DOCSLIB.ORG

2006 LEX-SEL KY FRONT MATTER 1-32.Pmd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2006 LEX-SEL KY FRONT MATTER 1-32.Pmd Session 1 To be held at the Fasig-Tipton Sales Pavilion on Newtown Pike north of Lexington, KY Wednesday, October 4th Starting at 7:00 P.M. Hip Numbers 1 - 125 69 NOTES 76 Consigned by and raised at Brittany Farms, Versailles, Kentucky BROADWAY SHOW Barn 10 1 (PENNSYLVANIA ELIGIBLE) BAY FILLY Foaled February 27, 2005 Tattoo No. 3C5174 Garland Lobell 3,1:55.3 Conway Hall 3,1:53.4 ---------------- Amour Angus 3,2:03.1f Broadway Hall 2,1:56.4 --------------- A Go Go Lauxmont 3,T1:54.3 B Cor Tamgo 4,1:56.3 --------------- B Cor Tamara 3,2:02f BROADWAY SHOW Baltic Speed 3,1:56 Valley Victory 3,1:55.3 --------------- Valley Victoria 3,2:00.3f Musical Victory 3,1:55----------------- Arnie Almahurst 3,T1:57.2 Allegro 2,2:00.2 ------------------------ Appassionato By BROADWAY HALL 2,1:56.4 ($436,790). 2002 USTA “2YO Trotting Colt of the Year”. At 2, 9-9-0-0, winner elim. and Final Breeders Crown, Bluegrass S., Kentucky Sires S., Lexington Breeders Classic, Arden Downs S., Reynolds Mem. Oldest foals now yearlings. 1st Dam MUSICAL VICTORY 2,1:55.3z; 3,1:55 ($502,384) by Valley Victory. 8 wins at 2 and 3. At 2, winner Final Breeders Crown at Colonial, American-National S., Hayes Mem.; second in Bluegrass S., elim. Breeders Crown at Colonial, elim. Goldsmith Maid T., Hoosier S.; third in Final Goldsmith Maid T. At 3, winner Bluegrass S., heat Kentucky Filly Futy., leg New Jersey Sires S. at The Meadowlands; second in heat World Trotting Derby Filly S., Final Kentucky Filly Futy., elim. Matron S.; third in Final Matron S., Zweig Mem. Filly. From 3 previous foals, dam of 2 winners, 1 in 2:00, including: KENTUCKY MAN 3,1:59.4 ($15,291) (Malabar Man). Winner at 3. Malibu Magic (M) (Malabar Man). Now 2. 2nd Dam ALLEGRO 2,2:00.2 ($4,826) by Arnie Almahurst. Winner at 2. At 2, winner Frank Ervin T. At 3, third in leg Erie Canal Ser. at Vernon. From 16 foals, dam of 1 in 1:55, 8 in 2:00, incl.: HIGHER LOVE (M) 2,1:59.3 ($167,481) (Joie De Vie). 4 wins at 2. At 2, winner elim. Merrie Annabelle T., leg New Jersey Sires S. at The Meadowlands, elim. Harold R. Dancer Mem.; second in Final Merrie Annabelle T., elim. International Stallion S.; third in Final New Jersey Sires S. at The Meadowlands, elim. Bluegrass S. At 3, second in cons. New Jersey Sires S. at The Meadowlands. Dam of LOOKOUT VICTORY 2,1:57.2; 3,1:54.3; 1:54.3 ($1,921,611), MS VIC 2,1:58.3; 3,1:57 ($294,979), SKY WATCH 2,Q1:59.2; 3,1:56; 1:54.2-‘06 ($174,082), UNIVERSAL VICTORY 2,1:58; 3,Q1:56.3 ($126,994), WHOISINCHARGE 2,Q2:03.3; 3,1:58.2, VICTORY'S BEST 3,1:59.1f, SELF DESIRE 3,1:59.4-'06. Grandam of HEARTFUL IMAGE 3,1:57.1 ($113,948), VICTORY BOUQUET 3,T1:55.3, SEARCH MISSION 2,2:02f; 3,1:58.1; 4,1:55.4, MISS POSSESSED 2,1:59.1; 3,1:56.1, PIERRE LAVEC 3,1:56.2, CHOSEN VOYAGUER 3,1:58.4h-’06, PARAGON PRINCESS 3,1:59, REMARKABLE VICTORY 3,Q2:05.4h; 4,Q1:59f, VICS FLAG 2,2:07.4h; 3,1:59.3f. CLEVEREST ENDEAVOR 3,1:56.3 ($162,487) (Valley Victory). 