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Tesis Iván Sandoval
BENEMÉRITA UNIVERSIDAD AUTÓNOMA DE PUEBLA FACULTAD DE FILOSOFÍA Y LETRAS MAESTRÍA EN ESTÉTICA Y ARTE ____________________________________________________________ LO POLÍTICO EN LAS PELÍCULAS DE SUPERHÉROES Tesis o Tesina presentada para obtener el grado de: Licenciatura, Maestría Presenta: LIC. Iván Alejandro Sandoval Quiroz Asesores: Titular: Dr. Víctor Gerardo Rivas López Lector: Dr. Alberto José Luis Carrillo Canán Lector: Dr. Fernando Huesca Ramón CIUDAD DE PUEBLA. 23 DE MARZO DE 2021 ÍNDICE 1. INTRODUCCIÓN 2 1.1. Justificación 3 1.2. Estado de la cuestión 4 1.3. El UCM y la estructura narrativa del monomito 6 1.4. Etapas de la investigación 7 1.5. Variantes dentro del UCM 12 2. MARCO TEÓRICO 15 2.1. La obra de arte en un entorno posmoderno 15 2.2. Lo político 17 2.3. El inconsciente político 19 2.4. El viaje del héroe 22 2.5. El Universo Cinematográfico de Marvel 26 2.6. Etapas del UCM 29 2.7. Acerca de la adaptación de cómics al cine 30 3. DESARROLLO - ESTUDIO DE CASOS 32 3.1. Fase 1 32 3.2. Fase 2 44 3.3. Fase 3 56 4. CONCLUSIONES 78 4.1. Acerca de las películas como serie o conjunto 78 4.2. El inconsciente político en la forma 82 4.3. Sobre la relación entre los personajes 85 4.4. La Otredad como punto central de la narrativa 88 4.5. Nota final 93 5. BIBLIOGRAFÍA 96 6. ANEXOS 98 1 1. Introducción Este trabajo de investigación consiste en el análisis de las películas del Universo Cinematográfico de Marvel (en adelante UCM) para identificar y exponer un contenido político, tomando la noción central del “inconsciente político” de la obra de Fredric Jameson (que será expuesto en el Marco Teórico), lo que permitirá ahondar en la aparente superficialidad de las películas de superhéroes. -
Hulk: World War Hulks Vol. 6 Free
FREE HULK: WORLD WAR HULKS VOL. 6 PDF Jeph Loeb,Ed McGuinness | 112 pages | 29 Apr 2011 | Marvel Comics | 9780785142676 | English | New York, United States Hulk, Volume 6: World War Hulks by Jeph Loeb No recent wiki edits to this page. Who is the Red Hulk? The truth is finally out: The identity of the Red Hulk is revealed! Everything Hulk fans have been waiting for pays off here, but it only whets the appetite for the epic final showdown between Red and Green Hulks - a cataclysmic battle that will settle Hulk: World War Hulks Vol. 6 comes out on top once and for all. This series is collected among the following paperbacks:. This edit will also create new pages on Comic Vine for:. Until you earn points all your submissions need to be vetted by other Comic Vine users. This process takes no more than a few hours and we'll send you an email once approved. Tweet Clean. Cancel Update. What size Hulk: World War Hulks Vol. 6 should we insert? This will not affect the original upload Small Medium How do you want the image positioned around text? Float Left Float Right. Cancel Insert. Go to Link Unlink Change. Cancel Create Link. Disable this feature for this session. Rows: Columns:. Enter the URL for the tweet you want to embed. This edit will also create new pages on Comic Vine for: Beware, you are proposing to add brand new pages to the wiki along with your edits. Make sure this is what you intended. This will likely increase the time it takes for your changes to go live. -
Hulk: World War Hulks Vol. 6 Ebook
HULK: WORLD WAR HULKS VOL. 6 PDF, EPUB, EBOOK Jeph Loeb,Ed McGuinness | 112 pages | 29 Apr 2011 | Marvel Comics | 9780785142676 | English | New York, United States Hulk: World War Hulks Vol. 6 PDF Book Cover Artist. Strange, causing the demonic entity to flee. However, when he turns to tell Spider-Thing to get ready, he spots the web-slinger pulling the main doors off the Smithsonian so he can get inside. You know the saying: There's no time like the present Overwhelming rage causes the Hulk to unwillingly radiate energy that threatens Earth. Edgar Delgado. Dec 12, Louis rated it it was ok Shelves: graphic-novels. He then grabs Hydra Bob and leaps out of the Hellcarrier. To view it, click here. It is a game of hunting and wrestling. Chris Sotomayor. Views Read Edit View history. Other books in the series. The plot is the culmination of a series of events that began with the Hulk being tricked into space by the Illuminati and a Life Model Decoy of Nick Fury. Also for how calculated and cold he can be, as he doesn't mind some "collateral damage" in order to attain his goals. They all have the "noir" aspect where we hear the character's thoughts, and each character is completely bland and could easily be swapped out for another. We find out here Cancel Create Link. Red Hulk and Banner have failed, and their worst nightmares have come to kill them. The fact that this is Volume 6 might have something to do with why I found it incomprehensible. -
