Kim Ki-Young Ç”Μå½± Ä¸²È¡Œ (Å¤§Å…¨)

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Kim Ki-young ç”µå½± ä¸²è¡Œ (å¤§å…¨) First Snow https://zh.listvote.com/lists/film/movies/first-snow-5453805/actors Defiance of a https://zh.listvote.com/lists/film/movies/defiance-of-a-teenager-5251539/actors Teenager A Soldier Speaks https://zh.listvote.com/lists/film/movies/a-soldier-speaks-after-death-4659653/actors after Death Sad Pastorale https://zh.listvote.com/lists/film/movies/sad-pastorale-7397440/actors My Father the https://zh.listvote.com/lists/film/movies/my-father-the-bodyguard-16725037/actors Bodyguard The Boxes of Death https://zh.listvote.com/lists/film/movies/the-boxes-of-death-16725327/actors A Woman's War https://zh.listvote.com/lists/film/movies/a-woman%27s-war-4660714/actors Asphalt https://zh.listvote.com/lists/film/movies/asphalt-4807950/actors Ban Geum-ryeon https://zh.listvote.com/lists/film/movies/ban-geum-ryeon-4853602/actors Beasts of Prey https://zh.listvote.com/lists/film/movies/beasts-of-prey-4876889/actors Peasants https://zh.listvote.com/lists/film/movies/peasants-493488/actors Box of Death https://zh.listvote.com/lists/film/movies/box-of-death-4951596/actors Woman of Fire '82 https://zh.listvote.com/lists/film/movies/woman-of-fire-%2782-497303/actors Elegy of Ren https://zh.listvote.com/lists/film/movies/elegy-of-ren-5358716/actors Free Woman https://zh.listvote.com/lists/film/movies/free-woman-5500165/actors Hunting of Fools https://zh.listvote.com/lists/film/movies/hunting-of-fools-5945018/actors Iodo https://zh.listvote.com/lists/film/movies/iodo-6062263/actors Killer Butterfly https://zh.listvote.com/lists/film/movies/killer-butterfly-6407462/actors Lady Hong https://zh.listvote.com/lists/film/movies/lady-hong-6470236/actors Love of Blood https://zh.listvote.com/lists/film/movies/love-of-blood-relations-6691926/actors Relations Neumi https://zh.listvote.com/lists/film/movies/neumi-7001976/actors Touch-Me-Not https://zh.listvote.com/lists/film/movies/touch-me-not-7828551/actors Twilight Train https://zh.listvote.com/lists/film/movies/twilight-train-7858009/actors Water Lady https://zh.listvote.com/lists/film/movies/water-lady-7973308/actors Yangsan Province https://zh.listvote.com/lists/film/movies/yangsan-province-8048649/actors Housemaid Trilogy https://zh.listvote.com/lists/film/movies/housemaid-trilogy-96754768/actors è™«å¥³ https://zh.listvote.com/lists/film/movies/%E8%99%AB%E5%A5%B3-16255933/actors Woman (1968å¹ https://zh.listvote.com/lists/film/movies/woman-%281968%E5%B9%B4%E9%9B%BB%E5%BD%B1%29-16725107/actors ´é›»å½±) æ» ä¹Ÿæ˜¯å¥½çš„ç¶“é©https://zh.listvote.com/lists/film/movies/%E6%AD%BB%E4%B9%9F%E6%98%AF%E5%A5%BD%E7%9A%84%E7%B6%93%E9%A9%97- — 4875632/actors çŽ„æµ·æ»©çŸ¥é“ äº† https://zh.listvote.com/lists/film/movies/%E7%8E%84%E6%B5%B7%E6%BB%A9%E7%9F%A5%E9%81%93%E4%BA%86-491992/actors ç ´æˆ’ https://zh.listvote.com/lists/film/movies/%E7%A0%B4%E6%88%92-493535/actors ä¸‹å¥³ (1960å¹ https://zh.listvote.com/lists/film/movies/%E4%B8%8B%E5%A5%B3-%281960%E5%B9%B4%E9%9B%BB%E5%BD%B1%29-49729/actors ´é›»å½±) ç« å¥³ https://zh.listvote.com/lists/film/movies/%E7%81%AB%E5%A5%B3-497326/actors é«˜ä¸½è‘¬ https://zh.listvote.com/lists/film/movies/%E9%AB%98%E4%B8%BD%E8%91%AC-5586993/actors è‚‰ä½“çš„çº¦æŸ https://zh.listvote.com/lists/film/movies/%E8%82%89%E4%BD%93%E7%9A%84%E7%BA%A6%E6%9D%9F-7249782/actors.

