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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Signed, Sealed and Delivered: ''Big Tobacco'' in Hollywood, 1927–1951
Tob Control: first published as 10.1136/tc.2008.025445 on 25 September 2008. Downloaded from Research paper Signed, sealed and delivered: ‘‘big tobacco’’ in Hollywood, 1927–1951 K L Lum,1 J R Polansky,2 R K Jackler,3 S A Glantz4 1 Center for Tobacco Control ABSTRACT experts call for the film industry to eliminate Research and Education, Objective: Smoking in movies is associated with smoking from future movies accessible to youth,6 University of California, San Francisco, California, USA; adolescent and young adult smoking initiation. Public defenders of the status quo argue that smoking has 10 2 Onbeyond LLC, Fairfax, health efforts to eliminate smoking from films accessible been prominent on screen since the silent film era California, USA; 3 Department of to youth have been countered by defenders of the status and that tobacco imagery is integral to the artistry Otolaryngology – Head & Neck quo, who associate tobacco imagery in ‘‘classic’’ movies of American film, citing ‘‘classic’’ smoking scenes Surgery, Stanford University with artistry and nostalgia. The present work explores the in such films as Casablanca (1942) and Now, School of Medicine, Stanford, 11–13 California, USA; 4 Center for mutually beneficial commercial collaborations between Voyager (1942). This argument does not con- Tobacco Control Research and the tobacco companies and major motion picture studios sider the possible effects of commercial relation- Education and Department of from the late 1920s through the 1940s. ships between the motion picture and tobacco Medicine, -
A Reappraisal of Three Character Actors from Hollywood’S Golden Age
University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2015 Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age Candace M. Graham University of the Incarnate Word, [email protected] Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the Communication Commons, and the Film and Media Studies Commons Recommended Citation Graham, Candace M., "Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age" (2015). Theses & Dissertations. 70. https://athenaeum.uiw.edu/uiw_etds/70 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. SECOND-BILLED BUT NOT SECOND-RATE: A REAPPRAISAL OF THREE CHARACTER ACTORS FROM HOLLYWOOD’S GOLDEN AGE by Candace M. Graham A Thesis Presented to the Faculty of the University of the Incarnate Word in partial fulfillment of the requirements for the degree of MASTER OF ARTS University of the Incarnate Word December 2015 ii Copyright 2015 by Candace M. Graham iii ACKNOWLEDGEMENTS I wish to thank Dr. Hsin-I (Steve) Liu for challenging me to produce a quality thesis worthy of contribution to scholarly literature. In addition, thank you for the encouragement to enjoy writing. To Robert Darden, Baylor University communications professor, friend, and mentor whose example in humility, good spirit, and devotion to one’s passion continues to guide my pursuit as a classic film scholar. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
Marten Stol WOMEN in the ANCIENT NEAR EAST
Marten Stol WOMEN IN THE ANCIENT NEAR EAST Marten Stol Women in the Ancient Near East Marten Stol Women in the Ancient Near East Translated by Helen and Mervyn Richardson ISBN 978-1-61451-323-0 e-ISBN (PDF) 978-1-61451-263-9 e-ISBN (EPUB) 978-1-5015-0021-3 This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0 License. For details go to http://creativecommons.org/licenses/ by-nc-nd/3.0/ Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. Original edition: Vrouwen van Babylon. Prinsessen, priesteressen, prostituees in de bakermat van de cultuur. Uitgeverij Kok, Utrecht (2012). Translated by Helen and Mervyn Richardson © 2016 Walter de Gruyter Inc., Boston/Berlin Cover Image: Marten Stol Typesetting: Dörlemann Satz GmbH & Co. KG, Lemförde Printing and binding: cpi books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Table of Contents Introduction 1 Map 5 1 Her outward appearance 7 1.1 Phases of life 7 1.2 The girl 10 1.3 The virgin 13 1.4 Women’s clothing 17 1.5 Cosmetics and beauty 47 1.6 The language of women 56 1.7 Women’s names 58 2 Marriage 60 2.1 Preparations 62 2.2 Age for marrying 66 2.3 Regulations 67 2.4 The betrothal 72 2.5 The wedding 93 2.6 -
