King Arthur's Children Tyler R. Tichelaar, Ph.D
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Queen Guinevere
Ingvarsdóttir 1 Hugvísindasvið Queen Guinevere: A queen through time B.A. Thesis Marie Helga Ingvarsdóttir June 2011 Ingvarsdóttir 2 Háskóli Íslands Hugvísindasvið Enskudeild Queen Guinevere: A queen through time B.A. Thesis Marie Helga Ingvarsdóttir Kt.: 060389-3309 Supervisor: Ingibjörg Ágústsdóttir June 2011 Ingvarsdóttir 3 Abstract This essay is an attempt to recollect and analyze the character of Queen Guinevere in Arthurian literature and movies through time. The sources involved here are Welsh and other Celtic tradition, Latin texts, French romances and other works from the twelfth and thirteenth centuries, Malory’s and Tennyson’s representation of the Queen, and finally Guinevere in the twentieth century in Bradley’s and Miles’s novels as well as in movies. The main sources in the first three chapters are of European origins; however, there is a focus on French and British works. There is a lack of study of German sources, which could bring different insights into the character of Guinevere. The purpose of this essay is to analyze the evolution of Queen Guinevere and to point out that through the works of Malory and Tennyson, she has been misrepresented and there is more to her than her adulterous relation with Lancelot. This essay is exclusively focused on Queen Guinevere and her analysis involves other characters like Arthur, Lancelot, Merlin, Enide, and more. First the Queen is only represented as Arthur’s unfaithful wife, and her abduction is narrated. We have here the basis of her character. Chrétien de Troyes develops this basic character into a woman of important values about love and chivalry. -
How Geoffrey of Monmouth Influenced the Story of King Arthur
Western Oregon University Digital Commons@WOU Student Theses, Papers and Projects (History) Department of History 6-10-2019 The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur Marcos Morales II [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/his Part of the Cultural History Commons, Medieval History Commons, and the Medieval Studies Commons Recommended Citation Morales II, Marcos, "The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur" (2019). Student Theses, Papers and Projects (History). 276. https://digitalcommons.wou.edu/his/276 This Paper is brought to you for free and open access by the Department of History at Digital Commons@WOU. It has been accepted for inclusion in Student Theses, Papers and Projects (History) by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur. By: Marcos Morales II Senior Seminar: HST 499 Professor David Doellinger Western Oregon University June 05, 2019 Readers Professor Elizabeth Swedo Professor Bau Hwa Hsieh Copyright © Marcos Morales II Arthur, with a single division in which he had posted six thousand, six hundred, and sixty-six men, charged at the squadron where he knew Mordred was. They hacked a way through with their swords and Arthur continued to advance, inflicting terrible slaughter as he went. It was at this point that the accursed traitor was killed and many thousands of his men with him.1 With the inclusion of this feat between King Arthur and his enemies, Geoffrey of Monmouth shows Arthur as a mighty warrior, one who stops at nothing to defeat his foes. -
Anglo-Saxon and Scots Invaders
Anglo-Saxon and Scots Invaders By around 410AD, the last of the Romans had left Britain to go back to Rome and England was left to look after itself for the first time in about 400 years. Emperor Honorius told the people to fight the Picts, Scots and Saxons who were attacking them, but the Brits were not good fighters. The Scots, who came from Ireland, invaded and took land in Scotland. The Scots split Scotland into 4 separate places that were named Dal Riata, Pictland, Strathclyde and Bernicia. The Picts (the people already living in Scotland) and the Scots were always trying to get into England. It was hard for the people in England to fight them off without help from the Romans. The Picts and Scots are said to have jumped over Hadrian’s Wall, killing everyone in their way. The British king found it hard to get his men to stop the Picts and Scots. He was worried they would take over in England because they were excellent fighters. Then he had an idea how he could keep the Picts and Scots out. He asked two brothers called Hengest and Horsa from Jutland to come and fight for him and keep England safe from the Picts and Scots. Hengest and Horsa did help to keep the Picts and Scots out, but they liked England and they wanted to stay. They knew that the people in England were not strong fighters so they would be easy to beat. Hengest and Horsa brought more men to fight for England and over time they won. -
Reader's Companion to John Cowper Powys's a Glastonbury Romance
