Nikon D3 Setup Guide Nikon D3 Setup Guide
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Nikon D3s Menu Settings for Sports Photographers
Nikon D3s Menu Settings for Sports Photographers Whether at the ballpark or via email, two of the most frequently asked questions I hear are “what are your basic settings when shooting sports using the Nikon D3s” or “how is your Nikon D3s set up? I’ve been shooting sports for a living for over 25 years, with clients ranging from Sports Illustrated to Major League Baseball and The Chicago White Sox. The approach I use when setting up with my equipment might not be considered conventional, but I can tell you this; it works. I refer to it as my unscientific approach to better sports photography. I trust and believe in what works in the real world. I’m always open to new ideas and so should you. If your images are already perfect, stop here. But if you shoot sports action and are looking for ways to improve your images and increase your "keeper percentage", or are setting up a Nikon D3s for the first time, read on. I decided to dissect the menu of my trusty D3s and share my personal settings while discussing a few in detail so that other sports photographers can use them as a point of reference. As the old adage goes, please remember that these are my own personal settings and opinions and should be used as a guide only. No one set of rules (or in this case, settings) should be considered the absolute only way to go. I highly recommend taking the time to experiment and come up with a few of your own favorites. -
FEATURING: the Complete Guide for All Your Safari Photography and Binocular Needs
FEATURING: The complete guide for all your safari photography and binocular needs. SAFARI PHOTOGRAPHY TABLE OF CONTENTS WHICH CAMERA IS RIGHT FOR YOU? TECH SAVVY PAGE 3 PAGE 6 TIPS & TRICKS BINOCULARS PAGE 8 PAGE 16 CHOOSING THE RIGHT CAMERA Camera Technology photographs you take great appeal for many. Modern equipment on safari. If you are Many people prefer helps, fast autofocus, Camera Technology going to try and sell the idea of capturing excellent exposure has become so them to a magazine or movement and sound metering and most advanced in recent book publisher, then and with video importantly, not years that it is easier you need high-quality camcorders being so running out of film than ever for optics and good compact and easy to every 36 pictures. amateurs to take quality transparency use, this is an obvious professional-quality Video cameras and (color slide) film or a choice. camcorders in photographs. Digital professional digital 35mm SLR (single lens The huge advantage of themselves are great camera. If you are digital cameras is the fun, and many a reflex) cameras are going to make an more often used than tiny size of the happy memory can be electronic album to picture-storing captured on the video film cameras. email to friends, then Camcorders with apparatus ? this that would simply be a reasonably priced eliminates the need impossible to depict freeze-frame options digital zoom will be are easy to use and for bags and bags of with a ?still? camera. ideal. Print film is film. In addition, Another great are also very popular preferable to slides, if with safariers. -
1 of 2 2Nd Hand List 6-Month Warranty on All Items Updated on 30/11/2016 NIKON BODIES £ +VAT NIKON AF LENSES £ +VAT (SEE ALSO
