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GERMAN AND MODERN ART

Ernst Ludwig Kirchner: Berghirte im Herbst (Berghirte mit Ziegen). Oil on canvas 1921. Gordon 664. 120 x 90,5 cm. Obj. Id: 67942

29th April to 27th August 2016

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GERMAN EXPRESSIONISM AND MODERN ART th th 29 April to 27 August 2016

A young goatherd, seated with his back half turned away from the viewer, watches over his goats as they graze on the staggered slopes of the mountainside. The boy is dressed in green, with a green hat and short, brown boots, and holds a stick in his hand. He dominates the foreground, while behind him, also in the foreground, one can make out what are probably blue gentians. Likewise coloured blue is the wooden hut in the middle ground behind the goatherd. Taking up a prominent position in the composition are three screes or avalanche paths that seem to scar the mountainside, not least by reason of their strongly contrasting, almost dusky pink, this being doubtless a reflection of the pink clouds in the light of the evening sun. Towards the right, grazing on the mountainside, one above the other, are three of our goatherd's goats. They are not only painted in a brilliant yellow but are also depicted overly large and out of perspective. The painting is rounded off in the distance by the two mountain peaks beneath the evening sky and its pink clouds.

The painting “Berghirte im Herbst” (“Goatherd in Autumn”) was painted by the Expressionist painter in 1921, only a few years after he had left the German metropolis of Berlin for the idyllic Swiss mountain landscape of Davos. He had first visited Davos in 1917, but did not make it his permanent home until later. He regularly spent the summer months on the Stafelalp, where he rented a mountain hut for himself and his paints and canvases. This is where he probably painted “Goatherd in Autumn”, which still manifests much of his “urban style”. Indeed, Kirchner was able to transpose the rapid, jagged style typical of his years in Dresden and, more particularly, Berlin into the landscapes of his new home of Davos. He retained this style, simply adapting it to his new surroundings. The source of inspiration for his magnificent worlds of images was now no longer the erratic life of the metropolis but rather the idyllic mountain region and its inhabitants. This painting is still dominated by Kirchner's typical Expressionist style, with its richly contrasting colours and its non-perspectival rendering of details: yellow goats, pink screes, blue mountain hut, dusky pink clouds, features that do not reflect reality as seen by the artist but rather an imaginary, expressively composed reality. What is particularly impressive is the relationship in size between the individual elements of the composition as interpreted by the artist. Kirchner harks back to a pre-Renaissance perspective that relates the size of people and objects to their importance: the elements of the composition are arranged one above the other and not behind one another. The goats in particular are much too large for their position in the distant background formed by the mountainside. The mountain slopes seem too steep and the mountain peaks too prominent, as though everything is tilting forwards towards the viewer. This is a feature often encountered in Kirchner's works. Strict perspective has been completely waived in favour of a composition that gives priority to those elements that are significant and important. And what the artist wanted to emphasize in particular was simply made larger and more prominent and rendered in brighter colours. Thus it is that this painting is completely saturated, so to speak, with Kirchner's Expressionist style of his Berlin years.

It was in Davos that Ernst Ludwig Kirchner made the acquaintance of several other artists, including Philipp Bauknecht, who had already been living there since 1910 on account of a tuberculosis disease, but there is no record of their having met one another before 1919. It was precisely around that time that Bauknecht painted his two works “Hirtenknabe” (“Young Goatherd”) and “Hirtenknabe mit Ziege” (“Young Goatherd wit goat”), which bear obvious similarities to the above described painting by Kirchner. They are not only of similar format but the subject matter is virtually identical: in Bauknecht's paintings, too, a goatherd – wearing a hat and holding a stick in his hand – is seated in the foreground and is watching over his herd in the bottom right-hand corner of the painting. The composition is slightly different in that the mountains in Bauknecht's versions assume a much more prominent role and the choice of colours – accentuating violets, pinks and reds – is even more expressive. Nonetheless, a direct affinity between the paintings can hardly be denied. Kirchner knew Bauknechts painting, as a photograph of 1919 documents. The paintings by Philipp Bauknecht are in private collections. Copyright Galerie Iris Wazzau Davos

Our painting is in its original frame. It was ordered by Kirchner himself and then painted. The artist often purchased old frames or had them made according to own drawings, often subsequently cutting them to the required size and then painting then in colours that repeated those of the actual painting. His drawings of frame profiles are to be found in his sketchbooks.

