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I Can Hear Music
5 I CAN HEAR MUSIC 1969–1970 “Aquarius,” “Let the Sunshine In” » The 5th Dimension “Crimson and Clover” » Tommy James and the Shondells “Get Back,” “Come Together” » The Beatles “Honky Tonk Women” » Rolling Stones “Everyday People” » Sly and the Family Stone “Proud Mary,” “Born on the Bayou,” “Bad Moon Rising,” “Green River,” “Traveling Band” » Creedence Clearwater Revival “In-a-Gadda-Da-Vida” » Iron Butterfly “Mama Told Me Not to Come” » Three Dog Night “All Right Now” » Free “Evil Ways” » Santanaproof “Ride Captain Ride” » Blues Image Songs! The entire Gainesville music scene was built around songs: Top Forty songs on the radio, songs on albums, original songs performed on stage by bands and other musical ensembles. The late sixties was a golden age of rock and pop music and the rise of the rock band as a musical entity. As the counterculture marched for equal rights and against the war in Vietnam, a sonic revolution was occurring in the recording studio and on the concert stage. New sounds were being created through multitrack recording techniques, and record producers such as Phil Spector and George Martin became integral parts of the creative process. Musicians expanded their sonic palette by experimenting with the sounds of sitar, and through sound-modifying electronic ef- fects such as the wah-wah pedal, fuzz tone, and the Echoplex tape-de- lay unit, as well as a variety of new electronic keyboard instruments and synthesizers. The sound of every musical instrument contributed toward the overall sound of a performance or recording, and bands were begin- ning to expand beyond the core of drums, bass, and a couple guitars. -
Gathering of the Vibes 2008 Chad Berndtson July 29, 2008 Having
Preview: Gathering of the Vibes 2008 Chad Berndtson July 29, 2008 Having recently finished an enterprise feature for another publication on the glut of national music festivals and what role that glut creates for regional festivals with a lot more personality, I’m more excited this year for the Gathering of the Vibes than I have been in quite some time. As the man said, “He’d have to be one charming motherfuckin pig”…er, sorry, “Personality goes a long way.” Compared to the Roo- and Coachella-sized behemoths, and a lot of the sexy new kids with names both playful and official-sounding—Rothbury might be a bit of both, and allegedly, it was quite the time—the Vibes is a creakier, more elegant dinosaur. A glorious, humble triceratops of a festival, yes, secure in its size, pleasant in its modest ambition and its abilities, not ostentatious, and kindly manageable. And damn isn’t it great to have it back in New England proper (it returned in 2007 after several years of renovation to Bridgeport’s Seaside Park and a few years at various upstate New York locales)? For this born/bred New Englander, it’s not only in a New England/Tri-State area happy medium, but it fills a still-felt void left by the big Phish festivals of yore and especially the can’t-believe-it’s-been-five-years-now departed Berkshire Mountain Music Festival (1997-2003). (For Berkfest alums from those heady days, monsoon conditions and all, have a scoop of nostalgia on the house) The Vibes doesn’t have the gaudy cache of some festivals, or some of the nationally dazzling headliners. -
Real World Concert Photography Concert Photography Can Be One of the Most Exciting and Frustrating Types of Photography
Real World Concert Photography Concert photography can be one of the most exciting and frustrating types of photography. Constantly moving lights, dark venues, fast moving subjects, limited shooting times, and limited access all make concert photography one of the more difficult subjects to master. The first hurdle to overcome is just being allowed to photograph the show. GETTING ACCESS There are just a handful of people who control the access to shoot concerts. You need to ask one (or more) of these folks for permission to photograph the show. The following people can usually grant you access to shoot a show: • The Promoter: The folks who are putting on the show. This also includes the companies like Live Nation or AEG. • The Publicist: Works for the band or label. • The Venue: They usually have a or need a house photographer. • The Band: You know, The Band! To find these folks takes some searching skill and it is time to make Google your friend. Some things to search for: • Search the band website for contact information. • Search publicity companies for contacts. • Look at the promoters for the shows you want to shoot. • Contact the band directly asking who their press contact is. • Look for the venue contacts. Once you have contact information it is time to offer something for something. What is in it for the person giving you the pass? What can you offer them? This is pretty easy to answer if you are working for a newspaper, magazine or wire service. You are offering good publicity. It is a little more difficult if you are a freelance photographer or just a fan. -