16 wins, 3 thru 7. At 3, winner Charles I. Smith Mem., leg New Jersey Sires S. at The Meadowlands; second in Arden Downs S., Townsend Ackerman T.; third in leg New Jersey Sires S. at Freehold. MEADOWBRANCH MUSIC (M) 2,2:02.2h; 3,2:01h ($69,703) (Supergill). 2 wins at 2 and 3. At 2, winner The Standardbred S.; third in Kentucky Stbd. Sale Co., Bluegrass S. Dam of TABLE WINE 3,2:01.4f; 4,1:56.1. CONCERT GOER (M) 2,2:08.3h; 3,1:59 ($57,006) (Baltic Speed). 6 wins, 2 thru 4. At 2, third in leg New Jersey Sires S. at Garden State. At 3, winner leg New Jersey Sires S. at Garden State; second in leg New Jersey Sires S. at Freehold; third in leg New Jersey Sires S. at Freehold. At 4, second in leg Hiram Woodruff Ser. at The Meadowlands. Dam of CLAREEN 2,1:59f; 3,1:57.3f-’06 ($118,400), CONDUCTOR HANOVER 3,1:58f. Grandam of MAGIC SWAN 2,1:57.2; 3,1:56.2f ($339,403), POSSESS THE MAGIC 2,1:56.1-’06 ($135,875). STRIKE UP A TUNE (M) 2,Q2:01; 3,1:57.3 ($39,839) (Valley Victory). Winner at 3. At 2, third in Champlain S., Oakville S., elim. Merrie Annabelle T. At 3, winner leg New Jersey Sires S. at The Meadowlands. Dam of SARAH DREAM 2,2:00.3. FEARLESS VICTORY (M) 2,2:01.3; 3,1:57.4 ($38,739) (Valley Victory). 4 wins at 2 and 3. At 2, winner Acorn S. At 3, winner cons. New Jersey Sires S. at The Meadowlands. Dam of IRONHORSE 3,1:59.4f; 4,1:59.1f-‘06. COST CONTROL 2,Q2:00; 3,Q1:59.3f ($18,344) (Supergill). 2 wins at 2 and 3. At 2, winner Arden Downs S. At 3, second in Townsend Ackerman T. CONCERT LINE 2,Q2:02.4; 3,Q1:57 ($14,521) (Baltic Speed). 2 wins at 3. At 3, winner cons. New Jersey Sires S. at The Meadowlands; third in leg New Jersey Sires S. at The Meadowlands, leg Royal Wire Products Ser. at Scioto. Eagle Prayer (Like A Prayer). Now 2. Producer: Musical Genius (dam of TRA LA LA 3,1:58.1; grandam of NIGHT'S JAZZ 3,2:00.4f; 1:55-$216,545, WEDDING SINGER 2,Q2:03.2; 3,1:56.2, DO RA ME 2,1:59.4; 3,1:56.4, FOSSE 3,1:58f, VELMA K 3,1:58.3-'06), etc. Next Dam - APPASSIONATO (Tamerlane-SEA CHANGE 3,2:03h-Noble Victory) ENGAGEMENTS Arden Downs Currier & Ives Hoosier Stake Old Oaken Bucket Review Standardbred Bloomsburg Fair Dexter Cup Horseman No. 99 Parshall Futurity Reynolds Tompkins-Geers Bluegrass Series Flamboro Breeders Int'l. Stallion PA Sires (P/M) Simcoe Filly Yonkers Trot Breeders Crown Hambletonian Kentucky Futurity PA Sires (Fairs) John Simpson Zweig Memorial Champlain Filly Historic Series Landmark Consigned by Preferred Equine Marketing, Inc., Agent, Briarcliff Manor, New York Raised at Spring Haven Farm, Utica, Ohio FEDERER Barns 2 (NEW JERSEY ELIGIBLE) 1-2 BROWN COLT Foaled April 24, 2005 Tattoo No. 5CD883 Baltic Speed 3,1:56 Valley Victory 3,1:55.3 -------------- Valley Victoria 3,2:00.3f Muscles Yankee 3,1:52.2 ------------ Speedy Crown 3,1:57.1 Maiden Yankee 3,1:59.4f ----------- Wistful Yankee FEDERER Super Bowl 3,1:56.2 American Winner 3,1:52.3 --------- B J's Pleasure 3,1:59.4f Wimbledon ------------------------------ Armbro Goal 3,1:54.3 Lawn Tennis --------------------------- Grassbed 2,1:59.1 By MUSCLES YANKEE 3,1:52.2. Sire of 33 in 1:55, 198 in 2:00, including: TOM RIDGE 3,1:50.2, STRONG YANKEE 3,1:50.3, MR MUSCLEMAN 1:51.1, LHASA MUSCLES 4,1:52.3, RIPPED 1:52.3-'06, HOUSETHATRUTHBUILT (M) 3,1:52.4, BLUE MAC LAD 3,1:54-’06, etc. 1st Dam WIMBLEDON by American Winner. Unraced. This is her second foal, first colt. Dam of: Sharapova (M) (Andover Hall). Now 2 and exported. 