An Afternoon with Robert Pinsky

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Poetry at the Library Series An Afternoon with Robert Pinsky Sunday, April 30, 3:00 pm Main Library Periodical Room Booksigning & reception to follow Please join us for a memorable afternoon with this beloved poet known worldwide for elegant and tough, vividly imaginative poems with a wild musical energy and range. Pinsky will read from his newest book of poems, At the Foundling Hospital (Farrar, Straus, & Giroux, 2016) and talk about its genesis and his approach to the art of poetry. “Since the death of Robert Lowell in 1977, no single figure has dominated American poetry the way that Lowell, or before him Eliot, once did . But among the many writers who have come of age in our fin de siecle, none have succeeded more completely as poet, critic, and translator than Robert Pinsky.” - James Longenbach, The Nation A free event sponsored by The Friends of the Concord Free Public Library Concord Free Public Library | 129 Main Street Poetry at the Library Series An Afternoon with Robert Pinsky: Reading from At the Foundling Hospital with Q & A about its genesis & his approach to the art of poetry Sunday, April 30, 3:00 pm Main Library Periodical Room / Booksigning & reception to follow With all the generosity and mastery we have come to expect from out three-time Poet Laureate, Robert Pinsky has written a bold, lyrical mediation on identity and culture as hybrid and fluid, violent as well as creative: the enigmatic, maybe universal, condition of the foundling. At the Foundling Hospital considers the foundling soul: its need to be adopted, and its need to be adaptive. These poems reimagine identity on the scale of one life or of human history: from the emanation of a dead star still alive to the pinhole iris of your mortal eye. What is a particular person? How unique? What is anyone born as? Born with? Born into? The poems of Robert Pinsky's At the Foundling Hospital engage personality and culture as improvised from loss: a creative effort so pervasive it can be invisible To view a wealth of resources about Robert Pinsky’s work as poet, translator, and essayist, please visit his website: www.robertpinskypoet.com) A free event sponsored by The Friends of the Concord Free Public Library Concord Free Public Library | 129 Main Street .

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Frank Bidart, Louise Glück, and Robert Pinsky
Chancellor's Distinguished Fellows Program 2004-2005 Selective Bibliography UC Irvine Libraries Frank Bidart, Louise Glück, Robert Pinsky March 11, 2005 Prepared by: John Novak Research Librarian for English & Comparative Literature, Classics and Critical Theory [email protected] and Lisa Payne Research Librarian Assistant [email protected] Note: For some Web links listed, access is restricted to resources licensed by the UCI Libraries. Table of Contents Frank Bidart .......................................................................................... p. 1 Louise Glück................................................................................................... p .4 Robert Pinsky ................................................................................................. p. 7 Frank Bidart Books & Poetry Collections of Bidart Bidart, Frank. Music Like Dirt. Louisville, Ky.: Sarabande Books, 2002. ________. Desire. New York: Farrar, Straus and Giroux, 1997. ________. In the Western Night: Collected Poems, 1965-90, ed. Joe Brainard. 1st ed. New York: Farrar Straus Giroux, 1990. ________. "The War of Vaslav Nijinsky." (1984): 1 sound cassette (52 min.). 1 ________. The Sacrifice. New York: Random House, 1983. ________. The Book of the Body, ed. Joe Brainard. New York: Farrar, Straus and Giroux, 1977. ________. Golden State. New York: G. Braziller, 1973. Works edited by Bidart Lowell, Robert. Collected Poems, eds. Frank Bidart and David Gewanter. New York: Farrar, Straus and Giroux, 2003. Essays by Bidart Bidart, Frank. "Pre-Existing Forms: We Fill Them and When We Fill Them We Change Them and Are Changed." Salmagundi 128 (Fall 2000): 109-122. ________, Wyatt Prunty, Richard Tillinghast, and James Kimbrell. "Panel: Lowell on the Page." Kenyon Review 22, no. 1 (Winter 2000): 234-248. ________. "'You Didn't Write, You Rewrote'." Kenyon Review 22, no. 1 (Winter 2000): 205-215. ________. "Like Hardy." Harvard Review 10 (Spring 1996): 115.
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