1 of 2 2nd Hand List Updated on 30/11/2016 6-month warranty on all items NIKON BODIES £ +VAT NIKON AF LENSES £ +VAT (SEE ALSO SIGMA LIST) NIKON D3 BODY (fr. 215,721) £499 NIKON TC 14E 111 CONVERTER £225 NIKON D3 BODY (fr. 251,105) £525 NIKON TC-17E II £140 NIKON D3 BODY (fr. 264,050) £525 NIKON TC-17E II £160 NIKON D3 BODY (fr. 125,500) £495 NIKON TC-17E II £155 NIKON D3S BODY (fr: 250,000) £795 NIKON TC-17E II £165 NIKON D3S BODY (fr: 502,000) £750 NIKON TC-20E III £199 NIKON D3S BODY (fr: 202,800) £895 NIKON 10.5MM F2.8 AF-S DX FISHEYE £240 NIKON D3S BODY (fr. 320,000) £895 NIKON 14-24MM F2.8 G AF-S £950 NIKON D800 BODY (fr. 27,700) £895 NIKON 14-24MM F2.8 G AF-S £895 NIKON D800 BODY (fr. 41,500) £799 NIKON 14-24MM F2.8 G N FX £950 NIKON Df KITinc 50mm LENS (fr. 24,910) £1,300 NIKON 16-35MM F4 G VR £595 NIKON D4 Body (fr,172,688) £1,699 NIKON 24MM F1.4 AF-S G N £950 NIKON D4 Body (fr,202,800) £1,650 NIKON 24MM F2.8 AF £150 NIKON D4 Body (fr,420,597) £1,699 NIKON 24MM F2.8 AF-D £179 NIKON D4S Body (fr, 291,158) £2,500 NIKON 24-70MM F2.8 E VR £1200 NIKON D4S Body (fr, 103,500) £2,600 NIKON 24-70MM F2.8 E VR £1200 NIKON D4S Body (fr, 103,600) £2,600 NIKON 28MM F2.8 AF-D £125 NIKON 35-135MM F3.5-4.5 AF £65 NIKON 70-200MM F4 AF-S G VR £675 NIKON FLASHES £ +VAT NIKON 70-200MM F2.8 AF-S G VR 11 £900 NIKON SB-910 SPEEDLIGHT £235 NIKON 70-200MM F2.8 AF-S G VR 11 £945 NIKON 200-400MM F4 G AF-S VR II £1,950 NIKON 300MM F4 AF-S D £299 NIKON 300MM F4 AF-S D £450 SIGMA & OTHER LENSES £ +VAT NIKON 300MM F4 AF-S D £479 NIKON 300MM F4 AF-S £595 SIGMA 8-16MM F3.5-5.6 HSM (EF) £249 NIKON 300MM F2.8 AF-S D £1,295 SIGMA 50-150MM F2.8 DC EF 11 EX APO £245 NIKON 300MM F2.8 AF-I £1,325 SIGMA 80-400MM F4.5-5.6 APO DG EF FIT £295 NIKON 300MM F2.8 AF-S G VR £1,990 SIGMA 100-300MM F4 APO NIKON FIT £199 NIKON 300MM F2.8 AF-S G VR 11 £2,500 SIGMA 120MM-300MM F2.8 DG "SPORT" OS EF £1650FIT NIKON 400MM F2.8 G N VR £3,595 SIGMA 120MM-300MM F2.8 APO HSM EX EF FIT £749 NIKON 400MM F2.8 G N VR £3,599 SIGMA TC-1401 £130 NIKON 400MM F2.8 G N VR £3,750 NIKON ACCS. -
White Paper the Canon Eos 5D Mark Ii Camera
WHITE PAPER THE CANON EOS 50D CAMERA: UNPRECEDENTED FLEXIBILITY OF DIGITAL PHOTOGRAPHY THE CANON EOS 5D MARK II CAMERA: HIGH PERFORMANCE FOR HIGH EXPECTATIONS I. Overview 4 II. Summary of New and Improved Features 8 EOS 50D vs. EOS 40D 9 EOS 5D Mark II vs. EOS 5D 10 EOS 5D Mark II vs. EOS-1Ds Mark III 11 III. Video Recording on EOS 5D Mark II 13 Features and Benefits 14 Positioning 16 Tech Info 18 Technology Highlight - New Video Shooting Capability 19 IV. Performance and Reliability 20 Advanced Sensor Designs 21 DIGIC 4 and 14-bit A/D Conversion 23 Image Recording and Processing 25 • RAW, sRAW, RAW+JPEG 25 • Intelligent Lithium-ion Battery on EOS 5D Mark II 26 Image Enhancement 26 • High ISO Noise Reduction 26 • Peripheral Illumination Correction 27 • Auto Lighting Optimizer 28 • Highlight Tone Priority 28 High Resolution, 3.0-inch Clear View LCD 29 Live View shooting with AF 30 Precise 9-point AF Systems 31 Improved Viewfinder Experience 33 Rugged Construction 33 EOS Integrated Cleaning System 34 Intuitive Button and Dial Arrangement 35 Increased Shutter Durability 35 Action-stopping Burst Modes 36 UDMA Compatibility 36 HDMI Connectivity 36 Technology Highlight - Live View Function 38 V. Controls and Convenience 39 Camera Settings and Displays 40 Creative Auto Mode 40 Image Quality Controls 42 Playback Controls and Displays 42 My Menu and User Settings 43 Custom Function Controls 43 AF Microadjustment 44 Quick Control Screen 45 Printing and Camera Direct Controls 45 VI. Intelligent Bundled Software 46 New Features in EOS Utility and DPP 47 VII. -
