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Filmové Umenie Z – Renomované Podujatia V Zahraničí ANUAL AMPAS AWARDS (OSCAR) Hollywood USA ANUAL BAFTA AWARDS Londyn
Filmové umenie Z – Renomované podujatia v zahrani čí ANUAL AMPAS AWARDS (OSCAR) Hollywood USA ANUAL BAFTA AWARDS Londyn Velka Britania ANUAL CESAR AWARDS Francuzsko ANUAL DONATELLO AWARDS Taliansko ANUAL EMI AWARDS Hollywood USA CESKY LEV / CZECH LION Praha Ceska republika CIVIS MEDIA PRIZE / CIVIS EUROPE´S PRIZE EUROPEAN FILM AWARDS (ETA) kazdorocne ine europske mesto a stat GOLDEN GLOBE AWARDS Hollywood USA Festivaly s medzinárodnou sú ťažou AFI FEST - LOS ANGELES INTERNATIONAL FILM FESTIVAL Los Angeles USA ANN ARBOR FILM FESTIVAL Ann Arbor USA ASOLOARTFILMFESTIVAL Asolo Taliansko ATHENS INTERNATIONAL FILM FESTIVAL Atheny Grecko AUSTIN FILM FESTIVAL Austin USA BANGKOK INTERNATIONAL FILM FESTIVAL Bangkok Thajsko BELGRADE INTERNATIONAL FILM FESTIVAL Belehrad Srbsko BERGAMO FILM MEETING Bergamo Taliansko BERLIN INTERNATIONAL FILM FESTIVAL Berlin Nemecko BERMUDA INTERNATIONAL FILM FESTIVAL Bermuda Bermudske ostrovy BRISBANE INTERNATIONAL FILM FESTIVAL Brisbane Velka Britania BRITISH INDEPENDENT FILM AWARDS London Velka Britania BRUSSELS INTERNATIONAL FESTIVAL OF FANTASY FILM Brusel Belgicko CAIRO INTERNATIONAL FILM FESTIVAL Kahira Egypt CAMERIMAGE - INTERNATIONAL FILM FESTIVAL OF THE ART OF CINEMATOGRAPHY Lodz Polsko CANNES INTERNATIONAL FILM FESTIVAL Cannes Francuzsko CARTAGENA INTERNATIONAL FILM FESTIVAL Cartagena Kolumbia CINEMA JOVE INTERNATIONAL FILM FESTIVAL Valencia Spanielsko CINEQUEST FILM FESTIVAL San Jose USA CORTO IN STABIA Castellammare di Stabia Neapol Taliansko DUBAI INTERNATIONAL FILM FESTIVAL Dubai Spojene arabske emiraty -
Tabla 1:Festivales Y Premios Cinematográficos
Tabla 1:Festivales y premios American Choreography Arts and Entertainment Critics cinematográficos Awards, USA Awards, Chile http://www.imdb.com/Sections/ American Cinema Editors, USA Artur Brauner Award Awards/Events American Cinema Foundation, Ashland Independent Film USA Festival American Cinematheque Gala Asia-Pacific Film Festival 2300 Plan 9 Tribute Asian American Arts 30th Parallel Film Festival American Comedy Awards, Foundation 7 d'Or Night USA Asian American International American Film Institute, USA Film Festival - A – American Independent Film Asianet Film Awards Festival Aspen Filmfest A.K.A. Shriekfest American Indian Film Festival Aspen Shortsfest ABC Cinematography Award American Movie Awards Association for Library Service ACTRA Awards American Screenwriters to Children AFI Awards, USA Association, USA Athens Film Festival, Georgia, AFI Fest American Society of USA AGON International Meeting of Cinematographers, USA Athens International Film Archaeological Film Amiens International Film Festival ALMA Awards Festival Athens International Film and AMPIA Awards Amnesty International Film Video Festival, Ohio, USA ARIA Music Awards Festival Athens Panorama of European ARPA International Film Amsterdam Fantastic Film Cinema Festival Festival Atlanta Film Festival ASCAP Film and Television Amsterdam International Atlantic City Film Festival Music Awards Documentary Film Festival Atlantic Film Festival ASIFA/East Animation Festival Anchorage International Film Atv Awards, Spain ATAS Foundation College Festival Aubagne International -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Nadavulakere, S.S. (2008). International Film Festivals as Field-Configuring Events. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/8591/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] International Film Festivals as Field-Configuring Events ShivasharanS. Nadavulakere Thesis submitted in fulfillment of the requirementsfor PhD in Management City University, London Faculty of Management Cass Business School October 2008 I'\ To Anushri, my love Chapter Contents Page Dedication ii ....................................................................................... List Tables & Figures of .................................................... -
Disappearance
DISAPPEARANCE NEW ACQUISITION by Boudewijn Koole Drama, The Netherlands/Norway 2017, 92 min Roos visits her mother in Norway yearly, but this time it’s different: she brings a bad news. However, old pain and numerous reproaches keep Roos from sharing anything with her mother. With the help of her half brother and an old love, the two women reconcile and Roos is ready to take her next and inescapable step. Market Screening: Friday Feb 10, 15:00 CinemaxX 18 Original Title: Verdwijnen Written by: Jolein Laarman Director of Photography: Melle van Essen Cast: Rifka Lodeizen, Elsie de Brauw, Jakob Oftebro, Marcus Hanssen Original Language: Dutch, Norwegian, English The idyllic family life set in a beautiful snowy countryside of Norway is shaken Production Company: The Film Kitchen Produced by: Jan van der Zanden, Ineke Kanters after Roos returns home and eventually finds a way to say goodbye. Co-production Company: Sweet Films THE OTHER END NEW ACQUISITION by Felipe Sholl Drama, Brazil 2016, 92 min, 1st feature Diogo (17) likes to make anonymous phone calls to his psychoanalyst mother’s patients. That’s how he meets Angela (43), who had just been left by her husband. Although she is first irritated by learning about Diogo and his secret, Angela feels attracted and he brings a new sense to her life. Feeling a true bond between each other, Angela and Diogo fall in love. Yet, they have to face disagreement of his parents and fight for their relationship. Festivals (e.g.): Rio de Janeiro IFF 2016 – Best Film and Best Actress Market Screenings: Monday Feb 13, 12:40 dffb-Kino Tuesday Feb 14, 10:50 CinemaxX 11 Original Title: Fala comigo Written by: Felipe Sholl Director of Photography: Léo Bittencourt In love, Angela and Diogo want nothing else than to be together. -
PLUTO FILM Is a World Sales and Festival Distribution Company for Feature Films from Germany and Around the Globe
PLUTO FILM is a world sales and festival distribution company for feature films from Germany and around the globe. It is specialized in distributing arthouse and crossover films as well as debut features by emerging talents. MARKET SCREENINGS BEYOND DREAMS Monday 22 May 2017 - 01:30 PM - Palais B DISAPPEARANCE Tuesday 23 May 2017 - 03:30 PM - Palais D KHIBULA Tuesday 23 May 2017 - 05:30 PM - Palais D (PRIVATE SCREENING ON INVITATION ONLY) 01 BEYOND DREAMS MARKET PREMIERE by Rojda Sekersöz Drama, Sweden 2017, 90 min, 1st feature Rojda Sekersöz’s feature-film debut delivers a