THE LADY EVE / 1941 (As Três Noites De Eva)
CINEMATECA PORTUGUESA-MUSEU DO CINEMA DUPLOS E GÉMEOS 2 de outubro de 2020 THE LADY EVE / 1941 (As Três Noites de Eva) um filme de Preston Sturges Realização: Preston Sturges / Argumento: Preston Sturges, baseado num conto de Moncton Hoffe / Fotografia: Victor Milner / Direcção Artística: Hans Dreier e Ernst Fegté / Guarda- Roupa: Edith Head com a colaboração de Edna Shotwhell (mulheres) e Richard Bachler (homens), Música: Leo Shuken e Charles D. Bradshaw / Direcção Musical: Sigmond Krumgold / Som: Harry Lindgren e Dom Johnson / Montagem: Stuart Gilmore / Interpretação: Barbara Stanwyck (Jean-Eve), Henry Fonda (Charles Pike), Charles Coburn (“Coronel” Harrington), Eugene Pallette (Mr. Pike, o pai de Charles), William Demarest (Muggsy), Eric Blore (Sir Alfred McGleman Keith, também conhecido por “Pearly”), Melville Cooper (Gerald), Martha O’Driscoll (Martha), Janet Beecher (Mrs Pike), etc. Produção: Paul Jones para a Paramount / Produtor Executivo: William LeBaron / Cópia: 35mm, preto e branco, legendada em espanhol e electronicamente em português, 90 minutos / Estreia Mundial: Hollywood, 21 de Março de 1941 / Estreia em Portugal: Cinema Eden, a 28 de Novembro de 1941. Aviso: A cópia, proveniente do circuito comercial, tem “saltos” em algumas passagens de bobine. Pelo facto as nossas desculpas. _____________________________ Preston Sturges (1898-1959) tem sido um realizador de décadas pares décadas ímpares, ou seja tanto foi levado aos céus (um dos maiores cineasta americanos) como reduzido à mediania (“o sobrevalorizado Preston Sturges”). Sturges, com uma história pessoal bastante atípica entre as celebridades de Hollywood (família rica e “colunável”, educação em França, na Alemanha e na Suíça, inventor de um “bâton” à prova de beijos) assentou na capital do cinema apenas aos 35 anos, em 1933. -
Silhouettes of Stars, Players, and Directors of Warner Bros. Pictures
library! THE MUSEUM 0F MODERN ART j Received: Scanned from the collection of The Museum of Modern Art Library Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from John McElwee Digitized by the Internet Archive in 2014 https://archive.org/details/silhouettesofstaOOunse I : SILHOUETTES Of Stars, Players, and Directors Of WARNER BROS. PICTURES, INC. LIBRARY THS MUSEUM OF MODERN ART Received: From in ?2 WARNER BROS. PICTURES, INC. jT* 321 West 44th Street New York City PRINTED IN U.S.A. FL >l 5-3 FOREWORD This unpretentious volume contains a wealth of material in bio- graphical form covering all important stars, players, and directors of Warner Bros. Pictures, Inc. It should be invaluable to the motion picture editor, or to anyone doing editorial work pertaining to motion pictures. This volume went to press in October, 1937. All data, therefore, is up-to-date, and most of it is accurate for several months to come. You will note that the end of each biography contains the list of pictures the player has been featured in. It is suggested that you — the editor — may keep each biography up to the minute as to performances by adding each new picture a star is cast in, as you receive a new announcement. TABLE OF CONTENTS How It All Began 1 Nagel, Anne 125 STARS AND PLAYERS O'Brien, Pat 127 O'Connell, Hugh 130 Acuff, Eddie 8 Oliver, Gordon 132 Aherne, Brian 9 O'Neill, Henry 134 Baker, Kenny 12 Perry, Linda 136 Blondell, Joan 16 Powell, Dick 138 Blondell, Gloria 20 Purcell, Dick 141 Bogart, Humphrey -