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07 The Authoritarian Period and a Depression in the Film Industry 1972~1979 06. The Korean Cinema Renaissance and Genre Films 1963~1971 | 221 1 2 3 1. KBS-TV advertisement 2. Rainy Days (Yu Hyun-mok, 1979) 3. Heavenly Homecoming to Stars (Lee Jang-ho, 1974) 4. A Road to Sampo (Lee Man-hee, 4 1975) 222 | Introduction to Korean Film The Watershed of the 1970s In the 1970s, the world was gasping for air with the Vietnam War, Middle East conflicts, the Watergate scandal, the Sino-American Hon- eymoon, and the anti-US demonstrations in Iran. Korea also went through rapid changes with the beginning of the Yushin (“revitalizing reform”) period in 1972, which instituted an even more authoritarian government. (In October 1972, Park Cheong-hee [a.k.a. Park Chung- hee]proclaimed martial law and the Yushin regime began with the declaration of a state of emergency. The National Assembly was dis- solved, political party activities were stopped, and part of the consti- tution was suspended. Democratic forces in society fought against this regime, but the Yushin regime finally ended when Park Cheong- hee was assassinated on October 26, 1979.) These changes includ- ed rapid industrialization accompanying high-speed growth, and the development of the leisure industry, including television. Under such circumstances, Korean cinema slipped out of its 1960s golden age and found itself stuck in a slump as it entered the 1970s. Ironically, the film industry’s slide into bankruptcy was the inverse of the gener- al Korean growth curve. Audiences dropped from their 1960s highs of 178 million to about 70 million or a third of that figure in 1976.
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2019 FALL Established in 2000, KONG & PARK Is a Publishing Company That Has Specialized in Researching and Publishing Books for Studying Chinese Characters
2019 FALL Established in 2000, KONG & PARK is a publishing company that has specialized in researching and publishing books for studying Chinese characters. Since 2012, KONG & PARK has published and distributed worldwide books written in the English language. It has also acted as an agent to distribute books of Korea written in the English language to many English speaking countries such as the UK and the USA. Seoul Office KONG & PARK, Inc. 85, Gwangnaru-ro 56-gil, Gwangjin-gu Prime-center #1518 Seoul 05116, Korea Tel: +82 (0)2 565 1531 Fax: +82 (0)2 3445 1080 E-mail: [email protected] Chicago Office KONG & PARK USA, Inc. 1480 Renaissance Drive, Suite 412 Park Ridge, IL 60068 Tel: +1 847 241 4845 Fax: +1 312 757 5553 E-mail: [email protected] Beijing Office #401, Unit 1, Building 6, Xihucincun, Beiqijiazhen, Changping District Beijing 102200 China (102200 北京市昌平区北七家镇西湖新村 6号楼 1单元 401) Tel: +86 186 1257 4230 E-mail: [email protected] Santiago Office KONG & PARK CHILE SPA. Av. Providencia 1208, #1603, Providencia Santiago, 7500571 Chile Tel: +56 22 833 9055 E-mail: [email protected] 1 CONTENTS NEW TITLES 2 ART 54 BIOGRAPHY & AUTOBIOGRAPHY 58 BUSINESS & ECONOMICS 59 COOKING 62 FOREIGN LANGUAGE STUDY 64 Chinese 64 Japanese 68 Korean 70 HISTORY 106 PHILOSOPHY 123 POLITICAL SCIENCE 124 RELIGION 126 SOCIAL SCIENCE 128 SPORTS & RECREATION 137 JOURNAL 138 INDEX 141 ISBN PREFIXES BY PUBLISHER 143 2 NEW TITLES NEW TITLES ART 3 US$109.95 Paperback / fine binding ISBN : 9781635190090 National Museum of Korea 360 pages, All Color 8.3 X 10.2 inch (210 X 260 mm) 2.8 lbs (1260g) Carton Quantity: 12 National Museum of Korea The Permanent Exhibition National Museum of Korea Amazingly, it has already been twelve years since the National Museum of Korea reopened at its current location in Yongsan in October 2005.
