APALSA Conference Program 3.20.2021.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

APALSA Conference Program 3.20.2021.Pdf WELCOME Dear Conference Participants, Welcome to Columbia APALSA’s 10th Annual Conference, Writing Your Own Script! Each year we hold this event so law students and young attorneys can hear from experienced Asian lawyers and learn about the Asian perspective in the legal profession. This year we hope to engage in a discussion about the Asian experience post-law school and the ways members of our community have found success while maintaining a sense of their cultural identity, both inside and outside the legal profession. We hope that you will engage in the discussions that we have today, and that you will take these conversations back with you into your homes and workplaces. Often, our success owes much to the trailblazing efforts of our community leaders. To celebrate them, Columbia APALSA began awarding the Hong Yen Chang award to graduates of Columbia Law School in recognition of their significant contributions to the APA legal community and beyond. Columbia APALSA is pleased to award the fourth annual Hong Yen Chang award to Charles Yu ’01. The award is named after Hong Yen Chang, who is reported to be the first Asian to legally acquire license to practice law in the United States. An immigrant from China, Chang was exempted from the Chinese Exclusion Act because he was a student and not a laborer. Chang began his legal studies at Columbia Law School and graduated in 1886. In 1887, Chang applied for admission to the New York State Bar, but was denied because he lacked citizenship status under the Chinese Exclusion Act. In response, the New York State Legislature passed an act that directly named Chang, waived for him the citizenship requirement, and granted him license to practice law provided that he passed the proper examinations. Chang was admitted to the New York State Bar in May 1888. Many of us today who are now practicing law in the United States, or who soon will be, are a part of Hong Yen Chang’s legacy. This conference and gala is a way for us to celebrate our heritage, to recognize our community, and to reflect both on the path in front of us, and on the trail that we too have paved. SCHEDULE 10:00 AM – 11:00 AM EST Panel 1 Asian American Experience in the U.S. 11:00 AM – 12:00 PM EST Panel 2 Asian Practitioners in Different Jurisdictions/Industries 12:30 PM – 1:00 PM EST Panel 3 Keynote Panel with Charles Yu 1:00 PM – 2:00 PM EST Panel 4 Cross-Generational Fireside Chat 2:15 PM - 3:30 PM EST Networking Session with Kirkland and Skadden attorneys CONFERENCE COMMITTEE VP of Special Events Long Dang Special Events Chair Yae Rin Kim President Calvin Lee VP of Internal Affairs Elaine Huang VP of External Affairs Suzy Park VP of Communications Jenna Shin VP of Finance Daniel Yeo Professional Development Chairs Jiyoon Kim Kil Hyun Kim Public Interest Chairs Alison Hung Vivien Lee Caravan Chair In Young Kim Social Chair Hongxi Wang Membership Chair George Hsu 1L Representatives Jamie Lee Yi Bao Satyen Gupta Steven Hao Julia Zhu Sophia Han Allison Jeanne Spindler Amanda Yang LLM Representative Ryan Chua Transfer Rep Howard Kim 3L Reps Jeeyoon Chung Lawrence Ho HONG YEN CHANG AWARD RECIPIENT CHARLES YU Charles Yu ’01 is the author of four books, including his latest, Interior Chinatown, which received the National Book Award for Fiction and was longlisted for the Andrew Carnegie Medal for Excellence in Fiction. He has received the National Book Foundation’s 5 Under 35 Award, been nominated for two Writers Guild of America awards for his work on the HBO series Westworld, and has also written for shows on FX, AMC, Facebook Watch, and Adult Swim. His fiction and non-fiction have appeared in numerous publications including The New Yorker, The New York Times Magazine, The Atlantic, Wired, Time and Ploughshares. ASIAN AMERICAN PANEL ONE EXPERIENCE IN THE U.S. 10:00 am - 11:00 am Nobuhisa Ishizuka is the Executive Director of the Center for Japanese Legal Studies at Columbia Law School, which has been an intellectual hub between the U.S. and Japan for over 30 years. He oversees the Center's programming and strategy and promotes scholarly exchanges between faculty and practitioners in the field. Prior to joining the Center he was a Partner at Skadden, Arps, Slate, Meagher & Flom LLP, where he advised on corporate and financial matters, with NOBUHISA a focus on mergers and acquisitions and corporate finance. Several of his transactions have been cited ISHIZUKA by leading financial and business law publications Executive Director of the Center for their innovation or as “Deals of the Year”. for Japanese Legal Studies at Columbia Law School Mr. Ishizuka has been recognized as a leading individual in Chambers Asia-Pacific and Chambers Global, and as a leading lawyer in IFLR1000: The Guide to the World’s Leading