The Nikon D3 & D300 by Simon Stafford
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A Field Guide to Bulkhead Connectors for Aquatica Digital Camera Housing: a Field Guide to Aquatica’S Strobe Connectors
A field guide to bulkhead connectors for Aquatica digital camera housing: A Field Guide to Aquatica’s strobe connectors This comprehensive guide is to help Aquatica users in selecting the proper strobe connectors for their housing it is divided in sec- tions addressing the various generation and brand for which we have manufactured housing for over the years. Please make sure to visit our website www.aquatica.ca for updated version of this document. Section 1: The classic Nikon type. These are found in the following legacy Aquatica housings for these cameras; Fuji S2 Pro Fuji S5 (same as Nikon D200) Nikon D2x Nikon D3 / D3x (not the D3s version) Nikon D40 / D40x / D60 Nikon D70 /D70s Nikon D80 Nikon D100 Nikon D200 Nikon D300 (not the D300s) Section 2: The newer Nikon type. These modular connectors have an internal switchboard and separate hot shoe and are found in the following new generation Aquatica housings for these cameras; Nikon D3s (not the older D3/D3x version) Nikon D90 Nikon D300s Nikon D700 Section 3: The Classic Canon type. These are found in the following legacy Aquatica housings for these cameras; Canon 1Ds Mk III & 1D Mk IV Canon 5D (not 5D Mk II) Canon 30D Canon 40D / 50D Canon Digital Rebel / 300D Section 4: The newer Canon type. These modular connectors have an internal switchboard and separate hot shoe and are found in the following new generation Aquatica housings for these cameras; Canon 5D Mk II (not the original 5D) Canon 7D Canon Digital Rebel T2i / 550D Section 5: The optical type. -
Which DSLR? [Complete]
John Henshall’s Chip Shop WHICH DSLR? John Henshall looks at today’s leading Digital – and Film – Single Lens Reflex cameras Canon EOS-1Ds Mark II Nikon D2x Fujifilm FinePix S3 Pro Canon EOS-350D Kodak DCS ProSLR/c Nikon D50 Canon EOS-20D Nikon F6 Nikon D70s ntil 1999, choosing a DSLR suit or conflict with your needs is perhaps even the last – film SLR, the was easy because there was particularly difficult. Nikon F6 . This was loaded with the just one manufacturer: For example, do you want very high latest 35mm film: the new Fujichrome U Kodak. There were no DSLRs resolution, or accurate – or pleasing – Velvia Professional 100 . The film was from Canon or Nikon but Kodak made colour, or high sensitivity with low processed by one of the leading London m o c models for Canon and Nikon lenses. noise? Or is price or weight the most professional laboratories and scanned . e r The situation is much different now. important factor? at 4000 pixels per inch using the latest t n e c Kodak has ceased manufacture of In an attempt to evaluate some of Nikon Super CoolScan 9000 scanner. - i p DSLRs, whilst Canon and Nikon these factors, I got together the major My first shot was of Bear House. e @ n themselves are now the major players. Canon– and Nikon–mount DSLRs for a Over the years, I have been waiting for h o j l There are other manufacturers, of series of side-by-side real-world shots, a camera which could resolve the l a h course, but their systems are nowhere intended to simulate everyday shooting house name in this shot. -
Operating Manual Foreword
DIGITAL U/W HOUSING FOR NIKON D2 SERIES OPERATING MANUAL FOREWORD Thank you for having selected the AQUATICA Pro Digital Camera Housing System for your underwater photography. The AQUATICA Pro Digital Housing is the result of a long and continuing relationship with the most demanding under- water photographers in the world. Each housing is handcrafted, quality checked and pressure tested to 300 feet by a small group of specially trained individuals, each of whom takes the utmost pride and satisfaction in offering the best underwater camera housing in the world. The Aquatica Pro Digital Housing was designed for optimum technical and optical performance and to provide easy and efficient underwater access to essantials functions and controls of the Nikon D2X and