2nd Dam LAWN TENNIS by Armbro Goal. From 10 foals, dam of 5 winners, 1 in 1:54, 3 in 2:00, incl.: CREDIT WINNER 2,1:57.4; 3,1:54 ($1,495,295) (American Winner). 9 wins at 2 and 3. At 2, winner International Stallion S., Bluegrass S., elim. Peter Haughton Mem.; second in Final Peter Haughton Mem., elim. and Final Valley Victory T., elim. Breeders Crown at Mohawk; third in leg Pennsylvania Sires S. at The Meadows. At 3, winner elim. and Final Kentucky Futy., Bluegrass S., Old Oaken Bucket, elim. Breeders Crown at Mohawk, elim. Canadian Trotting Classic; second in Final Hambletonian S., Final Canadian Trotting Classic, Final Breeders Crown at Mohawk, 2 heats World Trotting Derby; third in elim. Hambletonian S. TENNIS CHAMP 2,2:00; 4,1:58f ($59,720) (Pine Chip). 7 wins, 2 thru 5. At 2, winner leg Kentucky Sires S. at Lexington; second in elim. Matron S.; third in Final Kentucky Sires S. at Lexington, elim. Lexington Breeders Classic. At 4, winner 4 legs Late Closer at Scioto; second in leg Late Closer at Scioto; third in 3 legs Late Closer at Scioto. TENNIS ACE 3,1:59f ($15,100) (Muscles Yankee). 2 wins at 3 and 4. Conway Court (Conway Hall). Now 2 and racing. 3rd Dam GRASSBED 2,1:59.1 ($208,321) by Bonefish. 3 wins at 2. At 2, winner Scotch Love T. at Lexington, Acorn S., Hayes Mem.; second in American-National S., Lexington Filly S., elim. Merrie Annabelle T.; third in Matron S. At 3, second in Breeders Filly S., 2 heats Review S., heat Lexington Filly S.; third in heat World Trotting Derby Filly S., Debut Ser. at Lexington. Half-sister to PURE AND NOBLE 3,2:10.2h; 2:02.1f ($325,560), NOBLE ART 2,2:04f; 3,T2:00.2 ($216,284), ROCKY COBRA 3,2:02f; 2:01.3f ($142,315), to the dams of MATTHEW SEELSTER 3,2:00.4f; 1:56.3 ($256,783), DUKE OF KOSMOS 2,2:07.2h; 3,2:02.1f; 1:58f ($139,153), and the grandams of ZORGWIJK EMANI 2,2:01.2h; 3,1:54.3 ($254,757), TIGER IN THE WOODS 2,2:08.1h; 3,2:03.4h; 1:58f ($140,955), SUPER SWEET 4,1:57f, BIG BRUISER 3,2:01f; 1:57h-‘06; full-sister to SPEEDY BONES 2,2:02.1; 3,2:00.4 ($100,000-Int.), to the dam of WEST COAST 2,2:00.4; 3,1:58.1; 1:56 ($143,087), and the grandams of ANDY'S TROTTER 1:55.1 ($219,431), ELDERSLIE 3,2:05.2h; 1:58.4f ($138,856), etc.
Load more

Recommended publications
  • Tom Rubnitz / Dynasty Handbag