Financial Law Firms, Asia Pacific Legal 500 and Best Lawyers in Japan. He has published in Columbia Law Review, Commercial Law Review, and other legal publications. Mr. Ishizuka has a B.A. from Columbia College and a J.D. from the Columbia University School of Law, where he was a Senior Editor of the Columbia Law Review. He was a graduate research student at the University of Tokyo, where he currently teaches mergers and acquisitions. He is a member of the Board of Visitors at Columbia Law School, the Board of Visitors of Columbia College, a Fellow of the American Bar Foundation and is a past member of the Board of Directors of the Japanese American Association of New York. ASIAN AMERICAN PANEL ONE EXPERIENCE IN THE U.S. 10:00 am - 11:00 am Yang Chen is the Executive Director of the Asian American Bar Association of New York (AABANY), a position he has held since August 2009. Mr. Chen is AABANY's first Executive Director. He has been active in AABANY for many years, having served on the Board and numerous committees, including the Judicial Affairs (now Judiciary) Committee, of which he was a chair. Mr. Chen served as AABANY's President in 2008. Before becoming AABANY's Executive Director, Mr. Chen was a partner at YANG CHEN Constantine Cannon, a law firm specializing in Executive Director of antitrust and complex commercial litigation. He was the Asian American among the group that founded the firm in 1994, Bar Association of which started as Constantine & Associates. New York Before joining Constantine Cannon, Mr. Chen was an associate in the New York office of McDermott, Will & Emery, and before that he was associated with Breed, Abbott & Morgan (now Winston & Strawn). Mr. Chen is admitted to practice in the State of New York, the United States District Court, Southern and Eastern Districts of New York, the Second Circuit Court of Appeals and the Supreme Court of the United States. He is a graduate of the New York University School of Law and Binghamton University. ASIAN AMERICAN PANEL ONE EXPERIENCE IN THE U.S. 10:00 am - 11:00 am Karen specializes in vindicating the rights of employees and workers and advising employers in promoting fairer and more productive workplaces. She has over two decades of legal experience working with employees, workers, and immigrants, including over nine years as an Assistant Attorney General in the Labor Bureau at the New York State Attorney General, where she led investigations into labor violations in numerous industries, including the agricultural, greengrocer, moving, restaurant, and taxi industries. KAREN KITHAN In addition, Karen has had varied law teaching and YAU policy-related experiences. She was a recipient of a Skadden Of-Counsel, Kakalec Law; Fellowship at the National Employment Law Project and a Co-Chair of AABANY Pro Robert M. Cover Teaching Fellowship at Yale Law School and Bono and Community held an assistant professorship at Syracuse University Service Committee College of Law. Karen also worked in management and leadership positions in not-for-profit policy and advocacy organizations. Karen is active in bar associations and community organizations and sits on several boards of not-for-profit organizations. As a co-chair of the Pro Bono and Community Service Committee of the Asian American Bar Association of New York (AABANY), she spearheads its Pro Bono Advice and Referral Clinic, a recipient of the New York State Bar Association’s 2019 Bar Leaders Innovation Award that has served thousands of clients since its founding in December 2015, and she oversees AABANY’s ever-expanding pro bono activities. In addition to AABANY, Karen is also a member of National Employment Law Association – National and New York Chapter, the American Immigration Lawyers Association, the Federal Bar Association, and the New York City Bar Association. ASIAN AMERICAN PANEL ONE EXPERIENCE IN THE U.S. 10:00 am - 11:00 am Karen R. King is a partner at Morvillo Abramowitz Grand Iason & Anello LLP. She has more than 20 years of experience in complex commercial litigation, BSA/AML and OFAC compliance and enforcement matters, securities litigation and regulation, internal investigations, and strategic advice. She is a skilled trial attorney and advocate, representing clients in numerous federal and state courts, and before U.S. regulators. Karen has also been recognized for her KAREN KING commitment to pro bono work. She was the Partner, Morvillo recipient of the Federal Bar Council’s Thurgood Abramowitz Grand Iason & Marshall Award for Exceptional Pro Bono Service in Anello PC; Vice Chair of 2019, as well as the Pro Bono award from the AABANY Pro Bono and National Asian Pacific American Bar Association. Community Service She serves as the Vice Chair of the Pro Bono and Committee Community Service Committee of the Asian American Bar Association of New York and is a member of the second Circuit Pro-Bono panel.