Other landscapes – by , Conrad Felixmüller, Hans Purrmann and – as well as still lifes by Karl Hofer, Christian Rohlfs, Ernst Ludwig Kirchner, and Max Peiffer Watenphul will also be on show in our exhibition. The presentation will be complemented by several abstract works by Fritz Winter and Ernst Wilhelm Nay.

We cordially invite you to the forthcoming exhibition. The vernissage will again take place on a Friday, namely on 29th April 2016, between 12.00 noon and 7.00 pm. If you cannot make it, you are of course welcome to visit the exhibition at any time within its duration.

Your visit to our gallery could be complemented by a stroll through the wonderful exhibition halls of the Beyeler Foundation, which is located only a few hundred metres away from our gallery in Riehen. The exhibition “Jean Dubuffet – Metamorphoses of Landscape” is being shown there until 8th May 2016. The exhibition of Alexander Calder & Fischli/Weiss will then be open to visitors from 29th May until 4th September 2016. Works from the collection of the Fondation Beyeler may be viewed any time.

We are looking forward very much to the pleasure of welcoming you and your friends to the forthcoming exhibition at our gallery.

Alexandra Henze Triebold (Translation by John Brogden)

For further information on our gallery’s programme and activities please visit our website: www.henze-ketterer-triebold.ch

Hans Purrmann Berthold Müller-Oerlinghausen Weiblicher Akt auf blauem Sessel. Erwartung (Sitzender Jüngling). Oil on canvas 1918. Bronze 1952. Billeter 1918/18. Signed on the lower left side. Henze 254. Hight: 73-77 cm. 88,5 x 73,5 cm. Width: 53-54 cm. exemplar # 2. Obj. Id: 67132 Obj. Id: 66603

Karl Hartung Liegende mit über dem Kopf verschränkten Armen. Bronze circa 1948/49. Krause 411. One of 6 + 1 exemplars. Width: 78 cm.

With stamps on the bottom: „HARTUNG“, „¡“ and „N“. Obj. Id: 67509

Ernst Ludwig Kirchner Ernst Ludwig Kirchner Schaf und Lamm. Bauer und trinkende Kuh. Pen and brush in ink 1927. Watercolour over black chalk 1924. On satined semi-board. Signed and dated on the On brownish drawing paper. 36,2 x 46,1 cm. upper left side, dedicated on the lower right side: With the estate-stamp on the verso. "Frau Bauer Weihnachten 28 von E und EL Obj. Id: 79480 Kirchner". 27,9 x 35,2 cm. Obj. Id: 79780

Ernst Ludwig Kirchner Ernst Ludwig Kirchner Zwei laufende Ziegen. Mädchen mit Ziegen. Pen and ink and watercolour 1918. 1917. On satined semi-board. Dube H 306 II. On firm ASOKA-Blotting paper 38 x 50 cm. Verso: «Kühe», Pen and ink 1917/18 as (blind stamp). One of 18 previously known prints well as with the estate-stamp. by the artist. Signed on the lower right side and Obj. Id: 66272 labelled on the lower left side "Handdruck". 35,2 x 45,4 on 43,5 x 55,7 cm. Obj. Id: 67714

Emil Nolde Granada. Watercolour 1921. On Japan paper. Signed on the lower right side. 35 x 48 cm. Obj. Id: 76551

Ernst Ludwig Kirchner Ernst Ludwig Kirchner Weidende Kühe. Alpszene mit Pferd. Watercolour and reed pen drawing circa 1920. Etching 1922. On yellow-brown vellum. 34 x 48,5 cm. Dube R 419 II. On "Blotting" Paper (blind stamp). With the estate-stamp on the verso. One of 4 previously known prints by the artist. Obj. Id: 77267 Signed on the lower right side and labelled "Eigendruck". 25 x 30,3 on 30,7 x 43,9 cm. Obj. Id: 67704

Erich Heckel Park von Dilborn II. Oil on canvas 1914. not in Vogt. 83 x 93 cm. Signed and titled on the verso. With a label of the Pasadena Art Museums on the back frame. Obj. Id: 75273

Ernst Ludwig Kirchner Karl Hartung Hohe Kiefern vor Hügellandschaft. Liegende mit erhobenem Haupt. Oil on wood 1921-1923. Bronze circa 1948. Gordon 720. 70 x 37 cm. Verso: Stehender Akt in Krause 405. One of 6 + 1 exemplars. Width: 45 cm.