Bethel Woods Performing Arts Center Concert Schedule
Bethel Woods Performing Arts Center Concert Schedule Is Jefferey manlike when Edward disbosoms skippingly? Intermetallic and metrological Reilly tokens so sweepingly that Dimitri supernaturalise his quatrains. Chiromantical and hormonal Zach never tweeze his auricles! Bring a sweater, as it tends to get cooler at night in the Summer. Guests are not permitted to reserve or save parking spaces for other guests. The concert tonight is tedesci Trucks. Rose Music Center at The Heights. Since its completion, the hall has hosted music. Hybrid tea roses grow tall with minimum foliage and have single blooms on each long stem. Send to a friend! Seating Chart; Hotels; Restaurants; Social Media; Parking and Limos; Contact Us; Nearby Venues. Subscribe To The Daily Gazette Today! Your data will be safe! Bs and see the development of several hotels. Performances, Theatre Events And Art Exhibitions In Royal Oak. See performance details and buy tickets for all Center Presents, Resident Company and rental events. Bethel Woods Center for the Arts. Coach USA acts only as agent for hotels, bus transportation, and certain tour and entertainment ingredients involved and accepts no responsibilities for injuries, loss of baggage or personal property, delays, inconveniences, or other costs incurred for any reason. Many teenagers in our survey liked reggae, which comes from Jamaica. Center offers a range of fun and enriching opportunities for people of all ages. Rent out the entire property for your corporate or major event. Matt Abts, keyboardist Danny Louis and bassist Jorgen Carlsson, create consistently honest, organic, and daring music, leading them to be recognized as one of the most timeless, revered, and active bands in the world whose spot among rock titans remains unshakable. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 110 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 110 CONGRESS, FIRST SESSION Vol. 153 WASHINGTON, MONDAY, JUNE 18, 2007 No. 98 House of Representatives The House met at 12:30 p.m. and was mismanagement, corruption, and a per- In this program, people receive an called to order by the Speaker pro tem- petual dependence upon foreign aid and overnight transfer from an American pore (Ms. HIRONO). remittances. Mexico must make tough bank account to a Mexican one. The f decisions and get its economy in shape. two central banks act as middlemen, Until then, Madam Speaker, we will taking a cut of about 67 cents no mat- DESIGNATION OF SPEAKER PRO continue to face massive immigration ter what the size of the transaction. TEMPORE from the south. According to Elizabeth McQuerry of The SPEAKER pro tempore laid be- While we are painfully aware of the the Federal Reserve, banks then typi- fore the House the following commu- problems illegal immigration is caus- cally charge $2.50 to $5 to transfer ing our society, consider what it is nication from the Speaker: about $350. In total, this new program doing to Mexico in the long run. The WASHINGTON, DC, cuts the costs of remittances by at June 18, 2007. massive immigration is draining many least half. In America, 200 banks are I hereby appoint the Honorable MAZIE K. villages across Mexico of their impor- now signed up for this service com- HIRONO to act as Speaker pro tempore on tant labor pool. -
Visit Hunter/Tannersville!
Catskill Mountain Region AUGUST 2018 COMPLIMENTARY GUIDE catskillregionguide.com SPECIAL SECTION: VISIT HUNTER/TANNERSVILLE! August 2018 • GUIDE 1 TABLE OF www.catskillregionguide.com CONTENTS VOLUME 33, NUMBER 8 August 2018 PUBLISHERS Peter Finn, Chairman, Catskill Mountain Foundation Sarah Finn, President, Catskill Mountain Foundation EDITORIAL DIRECTOR, CATSKILL MOUNTAIN FOUNDATION Sarah Taft ADVERTISING SALES Rita Adami, Barbara Cobb Steve Friedman CONTRIBUTING WRITERS Anne Donovan, Stephanie Goff, Harry G. Jameson III, Heather Rolland, Jeff Senterman & Robert Tomlinson ADMINISTRATION & FINANCE Candy McKee Justin McGowan & Isabel Cunha PRINTING Catskill Mountain Printing Services DISTRIBUTION Catskill Mountain Foundation On the cover: Sam’s Point Trail in Ellenville, Ulster County. Photo courtesy of Ulster County Tourism EDITORIAL DEADLINE FOR NEXT ISSUE: August 10 The Catskill Mountain Region Guide is published 12 times a year by the Catskill Mountain Foundation, Inc., Main Street, PO Box 4 THE ARTS 924, Hunter, NY 12442. If you have events or programs that you would like to have covered, please send them by e-mail to tafts@ catskillmtn.org. Please be sure to furnish a contact name and in- 8 SECOND ANNUAL WOMEN’S EXPO AT ST. THERESA’S clude your address, telephone, fax, and e-mail information on all correspondence. For editorial and photo submission guidelines IN WINDHAM THIS AUGUST By Anne Donovan & Stephanie Goff send a request via e-mail to [email protected]. The liability of the publisher for any error for which it may be held legally responsible will not exceed the cost of space ordered FALLA! Two Masterpieces by the Great Spanish Composer or occupied by the error. -
