Indicators of Drug Or Alcohol Abuse Or Misuse
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Lil Keke Platinum in the Ghetto Zip
Lil Keke Platinum In The Ghetto Zip Lil Keke Platinum In The Ghetto Zip 1 / 3 2 / 3 Lil Keke - Discography : Southern Hip Hop, Texas Rap : USA . 2001 Lil Keke - Platinum In Da Ghetto (192 Kbps).. Trill nigga Polo fuck that Hilfiger Made myself a ghetto star On the slab, sippin barre . Lil Keke, DJ Screw, Spice 1, Paul Wall, Lil Flip, Devin the Dude, and more!! . I left that CT (T!) Terrell check my bezzle on this platinum Jacob watch (watch!) . Torrent 4135 downloads at 3015 kb/s #1 Pimp (2010) DVDRip x264WOC.. 2 Nov 2015 . Lil Keke Platinum In Da Ghetto (2001) Genre: Southern Hip-Hop, Gangsta Rap Codec: Flac (*.flac) Rip: tracks+.cue Quality: lossless Size:.. 17 Oct 2018 . Fabolous - Ghetto Fabolous Fabolous - Street Dreams (Retail Copy) . for the Major Comeback (Chopped & Screwed) [Explicit] by Lil' Keke on Amazon . Share Whatsapp Share Pinterest Already Platinum Bonus Scorpion [2 CD] Drake. BTDB torrent search The best torrent search engine in the world.. Platinum In da Ghetto is the fifth studio album by American rapper Lil' Keke from Houston, Texas. It was released on November 6, 2001 via Koch Records.. Download LIL KEKE - PLATINUM IN THE GHETTO featuring BILLY COOK . vevoextra.com O2Tvseries .com mp3Crystals torrent mp3song wapdam.. before I left that CT (T!) Terrell check my bezzle on this platinum Jacob watch (watch!) . Trill nigga Polo fuck that Hilfiger Made myself a ghetto star On the slab, . Welcome 2 Houston Pimp C, Lil' Keke, Paul Wall, Z-Ro, Big Pokey, Lil O, Bun B, . Torrent 4135 downloads at 3015 kb/s #1 Pimp (2010) DVDRip x264WOC. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Benzodiazepine Group ELISA Kit
Benzodiazepine Group ELISA Kit Benzodiazepine Background Since their introduction in the 1960s, benzodiazepines have been widely prescribed for the treatment of anxiety, insomnia, muscle spasms, alcohol withdrawal, and seizure-prevention as they are depressants of the central nervous system. Despite the fact that they are highly effective for their intended use, benzodiazepines are prescribed with caution as they can be highly addictive. In fact, researchers at NIDA (National Institute on Drug Abuse) have shown that addiction for benzodiazepines is similar to that of opioids, cannabinoids, and GHB. Common street names of benzodiazepines include “Benzos” and “Downers”. The five most encountered benzodiazepines on the illicit market are alprazolam (Xanax), lorazepam (Ativan), clonazepam (Klonopin), diazepam (Valium), and temazepam (Restori). The method of abuse is typically oral or snorted in crushed form. The DEA notes a particularly high rate of abuse among heroin and cocaine abusers. Designer benzodiazepines are currently offered in online shops selling “research chemicals”, providing drug abusers an alternative to prescription-only benzodiazepines. Data defining pharmacokinetic parameters, drug metabolisms, and detectability in biological fluids is limited. This lack of information presents a challenge to forensic laboratories. Changes in national narcotics laws in many countries led to the control of (phenazepam and etizolam), which were marketed by pharmaceutical companies in some countries. With the control of phenazepam and etizolam, clandestine laboratories have begun researching and manufacturing alternative benzodiazepines as legal substitutes. Delorazepam, diclazepam, pyrazolam, and flubromazepam have emerged as compounds in this class of drugs. References Drug Enforcement Administration, Office of Diversion Control. “Benzodiazepines.” http://www.deadiversion.usdoj.gov/drugs_concern/benzo_1. -
Dj Issue Can’T Explain Just What Attracts Me to This Dirty Game
MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS E-40, TURF TALK OZONE MAGAZINE MAGAZINE OZONE FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE CAN’T EXPLAIN JUST WHAT ATTRACTS ME TO THIS DIRTY GAME ME TO ATTRACTS JUST WHAT MIMS PIMP C BIG BOI LIL FLIP THREE 6 MAFIA RICK ROSS & CAROL CITY CARTEL SLICK PULLA SLIM THUG’s YOUNG JEEZY BOSS HOGG OUTLAWZ & BLOODRAW: B.G.’s CHOPPER CITY BOYZ & MORE APRIL 2007 USDAUSDAUSDA * SCANDALOUS SIDEKICK HACKING * RAPQUEST: THE ULTIMATE* GANGSTA RAP GRILLZ ROADTRIP &WISHLIST MORE GUIDE MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS REAL, RAW, & UNCENSORED SOUTHERN RAP E-40, TURF TALK FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE MIMS PIMP C LIL FLIP THREE 6 MAFIA & THE SLIM THUG’s BOSS HOGG OUTLAWZ BIG BOI & PURPLE RIBBON RICK ROSS B.G.’s CHOPPER CITY BOYZ YOUNG JEEZY’s USDA CAROL CITY & MORE CARTEL* RAPQUEST: THE* SCANDALOUS ULTIMATE RAP SIDEKICK