Recommended publications
  • Indiebestsellers
    Indie Bestsellers Fiction Week of 03.31.21 HARDCOVER PAPERBACK 1. Klara and the Sun 1. The Song of Achilles Kazuo Ishiguro, Knopf, $28 Madeline Miller, Ecco, $16.99 2. The Midnight Library 2. Circe Matt Haig, Viking, $26 Madeline Miller, Back Bay, $16.99 3. The Four Winds 3. The Rose Code Kristin Hannah, St. Martin’s, $28.99 Kate Quinn, Morrow, $17.99 ★ 4. The Consequences of Fear 4. The Dutch House Jacqueline Winspear, Harper, $27.99 Ann Patchett, Harper Perennial, $17 5. The Vanishing Half 5. Later Brit Bennett, Riverhead Books, $27 Stephen King, Hard Case Crime, $14.95 6. The Invisible Life of Addie LaRue ★ 6. The Book of Longings V.E. Schwab, Tor, $26.99 Sue Monk Kidd, Penguin, $17 7. Hamnet 7. Deacon King Kong Maggie O’Farrell, Knopf, $26.95 James McBride, Riverhead Books, $17 8. The Committed 8. Interior Chinatown Viet Thanh Nguyen, Grove Press, $27 Charles Yu, Vintage, $16 9. The Lost Apothecary 9. The Overstory Sarah Penner, Park Row, $27.99 Richard Powers, Norton, $18.95 10. We Begin at the End 10. The Sympathizer Chris Whitaker, Holt, $27.99 Viet Thanh Nguyen, Grove Press, $17 11. The Paris Library ★ 11. The Night Watchman Janet Skeslien Charles, Atria, $28 Louise Erdrich, Harper Perennial, $18 12. Anxious People 12. The House in the Cerulean Sea Fredrik Backman, Atria, $28 TJ Klune, Tor, $18.99 13. The Sanatorium 13. The Glass Hotel Sarah Pearse, Pamela Dorman Books, $27 Emily St. John Mandel, Vintage, $16.95 ★ 14. Eternal 14. Parable of the Sower Lisa Scottoline, Putnam, $28 Octavia E.
    [Show full text]
  • What Was Contemporary Literature?”
    ENG 525.001—Contemporary Literature “What Was Contemporary Literature?” Fall 2013 T—7:20 pm-10:00 pm Room: HL 305 Instructor: (Christopher Gonzalez, PhD – Assistant Professor) Office Location: Hall of Languages (HL) 225 Office Hours: MF 11:00 am-1:00 pm and by appointment Office Phone: 903.886.5277 Office Fax: 903.886.5980 University Email Address: [email protected] NOTE: I reserve the right to revise the contents of this syllabus as I deem necessary. COURSE INFORMATION Materials – Textbooks, Readings, Supplementary Readings: Textbooks Required: Gilead by Marilynne Robinson The Marriage Plot by Jeffrey Eugenides The Middlesteins by Jami Attenberg Super Sad True Love Story by Gary Shteyngart How to Live Safely in a Science Fictional Universe by Charles Yu Lost City Radio by Daniel Alarcón Salvage the Bones by Jesmyn Ward The Round House by Louise Erdrich The Yellow Birds by Kevin Powers A Tale for the Time Being by Ruth Ozeki A Visit from the Good Squad by Jennifer Egan I Am Not Sidney Poitier by Percival Everett (ENG 525 catalogue description): A study of post-1945 and recent literature in the United States and/or the United Kingdom and Ireland. Special emphasis will be placed on the ways in which national and international phenomena, both social as well as aesthetic, have informed an increasingly diverse understanding of literary texts. Topics for analysis could include late Modernism and its links to postmodern thought, Cold War writing, literatures of nationhood, post colonialism, the institutionalization of theory, multiculturalism and its literary impact, and the ever-growing emphasis placed on generic hybridity, especially as it concerns visual and electronic media.