Programme, Le Lieu Des Concerts N’Était Pas Encore Connu
ATLANTIQUE JAZZ FESTIVAL #18 du 2 au 10 octobre / atlantique jazz tour À une époque où repli et crispation identitaire deviennent envahissants, où les Paul Jarret emma étranges étrangers sont parqués, maltraités et renvoyés aux frontières ; nous devons réaffirmer qui nous sommes, d’où nous venons. Marc Ducret ICI Nous ne pouvons laisser se tarir la création et la diversité musicale qui font la lun 11 oct / brest marque de Plages Magnétiques, car ces musiques sont des ponts entre l’histoire Heure Magnétique et le présent, l’ici et l’ailleurs, l’identité et l’altérité ; construites sur trois piliers : • l’hospitalité, le métissage et la différence. mardi 12 oct / brest Heure Magnétique Parce que vivre en relation est un besoin impérieux, KHAMSIN film l’Atlantique Jazz Festival dédie sa 18e édition aux migrations. H. Labarrière & S. Kassap + Julien Desprez Abacaxi De l’Est breton à la ville-phare de Brest, une myriade d’événements • sera proposée, placée sous le signe de la rencontre : mercredi 13 oct / brest Heure Magnétique … d’un temps à l’autre – à travers plus d’un siècle de jazz, entre oppression La litanie des cimes raciste et émancipation créatrice. La musique d’aujourd’hui continue de puiser Thing Big + The Bridge Crying out loud dans le combat permanent que des hommes, et encore plus des femmes, ont • mené pour vivre de leur musique et surtout la faire vivre. Jeudi 14 oct / brest Heure Magnétique … d’une rive à l’autre – nous vivons à un carrefour de routes maritimes et Quatuor Poisson Chat imaginaires reliant l’Amérique, l’Afrique et bien au-delà. -
By Erik Jensen
UpstateLIVE July / August 2008 : Issue #2 Herby One : editor/ad rep Music Guide Erik Jensen : senior writer Jennifer Hofstra : photography Welcome to the UpstateLIVE Music Guide. It was created to help promote LIVE www.UpstateLIVE.net MUSIC and MUSICIANS in Upstate New www.myspace.com/upstatelivenet York. It gives fans a chance to see what is happening in different regions of the state, Upcoming issues and gives industry insiders some much Issue #3 : SEPT-OCT (*Aug 22) needed networking. Issue #4 : NOV-DEC (*Oct 24) *Deadline It is distributed to live music bars and ------------------------------------------------------------- theatres, music stores and shops, cafes and UpstateLIVE Music Guide restaurants, and circulated by staff, street is published by team members, bands and fans at concerts GOLDSTAR Entertainment and festivals throughout the Upstate New PO Box 565 - Baldwinsville, NY 13027 York Region. The goal of UpstateLIVE is to create a statewide Live Music Community, joining each of the state’s local music scenes into one regional network. We are on our way! UpstateLIVE’s main objective is to showcase all of the outstanding local, regional, and national bands playing Upstate New York. Festivals, concerts, music venues, music shops and sponsors are also highlighted. UpstateLIVE is published 6 times per year (every 2 months), and is an everlasting archive of the great music we share in Upstate NY. For more information visit us on the internet at www.upstatelive.net and at myspace.com/upstatelivenet. Feel free to contact us at [email protected] Hello Friends! Erik Jensen here. I have written a ton PORTISHEAD - “THIRD” of stuff about Upstate area bands, venues and events Straight up darkness. -
Donovan 2012.Pdf
PERFORMERS PARKE PUTERBAUGH NOT DUST POP LYRICS BUT MODERN POETRY The view o f the sixties is so generalized it’s good to open up the of the Witch”), and the Allman Brothers Band (whose spirituality o f it and what the music was trying to represent. “Mountain Jam” was based on Donovan’s “There Is a It was certainly not just getting stoned and hanging out, man. Mountain”). Beyond all that, he was a gentle spirit who There was meaning and direction; there was substance to it. sang unforgettably of peace, love, enlightenment, wild —Donovan scenes, and magical visions. Born Donovan Leitch in Glasgow, Scotland, in onovan was the Pied Piper of the counterculture. 1946, he moved at age 10 with his family to Hatfield, A sensitive Celtic folk-poet with an adventurous Hertfordshire, England. After turning 1 6, he pursued a musical mind, he was a key figure on the British romantic wanderlust, running off to roam alongside Beat Dscene during its creative explosion in the mid-sixties. He and bohemian circles. He also studiously applied himself wrote and recorded some of the decade’s most memorable to the guitar, learning a sizable repertoire of folk and blues songs, including “Catch the Wind,” “Sunshine Superman,” songs, with the requisite fingerings. A single appearance “Hurdy Gurdy Man,” and “Atlantis.” He charted a dozen during a performance by some friends’ R & B band resulted Top Forty hits in the U.S. and a nearly equal number in the in an offer for Donovan to cut demos in London, which led U.K. -