Gelb und Rosa, 1930-1932, Gordon 720 verso, With stamps on the bottom: „HARTUNG“, „¡“ unfinished and overpainted, with the estate stamp. and „N“. Obj. Id: 64932 Obj. Id: 79088

Karl Schmidt-Rottluff Christian Rohlfs Chrysanthemum. Callas auf rotem Grund (Callas auf Rot). Woodcut 1923. Watercolour 1936. Schapire H 294. On semi-board. On Japan paper. Signed and labelled with the Monogrammed on the lower right side. work number "2329". 61 x 46 cm. 50 x 39,8 cm on 65,5 x 51,5 cm. Obj. Id: 69399 Obj. Id: 76638

Karl Hartung Urgeäst. Bronze 1950. Krause 438. One of 6 + 1 exemplars. 80 x 198 x 90 cm. With the stamps:

„HARTUNG“, „¡“ and „N“ on the bottom. Obj. Id: 79089

Max Peiffer Watenphul Grosses Stilleben mit Feldblumen. Oil on canvas 1924. Pasqualucci G 0070. Monogrammed on the lower right side. 83,5 x 94,5 cm. Obj. Id: 75455

Karl Hofer Erich Heckel Mädchen mit Amaryllis. Stilleben mit Blumen und arabischem Krug. Oil on board mounted on chipboard circa 1936. Watercolour 1953. Wohlert 1219. On handmade paper. Signed on the lower right Monogrammed CH on the upper right side (ligated). side, dated and titled "Arabischer Krug". 91 x 71 cm. 63 x 48,5 cm. Obj. Id: 80025 Obj. Id: 77258

Karl Hofer Karl Hofer Stilleben mit Pfirsichen. Gemüsestilleben. Oil on canvas 1938. Oil on canvas 1943. not in Wohlert. Monogrammed and dated on the Wohlert 1756. lower right side. Monogrammed and dated "CH42" on the lower 40 x 50 cm. right side (ligated, carved). Obj. Id: 80019 58,3 x 88,5 cm. Verso: overpainted figur/figures, study. Obj. Id: 80026

Giuseppe Maraniello Boomerang. Bronze. 1/8+1 2000. 39 x 41 x 25 cm. 3-parts. Obj. Id: 62109

George Grosz Landscape Cape Cod. House in the dunes. Oil on canvas 1940. Mounted on board. Signed and dated "GROSZ 1940" on the lower right side. 40,5 x 51 cm. Verso: Signed, dated and labelled on the board "George Grosz, 1940, Landscape Cape Cod" Obj. Id: 80022

Ernst Ludwig Kirchner Conrad Felixmüller Taunuslandschaft mit Brücke. Tauwetter (In Klotzsche, Dresden). Watercolour over chalk 1916. Oil on canvas 1922. On vellum. Signed on the lower right side. Felixmüller 278. Signed on the upper left side. 54,3 x 36,5 cm. Labelled "KA 56" on the lower 111 x 53 cm. Verso: Signed, titled and dated in big left side in ink on the verso. letters on the canvas. Obj. Id: 77262 Obj. Id: 79335

Hermann Erich Heckel Walliser Hütten. Eifel. Oil on canvas 1923. Watercolour and couloured chalk 1925. Soika 1923/14. Signed (in ligature) and dated on On Zanders - maschine handmade paper the lower right side. (Watermark). Signed, dated and titled "Heckel 25 72,5 x 83,5 cm. Verso: Signed and titled with Eifel" on the lower right side. brush on the canvas as well as with a label of the 51,5 x 62 cm. Galleria Medusa, Rom. Obj. Id: 80024 Obj. Id: 66155

Ernst Ludwig Kirchner Berghirte im Herbst (Berghirte mit Ziegen). Oil on canvas 1921. Gordon 664. Signed on the lower left side with ink. 120 x 90,5 cm. Verso: Signed on the canvas in dark blue with brush and titled "Berghirte mit Ziegen" as well as with the big estate stamp. Obj. Id: 67942

Ernst Ludwig Kirchner Ernst Ludwig Kirchner Berghaus. Bergwald III (Waldtal, Waldlandschaft mit Lithography in orange, yellow, violet, lime und dark Alphütte). green 1919. Coloured chalk circa 1918. Dube L 377 2. On ripped Japan-handmade paper. On green construction paper. One of 7 previously known prints by the artist. Signed on the lower right side. Signed on the lower right side, labelled "Handdruck" 50 x 69,8 cm. Verso: Titled "Waldlandschaft mit on the lower left side. Alphütte" with pencil on the lower right side of the 29,6 x 34,4 on 41,2 x 51,5 cm. middle. Obj. Id: 75240 Obj. Id: 76989

