ago signifying the freedom of expression. The modern democratic edifice has been constructed drawing on the above and the individual liberty of expression of thought as the supreme principle. 'Journalism', the concrete form of this expression has grown in power over a period of time. It has become a coveted profession amongst the present day career conscious youth and I am sure I find here today a most promising group many of whom will surely find place amongst the leading journalists in the years to come. The fundamental objective of journalism is to serve the people with news, views, comments and information on matters of public interest in a fair, accurate, unbiased: and decent manner and language. In 1948 the United Nations made the Universal Declaration of Human Rights laying down certain freedoms for the mankind. Article 19 of the Declaration enunciates the most basic of these freedoms, thus: “Everyone has the right to freedom of opinion and expression’, the right includes the freedom to hold opinions without interference and to seek and receive and impart information and ideas through any media and regardless of frontiers”. *‘Media Ethics’: Address by Chairman, Press Council of India on 18th January 2007 at IIMC, Dhenkanal, Orissa. Article 19 (1)(a) of the Constitution of India guarantees to the citizen, the right to “Freedom of speech and expression”. The press is an indispensable pillar of democracy. It purveys public opinion and shapes it. -
Crisis Conscience
CRISIS OF CONSCIENCE Perspectives on Journalism Ethics I CARLHAUSMAN ! New York University Sponsoring/Executive/Senior Editor: Melissa A. Rosati Project Editor: Thomas A. Farrell Design Supervisor/Cover Design: Stacey Agin Production Administrator: Paula Keller Compositor: Publishing Synthesis, Ltd. Printer and Binder: R. R. Donnelley & Sons Company Cover Printer: The Lehigh Press, Inc. For permission to use copyrighted material, grateful acknowledgment is made to the copyright holders on page 205, which is hereby made part of this copyright page. Crisis of Conscience: Perspectives on Journalism Ethics Copyright © 1992 by HarperCollins Publishers Inc. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations embodied in critical articles and reviews. For informa- tion address HarperCollins Publishers Inc., 10 East 53rd Street, New York, NY 10022. Library of Congress Cataloging-in-Publication Data Hausman, Carl, (date)- Crisis of conscience : perspectives on journalism ethics / Carl Hausman. p. cm. Includes bibliographical references. ISBN 0-06-500365-9 1. Journalistic ethics. 2. Journalism—Objectivity. I. Title. PN4756.H38 1992 174'.9097-dc20 91-28064 CIP 91 92 93 94 987654321 Contents Preface vii PART ONE THE PREMISE 1 Chapter 1 Evolution of Modern Journalism 3 Chapter 2 On Reflection: Ethics and Its Relevance to Modern Society 13 PART TWO PRINCIPLES 25 Chapter 3 Accuracy and Objectivity 27 Chapter -
Marketing and Communications for Artists Boost Your Social Media Presence
MARKETING AND COMMUNICATIONS FOR ARTISTS BOOST YOUR SOCIAL MEDIA PRESENCE QUESTIONS FOR KIANGA ELLIS: INTERNET & SOCIAL MEDIA In 2012, social media remains an evolving terrain in which artists and organizations must determine which platforms, levels of participation, and tracking methods are most effective and sustainable for their own needs. To inform this process, LMCC invited six artists and arts professionals effectively using social media to share their approaches, successes, and lessons learned. LOWER MANHATTAN CULTURAL COUNCIL (LMCC): Briefly describe your work as an artist and any other roles or affiliations you have as an arts professional. KIANGA ELLIS (KE): Following a legal career on Wall Street in derivatives and commodities sales and trading, I have spent the past few years as a consultant and producer of art projects. My expertise is in patron and audience development, business strategy and communications, with a special focus on social media and Internet marketing. I have worked with internationally recognized institutions such as The Museum of Modern Art, The Metropolitan Museum of Art, Sotheby’s, SITE Santa Fe, and numerous galleries and international art fairs. I am a published author and invited speaker on the topic of how the Internet is changing the business of art. In 2011, after several months meeting with artists in their studios and recording videos of our conversations, I began exhibiting and selling the work of emerging and international artists through Kianga Ellis Projects, an exhibition program that hosts conversations about the studio practice and work of invited contemporary artists. I launched the project in Santa Fe, New Mexico ⎯Kianga Ellis Projects is now located in an artist loft building in Bedford Stuyvesant, Brooklyn. -
Here's Your Grab-And-Go One-Sheeter for All Things Twitter Ads
Agency Checklist Here's your grab-and-go one-sheeter for all things Twitter Ads Use Twitter to elevate your next product or feature launch, and to connect with current events and conversations Identify your client’s specific goals and metrics, and contact our sales team to get personalized information on performance industry benchmarks Apply for an insertion order if you’re planning to spend over $5,000 (or local currency equivalent) Set up multi-user login to ensure you have all the right access to your clients’ ad accounts. We recommend clients to select “Account Administrator” and check the “Can compose Promotable Tweets” option for agencies to access all the right information Open your Twitter Ads account a few weeks before you need to run ads to allow time for approval, and review our ad policies for industry-specific rules and guidance Keep your Tweets clear and concise, with 1-2 hashtags if relevant and a strong CTA Add rich media, especially short videos (15 seconds or less with a sound-off strategy) whenever possible Consider investing in premium products (Twitter Amplify and Twitter Takeover) for greater impact Set up conversion tracking and mobile measurement partners (if applicable), and learn how to navigate the different tools in Twitter Ads Manager Review our targeting options, and choose which ones are right for you to reach your audience Understand the metrics and data available to you on analytics.twitter.com and through advanced measurement studies . -
Twitter: Explained
Twitter: Explained Twitter is a micro-blogging tool where users opt-in to receive and send extremely brief content -- or tweets -- with others. Or, in layman’s terms, it’s a way to share thoughts and ideas in 140 characters or fewer. Getting Started When you first register at twitter.com, you will choose a username (also known as your “Twitter handle”). The tweet The “tweet,” or messages used in Twitter, are limited to 140 characters. This creates a wonderful practice of being concise with the message you would like to convey. Interacting If you want to reference or “tweet at” another user, you simply use the @ symbol followed by the Twitter handle of the user. For example, @marcwais. Who to Follow? Twitter is not only a useful tool to connect with your friends and keep abreast of their daily activities. The true power of Twitter is in the viral dissemination of information. You can follow news organizations, celebrities (both movie stars and industry & thought leaders), and other organizations. You could follow the Chronicle of Higher Ed (@chronicle), NCAA News (@ncaa), and other NYU departments & personalities. Organizing your feed When you start to follow users who update a lot throughout the day, you might be overwhelmed with the sheer number of posts. You can organize the people you follow into lists and focus just on one group of users at a time. You can also use a tool like Tweetdeck, which is an application that allows you to group your feed into different columns (for example: friends, news, work, or whatever category you choose to create).