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Ahn, Soojeong (2008) the Pusan International Film Festival 1996
The Pusan International Film Festival 1996-2005: South Korean Cinema in Local, Regional, and Global Context SooJeong AHN Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy June 2008 Abstract Despite the growing academic attention to film festivals, there has been little critical discourse about such events staged outside the West. This thesis aims to address this gap by providing a social, political and cultural exploration of the Pusan International Film Festival (PIFF) in South Korea between 1996 and 2005. The thesis utilises empirical research to reveal how the festival staked out a unique and influential position within a rapidly changing global landscape. Particular attention is paid to the organisers’ use of an Asian regionalisation strategy to promote the festival locally and globally. This study claims that PIFF has gone further than any other film festival in constructing a regional identity and maintaining a strong and mutually beneficial link to its national film industry. Research into PIFF’s special relationship with both the national and regional film industries uncovers the previously unexplored roles that film festivals play in film production, in addition to their traditional functions of exhibition and distribution. To place this analysis in context, the thesis examines the politico-economic factors that influenced the establishment of the festival, its programming, the project market (the Pusan Promotion Plan), and its tenth anniversary in 2005. The study argues that analysis of PIFF reveals tensions and negotiations between the “national” and the “transnational” in the wake of economic and cultural globalisation in East Asia. The thesis serves as a case study of how contemporary film festivals adjust their roles and identities to adapt to local, regional and global change.
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HANYO the Housemaid Korea 1960
28. internationales forum 44 des jungen films berlin1998 «MS Presented by the Korean Film Archive, Seoul: Vier Filme von Kim Ki-Young HANYO The Housemaid Korea 1960 CHUNG NYO The Insect Woman Korea 1972 IODO Korea 1977 THE HOUSEMAID HANYO '82 The Woman of Fire '82 Korea 1982 HANYO The Housemaid Land: Korea 1960. Produktion: You-Song Motion Picture Com• pany. Buch und Regie: Kim Ki-Young. Kamera: Kim Tok-Chin. Ausstattung: Park Suk-ln. Ton: Lee Kyung-Soon. Musik: Han Sang- Ki. Schnitt: Kim Ki-Young. Produzent: Kim Ki-Young. THE INSECT WOMAN Darsteller: Lee Un-shim, Chu Jung-Nyo, Kim Chin-Kyu. Format: 35mm, 1:1.33, Schwarzweiß. Länge: 92 Minuten. Uraufführung: 11.3.1960, Mung-bo Theatre, Seoul/Korea. Über den Film Der Musiklehrer Dong-Shik ist bei den Fabrikarbeiterinnen, die er unterrichtet, sehr beliebt. Eine von ihnen stellt er als Hausan• gestellte ein. Er schläft mit ihr, worauf sie schwanger wird. Dong- Shik und seine Frau zwingen die Hausangestellte zur Abtreibung, was sie in den Wahnsinn treibt, vor allem als sie erfährt, daß die Ehefrau ihr Kind austragen wird. Der Film endet mit dem Selbst• mord von Dong-Shik und dem Hausmädchen. Die Handlung ba• siert auf wahren Begebenheiten und dient als Metapher für den armseligen Zustand der Gesellschaft. Hervorzuheben ist die raffi• IODO nierte Ästhetik des Films und die bemerkenswerte Schwarzweiß- Photographie. Lee Yong-Kwan HANYO The Housemaid CHUNG NYO About the film The Insect Woman Dong-Shik, a music teacher, is popular with the factory girls he teaches. He hires one as a maid for his house• Land: Korea 1972.
