The Golden Age of Mercenaries
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The London School of Economics and Political Science
The London School of Economics and Political Science Mercenaries and the State: How the hybridisation of the armed forces is changing the face of national security Caroline Varin A thesis submitted to the Department of International Relations of the London School of Economics for the degree of Doctor of Philosophy, London, September 2012 ii Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of <83,157> words. iii Abstract The military has been a symbol of nationhood and state control for the past two hundred years. As representatives of a society’s cultural values and political ambitions, the armed forces have traditionally been held within the confines of the modern state. Today, however, soldiers are expected to operate in the shadows of conflicts, drawing little attention to themselves and to their actions; they are physically and emotionally secluded from a civilian population whose governments, especially in the ‘West’, are proceeding to an unprecedented wave of demilitarisation and military budget cuts. -
Battle of Montaperti: 4 Sept. 1260 Firenze V
Battle of Montaperti: 4 Sept. 1260 Firenze v. Siena Guelf v. Ghibelline 5 yrs after they had signed an 'eternal peace' 35,000 v. 20,000 Biggest and bloodiest battle of the Italian Middle Ages Banner at Firenze-Siena soccer match, 5 Mar. 2006 Dante Alighieri, 1265-1321 His true love, the (married) Beatrice Portinari Duomo of Orvieto (by Henry Holiday, 1883) Divine Comedy, 1308-1321: 100 cantos Michelino's fresco of Dante and his Divine Comedy, nave of the Duomo of Firenze, 1465 Inferno: Canto 1 1 Nel mezzo del cammin di nostra vita 2 mi ritrovai per una selva oscura, 3 ché la diritta via era smarrita. 4 Ahi quanto a dir qual era è cosa dura 5 esta selva selvaggia e aspra e forte 6 che nel pensier rinova la paura! 10 Io non so ben ridir com' i' v'intrai, 11 tant' era pien di sonno a quel punto 12 che la verace via abbandonai. http://dantelab.dartmouth.edu/ 58 tal mi fece la bestia sanza pace, 59 che, venendomi 'ncontro, a poco a poco 60 mi ripigneva là dove 'l sol tace. Virgil, Roman poet, 70-19 BC, author of The Aeneid 91 “A te convien tenere altro vïaggio,” 92 rispuose, poi che lagrimar mi vide, 93 “se vuo' campar d'esto loco selvaggio; Ingres, "Gianciotto discovers Paolo Inferno: Canto 5 and Francesca" (1819) 106 "Amor condusse noi ad una morte. 127 Noi leggiavamo un giorno per diletto 128 di Lancialotto come amor lo strinse; 129 soli eravamo e sanza alcun sospetto. 130 Per più fïate li occhi ci sospinse 131 quella lettura, e scolorocci il viso; 132 ma solo un punto fu quel che ci vinse. -
Auguste Rodin's 'The Burghers of Calais' and The
www.amatterofmind.us From the desk of Pierre Beaudry Page 1 of 15 AUGUSTE RODIN’S ‘THE BURGHERS OF CALAIS’ AND THE BLACK DEATH POLICY OF THE ENGLISH How Auguste Rodin created an artistic composition of axiomatic change. by Pierre Beaudry October 20, 2014 FOREWORD ``If a Black Death could spread throughout the world once in every generation, survivors could procreate freely without making the world too full.'' Bertrand Russell – 1949 ``In the event that I am reincarnated, I would like to return as a deadly virus, to contribute something to solving overpopulation.'' Queen Elizabeth's consort Prince Philip – 1988 This is wake-up time. This report is a wake-up call attempting to answer a simple but difficult axiomatic question: “Why is it that American leaders and citizens don’t see that the plague of Ebola that is being brought to their doorsteps at this time is being carried out by the same people who brought about the Black Death to Europe during the fourteenth century?” The answer to that question can be found in the situation that the population of France found themselves into, when the King of England, Edward III, laid siege to the French town of Calais in 1346. www.amatterofmind.us From the desk of Pierre Beaudry Page 2 of 15 INTRODUCTION In his Chronicles, Jean Froissart (1337-1405), A French writer at the court of the King of England, told the story of how the French town of Calais’ people were spared a horrible death by the heroic action of six of their leaders, who voluntarily accepted to give their lives to save them from famine. -