    TOM RUBNITZ / DYNASTY HANDBAG 9/25/2012 PROGRAM: TOM RUBNITZ The Mother Show, video, 4 mins., 1991 Made for TV, video, 15 mins., 1984 Drag Queen Marathon, video, 5 mins., 1986 Strawberry Shortcut, video, 1:30 mins., 1989 Pickle Surprise, video, 1:30 mins., 1989 DYNASTY HANDBAG The Quiet Storm (with Hedia Maron), video, 10 mins., 2007 Eternal Quadrangle, video, 20 mins., 2012 WHITE COLUMNS JIBZ CAMERON JOSH LUBIN-LEVY What does it mean to be a great performer? In a rather conventional sense, great performing is often associated with a sense of interiority, becoming your character, identifying with your role. In that sense, a great performer could become anyone else simply by looking deep within herself. Of course, there’s a long history of performance practices that reject this model. Yet whether it is a matter of embracing or rejecting what is, so to speak, on the inside, there is an overarching belief that great performers are uniquely adept at locating themselves and using that self to build a world around them. It is no surprise then that today we are all expected to be great performers. Our lives are filled the endless capacity to shed one skin for another, to produce multiple cyber-personalities on a whim. We are hyperaware that our outsides are malleable and performative—and that our insides might be an endless resource for reinventing and rethinking ourselves (not to mention the world around us). So perhaps it’s almost too obvious to say that Jibz When I was a youth, say, about 8, I played a game in the Cameron, the mastermind behind Dynasty Handbag, is an incredible woods with my friend Ocean where we pretended to be hookers.
    [Show full text]
  • Teaching Autoethnography: Personal Writing in the Classroom Melissa Tombro SUNY Fashion Institute of Technology
    SUNY Geneseo KnightScholar Open SUNY Textbooks Open Educational Resources 2016 Teaching Autoethnography: Personal Writing in the Classroom Melissa Tombro SUNY Fashion Institute of Technology Follow this and additional works at: https://knightscholar.geneseo.edu/oer-ost Part of the Communication Commons, Education Commons, and the English Language and Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License. Recommended Citation Tombro, Melissa, "Teaching Autoethnography: Personal Writing in the Classroom" (2016). Open SUNY Textbooks. 7. https://knightscholar.geneseo.edu/oer-ost/7 This Book is brought to you for free and open access by the Open Educational Resources at KnightScholar. It has been accepted for inclusion in Open SUNY Textbooks by an authorized administrator of KnightScholar. For more information, please contact [email protected]. Teaching Autoethnography: Personal Writing in the Classroom Teaching Autoethnography: Personal Writing in the Classroom Melissa Tombro Open SUNY Textbooks ©2016 Melissa Tombro ISBN: 978-1-942341-21-5 ebook This publication was made possible by a SUNY Innovative Instruction Technology Grant (IITG). IITG is a competitive grants program open to SUNY faculty and support staff across all disciplines. IITG encourages development of innovations that meet the Power of SUNY’s transformative vision. Published by Open SUNY Textbooks, Milne Library (IITG PI) State University of New York at Geneseo, Geneseo, NY 14454 This book was produced using Pressbooks.com, and PDF rendering was done by PrinceXML. Teaching Autoethnography: Personal Writing in the Classroom by Melissa Tombro is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted.
