Citation for published version: Morey, Y, Bengry-Howell, A, Griffin, C, Szmigin, I & Riley, S 2014, Festivals 2.0: Consuming, producing and participating in the extended festival experience. in The Festivalization of Culture: Celebration, Identity and Politics. Ashgate Publishing, pp. 251-269. Publication date: 2014 Document Version Early version, also known as pre-print Link to publication This is the submitted version. Permission, the Authors. University of Bath Alternative formats If you require this document in an alternative format, please contact:
[email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 27. Sep. 2021 1 Festivals 2.0: Consuming, Producing and Participating in the Extended Festival Experience. Yvette Morey, Andrew Bengry-Howell, Christine Griffin, Isabelle Szmigin and Sarah Riley Chapter in: A. Bennett, I. Woodward and J. Taylor (eds.) The Festivalisation of Culture: Celebration, Identity and Politics. Ashgate. Introduction This chapter provides a series of expanding perspectives on significant transformations that have shaped music festivals in recent years. More specifically we trace the ways in which different ways of engaging with festivals online can be seen as a reflection of wider socioeconomic factors that have shaped the relationships between festivals, festival-goers and the Internet.