D2Hs and D2H SLR. This manual assumes that the User is already familiar with the Nikon D2 series of cameras. If not, please read the Nikon instruction Manual before attempting to use the housing. With basic care and maintenance, your AQUATICA housing will give you a lifetime of enjoyment and satisfaction in pro- ducing underwater images. Please read this manual carefully before using your housing for the first time and note that: wherever cited the right hand is your right when using the housing. SAFETY PRECAUTIONS Improper transportation handling or use of this housing might cause a flood or malfunction. Please read and follow the following precautions: • Store and transport the housing in a sturdy, shock proof container and avoid travelling with the camera mounted inside the housing as impact forces especially on the external push buttons will be transferred to the camera. -
Photography Techniques Intermediate Skills
Photography Techniques Intermediate Skills PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Wed, 21 Aug 2013 16:20:56 UTC Contents Articles Bokeh 1 Macro photography 5 Fill flash 12 Light painting 12 Panning (camera) 15 Star trail 17 Time-lapse photography 19 Panoramic photography 27 Cross processing 33 Tilted plane focus 34 Harris shutter 37 References Article Sources and Contributors 38 Image Sources, Licenses and Contributors 39 Article Licenses License 41 Bokeh 1 Bokeh In photography, bokeh (Originally /ˈboʊkɛ/,[1] /ˈboʊkeɪ/ BOH-kay — [] also sometimes heard as /ˈboʊkə/ BOH-kə, Japanese: [boke]) is the blur,[2][3] or the aesthetic quality of the blur,[][4][5] in out-of-focus areas of an image. Bokeh has been defined as "the way the lens renders out-of-focus points of light".[6] However, differences in lens aberrations and aperture shape cause some lens designs to blur the image in a way that is pleasing to the eye, while others produce blurring that is unpleasant or distracting—"good" and "bad" bokeh, respectively.[2] Bokeh occurs for parts of the scene that lie outside the Coarse bokeh on a photo shot with an 85 mm lens and 70 mm entrance pupil diameter, which depth of field. Photographers sometimes deliberately use a shallow corresponds to f/1.2 focus technique to create images with prominent out-of-focus regions. Bokeh is often most visible around small background highlights, such as specular reflections and light sources, which is why it is often associated with such areas.[2] However, bokeh is not limited to highlights; blur occurs in all out-of-focus regions of the image. -
Nikon D3s Menu Settings for Sports Photographers
Nikon D3s Menu Settings for Sports Photographers Whether at the ballpark or via email, two of the most frequently asked questions I hear are “what are your basic settings when shooting sports using the Nikon D3s” or “how is your Nikon D3s set up? I’ve been shooting sports for a living for over 25 years, with clients ranging from Sports Illustrated to Major League Baseball and The Chicago White Sox. The approach I use when setting up with my equipment might not be considered conventional, but I can tell you this; it works. I refer to it as my unscientific approach to better sports photography. I trust and believe in what works in the real world. I’m always open to new ideas and so should you. If your images are already perfect, stop here. But if you shoot sports action and are looking for ways to improve your images and increase your "keeper percentage", or are setting up a Nikon D3s for the first time, read on. I decided to dissect the menu of my trusty D3s and share my personal settings while discussing a few in detail so that other sports photographers can use them as a point of reference. As the old adage goes, please remember that these are my own personal settings and opinions and should be used as a guide only. No one set of rules (or in this case, settings) should be considered the absolute only way to go. I highly recommend taking the time to experiment and come up with a few of your own favorites. -
High ISO Heroes Which APS-C and Full-Frame Cameras Perform the Best in Poor Light?