John Cowper Powys’s A Glastonbury Romance: A Reader’s Companion Updated and Expanded Edition W. J. Keith December 2010 . “Reader’s Companions” by Prof. W.J. Keith to other Powys works are available at: https://www.powys-society.org/Articles.html Preface The aim of this list is to provide background information that will enrich a reading of Powys’s novel/ romance. It glosses biblical, literary and other allusions, identifies quotations, explains geographical and historical references, and offers any commentary that may throw light on the more complex aspects of the text. Biblical citations are from the Authorized (King James) Version. (When any quotation is involved, the passage is listed under the first word even if it is “a” or “the”.) References are to the first edition of A Glastonbury Romance, but I follow G. Wilson Knight’s admirable example in including the equivalent page-numbers of the 1955 Macdonald edition (which are also those of the 1975 Picador edition), here in square brackets. Cuts were made in the latter edition, mainly in the “Wookey Hole” chapter as a result of the libel action of 1934. References to JCP’s works published in his lifetime are not listed in “Works Cited” but are also to first editions (see the Powys Society’s Checklist) or to reprints reproducing the original pagination, with the following exceptions: Wolf Solent (London: Macdonald, 1961), Weymouth Sands (London: Macdonald, 1963), Maiden Castle (ed. Ian Hughes. Cardiff: University of Wales Press, 1990), Psychoanalysis and Morality (London: Village Press, 1975), The Owl, the Duck and – Miss Rowe! Miss Rowe! (London: Village Press, 1975), and A Philosophy of Solitude, in which the first English edition is used. -
Press Release for the Book of Mordred Published by Houghton
New from Houghton Mifflin Books for Children FOR IMMEDIATE RELEASE CONTACT: Children’[email protected] The famed knight Mordred comes to life in a riveting epic novel, taking another look at his crucial role in the rise and fall of Camelot. The Book of Mordred Written by Vivian Vande Velde # “Vande Velde’s finely crafted diction never falters as the plot builds to its inevitable tragic end.” ––Kirkus Reviews, starred review Dark forces are taking hold in the kingdom of Camelot: King Arthur struggles to keep his knights in line as they steadily divide them- selves into factions; the great Merlin has vanished at the hands of his lover and pupil, Nimue; wizards all over the countryside battle for whatever measures of power they can find. At the center of the mael- strom stands Keira, an innocent girl who possesses the ability to foretell the fate of her world. When Keira is kidnapped from her vil- lage home, her mother, Alayna, flees to Camelot and finds Mordred, an enigmatic knight who will ultimately become Keira’s greatest champion, Alayna’s greatest love, and King Arthur’s greatest enemy. In the tradition of Arthurian legend, Mordred has been characterized as a buffoon, a false knight, and a bloodthirsty traitor. The Book Mordred reveals a mysterious man through the eyes of three woman who love him. This is Vivian Vande Velde’s twenty-fifth book for young readers. She lives in Rochester, New York. More praise for The Book Of Mordred: “[A] richly imagined retelling of traditional lore.”––Booklist “[A]n engrossing read.”––The Bulletin “Fans of traditional Arthurian legend as well as readers unfamiliar with the classic tales should relish this compelling re-imagining of the Arthurian world.”––Voya The Book Of Mordred = August 2005 = Fiction Ages 12 and up = 352 pages = $18.00 = ISBN 0-618-50754-X Available wherever books are sold or by calling 1-800-225-3362 Houghton Mifflin Company • 222 Berkeley Street • Boston, MA 02116 • www.houghtonmifflinbooks.com www.houghtonmifflinbooks.com 1 of 1 Copyright © 2005 Houghton Mifflin Company. -
Geoffrey of Monmouth and the English Past
Chapter 3 Geoffrey of Monmouth and the English Past Rebecca Thomas Geoffrey does not grant much space to the English in the De gestis Britonum. In one respect, this is unsurprising: Geoffrey’s history extends back to the origins of the Britons in Troy, spending a significant amount of time in pre-Roman Britain, and as such the English enter the narrative rather late in the day. Even after their arrival, however, the English do not appear in the way which we might expect. The traditional narrative of the development of the English kingdoms, pioneered by sources such as Bede’s Ecclesiastical History and the Anglo-Saxon Chronicle, and accepted and reproduced by many of Geoffrey’s contemporary Anglo-Norman historians, has no place in the DGB. With his strikingly different version of events, Geoffrey certainly cannot be accused of lacking originality in his treatment of English history. The way in which he approached this subject is highly significant not only for our understanding of his attitude toward the English, but also for the composition of the DGB more generally. There was no shortage of contemporary historians writing of the English past, such as Henry of Huntingdon, the first version of whose History of the English, with which Geoffrey was most likely familiar, was completed by 1130. Henry presents us with a conventional account of English history, drawing heavily on Bede and the Anglo-Saxon Chronicle.1 Hengist and Horsa arrive in Britain in 449, and after recounting their dealings with the Britons, Henry pro- ceeds through the various other Saxon settlers of the 5th and 6th centuries. -