BEAU NEWS Photographic Pulp
November 2008 BEAU NEWS Photographic Pulp NOVEMBER LENSBABY SALE The good people at Lensbaby have allowed us to lower our lensbaby prices for the month of November. So for a short time a good deal is a lot better! In case you don’t know what a Lensbaby is, it’s a selective focus lens (camera accessory)that allows you to choose where the plane of focus is going to fall on your film or image sensor. Simply put, it is a fun way to play with the focus of the picture you are taking, making some parts of the image sharp while the others soft. You will be amazed with the great photos you will get playing with these babies. With a lensbaby your photographs are a little different and maybe just a little bit better than the competition. I could go on and on but it’s better to show you, so to see some fantastic results go to www.lensbaby.com Lensbaby G3 Reg. $ 286.95 Sale $239.49 Lensbaby 2.0 Reg. $ 142.95 Sale $95.49 Lensbaby Original Reg. $ 96.95 Sale $89.49 Lensbaby G3 for Medium format (Pentax 6x7 or Mamiya 645) Reg. $ 390.95 Sale $360 Lensbaby PL mount Reg. $489.95 Sale $455.49 See inside for details on Lensbaby Workshop LENSBABY WORKSHOP FIELD REPORT: CANON EOS-50D Mike In late September, I went on a one week trip to central Washington state. I decided to delay my leaving by a day since Canon had promised that I would have my new Canon EOS-50D air-shipped to arrive Monday. -
List of Qualifying Trade in Models
List of Qualifying Trade In Models: CANON FUJIFILM MAMIYA PHASE ONE CANON EOS-1D C FUJIFILM GFX50S MAMIYA 645DF PHASE ONE XF 100MP CANON EOS-1D MKII FUJIFILM GFX50R MAMIYA CREDO 40 PHASE ONE 645DF+ CANON EOS-1D MKII N FUJIFILM GFX100 MAMIYA CREDO 50 PHASE ONE IQ1 100MP CANON EOS-1D MKIII MAMIYA CREDO 60 PHASE ONE IQ140 CANON EOS-1D MKIV HASSELBLAD MAMIYA CREDO 80 PHASE ONE IQ1 150 CANON EOS-1DX HASSELBLAD A5D-50C MAMIYA ZD PHASE ONE IQ160 CANON EOS-1DX II HASSELBLAD A5D-80 PHASE ONE IQ180 CANON EOS-1DX III HASSELBLAD H4D-31 NIKON PHASE ONE IQ250 CANON EOS-1DS HASSELBLAD H4D-40 NIKON D3 PHASE ONE IQ260 CANON EOS-1DS MKII HASSELBLAD H4D-60 NIKON D3S PHASE ONE IQ280 CANON EOS-1DS MKIII HASSELBLAD H5D-200C NIKON D3X PHASE ONE IQ3 50MP CANON EOS 5D HASSELBLAD H5D-50C NIKON D4 PHASE ONE IQ3 60MP CANON EOS 5D MKII HASSELBLAD H5X NIKON D4S PHASE ONE IQ3 80MP CANON EOS 5D MKIII HASSELBLAD H6D-100C NIKON DF PHASE ONE P20+ CANON EOS 5D MKIV HASSELBLAD H6D-50C NIKON D600 PHASE ONE P21+ CANON EOS 5DS HASSELBLAD X1D-50C NIKON D610 PHASE ONE P25+ CANON EOS 5DS R HASSELBLAD X1D II-50C NIKON D700 PHASE ONE P30+ CANON EOS 6D HASSELBLAD CFV II-50C NIKON D750 PHASE ONE P40+ CANON EOS R NIKON D800 PHASE ONE P45+ CANON EOS RP SONY NIKON D800E PHASE ONE P65+ CANON EOS R5 SONY ALPHA 7 NIKON D810 CANON EOS R6 SONY ALPHA 7 II NIKON D850 SONY ALPHA 7 III NIKON D810A PANASONIC SONY ALPHA 7c NIKON Z5 LUMIX S1 SONY ALPHA 7R NIKON Z6 LUMIX S1R SONY ALPHA 7R II NIKON Z6 II LUMIX S1H SONY ALPHA 7R III NIKON Z7 LUMIX S5 SONY ALPHA 7R IV NIKON Z7 II SONY ALPHA 7S PENTAX SONY ALPHA 7S II PENTAX 645Z SONY ALPHA 7S III PENTAX 645D SONY ALPHA A9 PENTAX K-1 SONY ALPHA A9 II SONY ALPHA 99 LEICA SONY ALPHA 99 II LEICA S SONY ALPHA 850 LEICA M SONY ALPHA 900 LEICA M-P (TYP 240) LEICA SL ( TYP 601 ). -