    [Show full text]
  • Curriculum Guide 21-22 MASTER
    Curriculum Guide 2021-2022 Click on any of the titles below to automatically scroll to that section. MIDDLE SCHOOL OVERVIEW 2 Middle School Literature & Writing 5 Middle School History 9 Middle School Science 12 Middle School Math 14 Middle School Languages 16 Middle School Visual & Performing Arts 19 Middle School Religion, Ethics, & Philosophy 22 Middle School Physical Education 24 Middle School Electives 25 UPPER SCHOOL OVERVIEW 27 Ninth-Grade Humanities 34 Upper School Writing Seminars 38 Black Studies 40 Environmental Studies 42 Latinx Studies 44 Asian Studies 46 Class Studies 48 Queer Studies 50 Indigenous Studies 52 European Studies 54 Upper School Humanities Electives 56 Upper School Science 62 Upper School Math 66 Upper School Languages 71 Upper School Visual & Performing Arts 74 Upper School Religion, Ethics, and Philosophy 81 Upper School Physical Education 83 1 Middle School Overview The Middle School academic calendar is divided into semesters, which are named after feasts in the liturgical calendar: 1. Michaelmas Semester (Fall) 2. Epiphany Semester (Spring) Students in the Middle School share essential, formative experiences with their peers through much of the core curriculum, but also have some flexibility regarding how they fulfill requirements. COURSE OF STUDY Sixth Grade Michaelmas Semester Epiphany Semester Literature & Writing - Rules and Structures of Literature & Writing - Stories as Artifacts of Our Storytelling (and When to Break Them) Collective Memory History - The Origins of Humanity History - The Rise and Fall
    [Show full text]
  • Conference Director Alfred Bendixen Texas A&M University
    American Literature Association A Coalition of Societies Devoted to the Study of American Authors 25th Annual Conference on American Literature May 22-25, 2014 Hyatt Regency Washington on Capitol Hill Washington, D.C. (202-737-1234) Conference Director Alfred Bendixen Texas A&M University Final Version May 7, 2014 This on-line draft of the program is designed to provide information to participants in our 25th conference It is now too late to make additional corrections to the printed program but changes can be made to the on-line version. Please note that the printed program will be available at the conference. Audio-Visual Equipment: The program also lists the audio-visual equipment that has been requested for each panel. The ALA normally provides a digital projector and screen to those who have requested it at the time the panel or paper is submitted. Individuals will need to provide their own laptops and those using Macs are advised to bring along the proper cable/adaptor to hook up with the projector. Please note that we no longer provide vcrs or overhead projectors or tape players. Registration: Participants should have pre-registered for the conference by going to the website at www.alaconf.org and either completing on line-registration which allows you to pay with a credit card or completing the registration form and mailing it along with the appropriate check to the address indicated. Individuals may register at the conference with cash or a check, but please note that we will not be able to accept credit cards at the hotel.
    [Show full text]
  • Download Transcript
    ART UNBOUND EPISODE 27 TRANSCRIPT AMY DOTSON This is Art Unbound, the official podcast for the Portland Art Museum and Northwest Film Center. My name is Amy Dotson, and I’ve been the Director of the Film Center for about a year and a half. As you can imagine, it’s been a time of great change for us. The pandemic hit the states just as we kicked off the 43rd Portland International Film Festival. And as much as that was a big disappointment, it gave us opportunities to pivot to new ways of experiencing cinema. We offered new films for our audience to screen at home, we launched the Cinema Unbound Drive-In Theater at Zidell Yards, and we even had the great honor to be the sole U.S. partner for the Venice Biennale’s VR Expanded experience. The pandemic also meant forming a stronger bond between the Film Center and the Portland Art Museum, part of which resulted in the rebrand of this podcast. This episode is actually the first to truly incorporate the Film Center and I can’t imagine a better way to kick things off. This episode is exciting for some other reasons, too. The audio is taken from a Zoom happy hour that we did on November 20, which was a partnership with Literary Arts, a local community based nonprofit with a mission to engage readers, support writers, and inspire the next generation with great literature. What you were about to hear is a conversation I had with Charles Yu, a celebrated author and screenwriter, whose television credits include HBO’s Westworld and FX’s Legion.