ROADTRIP& HACKING MORE GUIDE * GANGSTA GRILLZ WISHLIST OZONE MAG // 11 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly CHIEF OPERATIONS OFFICER // N. Ali Early MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric Perrin ART DIRECTOR // Tene Gooden ADVERTISING SALES // Che’ Johnson PROMOTIONS DIRECTOR // Malik Abdul MARKETING DIRECTOR // David Muhammad LEGAL CONSULTANT // Kyle P. King, P.A. SUBSCRIPTIONS MANAGER // Destine Cajuste ADMINISTRATIVE // Cordice Gardner, Kisha Smith CONTRIBUTORS // Alexander Cannon, Bogan, Carlton Wade, Charlamagne the God, Chuck T, E-Feezy, Edward Hall, Felita Knight, Iisha Hillmon, Jacinta Howard, Jaro Vacek, Jessica INTERVIEWS Koslow, J Lash, Jason Cordes, Jo Jo, Joey Columbo, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, Kenneth Brewer, K.G. -
Slowed and Throwed: Records of the City Through Mutated Lenses Scholar of African American Culture Thursday, March 5 Members Preview | 6–7PM Public Opening | 7–9PM
These events are free, Public open to the public, and take “If nothing else, Screw culture was a Programs place at Contemporary love letter to Houston, a sonic rendering Slowed and Arts Museum Houston. Seating is limited. Please of the illegibility of Houston’s Black check camh.org for the Throwed most current information. communities made legible by slowing it down.” March 6–June 7, 2020 —Dr. Regina N. Bradley, Opening Reception | Slowed and Throwed: Records of the City Through Mutated Lenses Scholar of African American culture Thursday, March 5 Members Preview | 6–7PM Public Opening | 7–9PM Art at Noon | Lance Scott Walker Friday, March 6 | Noon–1PM In Conversation | Patricia Restrepo, CAMH Exhibitions Manager and Assistant Curator, with artists Tay Butler, Robert Hodge, and Ayanna Jolivet Mccloud Saturday, March 7 | 11AM–Noon Open Studio | Community Remix Saturday, March 7 | 2–4PM Karen Navarro. Fragment Tom Van Laan, Joe and Anderson Foundation, (detail), 2019. Archival Johanne Gatto, Blakely National Endowment for Family Day and Teen Council-organized Fashion Show inkjet print, wood, and and Trey Griggs, Kerry the Arts, The Sarofim epoxy. 48 x 56 inches. Inman and Denby Auble, Foundation, Louisa Saturday, March 21 | 1–4PM Courtesy the artist Louise Jamail, Page Stude Sarofim, Susan and Foto Relevance, Kempner, Dillon A. Kyle Vaughan Foundation, 5216 Montrose Boulevard Houston, Texas. and Sam L. Lasseter, Bryn Texas Commission on the Open Studio | Making Beats Houston, Texas 77006 Larsen, Erica and Benjy Arts, Vinson & Elkins LLP, @camhouston Slowed and Throwed: Levit, Marian Livingston, Wallace S. Wilson, The Saturday, April 4 | 2–4PM CAMH.ORG Records of the City Lucinda and Javier Loya, Wortham Foundation, Inc., #atCAMH Through Mutated Lenses Catherine and George Marion and David Young, #SlowedandThrowed is made possible in part Masterson, Elisabeth Michael Zilkha. -
New Zealand's Emergent Opioid Trends
New Zealand’s emergent opioid trends - the influences and impacts: Consumer and clinician understanding of New Zealand’s changing patterns of opioid use, availability and impacts Klare Braye A thesis submitted in partial fulfilment of the requirements for the degree of Master of Health Sciences Department of Psychological Medicine University of Otago, Christchurch New Zealand 2014 “Among the remedies which it has pleased Almighty God to give to man to relieve his sufferings, none is so universal and so efficacious as opium”. (Sir Thomas Sydenham, 1680) ~ iii ~ Abstract This thesis explores opioid users and addiction service providers’ understandings of the changing patterns, availability and impacts of opioids and opioid use in New Zealand with a particular focus on the last two decades. Throughout history, the availability of substances of abuse have waxed and waned. Their emergence and availability is influenced by social, legislative and political circumstances. Extensive literature exists related to the use of opioids such as morphine and methadone in New Zealand, and heroin overseas. However, few studies have examined the emerging trends of opioids that are often used as adjunctively to these substances; examples of which in recent years include poppy seed tea (PST), over-the- counter codeine-containing analgesics and most recently some prescribed pain medications. Information regarding the use, availability and impacts of these adjunct opioids from the consumers who use them, and the clinicians who work with these consumers could usefully inform service provision and public policy. This qualitative study, adopting a Husserlian phenomenological philosophy was used, to gain an understanding of the use, access to and implications of these emergent opioid trends. -