Evaluation of the Geometric Stability and the Accuracy Potential of Digital Cameras — Comparing Mechanical Stabilisation Versus Parameterisation
ISPRS Journal of Photogrammetry and Remote Sensing 64 (2009) 248–258 Contents lists available at ScienceDirect ISPRS Journal of Photogrammetry and Remote Sensing journal homepage: www.elsevier.com/locate/isprsjprs Evaluation of the geometric stability and the accuracy potential of digital cameras — Comparing mechanical stabilisation versus parameterisation D. Rieke-Zapp a,∗, W. Tecklenburg b, J. Peipe c, H. Hastedt d, Claudia Haig e a Institute of Geological Sciences, University of Bern, 3012 Bern, Switzerland b Institute of Applied Photogrammetry and Geoinformatics, University of Applied Sciences Oldenburg/Ostfriesland/Wilhelmshaven, Ofener Strasse 16, 26121 Oldenburg, Germany c University of the Federal Armed Forces, 85577 Neubiberg, Germany d Swiss Federal Research Institute for Forest, Snow and Landscape Research, Zuercherstrasse 111, 8903 Birmensdorf, Switzerland e Volkswagen AG, Brieffach 1785, EGNM/G, Messtechnik/Geometriedaten 38436 Wolfsburg, Germany article info a b s t r a c t Article history: Recent tests on the geometric stability of several digital cameras that were not designed for photogram- Received 1 March 2008 metric applications have shown that the accomplished accuracies in object space are either limited or Received in revised form that the accuracy potential is not exploited to the fullest extent. A total of 72 calibrations were calculated 23 June 2008 with four different software products for eleven digital camera models with different hardware setups, Accepted 26 September 2008 some with mechanical fixation of one or more parts. The calibration procedure was chosen in accord to a Available online 11 November 2008 German guideline for evaluation of optical 3D measuring systems [VDI/VDE, VDI/VDE 2634 Part 1, 2002. -
Trade-In Bonus
UP TO €500 TRADE-IN BONUS Get €300 Trade In Bonus when you buy a GFX 50R or €500 on a GFX 50S, when you trade in any working full-frame DSLR, full-frame mirrorless camera or digital medium-format camera. FUJIFILM-CONNECT.COM/PROMOTIONS Offer ends 31.03.2019. Terms and conditions apply. See in store for details. BRFFUK0260 GFX TRADE-IN_A5 LEAFLET.indd 1 27/09/2018 15:25 UP TO €500 TRADE-IN BONUS €500 €300 TRADE-IN TRADE-IN BONUS BONUS n FLEXIBLE DESIGN FOR LOCATION n COMPACT AND PORTRABLE – AND STUDIO WORK FOR MEDIUM FORMAT ON THE GO n 3-WAY TILTING SCREEN AND n 2-WAY TILTING TOUCHSCREEN TOP-PLATE DISPLAY WITH SHORTCUT GESTURES n OPTIONAL EVF TILT ADAPTER n INTUTATIVE RANGEFINDER-LIKE AND VERTICAL SHOOTING GRIP DESIGN IS QUICK AND EASY TO USE 51.4-MEGAPIXEL 43.8 X 32.9MM CMOS SENSOR | X-PROCESSOR PRO IMAGING ENGINE 425-POINT AF SYSTEM | ISO 100-51,800 SENSITIVITY | MULTIPLE ASPECT RATIOS WEATHER-RESISTANT CONSTRUCTION BRFFUK0260 GFX TRADE-IN_A5 LEAFLET.indd 2 27/09/2018 15:25 QUALIFYING TRADE-IN MODELS CANON n CANON EOS 1D C n CANON EOS 1DS MKIII n CANON EOS 5DS n CANON EOS 1D MKII n CANON EOS 1DX n CANON EOS 5DS R n CANON EOS 1D MKII N n CANON EOS 1DX MKII n CANON EOS 6D n CANON EOS 1D MKIII n CANON EOS 5D n CANON EOS 6D II n CANON EOS 1D MKIV n CANON EOS 5D MKII n CANON EOS R n CANON EOS 1DS n CANON EOS 5D MKIII n CANON EOS 1DS MKII n CANON EOS 5D MKIV HASSELBLAD n HASSELBLAD A5D-50C n HASSELBLAD H4D-60 n HASSELBLAD H6D-100C n HASSELBLAD A5D-80 n HASSELBLAD H5D-200C n HASSELBLAD H6D-50C n HASSELBLAD H4D-31 n HASSELBLAD H5D-50C n HASSELBLAD -