    [Show full text]
  • Undergraduate Course Descriptions
    FALL 2016 ENGL 002SL: READING II 3 hours. 2 credits English 002 is an intensive reading course for ESL/ELL students assigned by a placement test. This course offers practice in critical reading comprehension skills with emphasis on determining main thoughts, inferences, tone and style. Efficient reading techniques are developed and adapted to diverse materials. Texts vary. Students must pass the CUNY Assessment Test in Reading to pass the course. ENGL 004SL: ENGLISH FOR BI-LINGUAL STUDENTS II 6 hours. 1credit English 004 is an intermediate ESL/ELL course for students who are assigned by a placement test or by advisement. Emphasis is on basic structural patterns of standard written English, mechanical conventions, vocabulary development and essay organization. To pass the course, students must pass a departmental final essay exam. ENGL 005SL: ENGLISH FOR BI-LINGUAL STUDENTS III 3 hours. 2 credits English 005 is an intensive ESL/ELL course for students who are assigned by a placement test, advisement, or successful completion of ENGL 004. Emphasis is on essay writing of an expository nature-demonstrating clear organization, correct syntax, sentence variety, mechanics and word choice. Students practice controlling, developing and supporting their ideas in writing. To pass the course, students must pass the CUNY Assessment Test in Writing. ENGLISH 120: EXPOSITORY WRITING 3 hrs. a week plus conferences. 3 credits. This course is required of all freshmen. GER 1A Hunter Core: English Comp English 120, an introductory expository writing course, has four related goals: Through reading, discussions, writing, and rewriting, it teaches students to generate, explore, and refine their own ideas; to analyze and evaluate intellectual arguments; to take positions, develop thesis statements, and support them persuasively; and to write with standard acceptable grammar, varied sentence structure, logical organization, and coherence.
    [Show full text]
  • Indiebestsellers
    Indie Bestsellers Fiction Week of 05.05.21 HARDCOVER PAPERBACK 1. The Hill We Climb 1. Where the Crawdads Sing Amanda Gorman, Viking, $15.99 Delia Owens, Putnam, $18 2. The Midnight Library 2. The Song of Achilles Matt Haig, Viking, $26 Madeline Miller, Ecco, $16.99 3. Klara and the Sun 3. Circe Kazuo Ishiguro, Knopf, $28 Madeline Miller, Back Bay, $16.99 ★ 4. Whereabouts 4. Such a Fun Age Jhumpa Lahiri, Knopf, $24 Kiley Reid, Putnam, $17 5. The Four Winds 5. The Dutch House Kristin Hannah, St. Martin’s, $28.99 Ann Patchett, Harper Perennial, $17 ★ 6. Sooley 6. The Rose Code John Grisham, Doubleday, $28.95 Kate Quinn, Morrow, $17.99 7. The Vanishing Half 7. The Overstory Brit Bennett, Riverhead Books, $27 Richard Powers, Norton, $18.95 8. First Person Singular 8. The House in the Cerulean Sea Haruki Murakami, Knopf, $28 TJ Klune, Tor, $18.99 9. The Invisible Life of Addie LaRue 9. The Book of Longings V.E. Schwab, Tor, $26.99 Sue Monk Kidd, Penguin, $17 10. When the Stars Go Dark 10. A Long Petal of the Sea Paula McLain, Ballantine, $28 Isabel Allende, Ballantine, $17 11. Hamnet 11. Deacon King Kong Maggie O’Farrell, Knopf, $26.95 James McBride, Riverhead Books, $17 ★ 12. Fugitive Telemetry 12. The Night Watchman Martha Wells, Tordotcom, $19.99 Louise Erdrich, Harper Perennial, $18 13. The Lost Apothecary 13. Interior Chinatown Sarah Penner, Park Row, $27.99 Charles Yu, Vintage, $16 14. The Paris Library 14. The Sympathizer Janet Skeslien Charles, Atria, $28 Viet Thanh Nguyen, Grove Press, $17 15.