Trinity Hi-Lites
Trinity Hi-Lites Trinity is about to enter “summer mode”. We adjourn our usual 9:00 a.m. Sunday school classes for children but the adult Bible study in the lounge and the social room continue with their 9:00 a.m. meeting time. Worship time remains 10:15 a.m. year-round. Most committees take a break from meeting and many families in our congregation will take their family vacations. Some folks will not venture very far from home this year while others will drive longer distances to take the trip to see relatives or to take the annual beach vacation. In general, the pace of living slows down from the usual sprint to a brisk walk. I hope you find refreshment and re-creation this summer. I hope you take the time to enjoy the weather, to relish the joy of time with loved ones, and to read that list of books you put off for too long. I also hope that, with much of the clutter of “busyness” gone, we all will become more conscious of God’s presence and blessing in our daily lives. Take more time than usual for prayer. Read that devotional literature you set aside for later. Spend time with the Psalms and pray them daily. Begin your intentional reading of one of the gospels. Sabbath is a Jewish tradition Christianity inherited but contemporary culture does not integrate into our life-style. Sabbath was the practice of putting all else aside for a while each week to focus solely on our relationship with God and the gifts God bestows upon us. -
Right Arm Resource Update
RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 9/6/2017 Good Old War “The River” The first single from their new EP Part Of Me, out now The full EP is available for download on PlayMPE Early at KVNA This is the first of three EPs that the band plans to release over the next year On tour in October and November with Josh Ritter: 10/22 Dallas, 10/23 Birmingham, 10/24 Atlanta, 10/25 Carrboro, 10/27 Boston, 10/28 Portland ME, 10/29 Brooklyn, 11/1 Millvale... Ted Leo “Can’t Go Back” The first single from his new solo album, out this Friday, on PlayMPE now Early: WNKU, WBJB, KBAC, WYCE, KRCL, KHUM, KVNA, Open Air This is his first solo album since his work with The Pharmacists and with Aimee Mann as The Both On tour: 9/17 Boston, 9/20 Detroit, 9/22 Chicago, 9/23 Cleveland, 9/24 Pittsburgh, 10/23 Richmond, 10/24 Carrboro, 10/25 Atlanta... The National “Day I Die” The follow up to their first #1 single “The System Only Dreams In Total Darkness” from Sleep Well Beast, in stores Friday Most Added including KCSN, KCMP, WFUV, WXPN, WPYA, KTBG, KVNV, KUTX, KJAC, KVNA, WDST, WNKU, WVOD... Playing on Colbert this Thursday and featured on CBS This Morning Saturday this weekend US tour dates kick off in October Joan Osborne “Quinn The Eskimo (The Mighty Quinn)” The first single from Songs Of Bob Dylan, out now Most Added AGAIN! New this week at KRCC and WUTC Already on WFUV, XM Loft, WYEP, WEXT, WNCW, KBAC, WMVY, WBJB, WFIV, KVNA, WMWV, KOZT, WCBE, KMTN, KHUM.. -
BLACK VIOLIN Friday, September 30, 2016, at 7:30Pm Tryon Festival Theatre PROGRAM BLACK VIOLIN UNITY Tour 2016
BLACK VIOLIN Friday, September 30, 2016, at 7:30pm Tryon Festival Theatre PROGRAM BLACK VIOLIN UNITY Tour 2016 Kevin “Kev Marcus” Sylvester, violin Wil “Wil B.” Baptiste, viola DJ SPS, turntables Nathaniel “Nat” Stokes, percussion The program will be announced from the stage. This performance will be presented with no intermission. Through the message of Black Violin’s music, we’ve spent the last 10 years working to encourage and empower people of all ages, ethnic, and socioeconomic backgrounds to find what connects us, rather than shine a light on what divides us. This past year alone, we’ve played for nearly 100,000 students and over 125 public shows across the United States and Europe. We’ve taken this opportunity to spread a message that challenges the world’s view of what it means to rise above labels, be daring enough to follow their passion and most of all, be true to themselves. As black men living in America, we understand challenges and we also understand the power of “I can’t,” yet we decide to live by and promote the power of “I can.” We realize that every opportunity to connect our diverse fans is an opportunity to break down the barriers that separate us, empower indi- viduality, and encourage progress. Our fall 2016 UNITY tour with concert dates throughout the United States is our most energetic and inspired show yet. #BLACKVIOLINUNITY —Wil B. & Kev Marcus Black Violin appears by arrangement with: Kosson Talent Larry Kosson, founder and president Kossontalent.com 2 THE ACT OF GIVING OF ACT THE THANK YOU TO THE SPONSORS OF THIS PERFORMANCE Krannert Center honors the spirited generosity of these committed sponsors whose support of this performance continues to strengthen the impact of the arts in our community.