Performance Evaluation of Several High-Quality Digital Cameras
PERFORMANCE EVALUATION OF SEVERAL HIGH-QUALITY DIGITAL CAMERAS D. H. Rieke-Zapp a, ,W. Tecklenburg b, J. Peipe c, H. Hastedt d, T. Luhmann b a Institute of Geological Sciences, University of Bern, Baltzerstrasse 1+3, 3012 Bern, -Switzerland – [email protected] b Institute of Applied Photogrammetry and Geoinformatics, University of Applied Sciences Oldenburg/Ostfriesland/Wilhelmshaven, Ofener Strasse 16/19, 26121 Oldenburg, Germany – ([email protected] – [email protected]) c University of the Federal Armed Forces, 85577 Neubiberg, Germany – [email protected] d Swiss Federal Research Institute for Forest, Snow and Landscape Research, Zuercherstrasse 111, 8903 Birmensdorf, Switzerland - [email protected] Commission V, WG V/1 KEY WORDS: Geometric stability, camera calibration, accuracy assessment, digital camera ABSTRACT: The accuracy of object reconstruction was tested for six high quality digital cameras. Nikon D80, D200, D2X and D3 with the same 24 mm Nikon lens, a Canon EOS 5D with a normal as well as a stabilized 35 mm Canon lens and an Alpa 12 WA with special fixation of a digital camera back and lens were evaluated. All cameras were investigated on a test cube that was designed according to VDI/VDE 2634, a German standard for evaluation of optical 3-D measuring systems. The measuring volume was approximately 2000 mm x 2000 mm x 1600 mm (length x width x height). Seven scale bars with up to ten calibrated distances on them were placed in the cube to evaluate the length measurement error (LME). Images were imported into a PC and analyzed with AICON 3D Studio software. -
Operating Manual for the Aquatica Pro Digital Housing for the Nikon D3
OPERATING MANUAL FOR THE AQUATICA PRO DIGITAL HOUSING FOR THE NIKON D3 PRODUCT # 20058 FOREWORD Thank you for having selected the AQUATICA Pro Digital Camera Housing System for your underwater photography. The AQUATICA Pro Digital Housing is the result of a long and continuing relationship with the most demanding underwa- ter photographers in the world. Each housing is handcrafted, quality checked and pressure tested to 300 feet by a small group of specially trained individuals, each of whom takes the utmost pride and satisfaction in offering the best underwater camera housing in the world. The Aquatica Pro Digital Housing was designed for optimum technical and optical performance and to provide easy and efficient underwater access to essantials functions and controls of the Nikon D3 DSLR. This manual assumes that the User is already familiar with the Nikon D3 camera. If not, please read the Nikon instruction Manual before attempting to use the housing. With basic care and maintenance, your AQUATICA housing will give you a lifetime of enjoyment and satisfaction in pro- ducing underwater images. Please read this manual carefully before using your housing for the first time and note that: wherever cited the right hand is your right when using the housing. SAFETY PRECAUTIONS: Improper transportation handling or use of this housing might cause a flood or malfunction. Please read and follow the following precautions: • Store and transport the housing in a sturdy, shock proof container and avoid travelling with the camera mounted inside the housing as impact forces especially on the external push buttons will be transferred to the camera. -
Does It Matter?