Introduction: the Legend of King Arthur
Department of History University of Wisconsin-Eau Claire “HIC FACET ARTHURUS, REX QUONDAM, REXQUE FUTURUS” THE ANALYSIS OF ORIGINAL MEDIEVAL SOURCES IN THE SEARCH FOR THE HISTORICAL KING ARTHUR Final Paper History 489: Research Seminar Professor Thomas Miller Cooperating Professor: Professor Matthew Waters By Erin Pevan November 21, 2006 1 Copyright for this work is owned by the author. This digital version is published by McIntyre Library, University of Wisconsin – Eau Claire with the consent of the author. 2 Department of History University of Wisconsin-Eau Claire Abstract of: “HIC FACET ARTHURUS, REX QUONDAM, REXQUE FUTURUS” THE ANALYSIS OF ORIGINAL MEDIEVAL SOURCES IN THE SEARCH FOR THE HISTORICAL KING ARTHUR Final Paper History 489: Research Seminar Professor Thomas Miller Cooperating Professor: Matthew Waters By Erin Pevan November 21, 2006 The stories of Arthurian literary tradition have provided our modern age with gripping tales of chivalry, adventure, and betrayal. King Arthur remains a hero of legend in the annals of the British Isles. However, one question remains: did King Arthur actually exist? Early medieval historical sources provide clues that have identified various figures that may have been the template for King Arthur. Such candidates such as the second century Roman general Lucius Artorius Castus, the fifth century Breton leader Riothamus, and the sixth century British leader Ambrosius Aurelianus hold high esteem as possible candidates for the historical King Arthur. Through the analysis of original sources and authors such as the Easter Annals, Nennius, Bede, Gildas, and the Annales Cambriae, parallels can be established which connect these historical figures to aspects of the Arthur of literary tradition. -
John Constantine Hellblazer: Last Man Standing Volume 11 Ebook
JOHN CONSTANTINE HELLBLAZER: LAST MAN STANDING VOLUME 11 PDF, EPUB, EBOOK Sean Phillips,Paul Jenkins | 336 pages | 25 Aug 2015 | DC Comics | 9781401255299 | English | United States John Constantine Hellblazer: Last Man Standing Volume 11 PDF Book Learn how to enable JavaScript on your browser. The final, longer issue has John break the fourth wall. The penultimate major run of Delano's tenure was " The Family Man ", [17] which differed from the main body of the series thus far in that Constantine's nemesis is not supernatural beyond an opening metafictional encounter with a fictional fence , but a former policeman turned serial killer. Anyway have a few panels of John getting kissed by King Arthur because It also had a strong religious theme, with John's dealings with the First of the Fallen , and some storylines, such as the relationship between an angel, Tali, and a succubus demon, Ellie, would go on to be used again as a major plot device in Preacher , one of his most popular works. Paperback —. Archived from the original on January 3, Here at Walmart. In Dougall, Alastair ed. Hanuted cemetary next to houses and pissed off ghosts affect people; most of it doesn't really matter. Merlin is looking for the Grail, and thinks John is the man to find it for him. Not sure about the less magicky focus but hey, at least it is entertaining. Sean Phillips Illustrations ,. John Constantine Hellblazer Volume Regeneration []. Hellblazer issue Son of Man. In fact, the entire thing feels as if it is all for a lame joke. -
Glastonbury, England
GLASTONBURY England September 12, 2009 Words and photos by Victor E. Smith© The magical, The mystical, The mysterious, The miraculous All start as an inkling deep within, The twinkling of a tiny star in distant space, Blinking on and off, Beckoning one across the chasm between the all-too-real And the utterly fantastic. The entrance to a mystical place Merry Christmas and Happy New Year to my family and friends. Christmas Eve, 2009 Like most westerners, I’m fascinated by the legends of King Arthur and the Holy Grail. This summer, by chance (?), I picked up the book King Arthur’s Avalon, The Story of Glastonbury, by Geoffrey Ashe and was in the middle of it when I was asked to go to London on business. My first day there would be my only free day, and Glastonbury is well out of the city, so I asked a trusted friend, who had spent some years in England, if he thought the effort worthwhile. “I love Glastonbury,” he said with a light in his eyes that I knew I had to go there. So, early in the morning of September 12, 2009, I pushed through a fog of jet lag and got myself to Paddington Station. The train headed southwest— my first foray into the English country- English countryside around Castle Cary. A sinkhole in the foreground side—and arrived two hours later in demonstrates that low-lying area was once covered by water. Castle Cary, with Glastonbury still several miles away. But there was a taxi in the parking lot and its driver, an area native, proved hospitable and informative. -
