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Authenticity in Electronic Dance Music in Serbia at the Turn of the Centuries
The Other by Itself: Authenticity in electronic dance music in Serbia at the turn of the centuries Inaugural dissertation submitted to attain the academic degree of Dr phil., to Department 07 – History and Cultural Studies at Johannes Gutenberg University Mainz Irina Maksimović Belgrade Mainz 2016 Supervisor: Co-supervisor: Date of oral examination: May 10th 2017 Abstract Electronic dance music (shortly EDM) in Serbia was an authentic phenomenon of popular culture whose development went hand in hand with a socio-political situation in the country during the 1990s. After the disintegration of Yugoslavia in 1991 to the moment of the official end of communism in 2000, Serbia was experiencing turbulent situations. On one hand, it was one of the most difficult periods in contemporary history of the country. On the other – it was one of the most original. In that period, EDM officially made its entrance upon the stage of popular culture and began shaping the new scene. My explanation sheds light on the fact that a specific space and a particular time allow the authenticity of transposing a certain phenomenon from one context to another. Transposition of worldwide EDM culture in local environment in Serbia resulted in scene development during the 1990s, interesting DJ tracks and live performances. The other authenticity is the concept that led me to research. This concept is mostly inspired by the book “Death of the Image” by philosopher Milorad Belančić, who says that the image today is moved to the level of new screen and digital spaces. The other authenticity offers another interpretation of a work, or an event, while the criterion by which certain phenomena, based on pre-existing material can be noted is to be different, to stand out by their specificity in a new context. -
SAY NO to the LIBERAL MEDIA: CONSERVATIVES and CRITICISM of the NEWS MEDIA in the 1970S William Gillis Submitted to the Faculty
SAY NO TO THE LIBERAL MEDIA: CONSERVATIVES AND CRITICISM OF THE NEWS MEDIA IN THE 1970S William Gillis Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the School of Journalism, Indiana University June 2013 ii Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee David Paul Nord, Ph.D. Mike Conway, Ph.D. Tony Fargo, Ph.D. Khalil Muhammad, Ph.D. May 10, 2013 iii Copyright © 2013 William Gillis iv Acknowledgments I would like to thank the helpful staff members at the Brigham Young University Harold B. Lee Library, the Detroit Public Library, Indiana University Libraries, the University of Kansas Kenneth Spencer Research Library, the University of Louisville Archives and Records Center, the University of Michigan Bentley Historical Library, the Wayne State University Walter P. Reuther Library, and the West Virginia State Archives and History Library. Since 2010 I have been employed as an editorial assistant at the Journal of American History, and I want to thank everyone at the Journal and the Organization of American Historians. I thank the following friends and colleagues: Jacob Groshek, Andrew J. Huebner, Michael Kapellas, Gerry Lanosga, J. Michael Lyons, Beth Marsh, Kevin Marsh, Eric Petenbrink, Sarah Rowley, and Cynthia Yaudes. I also thank the members of my dissertation committee: Mike Conway, Tony Fargo, and Khalil Muhammad. Simply put, my adviser and dissertation chair David Paul Nord has been great. Thanks, Dave. I would also like to thank my family, especially my parents, who have provided me with so much support in so many ways over the years. -
THE DARK SIDE of the MOON CEAS Analysis