    [Show full text]
  • MY New Gender Workbook This Page Intentionally Left Blank N E W My Gender Workbook
    my name is ________________________ and this is MY new gender workbook This page intentionally left blank N e w My Gender Workbook A Step-by-Step Guide to Achieving World Peace Through Gender Anarchy and Sex Positivity Kate Bornstein Routledge Taylor & Francis Group NEW YORK AND LONDON Second edition published 2013 by Routledge 711 Third Avenue, New York, NY 10017 Simultaneously published in the UK by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business © 2013 Taylor & Francis The right of Kate Bornstein to be identified as author of this work has been asserted by her in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. First edition published by Routledge 1998 Library of Congress Cataloging in Publication Data Bornstein, Kate, 1948– My new gender workbook: a step-by-step guide to achieving world peace through gender anarchy and sex positivity/ Kate Bornstein.—2nd ed. p. cm. Rev. ed. of: My gender workbook. 1998. 1. Gender identity. 2. Sex (Psychology) I. Bornstein, Kate, 1948– My gender workbook. II.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Reading Rupaul's Drag Race
    UNIVERSITY OF CALIFORNIA Los Angeles Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Carl Douglas Schottmiller 2017 © Copyright by Carl Douglas Schottmiller 2017 ABSTRACT OF THE DISSERTATION Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire by Carl Douglas Schottmiller Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor David H Gere, Chair This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul’s Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of “America’s Next Drag Superstar.” Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul’s Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise. ii While most scholars analyze RuPaul’s Drag Race primarily through content analysis of the aired television episodes, this dissertation combines content analysis with ethnography in order to connect the television show to tangible practices among fans and effects within drag communities.
    [Show full text]
  • From the Love Ball to Rupaul: the Mainstreaming of Drag in the 1990S
    FROM THE LOVE BALL TO RUPAUL: THE MAINSTREAMING OF DRAG IN THE 1990S by JEREMIAH DAVENPORT Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Music CASE WESTERN RESERVE UNIVERSITY August, 2017 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Jeremiah Davenport candidate for the degree of PhD, Musicology. Committee Chair Daniel Goldmark Committee Member Georgia Cowart Committee Member Francesca Brittan Committee Member Robert Spadoni Date of Defense April 26, 2017 *We also certify that written approval has been obtained for any proprietary material contained therein. 2 Acknowledgements Thank you from the bottom of my heart to everyone who helped this dissertation come to fruition. I want to thank my advisor Dr. Daniel Goldmark, the Gandalf to my Frodo, who has guided me through the deepest quandaries and quagmires of my research as well as some of the darkest times of my life. I believe no one understands the way my mind works as well as Daniel and I owe him a tremendous debt of gratitude for helping me find the language and tools to write about my community and the art form I love. I also want to thank Dr. Georgia Cowart for helping me find my voice and for her constant encouragement. I am grateful to Dr. Francesca Brittan for her insights that allowed me to see the musicologist in myself more clearly and her unwavering support of this project. I also would like to thank Dr. Robert Spadoni for expanding my analytical skills and for constantly allowing me to pick his brain about drag, movies, and life.