Portal Into Literature
LITERATURE In this section, we’ll learn about a couple of famous literary references found in the Harry Potter books, but two very famous magical people in English literary history: Merlin and Morgan. Both Merlin and Morgan are featured on a Chocolate Frog wizard card, both are famous magicians, and both have a place in our real world through the legend of King Arthur. Finally, we’ll read about Beowulf, the oldest and one of the most famous stories in all of British literature. In it Beowulf fights two monsters and a dragon just like Harry fights the monster basilisk and steals treasure guarded by the dragon at Gringott's. Macbeth and the Weird Sisters In Harry Potter the Weird Sisters are a musical group. They played at the Hogwarts Yule Ball in The Goblet of Fire. In Literature, in the Shakespeare tragedy Macbeth (written in the late 16th century), Macbeth was a military leader and hero who encountered three witches known as the “Weird Sisters.” They told him a prophecy concerning his future. They told him he would become first the Thane of Cawdor (a “thane” is much like an English “earl”), and then the King of Scotland. This prophecy about his becoming king of Scotland made Macbeth crazy with ambition. He killed the current King, Duncan, and several other people who could have posed a problem for Macbeth becoming king. The Weird Sisters told a prophecy about how Macbeth would die: He was to “beware the Thane of Fife” “None of woman born/shall harm Macbeth” “Macbeth shall never be vanquished until/Great Birnam Wood to high Dunsinane Hill/shall come against him.” Because of these prophecies Macbeth thought he was invincible. -
Arthurian Legend
Nugent: English 11 Fall What do you know about King Arthur, Camelot and the Knights of the Round Table? Do you know about any Knights? If so, who? If you know anything about King Arthur, why did you learn about King Arthur? If you don’t know anything, what can you guess King Arthur, Camelot, or Knights. A LEGEND is a story told about extraordinary deeds that has been told and retold for generations among a group of people. Legends are thought to have a historical basis, but may also contain elements of magic and myth. MYTH: a story that a particular culture believes to be true, using the supernatural to interpret natural events & to explain the nature of the universe and humanity. An ARCHETYPE is a reoccurring character type, setting, or action that is recognizable across literature and cultures that elicits a certain feeling or reaction from the reader. GOOD EVIL • The Hero • Doppelganger • The Mother The Sage • The Monster • The Scapegoat or sacrificial • The Trickster lamb • Outlaw/destroyer • The Star-crossed lovers • The Rebel • The Orphan • The Tyrant • The Fool • The Hag/Witch/Shaman • The Sadist A ROMANCE is an imaginative story concerned with noble heroes, chivalric codes of honor, passionate love, daring deeds, & supernatural events. Writers of romances tend to idealize their heroes as well as the eras in which the heroes live. Romances typically include these MOTIFS: adventure, quests, wicked adversaries, & magic. Motif: an idea, object, place, or statement that appears frequently throughout a piece of writing, which helps contribute to the work’s overall theme 1. -
Mordred, a Tragedy
MORDRED, A TRAGEDY HENRY NEWBOLT MORDRED, A TRAGEDY Table of Contents MORDRED, A TRAGEDY......................................................................................................................................1 HENRY NEWBOLT.....................................................................................................................................1 ACT I..........................................................................................................................................................................2 SCENE I.........................................................................................................................................................2 SCENE II.......................................................................................................................................................6 ACT II.......................................................................................................................................................................11 SCENE I.......................................................................................................................................................11 SCENE II.....................................................................................................................................................15 SCENE III....................................................................................................................................................18 SCENE IV....................................................................................................................................................22