much-awaited women power punch. The gang’s friendship and dreams are put to the test when Mirja comes out after having served a prison sentence. Mirja decides to break from her past and try a new life. She faces either being loyal to her sick mother and younger sister or the friends who truly were her family. Beyond Dreams is about who you are expected to be and who you want to be, both in the chosen group and society beyond. A refreshing and funny film about young rebellious women. Festivals (e.g.): Göteborg Film Festival 2017 – Audience Dragon Award Best Nordic Film, Angelo Award Market Screening: Monday 22 May 2017, 01:30 PM - Palais B Original Title: Dröm Vidare Written by: Johanna Emanuelsson Director of Photography: Gabriel Mkrttchian Cast: Evin Ahmad, Ella Åhman, Gizem Erdogan, Segen Tesfai, Rebellious Mirja and her friends have enough of the society they’ve grown up in. Malin Persson, Outi Mäenpää, Anna Bjelkerud, Michael Lindgren Original Language: Swedish They want to get out. -
On Behalf of the Federal Agency of Culture and Cinematography I
ƒÓÓ„Ë ‰ÛÁ¸ˇ! Dear friends! ŒÚ ËÏÂÌË ÃËÌËÒÚÂÒÚ‚‡ ÍÛθÚÛ˚ Ë Ï‡ÒÒÓ‚˚ı On behalf of the Ministry of Culture and Mass ÍÓÏÏÛÌË͇ˆËÈ –ÓÒÒËÈÒÍÓÈ ‘‰‡ˆËË Communications of the Russian Federation I ÔË‚ÂÚÒÚ‚Û˛ ‚ÒÂı Û˜‡ÒÚÌËÍÓ‚ Ë „ÓÒÚÂÈ XVIII welcome all participants and visitors of the 18th ŒÚÍ˚ÚÓ„Ó ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÙÂÒÚË‚‡Îˇ Open Russian Film Festival ´Kinotavrª! ´üËÌÓÚ‡‚ª! This annual event is an integral part of our ≈„Ó ÂÊ„ӉÌÓ Ôӂ‰ÂÌË ˇ‚ΡÂÚÒˇ ÌÂÓÚ˙ÂÏÎÂÏÓÈ State policy on the support of the national ˜‡ÒÚ¸˛ „ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÔÓÎËÚËÍË ÔÓ ÔÓ‰‰ÂÊÍ cinema. ´Kinotavrª can, without exaggeration, ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÍËÌÂχÚÓ„‡Ù‡. ´üËÌÓÚ‡‚ª be called the most anticipated event in the ÏÓÊÌÓ ·ÂÁ ÔÂÛ‚Â΢ÂÌˡ ̇Á‚‡Ú¸ Ò‡Ï˚Ï Russian film-season. For the 17 years of its ÓÊˉ‡ÂÏ˚Ï ÒÓ·˚ÚËÂÏ ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÒÂÁÓ̇. «‡ existence this main national cinema event has ÒÂÏ̇‰ˆ‡Ú¸ ÎÂÚ Ò‚ÓÂ„Ó ÒÛ˘ÂÒÚ‚Ó‚‡Ìˡ „·‚Ì˚È gained a strong position, both in the Russian ̇ˆËÓ̇θÌ˚È ÍËÌÓÒÏÓÚ Á‡‚Ó‚‡Î ÔÓ˜Ì˚È film world and abroad. ‡‚ÚÓËÚÂÚ, Í‡Í ‚ ÓÒÒËÈÒÍÓÈ The festival is developing fast, becoming more ÍËÌÂχÚÓ„‡Ù˘ÂÒÍÓÈ Ò‰Â, Ú‡Í Ë ‚ Á‡Û·ÂÊÌÓÈ. dynamic and alive, saturated and informative. ‘ÂÒÚË‚‡Î¸ ÒÚÂÏËÚÂθÌÓ ‡Á‚Ë‚‡ÂÚÒˇ, ÒÚ‡ÌÓ‚ˇÒ¸ The success of festival films among Russian ·ÓΠ‰Ë̇Ï˘Ì˚Ï Ë ÊË‚˚Ï, ̇Ò˚˘ÂÌÌ˚Ï Ë audiences once again confirms that there is a ËÌÙÓχÚË‚Ì˚Ï. -
DOK Market Catalogue 2010
DOK MARKET CATALOGUE 2010 RD INTERNATioNAL LEIPZIG FESTIVAL foR DocUMENTARY AND ANimATED FILM 53 18 – 24 OCTOBER 2010 THE HEART OF DOCU MEN TARY Imprint DOK Leipzig 2010 Table of Contents Greetings DOK Leipzig 4 MDM 6 East Silver 7 Guangzhou IDFF 8 Krakow Film Foundation 9 Sheffield Doc/Fest 10 Visions du Réel 11 Imprint DOK Market Information 12 Publisher DOK Summits and DOK PODIUM Leipziger Dok-Filmwochen GmbH My Market My Film (DOK Summit) 15 Große Fleischergasse 11 Decoding Cross Media (DOK Summit) 16 04109 Leipzig, Germany Close Up and Personal – Animadoc (DOK Podium) 17 T + 49 (0) 341–3 08 64–0 Crowd Funding (DOK Podium) 18 F + 49 (0) 341–3 08 64–15 Diving Into Distribution (DOK Podium) 19 New German Animation (AnimaDOK Podium) 20 Editorial Staff Innovative Non-fiction TV (Leipzig Forum) 21 Susanne Guggenberger Film Funding (German Day) 22 Anna Theil Co-Production Meeting 23 Leipzig Screenings 24 Proofreader Patrick Burkholder Films 25 Design IndeX 323 Netzwerk für Gestaltung English Film Titles 315 www.dreizweidrei.de Original Film Titles 321 Directors 327 Print Countries 333 Druck und Werte GmbH Genres 341 DER STRATEGISCHE PARTNER FÜR PRINTBYING Sales Contacts 350 Peterssteinweg 17 04107 Leipzig DOK Industry Staff 362 isbn 978-3-9322-14-28-8 Map of LeipZig City 379 4 DOK Leipzig 2010 Greeting 5 Welcome to the 53rd International Leipzig Festival for Documentary and Animated Film and to our DOK Market! The international film market is always in a state of transition. Some of An exclusive selection of the latest German feature-length documentary the key words are: cross media, crowd funding, social media, online-distri- films and high quality television productions will be presented to interna- bution, grass root marketing and changing strategies of TV networks. -
Issue 62 (2018) Sergei Loznitsa: Victory Day (Den' Pobedy, 2018
KinoKultura 30.11.19, 1116 KiKu HOME ::::: Reviews :: Articles :: Videos Issue 62 (2018) Sergei Loznitsa: Victory Day (Den’ pobedy, 2018) reviewed by Ivan Chuviliaev © 2018 Time Loop Films by Sergei Loznitsa are quite unique because of his “mixed identity:” a filmmaker born in Belarus, living in Germany and working in Ukraine, making films with Russian-speaking characters. Nevertheless, his films—both fiction and documentary, from My Joy (Schast’e moe, 2010) to Donbass (2018) and from the short Portrait (Portret, 2012) to the two-hour long The Trial (Protsess, 2018)—all speak about modern, post-Soviet Russia. Loznitsa is one of the strongest voices in post-Soviet culture. He may be the last to use Russian as lingua franca, a universal language that helps natives from Uzbekistan, Lithuania, and Georgia to understand each other. Russian was such a language during the Soviet era and after, for the last 20 years after the fall of the empire. In the bookshops of Minsk, Kiev or Tbilisi we find the same novels by Viktor Pelevin, Vladimir Sorokin, Liudmila Petrushevskaia and Liudmila Ulitskaia, and only one or two shelves with books published in the national language. Loznitsa’s early films were of the same nature: pieces of art, comprehensible to any audience in any part of the former Soviet Union. My Joy, his first feature film, and all his documentaries were about any place between Vilnius and Petropavlovsk-Kamchatsky, and the people who lived there. The annexation of Crimea in 2014 and the beginning of the war in Eastern Ukraine changed the role of the Russian language and the topicality of Loznitsa’s films. -
Festivalteilnahmen Deutscher Filme Auf Internationalen Filmfestivals 2018