Appendix A: Selective Chronology of Historical Events
APPENDIX A: SELECTIVE CHRONOLOGY OF HIsTORICaL EVENTs 1190 Piero della Vigna born in Capua. 1212 Manente (“Farinata”) degli Uberti born in Florence. 1215 The Buondelmonte (Guelf) and Amidei (Ghibelline) feud begins in Florence. It lasts thirty-three years and stirs parti- san political conflict in Florence for decades thereafter. 1220 Brunetto Latini born in Florence. Piero della Vigna named notary and scribe in the court of Frederick II. 1222 Pisa and Florence wage their first war. 1223 Guido da Montefeltro born in San Leo. 1225 Piero appointed Judex Magnae Curia, judge of the great court of Frederick. 1227 Emperor Frederick II appoints Ezzelino da Romano as commander of forces against the Guelfs in the March of Verona. 1228 Pisa defeats the forces of Florence and Lucca at Barga. 1231 Piero completes the Liber Augustalis, a new legal code for the Kingdom of Sicily. 1233 The cities of the Veronese March, a frontier district of The Holy Roman Empire, transact the peace of Paquara, which lasts only a few days. © The Author(s) 2020 249 R. A. Belliotti, Dante’s Inferno, https://doi.org/10.1007/978-3-030-40771-1 250 AppeNDiX A: Selective ChrONOlOgY Of HistOrical EveNts 1234 Pisa renews war against Genoa. 1235 Frederick announces his design for a Holy Roman Empire at a general assembly at Piacenza. 1236 Frederick assumes command against the Lombard League (originally including Padua, Vicenza, Venice, Crema, Cremona, Mantua, Piacenza, Bergamo, Brescia, Milan, Genoa, Bologna, Modena, Reggio Emilia, Treviso, Vercelli, Lodi, Parma, Ferrara, and a few others). Ezzelino da Romano controls Verona, Vicenza, and Padua. -
The Pious and Political Networks of Catherine of Siena
Portland State University PDXScholar University Honors Theses University Honors College 5-23-2018 The Pious and Political Networks of Catherine of Siena Aubrie Kent Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Let us know how access to this document benefits ou.y Recommended Citation Kent, Aubrie, "The Pious and Political Networks of Catherine of Siena" (2018). University Honors Theses. Paper 553. https://doi.org/10.15760/honors.559 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Abstract This project looks at the career of St. Catherine of Siena and argues that without the relationships she had with her closest followers, who provided social connections and knowledge of the operation of political power, she would not have been able to pursue as active or wide-ranging a career. The examination of Catherine’s relationships, the careers of her followers, and the ways she made use of this network of support, relies mainly on Catherine’s extant letters. Most prior research on St. Catherine focuses on her spirituality and work with the papacy, which leaves out the influence of her local, political environment and the activities of her associates. This work examines Catherine’s place on Siena’s political landscape and within the system of Italian politics more generally. THE PIOUS AND POLITICAL NETWORKS OF CATHERINE OF SIENA by AUBRIE KENT A thesis submitted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS WITH HONORS in HISTORY Portland State University 2018 Table of Contents Chronology i Introduction 1 Religious Background 7 Political Background 22 Magnate Families 32 Spiritual Family 50 Conclusion 68 Catherine’s Associates 76 Bibliography 79 Chronology 1347 Catherine is born. -
MONTEPULCIANO's PALAZZO COMUNALE, 1440 – C.1465: RETHINKING CASTELLATED CIVIC PALACES in FLORENTINE ARCHITECTURAL and POLITI