What If? Ed Gross Had Thor's Hammer in His Collection
TM WHAT IF? ED GROSS HAD THOR’S HAMMER IN HIS COLLECTION What If? Action Scene written by Quinn Murphy Thor Datafile designed by Cam Banks he Breakout Mini-Event in the MARVEL HEROIC Matthew Gandy Judd Karlman TROLEPLAYING BASIC GAME has the New Avengers assembling to stop a prison break at the Development Raft, followed by an excursion to the Savage Land. Cam Banks Among the escaped inmates is Dirk Garthwaite Dave Chalker AKA the Wrecker, who in New Avengers #7 is recap- Editing tured while trying to recover his enchanted crow- Amanda Valentine bar. The Wrecker’s old foe, Thor, wasn’t involved in this battle because he was missing at the time, Based on Marvel presumed dead. This bonus content not only adds Heroic Roleplaying by that Action Scene to the Mini-Event, but it asks the Cam Banks (design lead) Rob Donoghue question: What if Thor’s hammer was in the same Matt Forbeck collection of artifacts as the Wrecker’s crowbar? Will Hindmarch This bonus content for the Basic Game mini-event Breakout Philippe-Antoine Ménard includes the following: Jesse Scoble X An Action Scene based on New Avengers #7, with unlockables Layout for Mjolnir and Thor Jeremy Keller X Villain datafiles for the Wrecker and his Wrecking Crew X A new hero datafile for Thor Graphic Design Concepts John Harper Art Marvel Bullpen marvel.com TM & © 2012 Marvel & Subs. 1 ACTION: CATCHING UP WITH THE WRECKING CREW The heroes are tracking down villains that escaped from the Raft during the Breakout event, and the Wrecker is next on their list. -
The Revenge of Kang by Ray Winninger
Official Game Adventure The Revenge of Kang By Ray Winninger Table of Contents Introduction ................................................................ 2 Chapter 18: Back to School..................................... 41 The Player Characters .............................................. 4 Chapter 19: Lunch Time ............................................ 42 Non-Player Characters................................................. 6 Chapter 20: Big Man on Campus .............................. 43 Friendly NPCs ........................................................... 6 Chapter 21: Peter Parker ........................................... 44 Enemy NPCs.............................................................13 Chapter 22: The Big Dance ....................................... 45 Chapter 1: Something Rotten in Manhattan .........17 Chapter 23: Again, Kang .......................................... 45 Chapter 2: A Strange New World ..........................19 Chapter 24: The Man Without Fear ....................... 46 Chapter 3: Across the Bay ....................................21 Chapter 25: Down Through the Alley ....................... 47 Chapter 4: Through the Swamp .............................22 Chapter 26: Title Fight ............................................... 48 Chapter 5: Up the Spire............................................22 Chapter 27: Good Afternoon, Mister Tyler ............ 50 Chapter 6: The Ko-Kri Tribunal ................................25 Chapter 28: The Nam ................................................ -
Marvel Film Chronology
Marvel Film Chronology 965 AD – The frost giants of Jotunheim attempt to conquer Midgard/Earth. Their invasion point in Norway becomes the site of an epic battle as Asgard’s ruler Odin leads an army to repeal the invasion and protect the planet. Odin and his force push the frost giants back to Jotunheim where the AllFather discovers an abandoned frost giant infant, whom he adopts, names Loki and raises as his own alongside his own son Thor. A truce is negotiated between Odin and the frost giant king Laufey. 400-500s AD – Odin leaves the Tesseract on Earth. 1832 – James Howlett is born. 1845 – James Howlett’s father is murdered by Thomas Logan. Howlett discovers his mutant powers and kills Logan, only to learn that Logan is his true father and Logan’s son, Victor Creed, is Howlett’s half-brother. 1861-1975 – James Howlett fights in the American Civil War, World War I, World War II, and the Vietnam War with his brother Victor Creed. 1918 July 4 – Steve Rogers is born to a young couple in the Hell’s Kitchen section of New York City. His father dies of injuries from being mustard gassed during World War One, leaving his mother to raise the boy. 1924 June – Steve Roger’s mother dies of tuberculosis. Young Steve is placed in an Eighth Avenue orphanage. 1930 Sept. – A teenage Steve Rogers meets James Buchanan “Bucky” Barnes and the pair quickly become best friends. 1934 – Howard Stark and Abram Erskine briefly meet at an engineering conference in Geneva. February – Johann Schmidt meets the newly appointed German Chancellor Adolph Hitler at the Deutsches Operhaus in Berlin where he tries to convince Hitler of his theory that the Norse myths may actually be true. -