    [Show full text]
  • Summer Reading Sue Donaldson Program Officer, Visual Arts
    Summer Reading Sue Donaldson Program Officer, Visual Arts & Museums, British Columbia Arts Council Zia Haider Rahman In the Light of What We Know (2014); Rachel Kushner The Flamethrowers (2013); Slavoj Žižek Violence (2008); Emmanuel LeRoy Ladurie Carnival At Romans (1979); George Packer The Unwinding: An Inner History of the New America (2013) Francois Dion Program Officer, Visual Arts Section, Canada Council for the Arts Since I started putting up this list, I have finished: Clément de GaulejacGrande école (2012); I have added one title (and finished reading it): David Lonergan Acadie 72, Naissance de la modernité acadienne (2013); I still want to read: Self-Organized Stine Hebert and Anne Szefer Karlsen, Eds (2013); A.M Klein Short Stories (1983); John Boyko Blood and Daring: How Canada Fought the American Civil War and Forged a Nation (2014); Again, A Time Machine: from distribution to archives, Gavin Everall and Jane Rolo, Eds (2012) Wendy Frost Senior Member Services Officer, CCEC Credit Union Leonardo Padura The Man Who Loved Dogs (2014): Cuban writer Padura tells the intertwined stories of Leon Trotsky, his murderer Raman Mercader, and a Cuban writer who meets and befriends Mercader in Cuba in the 70s. Publisher’s description says it encompasses nothing less than a history of international communism after the 1917 Revolution. Helen Oyeyemi Boy, Snow, Bird (2014): A modern retelling of the Snow White fairy tale. NY Times says Oyeyemi “uses the “skin as white as snow” ideal as the departure point for a cautionary tale on post-race ideology, racial limbos and the politics of passing.” Nalo Hopkinson The New Moon’s Arms (2012): Afro-Caribbean magic realism from an award-winning Canadian novelist.
    [Show full text]
  • 2018 London Rights Guide
    2018 LONDON RIGHTS GUIDE Dutton Penguin Plume TarcherPerigee Sabila Khan Director, UK & Translation Rights Phone: 212-366-2798 [email protected] Jillian Fata Senior Coordinator Phone: 212-366-2449 [email protected] Penguin Publishing Group, 375 Hudson Street, New York, NY 10014 TABLE OF CONTENTS Fiction……………………………………………………………………………………………………………………………………………………..1 Business, Narrative Nonfiction, Science…………………………………………………………………………………………………..3 Gift, Humor, Illustrated, Journaling, Pop Culture……………………………………………………………………………………..6 Memoir………………………………………………………………………………………………………………………………………………….10 Health, Parenting, Self-Help, Spirituality………………………………………………………………………………………………..10 FICTION Davis, Fiona THE MASTERPIECE: A Novel Historical Fiction | Dutton Hardcover | August 2018 | UK & Translation Rights Agent: Stefanie Lieberman @ Janklow & Nesbit | Editor: Stephanie Kelly Status: manuscript available In this dual narrative, a woman in 1974 gets swept up in the quest to save New York City’s iconic Grand Central Terminal from destruction. In the process, she uncovers the art school once housed within its walls and the story of the pioneering female artist who made her mark on the school in the 1920s before mysteriously disappearing from history. Fiona Davis began her career in New York City as an actress, where she worked on Broadway, off- Broadway, and in regional theater. After ten years, she changed careers and began working as an editor and writer. She is the author of The Dollhouse (2016) and The Address (2017). Dutton has
    [Show full text]
  • Princeton USG Senate Meeting 1 February 7, 2021 2:00Pm EST
    Princeton USG Senate Meeting 1 February 7, 2021 2:00pm EST Introduction 1. Question and Answer Session (5 minutes) 2. President’s Report (5 minutes) Preterm/January updates: Administrative meetings ● Spring 2021 Exam Policy- Default will be take-home exams unless Professors request a sitting exam with the registrar ● USLC agenda ● Continuation of Town Halls and Q&As with administrators ● Academics agenda items ● Senate applications were reviewed and new members have filled positions ○ New positions include the Athletics Liaison (Alexander Mrkalj ‘23) General updates ● Sent a welcome message to the student body about balancing short and long term projects ● Relayed student concerns to Campus Dining and received updates about circulation paths, prepackaged food items, and the opening of tents and Cafe Vivian on Monday (2/8) ● Launched the newly created Certificate Expo ● There will be a CPUC meeting on Monday (2/8) that will include President Eisgruber’s State of the University Letter/Address Senate Onboarding ● Workshopped the USG Vision and Mission Statements ● Discussed expectations ● Constitution training ● Created internal mentorship program ● Hosted an alumni panel New Business 1. Projects Board Funding Request- Rachel Hazan (10 minutes) ● Author Charles Yu has been invited by the Asian American Students Association, which has requested $2,000 from the Projects Board to go towards an honorarium. Votes ● Yes: 19 ● No: 0 ● Abstain: 0 2. Task Force Proposals (5 minutes/task force) Technology Task Force- Ayush Alag and Sahil Jain ● Aims to foster social impact through STEM ● Provide resources to students to use technology to address issues that impact the undergraduate student body. Resources may include mentorship, advice, and access to alumni networks.