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Ki-Moon Lee, S. Robert Ramsey, a History of the Korean Language
This page intentionally left blank A History of the Korean Language A History of the Korean Language is the first book on the subject ever published in English. It traces the origin, formation, and various historical stages through which the language has passed, from Old Korean through to the present day. Each chapter begins with an account of the historical and cultural background. A comprehensive list of the literature of each period is then provided and the textual record described, along with the script or scripts used to write it. Finally, each stage of the language is analyzed, offering new details supplementing what is known about its phonology, morphology, syntax, and lexicon. The extraordinary alphabetic materials of the fifteenth and sixteenth centuries are given special attention, and are used to shed light on earlier, pre-alphabetic periods. ki-moon lee is Professor Emeritus at Seoul National University. s. robert ramsey is Professor and Chair in the Department of East Asian Languages and Cultures at the University of Maryland, College Park. Frontispiece: Korea’s seminal alphabetic work, the Hunmin cho˘ngu˘m “The Correct Sounds for the Instruction of the People” of 1446 A History of the Korean Language Ki-Moon Lee S. Robert Ramsey CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sa˜o Paulo, Delhi, Dubai, Tokyo, Mexico City Cambridge University Press The Edinburgh Building, Cambridge CB2 8RU, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521661898 # Cambridge University Press 2011 This publication is in copyright.
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570 Cin Eforum
Una donna fantastica Cure a domicilio 570 Una questione privata The Square The Meyerowitz Stories i film (New and Selected) Good Time Il mio Godard cineforum Una donna fantastica Cure a domicilio il mio Godard Nemesi Gli asteroidi The Square Justice League La ragazza nella nebbia Finché c’è prosecco c’è speranza 04 — 31 Premio Adelio Ferrero 2017 Ai margini del buio. Abissi, voragini e smarrimenti nell’horror occidentale contemporaneo cineforum 570 Fleabag di Harry Bradbeer. percorsi Etica ed estetica della morte Percorsi Il ritratto causticamente reale di una ventenne in crisi — L’ultimo istante. — Cinema coreano — Hong Sang-soo Percorsi Percorsi Hong Sang-soo Hong Afferrare la realtà con il cinema: dal quadro alla finestra — Cinema coreano — L’ultimo istante. Etica ed estetica della morte The Housemaid. Kim Ki-young e il cinema della crudeltà Spedizione in abbonamento postale DL 353/2003 (conv.in L.27/2/2004 n. 46) art. 1, comma 1 - DCB Poste Italiane S.p.a. / € 8,00 € / S.p.a. Italiane Poste DCB - 1 comma 1, art. 46) n. L.27/2/2004 (conv.in 353/2003 DL postale abbonamento in Spedizione — e vedere un film è vivere Percorsi Coscienza è esperienza del vissuto, e vedere un film è vivere e il cinema della crudeltà Percorsi — Coscienza è esperienza del vissuto, 32 — 79 Pordenone 2017 — Le Giornate — The Housemaid. Kim Ki-young del Cinema Muto Festival Internacional de Cine Anno 57 - N. 10 Dicembre 2017 Dicembre 10 N. - 57 Anno — festival de San Sebastián 81 — 85 Rivista mensile di cultura de Cine de San Sebastián Internacional Festival Via
