Bridging : a Teacher's Guide to Metaphorical Thinking / Sharon L
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Summach, the Structure, Function, and Genesis of the Prechorus
Volume 17, Number 3, October 2011 Copyright © 2011 Society for Music Theory The Structure, Function, and Genesis of the Prechorus (1) Jay Summach NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.11.17.3/mto.11.17.3.summach.php KEYWORDS: popular music, rock music, form, prechorus, sentence, srdc ABSTRACT: Prechoruses emerged in the mid-1960s as verse-chorus and strophic forms converged upon a four-part formal disposition that Everett (1999) calls “statement, restatement, departure, and conclusion,” or srdc. This study traces the expansion of the srdc scheme from its compact deployment in strophes to expanded iterations that approximate verse- chorus form. Received February 2011 [1] This article examines an episode in the evolution of verse-chorus form in pop/rock music. Until the mid-1960s, most verse-chorus songs alternated between the two formal sections from which verse-chorus form takes its name: verses and choruses. Example 1, Mark Dinning’s “Teen Angel,” illustrates the form.(2) As is typical for verse-chorus songs, the focal point of “Teen Angel” is the chorus: it contains the most engaging musical material; its unchanging lyric makes it easy to remember; and it is marked for special attention by additional vocal and instrumental parts. The verses, on the other hand, provide context: each verse advances the song narrative by presenting fresh lyrics; and the music is more modest in instrumentation and intensity so as not to steal attention from the chorus. In “Teen Angel,” the tempo is treated flexibly during the verses, which further distinguishes them from the choruses. -
311 Creatures
311 Creatures (For A While) 10 Years After I'd Love To Change The World 10,000 Maniacs Because The Night 10,000 Maniacs Candy Everybody Wants 10,000 Maniacs Like The Weather 10,000 Maniacs More Than This 10,000 Maniacs These Are Days 10,000 Maniacs Trouble Me 10cc I'm Not In Love 10cc The Things We Do For Love 112 Come See Me 112 Cupid 112 It's Over Now 112 Only You 112 Peaches & Cream 112Super Cat Na Na Na 1910 Fruitgum Co. 1 2 3 Red Light 1910 Fruitgum Co. Simon Says 20 Fingers Short Dick Man 2Pac California Love 2Pac Changes 2Pac Dear Mama 2Pac How Do You Want It 2Pau Heart And Soul 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down Duck And Run 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down The Road I'm On 3 Doors Down When I'm Gone 3 Of Hearts Arizon Rain 311 All Mixed Up 311 Amber 311 Down 311 I'll Be Here Awhile 311 You Wouldn't Believe 38 Special Caught Up In You 38 Special Hold On Loosely 38 Special Rockin' Into The Night 38 Special Second Chance 38 Special Wild Eyed Southern Boys 3LW I Do 3LW No More Baby 3LW Playas Gon' Play 3rd Strike Redemption 3rd Stroke No Light 4 Non Blondes What's Up 4 PM Sukiyaki 4 Runner Cain's Blood 4 Runner Ripples 4Him Basics Of Life 5 Stairsteps Ooh Child 50 cent pimp 50 Cent In Da Club 50 Cent Wanksta 5th Dimension Aquarius 5th Dimension Last Night I Didn't Get To Sleep At All 5th Dimension One Less Bell To Answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up And Away 5th Dimension Wedding Bell Blues 69 Boyz Tootie Roll 702 Get It Together 702 Steelo 702 Where My -
Topeka, ,Kansas, Nove:Mber 21, 1883
ESTABLISHED. PAGES WEEKLY • VOL. XXI., No. 47.1863.} TOPEKA, 1883. ,KANSAS, NOVE:MBER 21, {SIXTEEN.,RICE. 81.50 A YEAR. sue their Going Out of the Business. customery foolish course in run that it must look pretty dark to such a man' mention more farmers�who have�:made for their mills and and we would The FARMER has been interested in cau ning night daY"evenif they advise such to get rid of part tunes. It would be better worth our while have to import wool to do it, until the mar of their and a of tioning sheep men against rashness in going flocks, adopt svstem mixed to consider how they have succeeded and ket groans with and then shut at all times when such a course out of the business. Men ought not to be woolens, husbandry why others do not. A man's hands were down. There is certainly more profit in a would seem to be Ru- reckless in anything; and when one is well judicious.-Western given him to work with, doubt; but these . n? steady business .han there is in such a spas ral. situated for conducting any kind of business are merely the tools; a head and brain were modic business. The as at that has and business present furnished to the hands. With 'the bottom. understands it, and is Profitable guide conducted is like the man who gorges him Agrioulture. - not compelled to change, always runs great hands alone a man makes a bare subsistence. self with one meal a He eats about It is frequently said that no man ever risk in leaving what he knows how to handle day. -