FESTIVALTEILNAHMEN DEUTSCHER FILME AUF INTERNATIONALEN FILMFESTIVALS 2018 KOPRODUKTIONSLÄNDER DATUM BEGINN FESTIVAL DATUM ENDE FESTIVALS SEKTION FILMTITEL REGIE (bei rein deutschen Produktionen FESTIVAL kein Eintrag) Palm Springs International Film Festival 2. Januar 2018 15. Januar 2018 Special Presentation AUS DEM NICHTS Fatih Akin DE/FR New Voices/New Visions Competition for Palm Springs International Film Festival 2. Januar 2018 15. Januar 2018 DREI ZINNEN Jan Zabeil DE/IT Directorial Debut Palm Springs International Film Festival 2. Januar 2018 15. Januar 2018 Awards Buzz: Best Foreign Language Film A FANTASTIC WOMAN Sebastián Lelio CL/US/DE/ES Palm Springs International Film Festival 2. Januar 2018 15. Januar 2018 Awards Buzz: Best Foreign Language Film FÉLICITÉ Alain Gomis FR/SN/BE/DE/LB Palm Springs International Film Festival 2. Januar 2018 15. Januar 2018 Awards Buzz: Best Foreign Language Film FOXTROT Samuel Maoz DE/IL/FR/CH Palm Springs International Film Festival 2. Januar 2018 15. Januar 2018 Awards Buzz: Best Foreign Language Film LOVELESS Andrey Zvyagintsev RU/BE/DE/FR Palm Springs International Film Festival 2. Januar 2018 15. Januar 2018 Awards Buzz: Best Foreign Language Film MEN DON'T CRY Alen Drljevic BH/SL/HR/DE Palm Springs International Film Festival 2. Januar 2018 15. Januar 2018 Awards Buzz: Best Foreign Language Film THE WOUND John Trengove ZA/DE Palm Springs International Film Festival 2. Januar 2018 15. Januar 2018 Awards Buzz: Best Foreign Language Film TOM OF FINLAND Dome Karukoski FI/SE/DK/DE Palm Springs International Film Festival 2. Januar 2018 15. Januar 2018 Awards Buzz: Best Foreign Language Film UNDER THE TREE Hafsteinn Gunnar Sigurdsson IS/PL/DK/DE Palm Springs International Film Festival 2. -
Dossier De Presse F (1087
Dossier de presse trigon-film DANS LA BRUME Un film de Sergei Loznitsa Lettonie, 2012 DISTRIBUTION trigon-film Limmatauweg 9 5408 Ennetbaden Tél: 056 430 12 30 Fax: 056 430 12 31 [email protected] www.trigon-film.org CONTACT MEDIAS Martial Knaebel 079 438 65 13 [email protected] MATERIEL PHOTOGRAPHIQUE www.trigon-film.org FICHE TECHNIQUE Titre original V Tumane Réalisation Sergei Loznitsa Scénario Sergei Loznitsa, d’après le roman éponyme de Vasili Bykov Image Oleg Mutu Décors Jurgis Karsons, Kirill Shuvalov, Juris Zhukovskis Montage Danielius Kokanauskis Son Vladimir Golovnitsky Costumes Dorota Roqueplo Production MA.JA.DE.Fiction, Rajafilms, Lemming Film, Belarusfilm, GP Cinema Format Blu-ray, DCP Durée 128 min. Langue russe Sous-titres all/fr FICHE ARTISTIQUE Vladimir Svirskiy Sushenya Vladislav Abashin Burov Sergei Kolesov Voitik Nikita Peremotovs Grisha Yulia Peresild Anelya Kirill Petrov Koroban Dmitrijs Kolosovs Mishuk Stepans Bogdanovs Topchievsky Dmitry Bykovskiy Yaroshevich Vlad Ivanov Grossmeier FESTIVALS Cannes 2012, en compétition Prix de la critique internationale SYNOPSIS Parce qu'il n'a pas été exécuté avec ses compagnons par l'occupant allemand, à la suite d'un sabotage, la résistance l'accuse de collaboration et condamne Sushenya à mort. Deux partisans viennent alors le chercher chez lui pour l'exécuter. Au moment fatal, la police collaborationniste surgit et il s’ensuit un échange de coups de feu et l’un des résistants est gravement touché. Sushenya prendra soin du blessé tandis que l’autre cherchera un chemin pour que le groupe puisse s’enfuir. Seul à connaître la forêt, Sushenya est temporairement épargné, le temps qu’ils retrouvent le campement de la résistance. -
Film Festivals: from European Geopolitics to Global Cinephilia 2007
