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I Can Hear Music
5 I CAN HEAR MUSIC 1969–1970 “Aquarius,” “Let the Sunshine In” » The 5th Dimension “Crimson and Clover” » Tommy James and the Shondells “Get Back,” “Come Together” » The Beatles “Honky Tonk Women” » Rolling Stones “Everyday People” » Sly and the Family Stone “Proud Mary,” “Born on the Bayou,” “Bad Moon Rising,” “Green River,” “Traveling Band” » Creedence Clearwater Revival “In-a-Gadda-Da-Vida” » Iron Butterfly “Mama Told Me Not to Come” » Three Dog Night “All Right Now” » Free “Evil Ways” » Santanaproof “Ride Captain Ride” » Blues Image Songs! The entire Gainesville music scene was built around songs: Top Forty songs on the radio, songs on albums, original songs performed on stage by bands and other musical ensembles. The late sixties was a golden age of rock and pop music and the rise of the rock band as a musical entity. As the counterculture marched for equal rights and against the war in Vietnam, a sonic revolution was occurring in the recording studio and on the concert stage. New sounds were being created through multitrack recording techniques, and record producers such as Phil Spector and George Martin became integral parts of the creative process. Musicians expanded their sonic palette by experimenting with the sounds of sitar, and through sound-modifying electronic ef- fects such as the wah-wah pedal, fuzz tone, and the Echoplex tape-de- lay unit, as well as a variety of new electronic keyboard instruments and synthesizers. The sound of every musical instrument contributed toward the overall sound of a performance or recording, and bands were begin- ning to expand beyond the core of drums, bass, and a couple guitars. -
Visit Hunter/Tannersville!
Catskill Mountain Region AUGUST 2018 COMPLIMENTARY GUIDE catskillregionguide.com SPECIAL SECTION: VISIT HUNTER/TANNERSVILLE! August 2018 • GUIDE 1 TABLE OF www.catskillregionguide.com CONTENTS VOLUME 33, NUMBER 8 August 2018 PUBLISHERS Peter Finn, Chairman, Catskill Mountain Foundation Sarah Finn, President, Catskill Mountain Foundation EDITORIAL DIRECTOR, CATSKILL MOUNTAIN FOUNDATION Sarah Taft ADVERTISING SALES Rita Adami, Barbara Cobb Steve Friedman CONTRIBUTING WRITERS Anne Donovan, Stephanie Goff, Harry G. Jameson III, Heather Rolland, Jeff Senterman & Robert Tomlinson ADMINISTRATION & FINANCE Candy McKee Justin McGowan & Isabel Cunha PRINTING Catskill Mountain Printing Services DISTRIBUTION Catskill Mountain Foundation On the cover: Sam’s Point Trail in Ellenville, Ulster County. Photo courtesy of Ulster County Tourism EDITORIAL DEADLINE FOR NEXT ISSUE: August 10 The Catskill Mountain Region Guide is published 12 times a year by the Catskill Mountain Foundation, Inc., Main Street, PO Box 4 THE ARTS 924, Hunter, NY 12442. If you have events or programs that you would like to have covered, please send them by e-mail to tafts@ catskillmtn.org. Please be sure to furnish a contact name and in- 8 SECOND ANNUAL WOMEN’S EXPO AT ST. THERESA’S clude your address, telephone, fax, and e-mail information on all correspondence. For editorial and photo submission guidelines IN WINDHAM THIS AUGUST By Anne Donovan & Stephanie Goff send a request via e-mail to [email protected]. The liability of the publisher for any error for which it may be held legally responsible will not exceed the cost of space ordered FALLA! Two Masterpieces by the Great Spanish Composer or occupied by the error. -
Donovan 2012.Pdf
PERFORMERS PARKE PUTERBAUGH NOT DUST POP LYRICS BUT MODERN POETRY The view o f the sixties is so generalized it’s good to open up the of the Witch”), and the Allman Brothers Band (whose spirituality o f it and what the music was trying to represent. “Mountain Jam” was based on Donovan’s “There Is a It was certainly not just getting stoned and hanging out, man. Mountain”). Beyond all that, he was a gentle spirit who There was meaning and direction; there was substance to it. sang unforgettably of peace, love, enlightenment, wild —Donovan scenes, and magical visions. Born Donovan Leitch in Glasgow, Scotland, in onovan was the Pied Piper of the counterculture. 1946, he moved at age 10 with his family to Hatfield, A sensitive Celtic folk-poet with an adventurous Hertfordshire, England. After turning 1 6, he pursued a musical mind, he was a key figure on the British romantic wanderlust, running off to roam alongside Beat Dscene during its creative explosion in the mid-sixties. He and bohemian circles. He also studiously applied himself wrote and recorded some of the decade’s most memorable to the guitar, learning a sizable repertoire of folk and blues songs, including “Catch the Wind,” “Sunshine Superman,” songs, with the requisite fingerings. A single appearance “Hurdy Gurdy Man,” and “Atlantis.” He charted a dozen during a performance by some friends’ R & B band resulted Top Forty hits in the U.S. and a nearly equal number in the in an offer for Donovan to cut demos in London, which led U.K. -
GREGG ALLMAN 8.12.1947 – 27.05.2017 Żegnaj Bracie!