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Signatur Titel 1 Titel 2 Regie Jahr Umfang Reg. Sprache Untertitel DVD 001 정, 1999 My Heart 배창호 2001 116 Min. 1-6 Kor. Kor., En., Chin., Jp., Fr., Sp
Signatur Titel 1 Titel 2 Regie Jahr Umfang Reg. Sprache Untertitel DVD 001 정, 1999 My Heart 배창호 2001 116 Min. 1-6 Kor. Kor., En., Chin., Jp., Fr., Sp. DVD 002 인정사정 볼 것 없다, 1999 Nowhere to Hide 이명세 1999 110 Min. 1-6 Kor. Kor., En., Chin., Jp., Fr., Sp. DVD 003 반칙왕, 2000 Foul King 김지운 2001 112 Min. 1-6 Kor. Kor., En., Chin., Jp., Fr., Sp. DVD 004 자귀모, 1999 Ghost in Love 이광훈 1999 89 Min. 2 Deu, Kor Deu. DVD 005 공동 경비 구역, 2000 Joint Security Area 박찬욱 2002 110 Min. 2 Deu, Kor. Deu. DVD 006 비천무, 2008 Bichunmoo 김영준 2003 113 Min. 2, 4 Kor., En. En. DVD 007 섬, 2000 Island 김기덕 2004 86 Min. 2 Kor., Deu Deu. DVD 008 친구, 2001 Friend 곽경택 2002 113 Min. 1-6 Kor. Chin., En. DVD 009 8 월의 크리스마스, 1998 Christmas in August 허진호 2008 97 Min. 1-6 Kor. Kor., En., Fr., Sp. DVD 010 내 마음의 풍금, 1999 Harmonium in my memory 이영재 2002 118 Min. 1-6 Kor. Kor., En. DVD 011 달마야 놀자, 2001 Let's play, Dharma 박철관 2001 95 Min. 1-6 Kor. Kor., En. DVD 012 돼지가 우물에 빠진 날, 1996 Day a pig fell into the well 홍상수 2004 116 Min. 1-6 Kor. Kor., En. DVD 013 아름다운 시절, 2008 Spring in my hometown 이광모 1998 120 Min. 1-8 Kor. En. Virgin stripped bare by her DVD 014 오! 수정, 2000 홍상수 2001 126 Min. 1-6 Kor. En.
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Metropolis 2019/1
Fahlenbrach8_Layout 1 2016.05.08. 4:13 Page 26 c[jhefeb_i <_bc[bcb[j_ i \_bcjhjd[j_ \ebo_hWj 1 Fahlenbrach8_Layout 1 2016.05.08. 4:13 Page 26 Fahlenbrach8_Layout 1 2016.05.08. 4:13 Page 26 2019 no. 1 . t a r t a l o m Számunk megjelenéséhez segítséget nyújtott a Nemzeti Kulturális Alap. XXIII. évfolyam 1. szám A szerkesztőbizottság Koreai rendezőportrék tagjai: Bíró Yvette 6 Bevezető a „Koreai rendezőportrék” összeállításhoz Gelencsér Gábor Hirsch Tibor 8 Jurdi Leila: A lélek sötét oldalán Király Jenő Kim Ki-young művészete Kovács András Bálint 20 Sebő Gábor: Egy rendező, két filmkultúra, egy nemzet A szerkesztőség tagjai: Shin Sang-ok tündöklése a két Koreában Margitházi Beja Vajdovich Györgyi 36 Vincze Teréz: Mr. Dél-koreai Mozi Varga Balázs Im Kwon-taek filmtörténete Vincze Teréz 56 Varró Attila: A napfény halála A szám szerkesztője: Lee Chang-dong és a szerzői melodráma Vincze Teréz 72 Teszár Dávid: Rejtett valóságok Szerkesztőségi munkatárs: Bong Joon-ho filmművészete Jordán Helén 86 Szerzőink Szerkesztőség: 1082 Bp., Horváth Mihály tér 16. Tel.: 06-20-483-2523 (Jordán Helén) E-mail: [email protected] Felelős szerkesztő: Vajdovich Györgyi 2 ISSN 1416-8154 Fahlenbrach8_Layout 1 2016.05.08. 4:13 Page 26 Kiadja: Számunk megjelenéséhez segítséget nyújtott Kosztolányi Dezső Kávéház a Nemzeti Kulturális Alap. Kulturális Alapítvány Felelős kiadó: Varga Balázs Terjesztő: További támogatóink: Holczer Miklós [email protected] 36-30-932-8899 Arculatterv: Szász Regina és Szabó Hevér András Tördelőszerkesztő: Macsári Viktória Borítóterv és nyomdai KövetKező számainK témái: előkészítés: Atelier Kft. KORTÁRS KÍSÉRLETI FILM A MAGYAR FILM TÁRSADALOMTÖRTÉNETE 2. Nyomja: X-Site.hu Kft.