THE DARK SIDE OF THE MOON *** The results of mini media monitoring analysis of references to CEAS between the publication of the "West Side Story" report in June 2018 to mid-February 2020, in the following media: Danas, N1, Radio Free Europe, Deutsche Welle, and Voice of America The media scene in Serbia has become a topic of frequent analysis and evaluations by local and international stakeholders. The turmoil in Montenegro has further placed it in the spotlight of Western political actors. We wish to point out that CEAS does not give statements to Serbian tabloids Informer, Alo and Srpski Telegraf, or invite them to attend our events, ever since the media satanization campaign led by our Montenegrin colleague Vanja Ćalović, who we neither met personally, nor have worked with the organization she headed. We believe that the Russian Sputnik and its Serbian outlet are not media, nor a public service or a government media in the sense of BBC, DW, RFE or VOA, but rather a propaganda machinery, as we keep insisting since they first opened in Serbia, so we also do not give them statements, nor invite them to follow our events. We also consider it very perfidious that Sputnik’s Serbian outlet declares itself a Serbian media, which is certainly not the case. Monitoring the reports on the influence of media on developments in Montenegro, we observed that in order to disseminate as much information as possible and to prevent organized disinformation campaigns from achieving their desired effects, a clearer distinction should be made between the Serbian media by emphasizing the difference between those who are in some kind of ownership relations with the state, or use national frequencies, and private media on the one hand, and media operating in Serbia as outlets of public services of foreign governments and propaganda machineries, on the other. -
SERBIA Jovanka Matić and Dubravka Valić Nedeljković
SERBIA Jovanka Matić and Dubravka Valić Nedeljković porocilo.indb 327 20.5.2014 9:04:47 INTRODUCTION Serbia’s transition to democratic governance started in 2000. Reconstruction of the media system – aimed at developing free, independent and pluralistic media – was an important part of reform processes. After 13 years of democratisation eff orts, no one can argue that a new media system has not been put in place. Th e system is pluralistic; the media are predominantly in private ownership; the legal framework includes European democratic standards; broadcasting is regulated by bodies separated from executive state power; public service broadcasters have evolved from the former state-run radio and tel- evision company which acted as a pillar of the fallen autocratic regime. However, there is no public consensus that the changes have produced more positive than negative results. Th e media sector is liberalized but this has not brought a better-in- formed public. Media freedom has been expanded but it has endangered the concept of socially responsible journalism. Among about 1200 media outlets many have neither po- litical nor economic independence. Th e only industrial segments on the rise are the enter- tainment press and cable channels featuring reality shows and entertainment. Th e level of professionalism and reputation of journalists have been drastically reduced. Th e current media system suff ers from many weaknesses. Media legislation is incom- plete, inconsistent and outdated. Privatisation of state-owned media, stipulated as mandato- ry 10 years ago, is uncompleted. Th e media market is very poorly regulated resulting in dras- tically unequal conditions for state-owned and private media. -
Media News Bulletin Home
Issue No. 42 November 10-23, 2012 Content State-owned media will continue receiving support from the national budget in 2013 – SBB is criticized – SBB begins broadcasting TV Pink 2 – Legal treatment of libel causes controversy – Full freedom of the media is one of three conditions imposed by EU on Serbia – Media coalition protests against moves made by the City Council of Nis – The media is one of the participants in political conflicts, says J. Matic – V. Obradovic: “Serbian media scene is in a state of controlled chaos” – “The War of Tabloids” is an attempt to remove the editor of Blic from his position – B. Kostic accuses RTV Belgrade and RTV Novi Sad of being accomplices in the crimes committed in Vukovar in 1991 – Tabloidization in Serbia is specific – D. Kesic criticizes domestic media – The state expands its ownership in the media, RRA waits for “integrated opinion” – Tijanic refuses to show contracts with Multicom Group and Direct Media – Prime Minister Dacic criticizes Tijanic – Some of RTS journalists begin strike – NUNS says the strike is legitimate – RTS management is opposed to the strike – Sinisa Kovacevic condemns RTS and its journalists – RTS journalists respond to Kovacevic – Criticism of Kovacevic's statement spreads – Members of the tennis representation have not apologized to journalists – Court rejects Tijanic's lawsuit because public personalities should tolerate public criticism – SEEMO is opposed to criminal treatment of libel – Attacks on Tanja Jankovic continue – Employees of Nas Glas support their director and -