Melbourne Handbook
MELBOURNE STATE COLLEGE 1979 HANDBOOK THE UNIVERSITY OF MELBOURNE INSTITUTE OF EDUCATION E.R.C. CARLTON 757 Swanston Street Carlton, Victoria, 3053 Telephone 341 8111 The regulations and information printed in this Handbook are as approved by the College Council at 28 August 1978. Subsequent changes may be introduced. Students involved will be notified of any such changes. ISSN 0313 3257 Published by Melbourne State College, 757 Swanston Street, Carlton, Victoria, 3053. Printed by The Dominion Press, Joseph Street, North Blackburn, Vic. 3030. Contents Map of College (iv) Brief History 1 Principal Dates 1 Central Administration 1 College Schedule 1979 2 Council — Membership 5 Council Constitution 6 Council — Committees 9 Courses Offered — Summary 11 External Studies 15 General Regulations 19 Admission and Enrolment Procedures 21 Fees 25 Financial Assistance 26 Student Services 27 Academic Organisation — Summary 29 Board of Studies — Membership 33 Faculty Chairmen and Secretaries 34 Course Committees —Membership 35 Selection Officers and Course Advisers 40 Staff Teaching Departments 42 Staff — Administrative and Services 53 Staff — Honorary Academic 58 School Experience — Principles 59 Education Resource Centre 61 Noojee Outdoor Education Centre 62 Gryphon Gallery 63 Art Collection 63 Day Nursery 63 Open Stage 64 Students' Association 64 Details of Courses Bachelor of Education 67 Bachelor of Edudcation (Art and Crafts) 271 Diploma of Teaching (Primary) 319 Diploma in Education 459 Graduate Diploma in Drama -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
An Integration of the Visual Media Via Fat Albert and the Cosby Kids Into the Elementary School Curriculum As a Teaching Aid and Vehicle to Achieve Increased Learning
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1976 An integration of the visual media via Fat Albert and the Cosby kids into the elementary school curriculum as a teaching aid and vehicle to achieve increased learning. Bill Cosby University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Cosby, Bill, "An integration of the visual media via Fat Albert and the Cosby kids into the elementary school curriculum as a teaching aid and vehicle to achieve increased learning." (1976). Doctoral Dissertations 1896 - February 2014. 3217. https://scholarworks.umass.edu/dissertations_1/3217 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. AN INTEGRATION OF THE VISUAL MEDIA VIA FAT ALBERT AND THE COSBY KIDS INTO THE ELEMENTARY SCHOOL CURRICULUM AS A TEACHING AID AND VEHICLE TO ACHIEVE INCREASED LEARNING A Dissertation Presented WILLIAM HENRY COSBY, JR. Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of DOCTOR OF EDUCATION September 1976 Education c William Henry Cosby Jr., 1976 All Rights Reserved AN INTEGRATION OF THE VISUAL MEDIA VIA FAT ALBERT AND THE COSB Y KIDS INTO THE ELEMENTARY SCHOOL CURRICULUM AS A TEACHING AID AND VEHICLE TO ACHIEVE INCREASED LEARNING A Dissertation Presented By WILLIAM HENRY COSBY, JR. Approved as to style and content by: ‘Norma Jean Anderson, Chairperson Reginald Damerell, Member Eugene Piedmont, Member Louis Fischer, Acting Dean School of Education ACKNOWLEDGEMENTS At the outset I wish to recognize the intellectual, moral, fraternal and practical support of my Dissertation Committee Dr. -
Office Market Assessment Montgomery County, Maryland
Office Market Assessment Montgomery County, Maryland Prepared for the Montgomery County Planning Department June 18, 2015 Contents Executive Summary..................................................................................................................... iv Regional Office Vacancies (Second Quarter, 2015) ............................................................... iv Findings .................................................................................................................................... v Recommendations .................................................................................................................... v Introduction .................................................................................................................................... 