MONTEPULCIANO’S PALAZZO COMUNALE, 1440 – c.1465: RETHINKING CASTELLATED CIVIC PALACES IN FLORENTINE ARCHITECTURAL AND POLITICAL CONTEXTS Two Volumes Volume I Koching Chao Ph.D. University of York History of Art September 2019 ABSTRACT This thesis argues for the significance of castellated civic palaces in shaping and consolidating Florence’s territorial hegemony during the fifteenth century. Although fortress-like civic palaces were a predominant architectural type in Tuscan communes from the twelfth century onwards, it is an understudied field. In the literature of Italian Renaissance civic and military architecture, the castellated motifs of civic palaces have either been marginalised as an outdated and anti-classical form opposing Quattrocento all’antica taste, or have been oversimplified as a redundant object lacking defensive functionality. By analysing Michelozzo’s Palazzo Comunale in Montepulciano, a fifteenth-century castellated palace resembling Florence’s thirteenth-century Palazzo dei Priori, this thesis seeks to address the ways in which castellated forms substantially legitimised Florence’s political, military and cultural supremacy. Chapter One examines textual and pictorial representations of Florence’s castellation civic palaces and fortifications in order to capture Florentine perceptions of castellation. This investigation offers a conceptual framework, interpreting the profile of castellated civic palaces as an effective architectural affirmation of the contemporary idea of a powerful city-republic rather than being a symbol of despotism as it has been previously understood. Chapters Two and Three examine Montepulciano’s renovation project for the Palazzo Comunale within local and central administrative, socio-political, and military contexts during the first half of the fifteenth century, highlighting the Florentine features of Montepulciano’s town hall despite the town’s peripheral location within the Florentine dominion. -
Sir John Hawkwood (L'acuto) Story of a Condottiere; Translated from The
SIR JOHN HAWKWOOD. Only Five hundred copies have been printed of " " Sir John Hawkwood, one hundred reserved for presentation to the Public Libraries, the Press, and Friends and hundred , Four numbered copies for the Public of which this is N 5. \IHIh JMVSIAOtAETAIfc SIR JOHN HAWKWOOD (V ACUTO). STORY OF A CONDOTTIERE TRANSLATED FROM THE ITALIAN OF JOHN TEMPLE-LEADER, ESQ. & SIG. GIUSEPPE MARCOTT1 BY LEADKR SCOTT. Bonbon, T. FISHEE UNWIN 26, PATERNOSTER SQUARE. 1889. [All rights reserved.} ^. FLORENCE : PRINTED BY . BARBERA, VIA FAENZA, 66. H4-L4- PREFACE. Alius alio jdttra incenire potest, nemo ontnia. Ausomus. The history of the mercenary companies in Italy no longer re- mains to be told it been in 1844 Ercole Ricotti ; having published by ; however, several successive monographs on the same subject have produced such a wealth of information from new sources that Ri- cotti's work, estimable as it is, almost requires to be rewritten. The Archlvio Storico Italiano has already recognised this by dedicat- ing an entire volume to Documents for the history of Italian ivarfare, from the 13"1 to the 16"1 centuries collected by Giuseppe Canestrini. These are of but even all great importance ; taking into account we owe to them, and to all that later historical researches have brought to light, the theme is not yet exhausted : truth is like happiness, and though as we approach we see it shining more intensely, and becom- ing clearer in outline, yet we can never feel, that we have obtained full possession of it. One of the most celebrated condottieri -
Dante Alighieri's Divine Comedy – Inferno
DIVINE COMEDY -INFERNO DANTE ALIGHIERI HENRY WADSWORTH LONGFELLOW ENGLISH TRANSLATION AND NOTES PAUL GUSTAVE DORE´ ILLUSTRATIONS JOSEF NYGRIN PDF PREPARATION AND TYPESETTING ENGLISH TRANSLATION AND NOTES Henry Wadsworth Longfellow ILLUSTRATIONS Paul Gustave Dor´e Released under Creative Commons Attribution-Noncommercial Licence. http://creativecommons.org/licenses/by-nc/3.0/us/ You are free: to share – to copy, distribute, display, and perform the work; to remix – to make derivative works. Under the following conditions: attribution – you must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work); noncommercial – you may not use this work for commercial purposes. Any of the above conditions can be waived if