Marvel Checklist
Marvel Checklist Updated 6/12/19 01 Thor 23 IM3 Iron Man 02 Loki 24 IM3 War Machine 03 Spider-man 25 IM3 Iron Patriot 03 B&W Spider-man (Fugitive) 25 Metallic IM3 Iron Patriot (HT) 03 Metallic Spider-man (SDCC ’11) 26 IM3 Deep Space Suit 03 Red/Black Spider-man (HT) 27 Phoenix (ECCC 13) 04 Iron Man 28 Logan 04 Blue Stealth Iron Man (R.I.CC 14) 29 Unmasked Deadpool (PX) 05 Wolverine 29 Unmasked XForce Deadpool (PX) 05 B&W Wolverine (Fugitive) 30 White Phoenix (Conquest Comics) 05 Classic Brown Wolverine (Zapp) 30 GITD White Phoenix (Conquest Comics) 05 XForce Wolverine (HT) 31 Red Hulk 06 Captain America 31 Metallic Red Hulk (SDCC 13) 06 B&W Captain America (Gemini) 32 Tony Stark (SDCC 13) 06 Metallic Captain America (SDCC ’11) 33 James Rhodes (SDCC 13) 06 Unmasked Captain America (Comikaze) 34 Peter Parker (Comikaze) 06 Metallic Unmasked Capt. America (PC) 35 Dark World Thor 07 Red Skull 35 B&W Dark World Thor (Gemini) 08 The Hulk 36 Dark World Loki 09 The Thing (Blue Eyes) 36 B&W Dark World Loki (Fugitive) 09 The Thing (Black Eyes) 36 Helmeted Loki 09 B&W Thing (Gemini) 36 B&W Helmeted Loki (HT) 09 Metallic The Thing (SDCC 11) 36 Frost Giant Loki (Fugitive/SDCC 14) 10 Captain America <Avengers> 36 GITD Frost Giant Loki (FT/SDCC 14) 11 Iron Man <Avengers> 37 Dark Elf 12 Thor <Avengers> 38 Helmeted Thor (HT) 13 The Hulk <Avengers> 39 Compound Hulk (Toy Anxiety) 14 Nick Fury <Avengers> 39 Metallic Compound Hulk (Toy Anxiety) 15 Amazing Spider-man 40 Unmasked Wolverine (Toytasktik) 15 GITD Spider-man (Gemini) 40 GITD Unmasked Wolverine (Toytastik) 15 GITD Spider-man (Japan Exc) 41 CA2 Captain America 15 Metallic Spider-man (SDCC 12) 41 CA2 B&W Captain America (BN) 16 Gold Helmet Loki (SDCC 12) 41 CA2 GITD Captain America (HT) 17 Dr. -
Avengers Explored
2020 Avengers Explored IRON MAN AND CAPTAIN AMERICA: A STUDY IN TRANSMEDIA, ADDITIVE COMPREHENSION AND ADDITIVE MYSTERY OLIVIER SNEPVANGERS Contents Introduction ............................................................................................................................................. 2 1. Theory: Transmedia and Narratology… Assemble! ............................................................................. 5 1.1 Transmedia .................................................................................................................................... 5 1.2 Narratology .................................................................................................................................. 10 1.3 Method ........................................................................................................................................ 19 2. Analysis: Captain America and Iron Man: A tale of two superheroes ............................................... 20 2.1 Captain America: Fragile body, Strong mind ............................................................................... 20 2.2 Iron Man: Fragile ego, Strong suit ............................................................................................... 29 2.3 Steve and Tony: Fragile friendship, Stronger together ............................................................... 37 2.3.1 The narratological nature of the relationship ...................................................................... 37 2.3.2 Exploring and expanding on Stony -
“I Love You 3000” an Analysis of the Marvel Cinematic Universe
Emilie Højer Jørgensen and Maya Majgaard Herr Steen Ledet Christiansen Engelsk speciale 2 June 2020 Aalborg University “I love you 3000” An analysis of the Marvel Cinematic Universe Jørgensen & Herr 2 Abstract In this thesis, we will examine if the Marvel Cinematic Universe can be considered complex. We will analyse the following films Captain America: Civil War, Black Panther, Avengers: Infinity War, and Avengers: Endgame which are all from Marvel Cinematic Universe’s third phase. We have chosen these films because they are connected in terms of storylines, characters, and worlds. We will focus on transmedia storytelling, seriality, kernels and satellites, worldbuilding, and complex media in order to examine the complexities within the films. Traditionally, transmedia storytelling is defined as one continuous story across multiple instalments and platforms. Two important aspects of transmedia storytelling are seriality and worldbuilding, where seriality deals with how stories are told across instalments and worldbuilding deals with how a fictional world is created and what it takes to make a fictional world believable. Kernels and satellites deal with major and minor events that occur in a narrative text and how they impact each other and complex media deals with how popular culture is becoming more and more complex because of multiple storylines that occur in different mediums. It is through these concepts that we will analyse the complexities within the films. Civil War and the two Avengers films are very serial because they are linked together through information and events that continue from previous films. The three films require the viewers to be familiar with the universe beforehand because they rely heavily on characters, storylines, and events from previous films. -