Analiza Medijskog Tržišta U Srbij
Jačanje medijske slobode Analiza medijskog tržišta u Srbij Ipsos Strategic Marketing Avgust 2015. godine 1 Sadržaj: . Preporuke i zaključci . Metodologija . Osnovni nalazi (Executive Summary) . Tržište oglašavanja u Srbiji . Trend procene realne vrednosti TV tržišta za period 2008. – 2014 . Trend procene realne vrednosti radio tržišta za period 2008. – 2014 . Najveći oglašivači TV tržišta . Udeo televizijskih kuća u ukupnom TV tržištu oglašavanja . Internet tržište oglašavanja . Pregled medijskog tržišta Srbije . Televizija . Podaci o gledanosti TV stanica . Najgledanije TV emisije na ukupnom tržištu i po relevantnim tržištima u 2014. I 2015. godini . Profil gledalaca televizijskih stanica . RTS1 . TV Prva . TV Pink . TV B92 . TV Happy . TV Vojvodina 1 . Prosečna slušanost radija i gledanost televizije po satima . Radio . Udeo nacionalnih radio stanica u ukupnom auditorijumu . Prosečni dnevni auditorijum nacionalnih radio stanica . Prosečni nedeljni auditorijum nacionalnih radio stanica . Internet . Medijske navike korisnika radijskih i televizijskih programa . Glavni izvor informisanja – Opšta populacija . Glavni izvor informisanja podela po godinama . Učestalost gledanja TV programa . Procena vremena korišćenja različitih vrsta medija pre godinu dana i sada . Procena kvaliteta sadržaja razlicitih vrsta medija . Programski sadržaji i preferencije auditorijuma . Navike korišćenja lokalnih medija . Lokalni mediji: zadovoljstvo kvalitetom i količinom lokalnog sadržaja . Programi na jezicima nacionalnih manjina . Televizijski sadržaji prilagođeni osobama sa invaliditetom . Makroekonomska situacija i njen uticaj na medijsko tržište . Analiza poslovanja pružalaca medijskih usluga . Prilozi 2 Preporuke i zaključci 1. Programski sadržaji TV emitera: a. U ukpnoj programskoj ponudi se ne uočava nedostak sadržaja i. Programski sadržaj javnog servisa je blizak izrečenim potrebama građana i na duži rok on se pokazuje adekvatnim jer ujedno ima i najveće učešće u ukupnoj glednosti. -
Memorial of the Republic of Croatia
INTERNATIONAL COURT OF JUSTICE CASE CONCERNING THE APPLICATION OF THE CONVENTION ON THE PREVENTION AND PUNISHMENT OF THE CRIME OF GENOCIDE (CROATIA v. YUGOSLAVIA) MEMORIAL OF THE REPUBLIC OF CROATIA APPENDICES VOLUME 5 1 MARCH 2001 II III Contents Page Appendix 1 Chronology of Events, 1980-2000 1 Appendix 2 Video Tape Transcript 37 Appendix 3 Hate Speech: The Stimulation of Serbian Discontent and Eventual Incitement to Commit Genocide 45 Appendix 4 Testimonies of the Actors (Books and Memoirs) 73 4.1 Veljko Kadijević: “As I see the disintegration – An Army without a State” 4.2 Stipe Mesić: “How Yugoslavia was Brought Down” 4.3 Borisav Jović: “Last Days of the SFRY (Excerpts from a Diary)” Appendix 5a Serb Paramilitary Groups Active in Croatia (1991-95) 119 5b The “21st Volunteer Commando Task Force” of the “RSK Army” 129 Appendix 6 Prison Camps 141 Appendix 7 Damage to Cultural Monuments on Croatian Territory 163 Appendix 8 Personal Continuity, 1991-2001 363 IV APPENDIX 1 CHRONOLOGY OF EVENTS1 ABBREVIATIONS USED IN THE CHRONOLOGY BH Bosnia and Herzegovina CSCE Conference on Security and Co-operation in Europe CK SKJ Centralni komitet Saveza komunista Jugoslavije (Central Committee of the League of Communists of Yugoslavia) EC European Community EU European Union FRY Federal Republic of Yugoslavia HDZ Hrvatska demokratska zajednica (Croatian Democratic Union) HV Hrvatska vojska (Croatian Army) IMF International Monetary Fund JNA Jugoslavenska narodna armija (Yugoslav People’s Army) NAM Non-Aligned Movement NATO North Atlantic Treaty Organisation -
Analiza Televizijskih Programa Za Decu U Srbiji Novembar 2014