    [Show full text]
  • The Second Elevation of the Novel: Race, Form, and the Postrace Aesthetic in Contemporary Narrative
    7KH6HFRQG(OHYDWLRQRIWKH1RYHO5DFH)RUPDQGWKH3RVWUDFH$HVWKHWLF LQ&RQWHPSRUDU\1DUUDWLYH 5DPyQ6DOGtYDU 1DUUDWLYH9ROXPH1XPEHU-DQXDU\SS $UWLFOH 3XEOLVKHGE\7KH2KLR6WDWH8QLYHUVLW\3UHVV '2,QDU )RUDGGLWLRQDOLQIRUPDWLRQDERXWWKLVDUWLFOH KWWSVPXVHMKXHGXDUWLFOH Access provided by Stanford University (6 Jun 2016 09:31 GMT) Ramón Saldívar The Second Elevation of the Novel: Race, Form, and the Postrace Aesthetic in Contemporary Narrative A new generation of minority and ethnic writers has come to prominence whose work signals a radical turn to a “postrace” era in American literature. Like Virginia Woolf ironically identifying the beginning of the modern era “on or about December 1910,” Colson Whitehead, in an Op-Ed piece in the New York Times in 2009, marked the anniversary of the election of the first black man to the presidency of the United States by proclaiming that “One year ago . we officially became a postracial soci- e t y.” 1 I will return to Whitehead momentarily, especially in reference to three of his novels, The Intuitionist (1998), John Henry Days (2001), and Zone One (2011). For the moment, however, I wish first to set the context for my appraisal of what I am calling here a “postrace aesthetic” in contemporary narrative. The Meaning of Race in the “Postrace” In undertaking this investigation into the inauguration of a post-postmodern, post- Civil Rights era in American fiction, I wish to make one thing clear about my use of the term “postrace”: race and racism are nowhere near extinct in contemporary America. Far from it. W. E. B. DuBois’s momentous pronouncement in 1901, that Ramón Saldívar is Professor of English and Comparative Literature and holds the Hoagland Family Professor of Humanities and Sciences chair at Stanford University.
    [Show full text]
  • English 120H: Fantasy in Literature and Film Professor Williams This
    English 120H: Fantasy in Literature and Film Professor Williams This class will examine the role of Fantasy in Literarture and Film. Beginning with an analysis of H.P. Lovecraft's essay "Supernatural Horror in Literature", the class will read Edgar Allan Poe's "The Fall of the House of Usher," H. G. Wells's "The War of the Worlds", Sheridan Le Fanu's "Carmilla", Lovecraft's "The Case of Charles Dexter Ward", ansd Edgar Rice Burrough's "A Princess of Mars". Aiming at at interdisciplinary media approach with its own version of "synergy", the class will listen to teh 1938 Orson Welles Mercury Theatre broadcasts of "The War of the Worlds" and "Dracula" as well as film versions of "The Fall of the House of Usher" (1960), "The War of the Worlds" (1953); "The Horror of Dracula" (1958), "The Vampire Lovers" (1970), "John Carter" (2011), and the BBC TV `1957-58 six part adaptation of "Quatermass and the Pit" written by Nigel Kneale and directed by Rudolph Carter. Five essays, six page minimum, are required for this class. ----- English 121 Professor Ryan Netzley When one imagines the Western European literary tradition, big important poems about national, religious, or metaphysical topics come to mind: The Iliad, The Aeneid, The Divine Comedy, The Faerie Queene, Paradise Lost. All very serious business, as all those definite articles imply. This course takes a different tack and explores the equally interesting literary tradition of short lyric poems, written to seduce, convince, woo, or otherwise trick lovers (or patrons); to commemorate important (or unimportant) occasions; to praise friends, patrons, or acquaintances (dead or alive); to accompany music or celebrate booze during ritual or social gatherings; to condemn, insult, or revile enemies; to anatomize and judge a speaker’s own thoughts or emotions; and to do a host of other things.
    [Show full text]