    [Show full text]
  • Argumeitf Over Liquor Causes Head Whipping
    OHIO STATS IIUSSU- LIBRARY 15TU _. HIGH ST. COLUilBUSe OHIO ' B ', ; •,: - ' n :j | MRS. BONNIE BLACKWELL, 1310 Mt. Vernon av., Columbus, wears outsize Christmas seat boot to remind -you that if you didn't do it on Do It day your Christinas • seal contribution will be gratefully received now. Christ­ mas seal sale, only support of Tuberculosis Society, ends Dec. 24, but F. O. Schoedinger, chairman, says early contributions are necessary for Tuberculosis Society to plan its 1956 program. *••• N KECENT YEARS, Kappa Alpha Psi fraternity In Co CAPACITY THRONG WHICH JAMMED Neil I lumbus has come to be an organization whose most un­ • usual characteristic was its concern with community prob­ Hou.se ballroom last Sunday for .style revue-dance-floor •-• j show given by Columbus chapter of Kappa Alpha Pal lems. , Not that other groups weren't equally or more con- I fraternity were fortunate enough to attend one of thr corned with similar activities. Many were. The unusual season's most sparkling social events, in particular the. feature of Kappa's interest sprung from the fact that grad­ n style show phase of evening's festivities, in which these ate social fraternities had ao often confined their interest charming young belles, played a major role. Left: Bar* M to undergraduate activities, promotion of. scholarship, na bara Hardiman, 19 year old OSU freshman who hails tional program Items, fellowship and social events. i i from Jefferson "City, Mo. Center* Central High school te__s__5____ 11th grader Judy Taylor", spectator .at the glltterinf An Editorial - event (left) poses with Marva Robinson, another OSU freshman.
    [Show full text]
  • The Queer Economy of Rupaul's Drag Race by Ted
    MOTHER OF THE HOUSE OF NO SHAME: THE QUEER ECONOMY OF RUPAUL’S DRAG RACE BY TED FAUST DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications & Media in the Graduate College of the University of Illinois at Urbana-Champaign, 2019 Urbana, Illinois Doctoral Committee: Professor James Hay, Chair Professor CL Cole Associate Professor Richard T. Rodriguez, UC Riverside Assistant Professor Amanda Ciafone i ABSTRACT In this dissertation, I consider the television show RuPaul’s Drag Race and the vast web of digital and broadcast media productions it has spawned, as a means to explore the changing cultural, technological, and economic conditions that have allowed for the emergence of a widespread queer media economy in which it is currently positioned as a central touchstone and engine of production and productivity. I seek to understand the history and evolution of the changing economics and production practices of the reality television genre that led to the emergence of (and have been deployed, tweaked, and recirculated by) the semi-satirical Drag Race; to better understand its position, as a “broadcast” cable television show, in a wider network of “new” and “spreadable” social media enterprises flowing into and out of it; to analyze the artistic, aesthetic, ethical and ascetic technologies of the self practiced by the contestants on the show, alongside a genealogical account of their origins in queer spaces and subcultures; and to explore the show’s position in a wider television landscape, asking how it is related to other programs of the current conjuncture, its technologization and commodification of a queer mode of belonging, and its relationships to virtual and material queer spaces as a globalized cultural technology.