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Published 22 February 2019 LKFF 2013
THE BEST OF KOREAN CINEMA RETURNS TO LONDON 제 8회 런던한국영화제 OFFICIAL FESTIVAL BRocHURE 7-22 NoVEMBER 2013 13�OZE�407 Business Smartium(UK).pdf 1 10/18/13 1:44 PM An introduction by LKFF advisor Tony Rayns Just as the Busan International couraging headway in the past year. Film Festival in South Korea likes to Three years after the Independent call itself “Asia’s most energetic film Cinema Office organised a touring festival”, so the annual London Kore- retrospective of films by Hong Sang- an Film Festival could easily call itself soo, a new film by Hong reached the liveliest celebration of a national British distribution for the first time cinema in our calendar. It’s the only and a ‘package’ of four of his older ti- C one that includes everything from tles was sold to Channel 4 Television. M gala screenings in the West End to Several other arthouse and main- family-friendly daytime shows – plus stream commercial titles have found Y Q&A sessions with visiting directors their way into cinema and home- CM and stars and archival explorations video distribution. This represents a MY of Korean film history – all topped better showing than most rival East off with panel discussions and gems Asian film industries have achieved in CY from the arthouse and indie sectors. Britain, but there’s still plenty of room CMY Actually, “lively” isn’t an adequate for improvement. description. Korea currently has the That’s why the Korean Cultural K most accomplished and diverse film Centre organises this large showcase, culture in the whole of Pacific Asia, recognised in Korea as the best of its and the LKFF is an event that kind anywhere in the world.
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Korean Cinema: the Newest Tiger - Mr
This booklet is published to celebrate the Korean Cultural Service New York’s 30th anniversary. From this booklet, you can see what the Korean Cultural Service New York has achieved from 1979 to 2009. Thirty Years of The Korean Cultural Service New York First edition, December 5th, 2009 Published by Korean Cultural Service New York 460 Park Avenue, 6th Floor, New York, NY 10022 Tel : 212. 759. 9550 Fax : 212. 688. 8640 Website : http://www.koreanculture.org E-mail : [email protected] Copyright 2009 by Korean Cultural Service New York All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recovering, or by any information storage and retrieval system, without permission in writing from the publisher. Edited by Meekyung Kim Editorial Assistance by Kyung Jin Lee, Kanghee Suh, Young Hwan Choi Photography by Robert A. Haller, Young Sam Kim, Hyung Eun Min Proofread by Judith Yancey, Jean Jo Cover & text design by Jee Wook Lee Printing&binding by Wonha D&P Table of Contents Thirty Years of the Korean Cultural Service New York: 1979 ~ 2009 Foreword More Things Can Be Done - Mr. Soo Keun Song, Director of the Korean Cultural Service New York Reflections on Korean Culture How Has Korean Culture Been Appreciated by Americans Over the Past 30 Years? - Mr. Peter Hyun, Journalist Korea on Display: How Art and Exhibitions Have Shaped Americans’ Views of Korean Culture - Mr. Chan Yong Yi, 5th Director of the Korean Cultural Service New York - Ms. Soyoung Lee, Associate Curator in the Department of Asian Art at the Metropolitan Museum of Art Korean Cinema: The Newest Tiger - Mr.