Saturday 4 February 2017 High ISO heroes Which APS-C and full-frame cameras perform the best in poor light? All-new Passionate about photography since 1884 BUYING GUIDE COMPLETE GUIDE 550 cameras & lenses listed ISO & rated and How to get pictures as good as this at high ISO Get great low light images and keep noise right down ● What ISO and when ● Best noise removers ● Settings of the pros Digital ISO demystified Fujifilm Where noise comes from first look and how it relates to X-T20 mirrorless & sensor size & resolution X100F compact The high ISO king? We see how Nikon’s D5 copes with ice-hockey boot camp Ice on the black sand beach at Jökulsárlón.raw ON THE ICE BEACH IT’S A DARK, SOMBRE WINTER’S DAY. The grey cloud is low, and the rain is steady, but the muted light is just perfect for the subject matter all around me, namely waves lapping around the artfully sculpted blocks of ice on the black sand. Now I’ve seen many images of this unique combination before – it’s an Icelandic photographic staple – but there’s no resisting the appeal of such stark, elemental beauty. In fact it’s a beauty that is enhanced by the flat lighting, a cold scene of black and blue with simple graphic appeal. But as so often is the case here in Iceland the conditions are difficult: apart from the rain, salty spray is being driven inshore off the waves and onto my increasingly crusty camera, lens and filter. So be it, such adversity is now familiar. -
FEATURING: the Complete Guide for All Your Safari Photography and Binocular Needs
FEATURING: The complete guide for all your safari photography and binocular needs. SAFARI PHOTOGRAPHY TABLE OF CONTENTS WHICH CAMERA IS RIGHT FOR YOU? TECH SAVVY PAGE 3 PAGE 6 TIPS & TRICKS BINOCULARS PAGE 8 PAGE 16 CHOOSING THE RIGHT CAMERA Camera Technology photographs you take great appeal for many. Modern equipment on safari. If you are Many people prefer helps, fast autofocus, Camera Technology going to try and sell the idea of capturing excellent exposure has become so them to a magazine or movement and sound metering and most advanced in recent book publisher, then and with video importantly, not years that it is easier you need high-quality camcorders being so running out of film than ever for optics and good compact and easy to every 36 pictures. amateurs to take quality transparency use, this is an obvious professional-quality Video cameras and (color slide) film or a choice. camcorders in photographs. Digital professional digital 35mm SLR (single lens The huge advantage of themselves are great camera. If you are digital cameras is the fun, and many a reflex) cameras are going to make an more often used than tiny size of the happy memory can be electronic album to picture-storing captured on the video film cameras. email to friends, then Camcorders with apparatus ? this that would simply be a reasonably priced eliminates the need impossible to depict freeze-frame options digital zoom will be are easy to use and for bags and bags of with a ?still? camera. ideal. Print film is film. In addition, Another great are also very popular preferable to slides, if with safariers. -
D200 24P.Pdf
Picture a new generation of digital SLR camera, one that is uniquely enabled to tackle photographic challenges quickly and efficiently, while achieving beautiful results that faithfully reproduce the scene in remarkable detail. Crafted to combine the best of newly developed technologies with Nikon’s decades of innovative engineering experience, this high-precision, high-performance digital SLR camera responds instantly to the will and needs of the photographer. It also delivers unrivalled handling efficiency, a large, bright optical viewfinder and 10.2 effective megapixels of extraordinarily sharp resolution. Tight integration with Nikon’s Total Imaging System ensures compatibility with the lineup of renowned Nikkor lenses, while full support for Nikon’s advanced Creative Lighting System adds further creative freedom. What’s more, all these capabilities are underscored by additional Nikon advantages. In fact, with the