    [Show full text]
  • Teaching Autoethnography: Personal Writing in the Classroom
    Teaching Autoethnography: Personal Writing in the Classroom Teaching Autoethnography: Personal Writing in the Classroom Melissa Tombro Open SUNY Textbooks ©2016 Melissa Tombro ISBN: 978-1-942341-21-5 ebook This publication was made possible by a SUNY Innovative Instruction Technology Grant (IITG). IITG is a competitive grants program open to SUNY faculty and support staff across all disciplines. IITG encourages development of innovations that meet the Power of SUNY’s transformative vision. Published by Open SUNY Textbooks, Milne Library (IITG PI) State University of New York at Geneseo, Geneseo, NY 14454 This book was produced using Pressbooks.com, and PDF rendering was done by PrinceXML. Teaching Autoethnography: Personal Writing in the Classroom by Melissa Tombro is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted. Contents About the Book ix Reviewer’s Notes xi Carole Deletiner Teaching Autoethnography Introduction 3 1. Understanding our Students’ Relationship to “I” 15 2. Getting Started in the Classroom 18 3. Writing Essays for Class: The First Steps 25 4. Workshop and Peer Review Process 30 5. Memory/Character Essays 33 6. Writing about Spaces and Events 37 7. The Autoethnography Project 41 8. Choosing Topics for the Autoethnography 50 9. The Interview Process 54 10. Conducting Observations 58 11. Putting It All Together 60 12. Challenges of Personal Writing 62 13. Concluding Thoughts 64 14. Sample Class Schedule 65 15. Additional Readings on Autoethnography
    [Show full text]
  • AMERICAN MUSIC SHOW (TELEVISION SHOW) American Music Show (Television Show) Video Recordings, 1981-2005
    AMERICAN MUSIC SHOW (TELEVISION SHOW) American Music Show (Television show) video recordings, 1981-2005 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: American Music Show (Television show) Title: American Music Show (Television show) video recordings, 1981-2005 Call Number: Manuscript Collection No. 1256 Extent: .5 linear feet (1 box) and AV Masters: 19.5 linear feet (20 boxes) Abstract: Video recordings of the American Music Show, an Atlanta, Georgia, public access television program that ran from 1981-2005. Language: Materials entirely in English. Administrative Information Restrictions on Access Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Source Gift of Dick Richards, David Goldman, and Potsy Duncan, 2013. Custodial History Dick Richards was the creator of the American Music Show. Along with Richards, David Goldman and Potsy Duncan were producers of the show. Citation [after identification of item(s)], American Music Show (Television show) video recordings, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository.
    [Show full text]
  • Feminist “Realness”
    HEGEMONIC “REALNESS”? AN INTERSECTIONAL FEMINIST ANALYSIS OF RUPAUL’S DRAG RACE by Sarah Tucker Jenkins A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida May 2013 ACKNOWLEDGEMENTS The author wishes to express her sincere thanks to her thesis advisor, Dr. Christine Scodari, and her thesis committee members, Dr. Barclay Barrios and Dr. Wairimu Njambi for their feedback and support. She would also like to thank the teachers who have mentored her throughout her academic career including (but not limited to) Dr. Josephine Beoku-Betts, Dr. Jane Caputi, Dr. Michele Tracy Berger and Ann Propst Pallex. Lastly, a big thank you to her entire family and all her friends, for their unending support and encouragement. iii ABSTRACT Author: Sarah Tucker Jenkins Title: Hegemonic “Realness”? An Intersectional Feminist Analysis of RuPaul’s Drag Race Institution: Florida Atlantic University Thesis Advisor: Dr. Christine Scodari Degree: Master of Arts Year: 2013 RuPaul’s Drag Race is one of the few reality television shows focusing on QLGBT (queer, lesbian, gay, bisexual, and transgender) identified individuals that has made it into mainstream consciousness. RuPaul’s Drag Race debuted in 2009 and appears on the channels, Logo and VH1. This thesis analyzes the four seasons from 2009 through 2012. RuPaul’s Drag Race provides a unique perspective on the ways that gender identity, sexuality, size, class, race, and ethnicity intersect and interact in people‟s lives. The television show augments many of these intersections and the challenges related to these identities while still reflecting the daily struggles that people experience.