GREGG ALLMAN 8.12.1947 – 27.05.2017 Żegnaj Bracie! Koncertowy album „The Fillmore Concerts” (12 i 13 marca oraz 27 czerwca 1971r.) zarejestrowany w słynnej sali Fillmore East w Nowym Jorku zarządzanej przez znanego promotora Billa Graha- ma, okazał się z czasem najlepiej sprzedającym się materiałem grupy. W 1999 r. umieszczony został w Grammy Hall Of Fame jako jeden z najbardziej znaczących albumów koncertowych w historii rocka. Legendę zespołu mocno utrwaliła kolejna, wydana rok później płyta „Eat A Peach”, także częściowo nagrana na żywo. Lata 1971-72 znaczyły się tragicznymi wydarzeniami – zmarli wówczas Duane Allman i Berry Oakley, ale na szczęście nie miało to dalekosiężnego wpływu na wypracowaną spójność stylistyczną grupy. Mimo przerwy w działalności w latach 1982-1991, oraz odejścia z ze- społu w 2000 r. Dickey’a Bettsa zespół zdołał utrzymać swoją popular- ność. Skład ABB zasilili kolejno dwaj znakomici gitarzyści – Warren Haynes, a z początkiem XXI wieku Derek Trucks. Zespół ma na swoim koncie jedenaście studyjnych albumów i aż 16 koncertowych. Ich znaczenie w olbrzymiej mierze kształtowały utwory Gregga. Wymienię tylko niektóre z nich: Hot’ Lanta, Whipping Post, Mountain Jam, Don’t Keep Me Wonder- ing, Dreams, It’s Not My Cross To Bear, Melissa, Ain’t Wastin’ Time No More, Wasted Words, Midnight Rider, One More Ride, Things You Used To Do, Just Ain’t Easy, Come And Go Blues, Mystery Woman, Desdemona, Leavin’. Gregg Allman otrzymał dziewięć nominacji do nagród Grammy (w tym siedem z zespołem) ale tylko raz został jej zdobywcą, w 1995 r. w kategorii „Best Rock Instrumental Performance” za koncertową wersję utworu Dickey’a Bettsa Jessica. -
Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected]
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected] Anlässlich des 45-jährigen Bandjubiläums der ALLMAN BROTHERS BAND erscheint ihr zweites Album “Idlewild South” als geremasterte CD, 2CD-Deluxe und 3CD+Blu-ray Audio Super Deluxe Version Deluxe/Super Deluxe Versionen mit verworfenen Aufnahmen, abweichenden Versionen und dem kompletten Konzert ‘Live at Ludlow Garage’ Am 23. September jährte sich die Veröffentlichung des zweiten Albums der Allman Brothers Band auf Atco & Capricorn Records zum 45. Mal. Idlewild South war der Nachfolger ihres selbstbetitelten Debüts von 1969 und während dieses kommerziell nur wenig erfolgreich war, erarbeitete sich die Band mit ihren zahlreichen Konzerten und Tourneen doch eine Menge Aufmerksamkeit, was schließlich dazu führte, dass Eric Clapton Duane Allman für sein Album mit Derek and the Dominos (1970) rekrutierte, welches auch den Song “Layla” hervorbrachte. Idlewild South war das erste Album, das in Zusammenarbeit mit dem Produzenten Tom Dowd entstand und aufgrund des hektischen Tourplans fanden die Aufnahmen in verschiedenen Studios statt, z. B. in New York, Miami und Macon, Georgia, dem neuen Zuhause der Band. Die meisten Songs, darunter auch zwei ihrer legendärsten – “Midnight Rider” von Gregg Allman und Kim Payne und “In Memory of Elizabeth Reed” von Dickey Betts – wurden zuvor live getestet. Der Albumtitel kommt von der heruntergekommenen, einsamen Hütte, in der die Band probte und feierte. Das Farmhaus, welches sie für die stattliche Summe von 165 Dollar im Monat mieteten, lag am Ufer eines künstlichen Sees außerhalb von Macon und weil es dort zuging wie in einem Taubenschlag, verglich die Band es mit dem gleichnamigen New Yorker Flughafen (mittlerweile John F. -
A Resolution by the State Transportation Board of Georgia 2001