Nikon Electronic Format (NEF) file format for raw image data and powerful Nikon Capture software, image quality is enhanced and workflow made more efficient, from camera to NEF, to Capture, and on to display and output. Fast forward to new creative possibilities – with the D200. • 10.2 effective megapixel high-performance Nikon DX format CCD image sensor • Advanced high-speed, precision image processing engine • NEF (RAW) and JPEG file versatility • 5fps; 0.15 second power-up; instant response • New selectable 11-area AF or 7 wide-area AF • Magnesium alloy (Mg) body • Large, bright 0.94x viewfinder • 2.5-inch LCD and industry’s largest top control panel • Full integration with Nikon’s Total Imaging System Precision crafted, for the ultimate digital SLR experience. Sharp resolution with pure color fidelity, delivered by instant response from high-precision subsystems CAPTURE RESPONSE 10.2 megapixel DX Format CCD moiré, color fringing and shifting, while Fast SLR response that’s always ready to image sensor also complementing the sensor’s improved capture the moment The D200 employs a newly developed 10.2 resolving power. -
1 of 2 2Nd Hand List 6-Month Warranty on All Items Updated on 30/11/2016 NIKON BODIES £ +VAT NIKON AF LENSES £ +VAT (SEE ALSO
1 of 2 2nd Hand List Updated on 30/11/2016 6-month warranty on all items NIKON BODIES £ +VAT NIKON AF LENSES £ +VAT (SEE ALSO SIGMA LIST) NIKON D3 BODY (fr. 215,721) £499 NIKON TC 14E 111 CONVERTER £225 NIKON D3 BODY (fr. 251,105) £525 NIKON TC-17E II £140 NIKON D3 BODY (fr. 264,050) £525 NIKON TC-17E II £160 NIKON D3 BODY (fr. 125,500) £495 NIKON TC-17E II £155 NIKON D3S BODY (fr: 250,000) £795 NIKON TC-17E II £165 NIKON D3S BODY (fr: 502,000) £750 NIKON TC-20E III £199 NIKON D3S BODY (fr: 202,800) £895 NIKON 10.5MM F2.8 AF-S DX FISHEYE £240 NIKON D3S BODY (fr. 320,000) £895 NIKON 14-24MM F2.8 G AF-S £950 NIKON D800 BODY (fr. 27,700) £895 NIKON 14-24MM F2.8 G AF-S £895 NIKON D800 BODY (fr. 41,500) £799 NIKON 14-24MM F2.8 G N FX £950 NIKON Df KITinc 50mm LENS (fr. 24,910) £1,300 NIKON 16-35MM F4 G VR £595 NIKON D4 Body (fr,172,688) £1,699 NIKON 24MM F1.4 AF-S G N £950 NIKON D4 Body (fr,202,800) £1,650 NIKON 24MM F2.8 AF £150 NIKON D4 Body (fr,420,597) £1,699 NIKON 24MM F2.8 AF-D £179 NIKON D4S Body (fr, 291,158) £2,500 NIKON 24-70MM F2.8 E VR £1200 NIKON D4S Body (fr, 103,500) £2,600 NIKON 24-70MM F2.8 E VR £1200 NIKON D4S Body (fr, 103,600) £2,600 NIKON 28MM F2.8 AF-D £125 NIKON 35-135MM F3.5-4.5 AF £65 NIKON 70-200MM F4 AF-S G VR £675 NIKON FLASHES £ +VAT NIKON 70-200MM F2.8 AF-S G VR 11 £900 NIKON SB-910 SPEEDLIGHT £235 NIKON 70-200MM F2.8 AF-S G VR 11 £945 NIKON 200-400MM F4 G AF-S VR II £1,950 NIKON 300MM F4 AF-S D £299 NIKON 300MM F4 AF-S D £450 SIGMA & OTHER LENSES £ +VAT NIKON 300MM F4 AF-S D £479 NIKON 300MM F4 AF-S £595 SIGMA 8-16MM F3.5-5.6 HSM (EF) £249 NIKON 300MM F2.8 AF-S D £1,295 SIGMA 50-150MM F2.8 DC EF 11 EX APO £245 NIKON 300MM F2.8 AF-I £1,325 SIGMA 80-400MM F4.5-5.6 APO DG EF FIT £295 NIKON 300MM F2.8 AF-S G VR £1,990 SIGMA 100-300MM F4 APO NIKON FIT £199 NIKON 300MM F2.8 AF-S G VR 11 £2,500 SIGMA 120MM-300MM F2.8 DG "SPORT" OS EF £1650FIT NIKON 400MM F2.8 G N VR £3,595 SIGMA 120MM-300MM F2.8 APO HSM EX EF FIT £749 NIKON 400MM F2.8 G N VR £3,599 SIGMA TC-1401 £130 NIKON 400MM F2.8 G N VR £3,750 NIKON ACCS. -
Nikon D300 Setup Guide Nikon D300 Setup Guide
Nikon D300 Setup Guide Nikon D300 Setup Guide For Nature, Landscape and Travel Photography For Portrait and Wedding Photography External Controls Custom Setting Menus External Controls Custom Setting Menus Exposure Mode Aperture Priority C Custom setting bank A Exposure Mode Aperture Priority C Custom setting bank B Metering Mode 3D Matrix Metering R Reset custom settings -- Metering Mode 3D Matrix Metering R Reset custom settings -- Focus Pattern Dynamic-area AF a1 AF-C priority select Release Focus Pattern Dynamic-area AF a1 AF-C priority select Release Bracketing Off (unless HDR photography) a2 AF-S priority select Focus Bracketing Off a2 AF-S priority select Focus Shooting Mode CH (Continuous