Repositorium für die Medienwissenschaft Marijke de Valck Film Festivals: From European Geopolitics to Global Cinephilia 2007 https://doi.org/10.5117/9789053561928 Buch / book Empfohlene Zitierung / Suggested Citation: de Valck, Marijke: Film Festivals: From European Geopolitics to Global Cinephilia. Amsterdam University Press 2007 (Film Culture in Transition). DOI: https://doi.org/10.5117/9789053561928. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons BY-NC 3.0/ This document is made available under a creative commons BY- Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz NC 3.0/ License. For more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc/3.0/ https://creativecommons.org/licenses/by-nc/3.0/ * pb omslag Film Festivals 07-11-2007 15:19 Pagina 1 Film festivals are hugely popular events that attract lovers of cinema worldwide, but they are also a uniquely revealing index of globalization in the realm of culture MARIJKE DE VALK FILM FESTIVALS and the arts. Focusing on the world’s most famous fes- tivals – Cannes, Berlin, Venice and Rotterdam – Film FILM FILM Festivals: From European Geopolitics to Global Cinephilia tells the story of a phenomenon that began in the midst CULTURE CULTURE of geopolitical disputes in war-torn Europe. De Valck IN TRANSITION IN TRANSITION shows how festivals in Europe turned political divisions and national rivalry into advantages, eventually expanding into a successful global network. Taking into account the multilateral influences of major actors – such as Holly- wood, the avant-garde as well as political, regional and tourist agendas – the book proposes a comprehensively new understanding of film festivals. -
Ukraine on Film: National Cinema Through Years
UKRAINE ON FILM is an annual event which aims to present new high-quality films from Ukraine along with the well-known classics. Third UKRAINE ON FILM festival will open on 17 January 2018 with a «Shadows of Forgotten Ancestors» – Serhii Paradzh- anov’s poetic masterpiece. The program will also showcase four Ukrainian films: – Experimental drama «Black Level» by Valentin Vasianovich, selected by Ukraine as a national candidate for an Oscar for Best Foreign Language Film – Psychological drama «Falling» – feature film debut by Maryna Stepanska, first presented in the competition program of the Karlovy Vary film festival – Documentary «The State of Russia vs Oleg Sentsov» by Askold Kurov, first shown out-of-competition at the Berlin Film Festival – Fantasy film «The Stronghold» by Yuri Kovaliov, Ukrainian box office hit The festival is organized by Ministry of Foreign Affairs of Ukraine, Ukrainian State Film Agency, BOZAR and Arthouse Traffic, with the backing of Oleksandr Dovzhenko National Centre and the Association of Ukrainians in Belgium. UKRAINE ON FILM: NATIONAL CINEMA THROUGH YEARS «It is a little known fact that Ukraine has a connection with cinema that goes back to the very beginning of this industry. Indeed, in 1893, Josyp Tymtshenko, an inventor from Odesa, built one of the prototypes for the kinetoscope. Unfortunately, the few films he made did not attract any attention and his invention was soon forgotten. On December 1, 1896, Kharkiv Opera House saw the first screening of Ukrainian films shot by Alfred Fedetskiy. In 1911, in what is today known as Dnipro, the Sakhnenko & Co company was founded, which would go on to produce films based on Ukrainian history.