you get permission from the copyright holder. English translation and notes by H. W. Longfellow obtained from http://dante.ilt.columbia.edu/new/comedy/. Scans of illustrations by P. G. Dor´e obtained from http://www.danshort.com/dc/, scanned by Dan Short, used with permission. MIKTEXLATEX typesetting by Josef Nygrin, in Jan & Feb 2008. http://www.paskvil.com/ Some rights reserved c 2008 Josef Nygrin Contents Canto 1 1 Canto 2 9 Canto 3 16 Canto 4 23 Canto 5 30 Canto 6 38 Canto 7 44 Canto 8 51 Canto 9 58 Canto 10 65 Canto 11 71 Canto 12 77 Canto 13 85 Canto 14 93 Canto 15 99 Canto 16 104 Canto 17 110 Canto 18 116 Canto 19 124 Canto 20 131 Canto 21 136 Canto 22 143 Canto 23 150 Canto 24 158 Canto 25 164 Canto 26 171 Canto 27 177 Canto 28 183 Canto 29 192 Canto 30 200 Canto 31 207 Canto 32 215 Canto 33 222 Canto 34 231 Dante Alighieri 239 Henry Wadsworth Longfellow 245 Paul Gustave Dor´e 251 Some rights reserved c 2008 Josef Nygrin http://www.paskvil.com/ Inferno Figure 1: Midway upon the journey of our life I found myself within a forest dark.. -
Public Control of Private Military
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Public Control of Private Military A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts (Defence and Strategic Studies) By Marcel Curley Massey University Palmerston North New Zealand. February 28, 2011 Acknowledgements I wish to convey my immense gratitude to Kayrn, whose unconditional support and understanding greatly assisted in the expeditious completion of this work. Warm appreciation is also given to my thesis supervisor Dr. John Moremon, for steadying academic direction and sage influence. Many thanks go to Professor Emeritus Graeme Fraser for precise methodological instruction. Thanks also to the Director, Professor Glyn Harper, the Administrator Pam Dolman, and the staff of Massey University’s Centre for Defence and Security Studies for rendering numerous services. The Massey University Library also deserves substantial recognition for consistently delivering products of premium quality. Contents Abstract 1 Introduction 2 Chapter 1: Underlying Issues 9 Chapter 2: The Ancient Greeks ca. 700-400 B.C.E 24 Chapter 3: Condottieri in Italy ca. 1250-1500 43 Chapter 4: Privateers ca. 1400-1813 65 Chapter 5: West Africa ca. 1960-1999 85 Chapter 6: Iraq and Beyond ca. 2003- 107 Conclusion 127 Bibliography 133 1 Abstract Private military force must have a fully informed regulatory and legislative oversight if it is to be a useful and controllable tool for states’ management of their political affairs. -
ENG Dante and the Mugello
Dante and the Mugello I.I.S. «CHINO CHINI» 3ASG M. Santagata, Dante. Il romanzo della sua vita, Mondadori, 2012 G. Ferroni, L’Italia di Dante, La nave di Teseo, 2020 A. Barbero, Dante, Laterza, 2021 Evidences dating back to 934 The Palazzo del Podestà, now prove the existence of the Pieve home to the city library, dates di San Lorenzo in that year. back to the 14th century. On its Probably the church stands on a façade all the noble coats of pre-existing temple of the fourth arms of the Podestàs (who have century, dedicated to Bacchus. governed the town over the The current parish church is the centuries) appear. result of a 12th-13th century Ubaldino della Pila, of the reconstruction. The plant has Ubaldini family, became three naves divided by Podestà of Borgo San Lorenzo quadrangular columns and several times (1238, 1239, 1281) pillars and a semicircular apse. and he is mentioned by Dante in The irregular hexagonal bell the Divine Comedy tower dates back to 1263. Borgo San Lorenzo in the 14th century A. Giovannini, Borgo san Lorenzo, dalle Cento Case alle Cento Strade. Pianta estratta dal piano paesaggistico regionale/scheda d'ambito 007/Mugello (2006) The Book of sentences against rebel families in the Commune of Florence from 1302 to 1379, known as Libro del Chiodo (Book of the Nail) was kept in the Bargello, the prisons of the city and seat of the Podestà and the Council of Justice of Florence. In 1302 the Podestà Cante de’ Gabrielli of Gubbio condemned Dante. Page 4 reads: “Dante Alleghieri de sextu Sancti Petri Maioris” is sentenced to two years of exile on charges of baratteria, 'super baracteriis, iniquis extorsionibus et lucris illicitis'. -