The Marvel Sonic Narrative: a Study of the Film Music in Marvel's the Avengers, Avengers: Infinity War, and Avengers: Endgame
Graduate Theses, Dissertations, and Problem Reports 2019 The Marvel Sonic Narrative: A Study of the Film Music in Marvel's The Avengers, Avengers: Infinity arW , and Avengers: Endgame Anthony Walker West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Musicology Commons Recommended Citation Walker, Anthony, "The Marvel Sonic Narrative: A Study of the Film Music in Marvel's The Avengers, Avengers: Infinity arW , and Avengers: Endgame" (2019). Graduate Theses, Dissertations, and Problem Reports. 7427. https://researchrepository.wvu.edu/etd/7427 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. The Marvel Sonic Narrative: A Study of the Film Music in Marvel's The Avengers, Avengers: Infinity War, and Avengers: Endgame Anthony James Walker Dissertation submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree Doctor of Musical Arts in Music Performance Keith Jackson, D.M.A., Chair Evan A. -
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8/28 Golden to Modern Comics, Vintage Star Wars, & More 8/28/2021 This session will be begin closing at 6PM on 8/28/21, so be sure to get those bids in via Proxibid! Follow us on Facebook & Twitter @back2past for updates. Visit our store website at GOBACKTOTHEPAST.COM or call 313-533-3130 for more information! Get the full catalog with photos, prebid and join us live at www.proxibid.com/backtothepast! See site for full terms. LOT # QTY LOT # QTY 1 Auction Policies 1 11 Amazing Spider-Man #361/Key!/1st Carnage 1 First full appearance of Carnage, one of a race of 2 Star Wars #1/1st Print 1 First appearance of Darth Vader, Luke Skywalker, extraterrestrial parasites known as the Symbiotes. NM Princess Leia, C-3PO, R2-D2 and Grand Moff Tarkin. condition. VF+ condition with some stress crack and very minor 12 Star Wars Funko Pop! Lot of (4) 1 stains on back cover. L3-37, Range Trooper, Jango Fett, and Boba Fett (Prototype). Jango Fett and Boba Fett are Walgreens 3 R2-D2 Star Wars 1984 Figure On Card 1 From the Power of the Force series. Bubble is partially Exclusives. Figures are brand new, never opened, still removed from card. Figure can be removed but is in in original boxes. excellent condition. Features pop-up Lightsaber. 13 Fantastic Four Funko Pop! Lot of (3) 1 Doctor Doom (regular and 202 Spring Convention LE 4 Hulk 10" Thor Ragnarok Funko Pop 1 This is a Target Exclusive figure. Figure is brand new, Exclusive) and Mole Man. -
Hilife May Issue 2018
Prom This Tennis goes Pictures is to America State Pages 10-11 page 18 page 6 photo Wikimedia Commons CCISD teaches job skills through H.E.A.R.T.S the individual students every single day. money the HEARTS program earns is used to Maddie Moore “We aren’t in it for the pay. We further improve their program and the school Fruits of the students’ labor are preserves Around Creek Editor continue to do what we know is best as a whole. Last year a share of the funds from the garden, natural soaps, even for the kids.” Ms. Koseoglu said. Wildcat Wakeup earned was used to purchase loofahs, which come from squash. Profits Recently parents have been CCISD high schools offer several the wood needed to build the benches in are plowed back into the program. The expressing their concerns about Clear different programs for students with special Creek’s courtyard and to pay for SAT tests grand prize is what’s given the students Creek Independent School District and needs in order to prepare them for the for Creek students who could not afford it. who tend it-a sense of purpose.” The their special education programs. On May future. Options for students are plentiful. “The parents of the students [who have complete video can be found on the League 7, The Galveston Daily News City Garden Club website. released an article in their paper When asked about regarding a parent group known the 8.5 percent “cap” the as Parents for Special Education Texas Education Agency Reform in CCISD “accusing had instituted, Ms.