A RESOLUTION BY THE STATE TRANSPORTATION BOARD OF GEORGIA 2001 DUANE ALLMAN BOULEVARD AND RAYMOND BERRY OAKLEY III BRIDGE — DESIGNATED. WHEREAS, in 1969, a group of young but already seasoned and demonstrably and incredibly talented musicians, including guitarist Duane Allman, bassist Berry Oakley, vocalist and organist Gregg Allman, guitarist Dickey Betts, percussionist Butch Trucks, and percussionist Jaimoe, formed the Allman Brothers Band and established the band's home in Macon in April of that year; and WHEREAS, at now legendary jam sessions at their initial base on College Street, their later home at the "Big House" on Vineville Avenue, and other locations in and around Macon, including Rose Hill Cemetery and a farm known as Idlewild South, the band fused elements of blues, jazz, rock, and country music to create a musical genre now known and loved as "southern rock" and became one of the most exciting groups of performers ever to take the stage; and WHEREAS, the band members' talents and tour de force marathon performances across the nation not only received critical acclaim and awed their peers among musical greats but also served to inspire countless others and made Macon a musical mecca; and WHEREAS, Duane Allman's all too brief life was tragically ended at age 24 by a motorcycle accident on a street in Macon on October 29, 1971, and Berry Oakley suffered a similar fate at the same age and at almost the same location a year later on November 11, 1972; WHEREAS although their presence is sadly missed, these musicians' incomparable -
Gregg Allman Fox Theatre Free Download Allman Brothers Band in Concert at the Fox Theater in Atlanta - April 9, 1979
gregg allman fox theatre free download Allman Brothers Band in Concert at the Fox Theater in Atlanta - April 9, 1979. Your Easy-access (EZA) account allows those in your organization to download content for the following uses: Tests Samples Composites Layouts Rough cuts Preliminary edits. It overrides the standard online composite license for still images and video on the Getty Images website. The EZA account is not a license. In order to finalize your project with the material you downloaded from your EZA account, you need to secure a license. Without a license, no further use can be made, such as: focus group presentations external presentations final materials distributed inside your organization any materials distributed outside your organization any materials distributed to the public (such as advertising, marketing) Because collections are continually updated, Getty Images cannot guarantee that any particular item will be available until time of licensing. Please carefully review any restrictions accompanying the Licensed Material on the Getty Images website, and contact your Getty Images representative if you have a question about them. Your EZA account will remain in place for a year. Your Getty Images representative will discuss a renewal with you. By clicking the Download button, you accept the responsibility for using unreleased content (including obtaining any clearances required for your use) and agree to abide by any restrictions. A review of the Fox Box. A taste of the music on the Fox Box, with “Can’t Lose What You Never Had”: I reviewed the Fox Box for Relix and am sharing here. I just saw that the full set is on sale at Amazon for $77. -
Qello Concerts List.Xlsx
Artist Concert 3 Doors Down Live at the Download Festival 3 Doors Down Live At The Tabernacle 2014 30 Odd Foot Of Grunts Live at Soundstage 30 Seconds To Mars Live At Download Festival 2013 5 Seconds of Summer How Did We End Up Here? 6ft Hick Notes from the Underground A House Live on Stage A Thousand Horses Real Live Performances A Thousand Horses Real Live Performances ABBA Arrival: The Ultimate Critical Review ABBA The Gold Singles Above And Beyond Acoustic AC/DC In Performance AC/DC Live at the Circus Krone AC/DC AC/DC - No Bull AC/DC Live At River Plate\t Acid Angels 101 A Concert - Band in Seattle Acid Angels And Big Sur 101 Episode - Band in Seattle Adam Jensen Live at Kiss FM Boston Adam Lambert Glam