1 Montgomery County’s Challenge ............................................................................................ 1 I. Forces Changing the Office Market ....................................................................................... 3 Types of Office Tenants ........................................................................................................... 3 Regional and County Employment ......................................................................................... 4 Regional Employment Trends ............................................................................................. 4 Montgomery County Employment Trends .......................................................................... 6 Regional -
Simon and Garfunkel.Pptx
Simon & Garfunkel Created by Group 2 Kao-wei Chen, Rebecca Galarowicz, Bri@any Kelly, David Oberg, Nikolas Sell Kao-wei Chen Why Simon & Garfunkel? They were one of the first folk performers make it big in the music industry and became future role models for the upcoming generaon of folk rock singers. http://en.wikipedia.org/wiki/File:SimonandGarfunkel.jpg Background Informaon • Real Names • Paul Simon • Art Garfunkel • Both were born 1941, sll alive today • First met each other in elementary school • Realized their potenKal when singing together Doo-wop songs found on the radio at an early age h@p://www.last.fm/music/Simon+&+Garfunkel/ +images/138461 Beginning of Simon & Garfunkel • At age 16, they recorded their first single composed by Simon Ktled ‘’Hey Schoolgirl’’ • Peaked at the top 50 on the Billboard under Tom & Jerry • Late 50s/early 60s- both worked together ocassionally but were solo acts during this me • 1964, release of their debut album ‘’Wednesday Morning, 3 A.M.’’ • release did poorly • 1964-1965, Tom Wilson, a folk-rock producer, revised Simon’s & Garfunkel’s track Ktled ‘’The Sound of Silence’’ and released it in the market • Track rose to #1 in 1965 • Song was edited by incorporang electric bass, guitar and drums The High & End Life of S&G v 1966, placed 3 albums and four singles in the top 30 of the Billboard v E.g. ‘’The Sound of Silence’’, ‘’I Am A Rock’’, and ‘’Parsely, Sage, Rosemary & Thyme’’ v 1966-1969, their career was at a turning point v WriKng of songs and recording significantly took longer v Simon’s & Garfunkel’s -
IS LESS Philip Hamburger† I. FREE EXERCISE
HAMBURGER.BOOK.DOC 4/13/04 9:44 PM ESSAY MORE IS LESS∗ Philip Hamburger† I. FREE EXERCISE INALIENABLE .................................................... 838 A. The Inalienable Character of Religious Liberty ................. 839 B. The Definition of Religious Liberty..................................... 848 II. BOTH MORE AND LESS ................................................................. 858 A. The Contingency of Free Exercise in the Courts ................ 858 B. Mere Definition Rather than Condition? ............................ 861 C. Historical Explanations......................................................... 864 D. Expansion and Contingency................................................. 869 E. The Absolute Right of Religious Belief ............................... 872 F. Fratricide (or the Periphery Undermines the Core) ........... 874 G. No Harm, No Foul? .............................................................. 882 H. Other Examples..................................................................... 885 CONCLUSION....................................................................................... 890 S the First Amendment’s right of free exercise of religion condi- I tional upon government interests? Many eighteenth-century Americans said it was utterly unconditional. For example, James Madison and numerous contemporaries declared in 1785 that “the right of every man to exercise [‘Religion’] . is in its nature an un- alienable right” and “therefore that in matters of Religion, no mans right is abridged by -
The Bluest Eye Is About the Tragic Life of a Young Black Girl in 1940S Ohio