    [Show full text]
  • BEAUTY North (INDIANA ELIGIBLE) BROWN FILLY Foaled March 5, 2013 Tattoo No
    Consigned by Victory Hill Farm, Inc., LaGrange, Indiana Rows G-L 1 ALL BEAUTY North (INDIANA ELIGIBLE) BROWN FILLY Foaled March 5, 2013 Tattoo No. 4L6428 Garland Lobell 3,1:55.3 Andover Hall 3,1:51.3 --------------------- Amour Angus 3,2:03.1f Swan For All 3,1:54.1f --------------- Lindy Lane 3,1:53 Swan Lake ----------------------------------- Concert Goer 3,1:59 ALL BEAUTY Valley Victory 3,1:55.3 Donerail 2,1:55.4 --------------------------- Bedell 3,Q2:06.2 Minette Hanover 2,2:01.4 ----------- Sierra Kosmos 3,1:53.4 Mink Hanover -------------------------------- Minx Hanover 2,T1:59.1 1st Dam MINETTE HANOVER 2,2:01.4 ($9,102) by Donerail. 2 wins at 2. At 2, winner leg Late Closer at Vernon; third in 2 legs Kindergarten Classic Ser. at Tioga. From 3 previous foals, dam of 2 winners, including: CANT BEAT THIS KID 2,2:01 ($8,331) (Cincinnati Kid). Winner at 2. At 2, winner leg George Sholty Ser. at Hoosier. ONE SMART KID (M) 2,2:13.3h ($6,670) (Cincinnati Kid). Winner at 2. At 2, winner Indiana Fair S. at Portland; second in Indiana Fair S. at Converse, Portland; third in Indiana Fair S. at Converse, Indianapolis. All For Swan (Swan For All). Now 3. 2nd Dam MINK HANOVER ($2,290) by Sierra Kosmos. From 9 foals, dam of 5 winners, 1 in 1:55, 4 in 1:59, including: MOHEGAN HANOVER 3,1:56.1f ($96,914) (Cantab Hall). 8 wins at 3 and 4. At 3, winner leg Pennsylvania Stallion Ser.
    [Show full text]
  • 7350 E. Stetson Dr. Suite 207 Scottsdale Urban Medspa Isgay
    Urban MedSpa 480.306.7130 isgay owned, operated 7350 E. Stetson Dr. & committed Suite 207 to the Scottsdale community. o INOVEMBER2007I Red Nightlife, HZS, LLC 400J N, Central, Ave" Ste, 1250 Phoenix, AZ 85012 602-308-8310 Managing Editor Mike Zydzik, Partner 6 Feature Pride Radio mike@rednightlife,com Creative Director 8 HealthStyle Mike zydzik, Partner mike©recnightlife,com 9 Queer Channeling Contributing Graphic Designers Levi McHale craig Venezuala 10 Out There Portland Contributing Photographers Carlos Arias 12 Get This Adam Bouska John Conroy 14 Red Hot Style Gregg Edelman Janna Flick Tim Gunther 15 Checklist Scarves Patrick Murray Irvin Serrano 21 Local Access Dallas Sarah Bruner Contributing writers Larry A. Bergeron 33 Local Access Houston Sarah Bruner Hedda Bobbin 49 Local Access Phoenix Stacey Jay Cavaliere The Crimson Imp Erin Donnely Michael Knipp Ken Knox Rich Lopez Tits McGee MikeyRox On the cover: Wrap up + Warm up with scarves starting National sales Director on page 15 Chris Smith, Partner 602-308-8310 x1 chris@rednightlifecom I I ! Volume 3 Number 8 All original artwork and photography for Red Nightlife/Red Magazine remain the property of HZS,LLCand cannot be reproduced, altered or sold Without authorization and/or compensation, Limited usage rights can be purchased for a small fee, NOTE:The Views expressed in these artICles do-not necessarily reflect the '.1ewsof Red Nigh~ife/Red Magazine staff or that of its parent company, Publication of the name-or photograph of any person or organization within Red Magazine is not to be construed as any indication of the sexual orientation of the such persons or organization, To our knowiedge, all people photographed and published within Red Magazine are aver the age of 18,SOme photos were submitted by our readers.
    [Show full text]