PTFF 2006 Were Shot Digitally and Edited in a Living Room Somewhere
22 00 00 00 PP TT TT FF ~~ 22 00 00 66 22 00 00 11 22 00 00 66 PP oo r r t t TT oo ww nn ss ee nn dd FF i i l l mm FF ee ss t t i i vv aa l l - - SS ee pp t t ee mmbb ee r r 11 55 - - 11 77 , , 22 00 00 66 22 00 00 22 GGrreeeettiinnggss ffrroomm tthhee DDiirreeccttoorr 22 00 00 33 It is only human to want to improve, so each year the Port Townsend Film Festival continues to tweak its programming. In what 22 00 00 44 sometimes feels like a compulsive drive to create the perfect Festival, we add things one place, subtract in another, but mostly we 22 00 00 55 just add. Since our first year in 2000, we have added to our programming, in roughly chronological order: films of topical 22 00 00 66 interest, the extension of Taylor Street Outdoor Movies to Sunday 22 00 00 77 night, Almost Midnight movies, street musicians, Formative Films, the San Francisco-based National Public Radio program West Coast 22 00 00 88 Live!, the First Features sidebar, the continuous-run Drop-In Theatre, the Kids Film Camp, and A Moveable Fest, taking four Festival films 22 00 00 99 to the Historic Lynwood Theatre on Bainbridge Island. For 2006, we're adding two more innovations 22 00 11 00 advanced tickets sales, and 22 00 11 11 the Festival's own trailer. 22 00 11 22 The Festival has often been criticized for relying on passes and last minute "rush" tickets for box 22 00 11 33 office sales, so this year the Festival is selling a limited number of advance tickets for screenings at our largest venue, the Broughton Theatre at the high school. -
Bette Davis Ain’T for Sissies
INVISIBLE THEATRE - PRESS RELEASE Press Contact: Cathy Johnson or Susan Claassen Administration: (520) 884-0672 Box Office: (520) 882-9721 1400 N. First Avenue, Tucson, AZ 85719 [email protected] www.invisibletheatre.com FOR IMMEDIATE RELEASE Invisible Theatre continues its 48th Anniversary Season with the Arizona premiere of BETTE DAVIS AIN’T FOR SISSIES starring and written by Jessica Sherr Three Performances Only! November 16, 2018 at 7:30 PM November 17, 2018 at 3:00 PM November 17, 2018 at 7:30 PM (October 29, 2018, Tucson, AZ); BETTE DAVIS AIN’T FOR SISSIES, starring and written by Jessica Sherr, is a 90-minute one-woman show about the 1930’s icon, Bette Davis, on the night of the 1939 Academy Awards. Young Miss Davis is nominated for Best Actress in Dark Victory, and the Los Angeles Times LEAKED the OSCAR winners EARLY ... the BOLD, DEFIANT and DISILLUSIONED Bette Davis decides to leave the Oscars! Journey into the young starlets battle to win freedom from the grip and control of the studio moguls of Hollywood. Witness Bette’s most defining moments as a tenacious young starlet fighting her way to the top!! See what happens when someone who always wins, loses. This production is made possible in part through the generous support of Jane and Marvin Brown "Sherr is mesmerizing to watch. A dynamic performance reflecting both vanity and vulnerability." -Edinburgh Guide BETTE DAVIS AIN’T FOR SISSIES will play on November 16 and 17, 2018 at the Invisible Theatre, located at 1400 N. First Avenue (at Drachman), Tucson, AZ 85719. -
FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills
Welcome to FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Order of Service Waltzing Matilda Played by the Forest Lawn Organist – Anthony Zediker Eulogy to be read by Jack. L. Warner Pall Bearers, To be Announced. Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Orry-Kelly Filmography 1963 Irma la Douce 1942 Always in My Heart (gowns) 1936 Isle of Fury (gowns) 1963 In the Cool of the Day 1942 Kings Row (gowns) 1936 Cain and Mabel (gowns) 1962 Gypsy (costumes designed by) 1942 Wild Bill Hickok Rides (gowns) 1936 Give Me Your Heart (gowns) 1962 The Chapman Report 1942 The Man Who Came to Dinner (gowns) 1936 Stage Struck (gowns) 1962 Five Finger Exercise 1941 The Maltese Falcon (gowns) 1936 China Clipper (gowns) (gowns: Miss Russell) 1941 The Little Foxes (costumes) 1936 Jailbreak (gowns) 1962 Sweet Bird of Youth (costumes by) 1941 The Bride Came C.O.D. (gowns) 1936 Satan Met a Lady (gowns) 1961 A Majority of One 1941 Throwing a Party (Short) 1936 Public Enemy’s Wife (gowns) 1959 Some Like It Hot 1941 Million Dollar Baby (gowns) 1936 The White Angel (gowns) 1958 Auntie Mame (costumes designed by) 1941 Affectionately Yours (gowns) 1936 Murder by an Aristocrat (gowns) 1958 Too Much, Too Soon (as Orry Kelly) 1941 The Great Lie (gowns) 1936 Hearts Divided (gowns) -
Jack Oakie & Victoria Horne-Oakie Films
JACK OAKIE & VICTORIA HORNE-OAKIE FILMS AVAILABLE FOR RESEARCH VIEWING To arrange onsite research viewing access, please visit the Archive Research & Study Center (ARSC) in Powell Library (room 46) or e-mail us at [email protected]. Jack Oakie Films Close Harmony (1929). Directors, John Cromwell, A. Edward Sutherland. Writers, Percy Heath, John V. A. Weaver, Elsie Janis, Gene Markey. Cast, Charles "Buddy" Rogers, Nancy Carroll, Harry Green, Jack Oakie. Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Study Copy: DVD3375 M The Wild Party (1929). Director, Dorothy Arzner. Writers, Samuel Hopkins Adams, E. Lloyd Sheldon. Cast, Clara Bow, Fredric March, Marceline Day, Jack Oakie. Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue her. Study Copy: VA11193 M Street Girl (1929). Director, Wesley Ruggles. Writer, Jane Murfin. Cast, Betty Compson, John Harron, Ned Sparks, Jack Oakie. A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life. Study Copy: VA8220 M Let’s Go Native (1930). Director, Leo McCarey. Writers, George Marion Jr., Percy Heath. Cast, Jack Oakie, Jeanette MacDonald, Richard “Skeets” Gallagher. In this comical island musical, assorted passengers (most from a performing troupe bound for Buenos Aires) from a sunken cruise ship end up marooned on an island inhabited by a hoofer and his dancing natives. -
I “Weani^^N M'i Ii I JUMW
Constance Clay.” Miss Bennett's more re- Murder Murdered Signs cent screen appearances were In Cycle Constance Bennett has signed a “Topper,” "Merrily We Live,” long-term contract with Columbia “Topper Takes A Trip” and “Tail Some Bad Dramas Pictures. This marks Miss Ben- Spin.”* By nett’s return to the screen after OP MAY 26 _WEIK J_ SUNDAY_MONDAY_ TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY an absence of several months dur- which was Broadway’s Newest Academy "Four Wlvei" "Four Wives" "The Frlvate Lives of "pe Private Live* of "Main Street Lawyer” “Main Street Lawyer" "The Covered Trailer" ing she appearing on __ Ellaabeth and Essex Bliaabeth and laeex” Mystery Play, 17™'.' _H „„ *nd, and “Smaahln* the and “Smashing the and the stage. Sth and Q Sts. 8.E _Mercy Plane._ _Mercy_Plane.J_ and Nt^Place to Go. and “No Place to Oo." __Money Ring," _Money Ring." “Haunted Gold." ‘At the Miss Bennett made her screen Stroke of Eight,’ the Third Ambassador ^2d JtSSBEJ, W8 *.nd James Cagney and Jamei Cagney and- VlrginlaBruce and vIrslnia~Bruce and- Ann Sheridan ln Ann Sheridan In Dennis Morean In Dennis Moraan In debut in “Cytharea." Her first IStni«fh andum Columbiae-nin^ihi* Rd.■><• Torrid !.n Torrid ?.n A,2J? }n Not Met Too Zone._ Zone.___TorrldZone.;_ Tottld Zone. 'Torrid Zone." "Plight Angela." "Might Angela." starring role was in "Sally, Irene Happily AdoIIo Walt Disney'* Walt Disney’* Mlekay Rooney Mickey Rooney Ann Sheridan and ‘Ann Sheridan and "Light of the Western and Some of her "Pinocchio.” "Pinocchio." *“ In Jeffrey Lynn In Jeffrey Lynn in Stera" and "Mve Llt- Mary.’’ many TOta«* Hh St.at n ■ Tom _.