"Highly recommended ... an altogether superb (and harrowing) world premiere stage adaptation." -Hedy Weiss, Chicago Sun-Times "Poignant, provocative.” -Backstage “Remarkable” -Chicago Sun-Times © The Dramatic Publishing Company “This is bittersweet, moving drama that preserves the vigor and the disquiet of Ms. Morrison’s novel ... for theatergoers of any age, it is not to be missed.” -The New York Sun “A powerful coming-of-age story that should be seen by all young girls.” -Chicagocritic.com AATE Distinguished Play Award winner Drama. Adapted by Lydia R. Diamond. From the novel by Toni Morrison. Cast: 2 to 3m., 6 to 10w. Nobel Prize-winning author Toni Morrison’s The Bluest Eye is about the tragic life of a young black girl in 1940s Ohio. Eleven-year- old Pecola Breedlove wants nothing more than to be loved by her family and schoolmates. Instead, she faces constant ridicule and abuse. She blames her dark skin and prays for blue eyes, sure that love will follow. With rich language and bold vision, this powerful adaptation of an American classic explores the crippling toll that a legacy of racism has taken on a community, a family, and an innocent girl. “Diamond’s sharp, wrenching, deeply humane adaptation ... helps us discover how an innocent like Pecola can be undone so thoroughly by a racist world that, if it sees her at all, does so only long enough to kick the pins out from under her.” (Chicago Reader) “A spare and haunting play ... The playwright displays a delicate touch that seems right for the theme spiraling through the piece: that of the invidious influence of a white-majority nation not yet mature enough to validate beauty in all its forms.” (Washington Post) Flexible staging. -
Highlights in the History of Entomology in Hawaii 1778-1963
Pacific Insects 6 (4) : 689-729 December 30, 1964 HIGHLIGHTS IN THE HISTORY OF ENTOMOLOGY IN HAWAII 1778-1963 By C. E. Pemberton HONORARY ASSOCIATE IN ENTOMOLOGY BERNICE P. BISHOP MUSEUM PRINCIPAL ENTOMOLOGIST (RETIRED) EXPERIMENT STATION, HAWAIIAN SUGAR PLANTERS' ASSOCIATION CONTENTS Page Introduction 690 Early References to Hawaiian Insects 691 Other Sources of Information on Hawaiian Entomology 692 Important Immigrant Insect Pests and Biological Control 695 Culex quinquefasciatus Say 696 Pheidole megacephala (Fabr.) 696 Cryptotermes brevis (Walker) 696 Rhabdoscelus obscurus (Boisduval) 697 Spodoptera exempta (Walker) 697 Icerya purchasi Mask. 699 Adore tus sinicus Burm. 699 Peregrinus maidis (Ashmead) 700 Hedylepta blackburni (Butler) 700 Aedes albopictus (Skuse) 701 Aedes aegypti (Linn.) 701 Siphanta acuta (Walker) 701 Saccharicoccus sacchari (Ckll.) 702 Pulvinaria psidii Mask. 702 Dacus cucurbitae Coq. 703 Longuiungis sacchari (Zehnt.) 704 Oxya chinensis (Thun.) 704 Nipaecoccus nipae (Mask.) 705 Syagrius fulvitarsus Pasc. 705 Dysmicoccus brevipes (Ckll.) 706 Perkinsiella saccharicida Kirk. 706 Anomala orientalis (Waterhouse) 708 Coptotermes formosanus Shiraki 710 Ceratitis capitata (Wiedemann) 710 690 Pacific Insects Vol. 6, no. 4 Tarophagus proserpina (Kirk.) 712 Anacamptodes fragilaria (Grossbeck) 713 Polydesma umbricola Boisduval 714 Dacus dorsalis Hendel 715 Spodoptera mauritia acronyctoides (Guenee) 716 Nezara viridula var. smaragdula (Fab.) 717 Biological Control of Noxious Plants 718 Lantana camara var. aculeata 119 Pamakani, -
World Digipak Comp B.Indd
MOTOWN Around the World Visas Entries/Entrées Departures/Sorties 1 Visas Visas Entries/Entrées Departures/Sorties Entries/Entrées Departures/Sorties THE SOUND OF YOUNG AMERICA an outpouring. At Mrs. Edwards’ urging, Motown IL SUONO DELL’GIOVANE AMERICA complemented these bold moves with several recordings DER TON VON JUNGEM AMERIKA in German, Spanish, Italian, and, unknown to the public at LE BRUIT DE LA JEUNE AMÉRIQUE EL SONIDO DE AMÉRICA JOVEN the time, French. by Andrew Flory & Harry Weinger “We thought it would be hard to do, but learning the words and making the tracks work was enjoyable,” said Berry Gordy, Jr. founded Motown with the idea that his the Temptations’ Otis Williams, humming “Mein Girl” with a artists would cross borders, real and intangible. smile. “The people fl own in to teach us made it easy, and His bold idea would bloom in late 1964, when the we got it down just enough to be understood.” Supremes’ “Baby Love” hit No. 1 in the U.K., and “The Sound Of Young America,” as Motown later billed itself, spread around the world. Audiences who didn’t know English knew the words to Motown songs. The Motortown Revue went to Europe. Fan letters in every language showed up at West Grand Boulevard. Behind the infectious beat, inroads had been made overseas as early as spring 1963, when Mr. Gordy, along with Motown executives Esther Gordy Edwards and Barney Ales, made unprecedented sales visits to Italy, Germany, Belgium, Holland, France, Norway, Sweden and England. Two years later EMI U.K. created the Tamla Motown imprint, an international umbrella for the company’s multi-label output.