The Emergence of New Psychoactive Substance (NPS) Benzodiazepines
Issue: Ir Med J; Vol 112; No. 7; P970 The Emergence of New Psychoactive Substance (NPS) Benzodiazepines. A Survey of their Prevalence in Opioid Substitution Patients using LC-MS S. Mc Namara, S. Stokes, J. Nolan HSE National Drug Treatment Centre Abstract Benzodiazepines have a wide range of clinical uses being among the most commonly prescribed medicines globally. The EU Early Warning System on new psychoactive substances (NPS) has over recent years detected new illicit benzodiazepines in Europe’s drug market1. Additional reference standards were obtained and a multi-residue LC- MS method was developed to test for 31 benzodiazepines or metabolites in urine including some new benzodiazepines which have been classified as New Psychoactive Substances (NPS) which comprise a range of substances, including synthetic cannabinoids, opioids, cathinones and benzodiazepines not covered by international drug controls. 200 urine samples from patients attending the HSE National Drug Treatment Centre (NDTC) who are monitored on a regular basis for drug and alcohol use and which tested positive for benzodiazepine class drugs by immunoassay screening were subjected to confirmatory analysis to determine what Benzodiazepine drugs were present and to see if etizolam or other new benzodiazepines are being used in the addiction population currently. Benzodiazepine prescription and use is common in the addiction population. Of significance we found evidence of consumption of an illicit new psychoactive benzodiazepine, Etizolam. Introduction Benzodiazepines are useful in the short-term treatment of anxiety and insomnia, and in managing alcohol withdrawal. 1 According to the EMCDDA report on the misuse of benzodiazepines among high-risk opioid users in Europe1, benzodiazepines, especially when injected, can prolong the intensity and duration of opioid effects. -
Communication Design Quarterly
Online First 2018 Communication Design Quarterly Published by the Association for ComputingVolume Machinery 1 Issue 1 Special Interest Group for Design of CommunicationJanuary 2012 ISSN: 2166-1642 DJs, Playlists, and Community: Imagining Communication Design through Hip Hop Victor Del Hierro University of Texas at El Paso [email protected] Published Online October 17, 2018 CDQ 10.1145/3274995.3274997 This article will be compiled into the quarterly publication and archived in the ACM Digital Library. Communication Design Quarterly, Online First https://sigdoc.acm.org/publication/ DJs, Playlists, and Community: Imagining Communication Design through Hip Hop Victor Del Hierro University of Texas at El Paso [email protected] ABSTRACT INTRODUCTION This article argues for the inclusion of Hip Hop communities in Recent work in Technical/Professional Communication has made technical communication research. Through Hip Hop, technical calls for expanding the field by turning to social justice through communicators can address the recent call for TPC work to expand culturally sensitive and diverse studies that honor communities the field through culturally sensitive and diverse studies that honor and their practices (Agboka, 2013; Haas, 2012; Maylath et communities and their practices. Using a Hip Hop community al., 2013). While this work pushes our field toward important in Houston as a case study, this article discusses the way DJs ethical responsibilities, it also helps build rigorous research operate as technical communicators within their communities. and methods that help meet the needs of already globalized and Furthermore, Hip Hop DJs build complex relationships with complex communication praxis (Walton, Zraly, & Mugengana, communities to create localized and accessible content. -
Indicators of Drug Or Alcohol Abuse Or Misuse
New Trends in Substance Abuse 2019 Lynn Riemer Ron Holmes, MD 720-480-0291 720-630-5430 [email protected] [email protected] www.actondrugs.org Facebook/ACTonDrugs Indicators of Drug or Alcohol Abuse or Misuse: Behavioral Physical - Abnormal behavior - Breath or body odor - Exaggerated behavior - Lack of coordination - Boisterous or argumentative - Uncoordinated & unsteady gait - Withdrawn - Unnecessary use of arms or supports for balance - Avoidance - Sweating and/or dry mouth - Changing emotions & erratic behavior - Change in appearance Speech Performance - Slurred or slow speech - Inability to concentrate - Nonsensical patterns - Fatigue & lack of motivation - Confusion - Slowed reactions - Impaired driving ability The physiologic factors predisposing to addiction Nearly every addictive drug targets the brain’s reward system by flooding the circuit with the neurotransmitter, dopamine. Neurotransmitters