High) a3 Dynamic AF area 21 points Shooting Mode CH (Continuous High) a3 Dynamic AF area 21 points WB Variable, dep. on situation a4 Focus lock-on Off WB Variable, dep. on situation a4 Focus lock-on Normal ISO 200 - 1600 dep. on situation a5 AF Activation Shutter/AF-ON ISO 200 - 3200 dep. on situation a5 AF Activation Shutter/AF-ON QUAL RAW a6 AF point illumination On QUAL JPEG a6 AF point illumination On Autofocus Mode AF-S or AF-C a7 Focus point wrap Wrap Autofocus Mode AF-S a7 Focus point wrap Wrap a8 AF point selection 51 points a8 AF point selection 51 points a9 Built-in AF-assist Off a9 Built-in AF-assist Off Shooting Menu a10 AF-ON MB-D10 AE lock only Shooting Menu a10 AF-ON MB-D10 AE lock only Shooting Menu Bank A b1 ISO sensitivity step 1/3 Shooting Menu Bank B b1 ISO sensitivity step 1/3 Menu Reset Default b2 EV steps for expos. -
White Paper the Canon Eos 5D Mark Ii Camera
WHITE PAPER THE CANON EOS 50D CAMERA: UNPRECEDENTED FLEXIBILITY OF DIGITAL PHOTOGRAPHY THE CANON EOS 5D MARK II CAMERA: HIGH PERFORMANCE FOR HIGH EXPECTATIONS I. Overview 4 II. Summary of New and Improved Features 8 EOS 50D vs. EOS 40D 9 EOS 5D Mark II vs. EOS 5D 10 EOS 5D Mark II vs. EOS-1Ds Mark III 11 III. Video Recording on EOS 5D Mark II 13 Features and Benefits 14 Positioning 16 Tech Info 18 Technology Highlight - New Video Shooting Capability 19 IV. Performance and Reliability 20 Advanced Sensor Designs 21 DIGIC 4 and 14-bit A/D Conversion 23 Image Recording and Processing 25 • RAW, sRAW, RAW+JPEG 25 • Intelligent Lithium-ion Battery on EOS 5D Mark II 26 Image Enhancement 26 • High ISO Noise Reduction 26 • Peripheral Illumination Correction 27 • Auto Lighting Optimizer 28 • Highlight Tone Priority 28 High Resolution, 3.0-inch Clear View LCD 29 Live View shooting with AF 30 Precise 9-point AF Systems 31 Improved Viewfinder Experience 33 Rugged Construction 33 EOS Integrated Cleaning System 34 Intuitive Button and Dial Arrangement 35 Increased Shutter Durability 35 Action-stopping Burst Modes 36 UDMA Compatibility 36 HDMI Connectivity 36 Technology Highlight - Live View Function 38 V. Controls and Convenience 39 Camera Settings and Displays 40 Creative Auto Mode 40 Image Quality Controls 42 Playback Controls and Displays 42 My Menu and User Settings 43 Custom Function Controls 43 AF Microadjustment 44 Quick Control Screen 45 Printing and Camera Direct Controls 45 VI. Intelligent Bundled Software 46 New Features in EOS Utility and DPP 47 VII. -
Rental List V
Rental List V. 2018.1 February 1, 2018 Leo's Camera Supply -- Rental List Page 1 of 16 Terms and Conditions of Leo's Camera Supply Rentals Availability: Product availability is not guaranteed. To help ensure availability, please book your rental as far in advance as possible (maximum 4 weeks ahead). To aid the staff of Leo's & the renting public, please inform us ASAP of any change in your bookings. This allows us to re-circulate the equipment. Overdue rentals are subject to full daily charge (see late & overdue Rentals). Please call the store to make a booking. We can not guarantee bookings made via email! If a RENTER has a two "NO-SHOW" rental bookings, rental reservation privileges will be suspended. Deposits & Payment: All rentals are prepaid in full at time of pickup. (Visa, M/C, Debit or Cash) Rental Deposits can be made by Visa, M/C, Bank Draft or cash (if paid via credit card, card holder must be present at the time of deposit). (Debit not accepted.) Valid Picture ID is required for all rentals. If the renter is from within B.C. (Picture ID with current local address, i.e., B.C. Drivers License or BCID is acceptable) then a lower deposit applies. (Passport will only accept as proof of ID with recent Government issue letters with local address). If renter is from out of province (out of country) Leo's will request a deposit based on the full replacement value of the equipment to be rented! (see below for additional information.) Leo's Cameras may request a deposit equal to the replacement value of said equipment at their discretion unless prior arrangements have been made.