Nation Live Aerosmith Videobiography Aerosmith Rock for the Rising Sun After The Fire Live at the Greenbelt Against Me! Live at the Key Club: West Hollywood Aiden From Hell with Love Air Eating Sleeping Waiting and Playing Air Supply Air Supply Live in Toronto Air Supply Air Supply Live in Toronto Air Supply Live in Hong Kong Akhenaton Live Aux Docks Des Sud Al Green Everything's Going To Be Alright Alabama and Friends Live at the Ryman Alain Souchon J'veux Du Live Part 2 Alanis Morissette Live at Soundstage Alanis Morissette Live at Montreux 2012 Alanis Morissette Guitar Center Sessions Albert Collins Live at Montreux Albert Collins Live at Montreux Alberta Cross Live At The ATO Cabin Alejandro Fernández Confidencias Reales Alejandro Sanz El Alma al Aire en Concierto Ali Campbell Live at the Shepherds Bush Empire Alice Cooper Live -
The Allman Brothers Band at Fillmore East”-- the Allman Brothers Band (1971) Added to the National Registry: 2004 Essay by Alan Paul (Guest Post)*
“The Allman Brothers Band at Fillmore East”-- The Allman Brothers Band (1971) Added to the National Registry: 2004 Essay by Alan Paul (guest post)* Ori Album cover Original label Duane Allman The Allman Brothers Band’s double album, “At Fillmore East,” is often and rightly proclaimed as rock’s greatest live release. It still sounds completely fresh, totally inspired, and utterly original. It is the gold standard of blues-based rock and roll. But, after almost 45 years of such praise, it’s easy to lose sight of what a radical album “At Fillmore East” really was. It took a lot of guts for the band and their record label to release a two-LP live album as their third release. After all, when it came out in October 1971, the band was something of a commercial flop. Though drawing raves for their marathon live shows that combined the Grateful Dead’s go-anywhere jam ethos with a far superior musical precision, their first two releases still had caused barely a ripple in the marketplace. The band’s self-titled 1969 debut sold less than 35,000 copies and the following year’s “Idlewild South” did only marginally better despite two singles, “Midnight Rider” and “Revival.” The lackluster sales didn’t reflect the increasingly large and rabid crowds the Allman Brothers were drawing on their relentlessly paced tours. Crowds loved the band’s rare combination of blues, jazz, rock and country and their willingness to play until somebody pulled the plug. Finally, it dawned on the band and its management that a live album was the only way to capture the band’s real essence. -
Mountain Jam Music Festival June 13-16
LINE-UP ANNOUNCED FOR 15TH ANNUAL MOUNTAIN JAM MUSIC FESTIVAL JUNE 13-16 FESTIVAL MOVES TO BETHEL WOODS CENTER FOR THE ARTS AT THE HISTORIC SITE OF THE 1969 WOODSTOCK FESTIVAL GRAMMY AWARD-WINNING ARTIST & GUITAR LEGEND WARREN HAYNES RETURNS AS CO-PRESENTER OF MOUNTAIN JAM 2019 Tickets On Sale Friday, February 8 at 10am via MountainJam.com (Bethel Woods, NY – February 6, 2019)— Mountain Jam, one of the Northeast’s largest rock n’ roll camping music festivals, now in its 15th continuous year, has announced its lineup for the 4 day music extravaganza June 13-16 2019. The Festival will feature Willie Nelson & Family, Gov’t Mule, The Avett Brothers, The Revivalists, Joe Russo’s Almost Dead, Dispatch, Alison Krauss & Union Station, Toots & The Maytals, Lukas Nelson & The Promise of the Real, Twiddle, Mandolin Orange, Sister Sparrow, Amy Helm, Allman/Betts and approximately 40 other bands across 3 stages. An additional headliner will be announced later in the spring. Tickets for Mountain Jam 2019 go on sale this Friday, February 8 starting at 10am with more information on ticket pricing, camping & travel packages available online at www.mountainjam.com. Mountain Jam 2019 will take place in a new location – on the grounds of the gorgeous Bethel Woods Center for the Arts, the home of the historic 1969 Woodstock Music Festival. Mountain Jam will be the first rock n’ roll camping festival on the original Woodstock site in 50 years. This year also marks the return of Gov’t Mule front man and GRAMMY Award-winning vocalist, songwriter, producer and revered guitarist Warren Haynes as co-presenter of Mountain Jam alongside Radio Woodstock and Live Nation, organizers of Peach Music Festival. -