are necessary to transfer impulses from one brain cell to another. The brain adapts to the overwhelming surges in dopamine by ultimately producing less dopamine and by reducing the number of dopamine receptors in the reward circuit. As a result, two important physiologic adaptations occur: (1) the addict’s ability to enjoy the things that previously brought pleasure is impaired because of decreased dopamine, and (2) higher and higher doses of the abused drug are needed to achieve the same “high” that occurred when the drug was first used. This compels the addict to increase drug consumption to increase dopamine production leading to physiologic addiction with more and more intense cravings for the drug. The effects of addiction on the brain Nearly all substances of abuse affect the activity of neurotransmitters that play an important role in connecting one brain cell to another. -
Hip Hop 1 Hip Hop
Hip hop 1 Hip hop For other uses, see Hip hop (disambiguation). See also: Hip hop music Hip hop is a broad conglomerate of artistic forms that originated within a marginalized subculture in the South Bronx and Harlem in New York City among black and Latino youth during the 1970s.[1][2][3] It is characterized by four distinct elements, all of which represent the different manifestations of the culture: rap music (oral), turntablism or "DJing" (aural), breaking (physical) and graffiti art (visual). Even while it continues in contemporary history to develop globally in a flourishing myriad of diverse styles, these foundational elements provide stability and coherence to the culture. The term is frequently used mistakenly to refer in a confining fashion to the mere practice of rap music.Wikipedia:Citation needed The origin of the subculture stems from the block parties of the Nas is an American rapper who is regarded as one of Ghetto Brothers when they plugged the amps for their instruments the greatest MCs of all time. and speakers into the lampposts on 163rd Street and Prospect Avenue, and from DJ Kool Herc at 1520 Sedgwick Avenue, where Herc mixed samples of existing records with his own shouts to the crowd and dancers. Kool Herc is credited as the "father" of hip hop. DJ Afrika Bambaataa of the hip hop collective Zulu Nation outlined the pillars of hip hop culture, to which he coined the terms: MCing or "Emceein", DJing or "Deejayin", B-boying and graffiti writing or "Aerosol Writin".[4] Since its evolution throughout the South Bronx, hip hop culture has spread to both urban and suburban communities throughout the world. -
No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change. -
Pharmacology
STATE ESTABLISHMENT «DNIPROPETROVSK MEDICAL ACADEMY OF HEALTH MINISTRY OF UKRAINE» V.I. MAMCHUR, V.I. OPRYSHKO, А.А. NEFEDOV, A.E. LIEVYKH, E.V.KHOMIAK PHARMACOLOGY WORKBOOK FOR PRACTICAL CLASSES FOR FOREIGN STUDENTS STOMATOLOGY DEPARTMENT DNEPROPETROVSK - 2016 2 UDC: 378.180.6:61:615(075.5) Pharmacology. Workbook for practical classes for foreign stomatology students / V.Y. Mamchur, V.I. Opryshko, A.A. Nefedov. - Dnepropetrovsk, 2016. – 186 p. Reviewed by: N.I. Voloshchuk - MD, Professor of Pharmacology "Vinnitsa N.I. Pirogov National Medical University.‖ L.V. Savchenkova – Doctor of Medicine, Professor, Head of the Department of Clinical Pharmacology, State Establishment ―Lugansk state medical university‖ E.A. Podpletnyaya – Doctor of Pharmacy, Professor, Head of the Department of General and Clinical Pharmacy, State Establishment ―Dnipropetrovsk medical academy of Health Ministry of Ukraine‖ Approved and recommended for publication by the CMC of State Establishment ―Dnipropetrovsk medical academy of Health Ministry of Ukraine‖ (protocol №3 from 25.12.2012). The educational tutorial contains materials for practical classes and final module control on Pharmacology. The tutorial was prepared to improve self-learning of Pharmacology and optimization of practical classes. It contains questions for self-study for practical classes and final module control, prescription tasks, pharmacological terms that students must know in a particular topic, medical forms of main drugs, multiple choice questions (tests) for self- control, basic and additional references. This tutorial is also a student workbook that provides the entire scope of student’s work during Pharmacology course according to the credit-modular system. The tutorial was drawn up in accordance with the working program on Pharmacology approved by CMC of SE ―Dnipropetrovsk medical academy of Health Ministry of Ukraine‖ on the basis of the standard program on Pharmacology for stomatology students of III - IV levels of accreditation in the specialties Stomatology – 7.110105, Kiev 2011.