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The Housemaid” – Focused on Films in 1960 and 2010 –
International Journal of Korean Humanities and Social Sciences vol. 6/2020 DOI: http://dx.doi.org/10.14746/kr.2020.06.03 A COMPARATIVE STUDY ON DISCOURSE ANALYSIS OF KOREAN MOVIE “THE HOUSEMAID” – FOCUSED ON FILMS IN 1960 AND 2010 – EUN-HYE KIM, Dr. Post-doctoral Researcher Yonsei University 50 Yonsei-ro Seodaemun-gu, Seoul, 03722, Republic of Korea [email protected] ORCID: https://orcid.org/0000-0002-2629-4815 Abstract: Korean legendary film director Kim Ki-Young’s 1960 work The Housemaid was remade in 2010 by director Im Sang-Soo. The study of the two films can be found as a comparative study of cinematic studies on sound analysis and genre analysis, and a sociological study on social images. However, few studies have looked with a discourse oriented approach. Discourse in the movie is not only a window for communication between characters, but also an important device with non-verbal elements, so it can be said to be discourse has a high importance as an analysis target. This study analyzes the film discourse according to Erving Goffman’s dramaturgical analysis to find out the differences between the characters. This study can be said is meaningful in that it has the characteristics of interdisciplinary Eun-hye KIM: A Comparative Study on Discourse Analysis of … research in linguistics and film studies through discourse analysis of two films with different periods. Keywords: Korean movie; Kim Ki-Young; The Housemaid; Erving Goffman; dramaturgical analysis; discourse analysis. 담화 분석을 통한 영화 <하녀> 비교 연구 -1960, 2010 년도 작품을 중심으로- 초록: 한국의 전설적인 영화감독 김기영의 1960 년 작품 '하녀'는 2010 년 임상수 감독에 의해 리메이크되었다.
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THE TASTE of MONEY Credits No T Contractu a L a FILM by Im Sang-Soo DAISY & CINERGY ENTERTAINMENT LOTTE ENTERTAINMENT Present
DAISY & CINERGY ENTERTAINMENT LOTTE ENTERTAINMENT pRESENT L THE TASTE A CONTRACTU T OF MONEY CREDITS NO A FILM BY IM SANG-SOO DAISY & CINERGY ENTERTAINMENT LOTTE ENTERTAINMENT present The tasTe of M(DO-NUIo MAT) NeY A FILM DIRECTED AND wRITTEN BY IM SANG-SOO starring KIM KANG-wOO BAEK YOON-SIK YOUN YUH-JUNG KIM HYO-JIN International SALES International pUBLICITY DAISY & CINERGY Entertainment pR CONTACT 5th Fl Hanlim bldg., 476-21 Seogyo-dong, phil SYMES & Ronaldo MOURAO Mapo-gu, Seoul 121-896, Korea In Cannes: All Suites Garden Studio, Tel.: + 82 2 338 1007 park & Suites prestige Cannes Croisette [email protected] 12, rue Latour Maubourg - 06400 Cannes South Korea / 2012 / DCp / Color / 2.35 / 5.1 / 114 minutes www.daisyent.co.kr Email: [email protected] In Cannes : phil SYMES - Cell: + 33 (0) 6 29 87 62 96 Lerins R14 Ronaldo MOURAO - Cell: + 33 (0) 6 29 84 74 07 Tel.: +33 (0) 4 92 99 33 25 Virginia GARCIA - Cell: + 33 (0) 6 29 81 79 64 [email protected] [email protected] PROLOGUE our hearts grow more desolate, because we must hide the rising sense of guilt quite deeply. DIRECTOR’S STATEMENT I despise ‘very Asian’ films that are frequently invited to European film festivals. More than that, I loathe those who invite them as well. CONTEMpT AND Appreciation. I also find European art house films that imitate the same modes of the past When we are all in Cannes, the French presidential race would be decided several decades very flat. Imitation itself cannot be art.
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