Does It Matter? How to evaluate the advantages of full-frame versus smaller sensors when choosing a camera Text & Photography By Josh Miller oes sensor size really matter any- A Camera Is More Than Nikon and Sony have been mainly focused more? As photographers, we’ve Just Sensor Size on their flagship full-frame camera systems Dnever had so many great camera With so many great options in different and have relatively limited collections of options that will produce amazing images. formats now, the real key as an artist is to lenses designed for smaller sensors (espe- There are very capable cameras sporting weigh your options and decide what attri- cially fast primes), companies like Fujifilm, everything from Micro Four Thirds sensors butes are the most important to you. Is it Olympus and Panasonic have gone all-in to APS-C, full-frame and all the way up to portability, lens options, absolute image on smaller sensor systems and have each massive medium-format sensors. quality, price? For the last 10 years or developed large (if not thoroughly com- Right off the bat, let’s clear things up by so, the go-to format for most serious and prehensive) lens lineups with many options saying yes, all things being equal, a larger professional photographers has been full equal to the quality of those available for the sensor will give you a better image file, but frame, which closely resembles the size of larger full-frame systems. like most matters in life, all things are not the 35mm film many of us had been shoot- The real question becomes, with so many equal. -
My Nikon Cameras 1972 1973 1974 1975 1976 1977 1978 1979 1980
Nikkormat FTn [4153002] 1972 – 2020 135mm Film SLR | 24 x 36 mm | 1967–1975 Nikon F100 [2131820] The Nikkormat FT was an all-metal, mechanically (springs, 1999 – 2020 gears, levers) controlled, manual focus SLR with match- 135mm Film SLR | 24 x 36 mm | 1999–2006 Nikon D800E [6010886] needle exposure control, manufactured in Japan from 1965 to 1967. It was available in two colors: black with The Nikon F100 is a 35mm film-based single-lens reflex 2012 – 2015 chrome trim and all black. camera body introduced in 1999. It is often thought of as 36.3 MP Full frame | 7360 x 4912 | 35.9 x 24 mm a scaled-down version of the Nikon F5, and as a The Nikkormat FTn was manufactured from 1967 to 1975. precursor to the Nikon F6. The F100 was discontinued, The D800E is a specialized version which uses a new It simplified the lens mounting procedure of the rabbit ear along with most other Nikon film cameras, in 2006. optical anti-aliasing filter with no low-pass filter effect (no Nikkor lenses. blurring) to obtain the sharpest images possible. Nikon claims that possible aliasing effects (moiré) can be lessened by software-processing in camera or external programs like Nikon's Capture NX2. Reviewers have pointed out that whilst increased moiré is difficult to remove in post-processing, it is relatively easy Nikon D70 [4011021] to combat while photo-taking (such as by changing the angle, aperture or position). Furthermore, moire is rarely 2004 – 2006 found in photos (besides man-made, repeated patterns 6.24 MP DX CCD | 3008 x 2000 | 23.7 x 15.6 mm such as in architecture).