November 2020 KGNU BOARD of DIRECTORS MEETING MINUTES
November 2020 KGNU BOARD OF DIRECTORS MEETING MINUTES KGNU Board of Directors November 9, 2020 ZOOM Meeting Boulder, CO Board members attending: Rebekah Hartman - Chair Barbara Stern - Vice Chair Carl Armon – Treasurer Roz Brown – Secretary Sanford Baran Robert Hastings Elena Klaver Shiquita Yarbrough Tim Russo - Station Manager (Ex-Officio Board Member) Staff members attending: Dave Ashton Verity Matthews Evan Perkins George Figgs Sarah Shirazi Verity Matthews Rossana Longo Indra Raj Public/station volunteers attending: Doug Gertner James Gralian Jim Jobson Joy Barrett Nile Southern Iris Berkeley Eric Scace Thomas Lenk William Morton Eli Kalen Craig Peterson Tish Beauford David McIntosh Stephen XXX Marge Taniwaki Executive Committee The Board’s Executive Committee met on Tuesday, November 3, 2020 to set the agenda for this board meeting. Meeting called to order: 6:05 Welcome from Rebekah and Tim thanking all staff and volunteers, especially during a difficult year during the pandemic. Acknowledging the work of Kenneth Flowe, Hannah Leigh Meyers; and Maeve Conran, who resigned from KGNU on Oct. 31, 2020. Also Carrie Marks, Juan Stewart and Martin Better, Roz Brown and Sam Fuqua who have all performed crucial part time work and have helped out so much this year. 2020 Annual Report – Station Manager Tim Russo Welcome everyone. Thank you for joining us at the KGNU Annual Meeting. There is a lot to reflect on as we look back at KGNU 2020. There is a single quote that I found myself pondering recently. “The people must know before they can act, and there is no educator to compare with the press.” The tireless suffragette, anti-lynching activist, defender of human rights, journalist and author Ida B. -
DUANE ALLMAN and AMERICAN MUSIC by Bob Beatty A
“YOU WANNA PLAY IN MY BAND, YOU’D BETTER COME TO PICK”: DUANE ALLMAN AND AMERICAN MUSIC by Bob Beatty A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Public History Department of History Middle Tennessee State University August 2018 Doctoral Committee: Carroll Van West, Ph.D., Chair John Dougan, Ph.D. C. Brendan Martin, Ph.D. Kristine M. McCusker, Ph.D. Dedicated to Suzi and Pat Beatty. Thank you, Mom and Dad, for the unwavering support of all of my various interests and in my pursuit of my life and career goals. I am sorry you aren't here to celebrate this moment with me. ii ACKNOWLEDGMENTS All acknowledgments begin with my family: my wife Candy and daughters Ryan and Tyler, who lived this journey with me. Thanks to each of you for the role you play in my life and my life's work. Thank you to Dr. Carroll Van West, whose careful shepherding of this project and this phase of my graduate career is so appreciated. Thank you also to my dissertation committee, Drs. John Dougan, C. Brendan Martin, and Kristine M. McCusker, whose insights into this process were invaluable. To Troy Wilson, Brandon Munson, and Steve Marshall: a man is blessed to have one friend as good as each of you, my cup overflows that I have three. The same is true of my first best friend, my cousin Brad Beatty. I am forever grateful to my friends in the Allman Brothers Band world who encouraged and inspired me to dig deeper into this band and its meaning: most notably: Andy Beichler; Jules Fothergill; Gary Barrett;