Ernst Ludwig Kirchner Ernst Ludwig Kirchner Berglandschaft (Sertigtal). Berglandschaft bei Davos Coloured and black chalk 1923. (Landschaft mit Tannen). On satined paper. Watercolour over charcoal drawing circa 1919. 39,8 x 50 cm. On firm Blotting-paper. With the estate-stamp on the verso. 28,2 x 44,3 cm. Obj. Id: 75227 With the estate-stamp on the verso. Obj. Id: 67499

Ernst Ludwig Kirchner Ernst Ludwig Kirchner Landschaft mit Bäumen. Hotel Victoria, Davos. Watercolour 1907. Watercolour and charcoal circa 1920. On firm handmade paper. On brownish paper, taped up by the artist. 28 x 37 cm. Verso: With a second watercolour 23,6 x 28,6 cm. With the estate-stamp on the "Wege und Bäume" 1907 and the estate-stamp. verso. Obj. Id: 79331 Obj. Id: 67711

Hans Purrmann Brunnen der Villa Romana. Oil on canvas 1938. Billeter 1938/15. Signed on the lower left side. 81 x 100 cm. Archives-number: 695 Obj. Id: 79219

Christian Rohlfs Ernst Ludwig Kirchner Sängerin I (Vier Menschen). Brustbild eines liegenden Aktes (Dodo). Tempera on canvas circa 1921. Woodcut 1911. Vogt 668. Dube H 177 I. On firm copper plate printing board, Monogrammed on the lower right side. mounted on a backing board by the artist. One of 6 80 x 60 cm. Verso: Labelled "Sängerin I Christian previously known prints by the artist. Rohlfs Hagen i./W" on the stretcher by hand. 29,5 x 18,9 on 33,6 x 23,4 cm. Obj. Id: 80004 With the estate-stamp on the verso. Obj. Id: 67537

Kubach-Kropp Klanginsel. Black brown Belgian marble 2005. 15 x 29,5 cm Obj. Id: 77443

Ernst Ludwig Kirchner Karl Schmidt-Rottluff Ziegenhirt. Kopf. Woodcut 1918. Woodcut 1919. Dube H 334 III. On light chamois Japan paper. Schapire H 256. One of 10 previously known prints by the artist. On firm light grey vellum. One of 25-30 prints. Signed and dated on the lower right side. Signed on the lower right side and labelled with 47,7 x 38,5 on 52,5 x 42,5 cm. the work number "1929" on the lower left side. Obj. Id: 67936 49,3 x 39,6 on 70,4 x 56 cm. Obj. Id: 80018

Ernst Ludwig Kirchner Ernst Ludwig Kirchner Kopf Wehrlin. Melancholischer Kopf (Portrait). Oil on canvas 1924-1926. Woodcut 1929. Gordon 0829. Dube H 616. On chamois Japan paper. One of 7 Signed on the lower right side, dedicated on the previously known prints by the artist. Signed on lower left side "Gustav Schiefler zum 70sten the lower right side in ink and labelled Geburtstage / dem ewig jungen Freunde der Kunst "Eigendruck" on the lower left side. Jan. 1928". 45 x 35,2 on 53 x 42,5 cm. 65 x 50 cm. Verso: Signed and dated "24". With the estate-stamp on the verso. Obj. Id: 78498 Obj. Id: 67940

Gabriele Münter Kubach-Kropp Zigeunerwagen I. Paarstein. Oil on board 1930. Turquoise granite from China and black granite 38 x 46 cm. With the estate-stamp on the verso and from Sweden 2008. the numbers "V35" and "1251" on stickers and 34 x 17 x 9 cm "76a" with blue chalk. Obj. Id: 76529 Obj. Id: 75758

Ernst Wilhelm Nay Fritz Winter Furioso. K III 101. Oil on canvas 1963. Oil on canvas 1939. Scheibler 1066. Signed and dated on the lower right Lohberg 746. side. 163 x 140 cm. Verso: Signed, titled and dated Monogrammed and dated on the lower left side. on the stretcher with brush in black: 90 x 70 cm. NAY - "Furioso" 1963. Obj. Id: 79333 Obj. Id: 79329

Fred Thieler Eduard Bargheer I.M. 5/57. Cairo. Oil on paper on wood 1957. Oil on canvas 1962. Melchior 5/143. Signed and dated "F. Thieler 57" on Signed and dated on the lower left side. the lower left side with pencil. 36,5 x 50,5 cm. 65 x 99,5 cm. Obj. Id: 66379 Obj. Id: 80011