Analiza televizijskih programa za decu u Srbiji Novembar 2014. 2 Zahvalnica Udruženje novinara Srbije i UNICEF Srbija zahvaljuju se saradnicama koje su radile na ovoj analizi: novinarki Dragani Pejović, koja je analizirala dečiji televizijski program, razgovarala sa urednicima televizija i uobličila analizu i novinarki Kristini Kovač, koja je istraživala regulativu u regionu, zemljama Evropske unije i praksu tamošnjih regulatornih tela i emitera, prof. dr. Ani Pešikan i Jeleni Joksimović koje su analizirale stavove i mišljenja dece i roditelja o televizijskih programima namenjenim deci. Dugujemo im zahvalnost zbog posvećenog rada i truda koji su uložile kako bi analiza bila sveobuhvatna i korisna televizijskim emiterima, regulatornim telima, stručnoj javnosti, a na dobrobit dece i njihovih roditelja. Posebno se zahvaljujemo Regulatornom telu za elektronske medije Srbije zbog mogućnosti korišćenja podataka 24-časovnog nadzora (redovnog monitoringa) televizija sa nacionalnom frekvencijom i Agenciji Nielsen Audience Measurement koja nam je omogućila korišćenje podataka o gledanosti dečijih programa. Veliku zahvalnost dugujemo Ministrastvu prosvete, nauke i tehnološkog razvoja, posebno Biljani Lajović, koordinatorki Jedinice za prevenciju nasilja u Ministarstvu, osnovnim školama „Sveti Sava“ i „Sreten Mladenović Mika“ iz Niša, „Jelica Milovanović“ iz Sopota, „Petefi Šandor“ i „Ivo Lola Ribar“ iz Novog Sada, „Mihajlo Pupin“ iz Veternika, „Veljko Petrović“ iz Begeča“, „Vožd Karađorđe“ iz Jakova, „M.P. Alas“ i „Lazar Savatić“ iz Beograda. Bez njihove pomoći ne bismo došli do velikog broja dragocenih ispitanika – dece i roditelja, čije učestvovanje i odgovori su od posebnog značaja za utvrđivanje stanja i unapređenje ponude i kvaliteta televizijskih programa za decu u Srbiji, što je krajnji cilj ove analize. 3 4 I VAŽNOST UTICAJA TELEVIZIJE KAO MEDIJA 1. -
Media Integrity Matters
a lbania M edia integrity Matters reClaiMing publiC serviCe values in Media and journalisM This book is an Media attempt to address obstacles to a democratic development of media systems in the countries of South East Europe by mapping patterns of corrupt relations and prac bosnia and Herzegovina tices in media policy development, media ownership and financing, public service broadcasting, and journalism as a profession. It introduces the concept of media in tegrity to denote public service values in media and journalism. Five countries were integrity covered by the research presented in this book: Albania, Bosnia and Herzegovina, Croatia / MaCedonia / serbia Croatia, Macedonia and Serbia. The research – conducted between July 2013 and February 2014 – was part of the regional project South East European Media Obser vatory – Building Capacities and Coalitions for Monitoring Media Integrity and Ad vancing Media Reforms, coordinated by the Peace Institute in Ljubljana. Matters reClaiMing publiC serviCe values in Media and journalisM Media integrity M a tters ISBN 978-961-6455-70-0 9 7 8 9 6 1 6 4 5 5 7 0 0 ovitek.indd 1 3.6.2014 8:50:48 ALBANIA MEDIA INTEGRITY MATTERS RECLAIMING PUBLIC SERVICE VALUES IN MEDIA AND JOURNALISM Th is book is an attempt to address obstacles to a democratic development of media systems in the MEDIA countries of South East Europe by mapping patterns of corrupt relations and prac- BOSNIA AND HERZEGOVINA tices in media policy development, media ownership and fi nancing, public service broadcasting, and journalism as a profession. It introduces the concept of media in- tegrity to denote public service values in media and journalism. -
An Analysis of Media Coverage of ICTY Verdicts in Croatian and Serbian Media