Dante's Hidden
Dominican Scholar Graduate Master's Theses, Capstones, and Culminating Projects Student Scholarship 5-2016 Dante’s Hidden Sin - Wrath: How Dante Vindictively Used The Inferno Against Contemporaries Michael J. Rupers Dominican University of California https://doi.org/10.33015/dominican.edu/2016.hum.01 Survey: Let us know how this paper benefits you. Recommended Citation Rupers, Michael J., "Dante’s Hidden Sin - Wrath: How Dante Vindictively Used The Inferno Against Contemporaries" (2016). Graduate Master's Theses, Capstones, and Culminating Projects. 214. https://doi.org/10.33015/dominican.edu/2016.hum.01 This Master's Thesis is brought to you for free and open access by the Student Scholarship at Dominican Scholar. It has been accepted for inclusion in Graduate Master's Theses, Capstones, and Culminating Projects by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. Dante’s Hidden Sin: Wrath How Dante Vindictively Used The Inferno Against Contemporaries by Michael Rupers A culminating thesis submitted to the faculty of Dominican University of California in partial fulfillment of the requirements for the degree of Master of Arts in Humanities San Rafael, California May 2016 This thesis, written under the direction of the candidate’s thesis advisor and approved by the department chair, has been presented to and accepted by the Department of Humanities in partial fulfillment of the requirements for the degree of Master of Arts. The content and research presented in this work represent the work of the candidate alone. Michael Rupers May 2016 Candidate Joan Baranow, Ph.D. May 2016 MAH Program Director Sister Aaron Winkelman, Ph.D., Professor Emerita (English) May 2016 Thesis Advisor Leslie Ross, Ph.D., Professor (Art History) May 2016 Secondary Thesis Advisor "II Copyright @ 2016 by Michael Rupers All Rights Reserved "III Table of Contents Introduction: Contemporaries of Dante in The Inferno ……………….……… 1 Pope Celestine V ………………………………………………………………. -
Dante and the Florentine Chronicles by Marco Prina a Dissertation
Dante and the Florentine Chronicles by Marco Prina A dissertation submitted in partial satisfaction of the requirements for the joint degree of Doctor of Philosophy in Italian Studies and Medieval Studies in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Albert Ascoli, Co-Chair Professor Steven Botterill, Co-Chair Professor Frank Bezner Fall 2014 Abstract Dante and the Florentine Chronicles by Marco Prina Doctor of Philosophy in Italian Studies & Medieval Studies University of California, Berkeley Professor Albert Ascoli, Co-Chair Professor Steven Botterill, Co-Chair This dissertation examines Dante’s engagement with the traditions regarding collective memory in medieval Florence. In particular, it investigates the ways in which Dante responds to public and private attempts at forging both individual and collective identity in Florence. Selecting key chronicles, inscriptions and visual sources alluded to in the Commedia, the implications of Dante’s representation in terms of his ideological response are then extensively discussed. After introducing the central passages from the Commedia relevant to my project and a review of selected secondary literature on Dante and history, the dissertation introduces the Medieval Latin Chronica de origine civitatis florentiae as Dante’s most important source regarding his city’s foundation. In so doing, the textual readings are informed by the formation and control of memory, history and identity in historical context. Building on Dante’s reliance on the Chronica, the dissertation reveals the continuity of civic historiography up to Dante’s time and argues that Dante’s engagement with the medieval Florentine collective memory tradition can be better understood through a close look at the shifting account of Florence’s foundation from the Chronica to Brunetto Latini’s Tesoro to the Commedia.