Fred Thieler Noir Brisé. Oil on canvas 1961. Melchior 6/65. Signed and dated on the lower right side. 130 x 191 cm Obj. Id: 80075

Kubach-Kropp George Grosz Stein für die Stille. Peace I (Frieden). Black Swedish granite. Oil on canvas 1945. With two columns 2008. Signed on the lower right side. 37 x 26 x 13 cm 67 x 52 cm. Verso: Signed again, dated and Obj. Id: 77273 labelled on the canvas "Douglaston April" as well as with the estate stamp. Obj. Id: 79656

All listed artworks are for sale. For information on prices or further information please feel free to contact us. Other available artworks

Ernst Ludwig Kirchner Ernst Ludwig Kirchner Sitzender männlicher Akt. Dorfstrasse (mit Spaziergängern). Brush and ink circa 1908. Pencil and black chalk circa 1909. On brownish drawing paper. On brownish paper. 33,7 x 27,5 cm. 42,5 x 33,8 cm. Verso: Signed with ink on the lower right side and With the estate-stamp on the verso. predated "01" as well as with the estate-stamp. Obj. Id: 67329 Obj. Id: 76408

Ernst Ludwig Kirchner Ernst Ludwig Kirchner Modell im Atelier (Frau in Küche). Sophienkirche Dresden. Pencil circa 1911. Pencil, partially wiped circa 1911. On satined chamois paper. On satined chamois paper. Signed in ink on the 34,4 x 27,5cm. lower right side. 34,3 x 27,4 cm. Verso: Titled by With the estate-stamp on the verso. the artist and with the estate-stamp. Obj. Id: 76399 Obj. Id: 67567

Ernst Ludwig Kirchner Ernst Ludwig Kirchner Hafen Burgstaaken auf Fehmarn (Schiffe). Badende und Boote am Müggelsee bei Berlin. Black chalk and Watercolour circa 1912. Black chalk circa 1912. On brownish paper. On satined chamois paper. 33 x 43,6 cm. 34,9 x 44,9 cm. With the estate-stamp on the verso. With the estate-stamp on the verso. Obj. Id: 67483 Obj. Id: 67932

Ernst Ludwig Kirchner Fischkutter und Boot. Pencil and coloured chalk circa 1912. On chamois vellum. Signed. 31,3 x 46,6 cm. Obj. Id: 65564

Ernst Ludwig Kirchner Badende im Waldbach. Drypoint 1923. Dube R 471. On light satined board. Signed and titled, as well as labelled "Eigendruck". 25,1 x 31,1 cm on 34,9 x 39,6 cm. The only known print of this in Dube undocumented printing state between Dube I and II. Obj. Id: 79664

Ernst Ludwig Kirchner Ernst Ludwig Kirchner Sitzende Frau im Sessel (Erna). Emporsteigender. Chalk circa 1912. Woodcut 1937. On brownish paper. Dube H 675 I. On firm China paper. 48,2 x 33,7 cm. One of 3 previously known prints by the artist. With the estate-stamp on the verso. Labelled "1. Probedruck" by the artist with pencil Obj. Id: 79660 on the lower left side. 50,0 x 36,8 on 55,8 x 41,4 cm. With the estate- stamp on the verso. Obj. Id: 75018

Ernst Ludwig Kirchner Ernst Ludwig Kirchner Alte Gasse in Königstein. Mann mit Peitsche. Woodcut 1916. Woodcut 1920. Dube H 296 II. On light board with stamper "HUBER Dube H 433 I. On antique pink Blotting-board. FRERES WINTERTHUR SILK BLOTTING". One of 5 previously known prints by the artist. One of 5 previously known prints by the artist. Signed and labelled "Eigendruck". 44 x 33,5 on 58,1 x 43 cm. 44,8 x 31,5 on 57 x 40 cm. With the estate-stamp Obj. Id: 76652 on the verso. Obj. Id: 67623

Ernst Ludwig Kirchner Ernst Ludwig Kirchner Mann auf der Bank. Dunkle Bäuerin und Knabe. Etching (Guilloche) 1928. Etching 1919. Dube R 581. On firm chamois copper plate printing Dube R 277 IV (of IV). board. One of 2 previously known prints by the On light, smooth, one-side coated board. artist. Signed and dated "E L Kirchner 27" on the One of 12 previously known prints by the artist. lower right side. Signed with pen on the lower right side. 26,3 x 22 on 44 x 39 cm. 31,5 x 25 on 47,4 x 37,4 cm. With the estate-stamp on the verso. Obj. Id: 75292 Obj. Id: 67146

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