How (not) to reconcile: An analysis of media coverage of ICTY verdicts in Croatian and Serbian media by Sara Ana Cemazar Submitted to Central European University Department of Political Science In partial fulfilment of the requirements for the degree of Master of Arts Supervisor: Dr. Oana Lup CEU eTD Collection Budapest, Hungary 2018 Abstract This thesis investigates media coverage of International Criminal Court for former Yugoslavia’s verdicts in Croatia and Serbia in three cases. This Court was established to deal with atrocities committed during conflict between these two countries in the 1990-es and it set out to perpetrate the guilty. By using thematic and framing analysis on more than 250 articles in four newspapers, it can be seen that the observed verdicts to Gotovina et al., Karadzic and Prlic et al. were perceived ambivalently in two countries, which extends to the ongoing duality of narratives present in understanding common history between Croatia and Serbia. If the verdict’s outcome was perceived as favorable to the country, it was portrayed as just in the media, and vice versa. Given that this Court’s indirect aims were to individualize guilt and facilitate reconciliation, this study argues that this was not achieved. Namely, by media reporting that helped encourage collectivity of the guilt or innocence as an outcome of a verdict to an individual, reconciliation process between two nations was not made easier. CEU eTD Collection i Acknowledgements Since my MA Thesis marks the culmination of my education so far, I must acknowledge many people that have helped me on this way. -
Lista Kanala
L I S T A K A N ALA SIL V E R GOL D Arena sport 1 HD BN Music Pink 3 - Info TV Belle Amie Pink Folk 1 - SRB Arena sport 2 HD Hayat Music Prima TV TV BPK Goražde Pink Folk 2 - SRB Arena sport 3 HD Hayat Folk Regionalna TV Novi Pazar TV SA Pink Hits 1 - SRB Arena sport 4 HD RTS Poletarac RTK - Kruševac TV Simić Pink Hits 2 - SRB Arena sport 5 HD Hayatovci AS Šabac TV Slobomir Pink Music 1 - SRB Arena Fight HD SPTV - Sportska TV Srbija RTV Bor TV TK Pink Music 2 - SRB Arena eSport HD Sport 1 RTV Braničevo TV Slon Extra Pink Koncert - SRB NBA TV Fight Network RTV Delta TV Vikom Bravo Music - SRB Liverpool FC TV Prva World RTV Fira Alfa TV Pink & Roll - SRB Zvezda TV Prva Kick RTV KV HRT 4 City Play Partizan TV Pink Premium - SRB RTV Leskovac HRT 3 Pink Show - SRB Kuvo TV Pink Film - SRB RTV Most - Novi Sad RTL - HR DM SAT Superstar TV Pink Family - SRB RTV Podrinje RTL II- HR Duga Star TV Pink Extra RTV Šabac RTL Croatia World KCN 2 Music Film Klub Pink Movies 1 Sandžačka TV mreža Cro TV KCN 3 - Svet + Film Klub Extra Pink Action 1 - SRB Sandžak TV TV Nova - Pula TV Istok 2 Dox TV Pink Western SAT TV Osječka TV Top Music Klasik TV Pink Comedy - SRB STV - Sremska TV RTCG Sat YU Planet Kurir TV Pink Classic - SRB Super Sat TV TV Vijesti Balkanika K1 Pink Romance Televizija Plus - Kruševac TV Nikšić Amari TV Doktor Pink Thriller - SRB TMS - Telemark TV Budva TV Top Sound Hype Pink Crime&Mistery TV 5 - Užice RTL 1 Sky Folk Makedonija Balkan Trip Pink Sci-Fi&Fantasy TV 5 HD RTL 2 Izvorna TV Agro TV Pink Horor - SRB TV Forum ZDF Valentino Music -
Programska Shema Je Objavljena Na in Na
Programsko mesto Program Paket Programsko mesto Program Paket Programsko mesto Program Paket 750 SLO 1 HD (16A) PROSTO DOSTOPNI 787 BLOOMBERG (A) PROSTO DOSTOPNI 850 FILMBOX PREMIUM HD FILMBOX 751 SLO 2 HD (16A) PROSTO DOSTOPNI 788 BLOOMBERG (HB) PROSTO DOSTOPNI 851 FILMBOX EXTRA HD FILMBOX 754 HRT 1 (16A) PROSTO DOSTOPNI 789 CNBC EUROPE (A) PROSTO DOSTOPNI 852 FILMBOX PLUS FILMBOX 757 HRT 4 (16A) PROSTO DOSTOPNI 790 RT HD (HB) PROSTO DOSTOPNI 853 FILMBOX ARTHOUSE FILMBOX 760 BN MUSIC (16A) PROSTO DOSTOPNI 791 RT (A) PROSTO DOSTOPNI 854 DOCUBOX HD FILMBOX 762 OTV VALENTINO (16A) PROSTO DOSTOPNI 793 RTDOC HD (HB) PROSTO DOSTOPNI 855 FIGHTBOX HD FILMBOX 765 K::CN 1 (16A) PROSTO DOSTOPNI 794 CHANNEL ONE RUSSIA (HB) PROSTO DOSTOPNI 856 FAST&FUN BOX HD FILMBOX 766 K::CN 2 (16A) PROSTO DOSTOPNI 795 NICKELODEON (A) PROSTO DOSTOPNI Filmbox Paket 857 GAMETOON HD FILMBOX 767 K::CN 3 (16A) PROSTO DOSTOPNI 798 SKY SPORT NEWS HD (A) PROSTO DOSTOPNI 858 FASHIONBOX FILMBOX 768 TV DUGA (16A) PROSTO DOSTOPNI 799 POWER TV (HB) PROSTO DOSTOPNI 859 360 TUNEBOX FILMBOX 770 YU PLANET BEČ (16A) PROSTO DOSTOPNI 800 FTV (HB) PROSTO DOSTOPNI 860 EROX FILMBOX 771 RTCG SAT HD (16A) PROSTO DOSTOPNI 801 RTL (A) PROSTO DOSTOPNI 861 EROXXX HD FILMBOX 772 TV 21 M (16A) PROSTO DOSTOPNI 802 RTL 2 (A) PROSTO DOSTOPNI 900 BRAZZERS TV EUROPE CLUB X 774 ZICO TV PROSTO DOSTOPNI 803 3SAT HD (A) PROSTO DOSTOPNI 905 DUSK! CLUB X Prosto dostopni Prosto 777 RAI UNO (HB) PROSTO DOSTOPNI 804 ANIXE HD (A) PROSTO DOSTOPNI 910 HUSTLER TV HD CLUB X Odrasli 778 RAI DUE (HB) PROSTO DOSTOPNI